Hypnobobs: Mother Of Toads by Clark Ashton Smith

SFFaudio Online Audio

Mother Of Toads by Clark Ashton Smith

The horrors of medieval witchery in rural France! Hear Mr. Jim Moon narrate the “darkly erotic” Mother Of Toads, originally censored in its Weird Tales publication, Mr. Jim Moon reads it in its “full uncut glory.”

HypnobobsMother Of Toads
By Clark Ashton Smith; Read by Mr. Jim Moon
1 |MP3| – Approx. 1 Hour 16 Minutes [UNABRIDGED]
Podcaster: Hypnobobs
Podcast: January 27, 2013
Weird and powerful was the effect on the young apprentice of the potion given him by Mere Antoinette, known by the villagers as “the Mother of Toads.” First published in Weird Tales, July 1938.

Here’s a |PDF| made from the censored version that appeared in Weird Tales.

Posted by Jesse Willis

Protecting Project Pulp: The Rats In The Walls by H.P. Lovecraft

SFFaudio Online Audio

H.P. Lovecraft’s claimed that his celebrated novelette, The Rats In The Walls, was “too horrible for the tender sensibilities of a delicately nurtured publick.”

The Weird Tales editor, who accepted it, described it as the best his magazine had ever received.

Its publication inspired Robert E. Howard to write to the magazine and that letter was passed on to Lovecraft.

Kingsley Amis described The Rats In The Walls as having “a memorable nastiness.”

And Lovecraft scholar, S.T. Joshi, described it this way: The Rats In The Walls is “a nearly flawless example of the short story in its condensation, its narrative pacing, its thunderous climax, and its mingling of horror and poignancy.”

I call it awesome. How can you not love words like “Obscure rodent manifestations” all strung together? Or this sentence:

“Sir William, standing with his searchlight in the Roman ruin, translated aloud the most shocking ritual I have ever known; and told of the diet of the antediluvian cult which the priests of Cybele found and mingled with their own.”

Protecting Project PulpProtecting Project Pulp No. 47 – The Rats In The Walls
By H.P. Lovecraft; Read by James Silverstein
1 |MP3| – Approx. 1 Hour 1 Minute [UNABRIDGED]
Podcaster: Protecting Project Pulp
Podcast: June 3, 2013
Delapore, a Virginian, recounts the events which occurred after takes up residence in his ancestor’s feudal English seat. First published in Weird Tales, March 1924.

The Rats In The Walls - illustration by William F. Heitman

Posted by Jesse Willis

Review of Hammer Chillers – Series 1: The Box, The Fixation, and Spanish Ladies

SFFaudio Review

Hammer Chillers: Series One

Hammer Chillers – Series 1:SFFaudio Essential

Episode 1 – The Box
By Stephen Gallagher; Performed by a full cast
Released: June 7, 2013
The culmination of the Wainfleet Maritime College sea rescue and safety course is a session in The Box, an underwater helicopter escape simulator. The candidates are ex-navy or air force, and The Box should be an easy exercise for such experienced men. So why are the drop-outs gradually increasing in number? Men are seeing things when they’re submerged, and won’t talk about them when they come out… What is the secret of The Box?

Episode 2 – The Fixation
By Mark Morris; Performed by a full cast
Released: June 14, 2013
When Ian Hibbert witnesses a hoodie dumping a bin of rubbish outside his house, he decides enough is enough. He convenes a group of Darwell residents and sets out to clean up the estate, which has been falling to rack and ruin the past few years. But the Clean Up Darwell group are abused; his daughter is attacked; and finally, one of the committee members disappears. Ian discovers to his cost that someone – or something – doesn’t want him to clean up Darwell. But why?

Episode 3 – Spanish Ladies
By Paul Magrs; Performed by a full cast
Released: June 21, 2013
Phil doesn’t need a girlfriend, his overbearing Mummy tells him. His Mummy will look after him forever. She steams open his post, reads his diary and checks under his bed for mucky magazines. Suspecting that her shy, middle-aged son is seeing a lady, she employs her friend Renee from Friday night bingo to spy on him. But when Mummy discovers that it’s Renee herself who is carrying on with her darling boy, she exacts a terrible revenge…

In the annals of cinema, Hammer Film Productions are a legend, most famous for producing a string of classic horror movies from the mid ’50s until the late ’70s. They brought iconic characters like Professor Quatermass, Dracula, Baron Frankenstein and the Mummy to the screen and made Peter Cushing and Christopher Lee stars.

