SFBRP #135 – Totall Recall by Gordon Bell

SFFaudio Online Audio

The Science Fiction Book Review Podcast Luke Burrage’s Science Fiction Book Review Podcast has another episode out (#135) titled Total Recall by Gordon Bell. But it’s not a Science Fiction book and he doesn’t really review it as much as discuss it and the topic of futurism with Tamahome and me.

Have a listen |MP3|

Podcast feed: http://www.sfbrp.com/?feed=podcast

Here’s what we talked about:
Science Fantastic with Michio Kaku podcast, Jesse doesn’t like Michio Kaku, “anybody who does futurism is a bullshit artist”, the future will be different from the past, Total Recall by Gordon Bell, “get your ass to Mars”, Triangulation podcast #17, Leo Laporte, “internet famous”, pioneers of the internet, oral history, My Life Bits (a Microsoft research project), life journal, OCR (optical character recognition), body heat, respect level going up for Microsoft, Luke keeps everything, “is he weighing his shit as well?”, your life in 100 terabytes, “don’t bother reading the book”, maybe that’s why I hate futurism, it should have been a biography, “if you want good futurism that isn’t going to be proved wrong in ten years…”, Science Fiction is about the human condition, futurism is technology in isolation, Luke just wants to have a conversation with Gordon Bell, the European Juggling convention, your sister’s wedding, proposing on Skype, a successful marriage of convenience, Skype text chat logs go way back, Skype crash!, saving every email that you receive, presumable AIs, “That was fast”, “you better be careful what you say to Luke”, “in ten years time…”, Luke lives publicly and openly on the internet, how many people have an hour long discussion of every book they’ve read this year?, the benefits of living life on the internet openly, extracting entertainment value, “this is terrible”, Robert J. Sawyer‘s Hominids was a Hugo award winning novel, Startide Rising (Jesse hates it), Connie Willis just won the Hugo, “this is a horrible novel”, Connie Willis is good at getting Hugos, she needs an editor, A Good Story Is Hard To Find podcast, Luke was expecting more than crass futurism, “where the fuck did you pull that number from? was it from your ass”, Fu Manchu, Sunshine is a piece of shit (and not Science Fiction), Moore’s Law, “in ten years time”, William Gibson’s “the future is here it just isn’t evenly distributed yet”, bunk, it’s not falsifiable, SFsignal.com, Tam’s expurgated comment, Real Time with Bill Maher, the guy knows less about nuclear physics than I do (based on what he said on the show), burn that whole nuclear site, Chernobyl, Bikini Atoll (actually it was Enewetak Atoll – specifically Runit Island), Google Maps, the hydrogen bomb, Neil deGrasse Tyson is a lot better, the Hayden Planetarium, “when he talks I get more facts (and he doesn’t do futurism)”, string theory, Jesse doesn’t like Michio Kaku, Luke doesn’t like podcasts that run more than an hour, “that’s a whole separate podcast”, a nerdy internet guy, pocket protectors (are awesome) (see?), a condom for you pocket (they are handy), Revenge Of The Nerds, geek vs. nerd, the Functional Nerds podcast, Patrick Hester, Geek Nights podcast, nerding vs, geeking, “I don’