Hammer ceased film production in 1976 and after a couple of well remembered anthology TV series in the early ’80s – Hammer House of Horror (1980) and Hammer House of Mystery and Suspense (1984), the studio closed its doors. But much like their famous horror creations, they didn’t stay dead. Hammer came back from the grave in the 21st century with a string of new movies – Let Me In (2010), The Resident (2011), Wakewood (2011) and the box office smash The Woman In Black (2012).

However the reborn Hammer hasn’t confined itself to making fine movies – in 2011 they launched a publishing arm, releasing new books by big names such as Jeanette Winterson and Tim Lebbon, and a series of novels that re-imagine their classic movies. Furthermore in January this year Hammer took to the stage with a new play adapting Henry James’ classic ghost story The Turn Of The Screw opening in the famous Almeida Theatre in London.

And now the legendary house of horrors is moving into the world of audio drama with the launch of Hammer Chillers, a series of 30 minute plays which are to be released as weekly downloads from the 7th June, with a complete series CD coming on July 26th. Much like their book imprint, Hammer have gathered together a fine roster for this foray into sonic terror, with established genre writers penning the scripts and plenty of familiar names from British TV and film in the casts.

First out of the gate is The Box (released 7th June) starring Con O’Neill, Alex Lowe and Zoe Lister. The titular device resides at the Wainfleet Maritime College and is used in training courses to simulate an underwater helicopter escape. However this routine exercise is regularly being failed by experienced personnel, leading course instructor Sean (Con O’Neil) to suspect that all is not right within the Box.

Scripted by accomplished novelist and screen writer Stephen Gallagher, The Box presents us with an eerie little mystery that pays off with a rather neat twist-in-the-tail. With a strong cast, excellent production values, and a simple but strong storyline, this is a wonderfully chilling opener for the series. It sets the bar high from the outset and rightly so to build audience loyalty with the rest of the series.

However as good as The Box is, it is comparative gentle compared to the following episodes. The second episode is The Fixation, written by Mark Morris, an author who has been turning out good solid horror novels that are highly entertaining for a good few years now. And The Fixation is quintessential terror Morris-style, taking us to a small English town where something isn’t quite right. Ian Hibbert is a somewhat fussy fellow who becomes increasingly irritated by the litter and trash that is cluttering his community, and vows to clean up his local area. However there is a more sinister reason for the ever growing piles of rubbish accumulating in Darnell than the general decline of society that Hibbert is so worried about.

Like much of Morris’s work, The Fixation reworks classic horror tropes into a contemporary English setting, creating intriguing and imaginative tales that reflect current society. This episode features some wonderful character work, with comic actor Miles Jupp delivering a great performance as the often petty Hibbert. However while Hibbert is in many ways a satire of an irritatingly over-zealous do-gooder, the strength of Morris’ script and Jupp’s performance, is that he and his family will have your sympathy as the horrors unfold. The Fixation is an excellent small town horror tale, chiming nicely with social issues we can relate to, but also using the medium of sound to fine creepy effect.

The third episode comes from Paul Magrs – another very well established author who’s written a very diverse range of books ranging from literary novels to mysteries to Doctor Who fiction. And Mr Magrs is no stranger to audio drama either having scripted several radio plays for the BBC and numerous Doctor Who audio adventures for Big Finish. And his past experience serves him well here in Spanish Ladies. It’s the twisted tale of an overbearing Mummy and her grown-up son Phil who isn’t so much still tied to her apron strings as positively ensnared in them.

For the most part, it plays out like an Alan Bennett piece, all sharply observed but slightly comic dialogue, but when the truly horrible Mummy, played to perfection by Jacqueline King, discovered that not so young Phil has found some romance, you know things are going to take a turn for the worse. Now the magic of good audio drama is painting pictures with words and sounds, and the medium is used to brilliantly hideous effect in Spanish Ladies. It’s pure horror dripping out the speakers!

Overall, it’s fair to say that Hammer Chillers certainly hit the mark and the production company Bafflegab have excelled themselves. They’ve delivered some top notch radio horror here. And aside from the quality scripts and performances, where this series really excels is the fact that they use the medium of sound so well in the stories, truly and fully embracing the audio medium to deliver the chills. Speaking as some one whose listened to a lot of horror radio past and present, with these first three episodes Hammer Chillers are well on the way to establishing themselves as a modern classic of audio horror.

Posted by Mr. Jim Moon

The Valley Of Unrest by Edgar Allan Poe

SFFaudio Online Audio

Though Edgar Allan Poe’s The Valley Of Unrest predates most post-apocalyptic ideas, this beautiful poem, about an empty valley, seems to me about exactly that.

Let me plant a seed for you, that may grow as you read it:

What are the azure towers if not skyscrapers?

The Valley Of Unrest by Edgar Allan Poe

Once it smiled a silent dell
Where the people did not dwell;
They had gone unto the wars,
Trusting to the mild-eyed stars,
Nightly, from their azure towers,
To keep watch above the flowers,
In the midst of which all day
The red sunlight lazily lay.
Now each visitor shall confess
The sad valley’s restlessness.
Nothing there is motionless —
Nothing save the airs that brood
Over the magic solitude.
Ah, by no wind are stirred those trees
That palpitate like the chill seas
Around the misty Hebrides!
Ah, by no wind those clouds are driven
That rustle through the unquiet Heaven
Uneasily, from morn till even,
Over the violets there that lie
In myriad types of the human eye —
Over the lilies there that wave
And weep above a nameless grave!
They wave:— from out their fragrant tops
Eternal dews come down in drops.
They weep:— from off their delicate stems
Perennial tears descend in gems.

Edmund Dulac illustration of The Valley Of Unrest

First published in 1831, as “The Valley Of NisThe Valley Of Unrest would take its final form in the April 1845 issue of the American Review:

The Valley Of Unrest by Edgar A. Poe

Posted by Jesse Willis

The Port by H.P. Lovecraft

SFFaudio Online Audio

Part of the Fungi From Yuggoth sequence of sonnets, this poem, The Port, is one of two featuring the mouldering town of Innsmouth, Massachusetts (as depicted in H.P. Lovecraft’s novella The Shadow Over Innsmouth). It also places the seaport town in relation to another of his famous fictional places, Arkham.

The Port
By H.P. Lovecraft

Ten miles from Arkham I had struck the trail
That rides the cliff-edge over Boynton Beach,
And hoped that just at sunset I could reach
The crest that looks on Innsmouth in the vale.
Far out at sea was a retreating sail,
White as hard years of ancient winds could bleach,
But evil with some portent beyond speech,
So that I did not wave my hand or hail.

Sails out of lnnsmouth! echoing old renown
Of long-dead times. But now a too-swift night
Is closing in, and I have reached the height
Whence I so often scan the distant town.
The spires and roofs are there – but look! The gloom
Sinks on dark lanes, as lightless as the tomb!

And here’s the original art by Boris Dolgov:

The Port by H.P. Lovecraft

Listen to Mister Jim Moon’s reading of it: |MP3|

Posted by Jesse Willis

The Thing At Nolan by Ambrose Bierce

SFFaudio Online Audio

Virtually all of Bierce’s tales are tales of horror; and whilst many of them treat only of the physical and psychological horrors within Nature, a substantial proportion admit the malignly supernatural and form a leading element in America’s fund of weird literature.”

-H.P. Lovecraft, from Supernatural Horror In Literature

A 1,500 word horror tale by Ambrose Bierce, typically bundled as the final of seven short horror stories, under the collective “Some Haunted Houses”, The Thing At Nolan was first published on its own. And that’s why I’ve edited up a special The Thing At Nolan from a larger LibriVox version.

The Thing At Nolan by Ambrose BierceThe Thing At Nolan
By Ambrose Bierce; Read by Peter Yearsley
1 |MP3| – Approx. 10 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: 2006
First published in San Francisco Observer, August 2, 1891.

And here’s a |PDF|.

There’s also a CBS Radio Mystery Theater adaptation, adapted by actor Arnold Moss! It fills in a lot of the details from the very sketchy sketch of Bierce’s original story. Moss also takes a role!

CBS Radio Mystery TheaterCBSRMT #0920 – The Thing At Nolan
Adapted from the story by Ambrose Bierce; Adapted by Arnold Moss; Performed by a full cast
1 |MP3| – Approx. 44 Minutes [RADIO DRAMA]
Broadcaster: CBS Radio
Broadcast: November 20, 1978
Source: CBSRMT.com
When a father vanishes while digging a ditch in frontier Missouri, suspicions fall on the rebellious son who recently threatened him with bodily harm. His mother believes his claims of innocence, but the rest of the townsfolk do not.

Cast:
Court Benson
Russell Horton
Arnold Moss
Bryna Raeburn

Posted by Jesse Willis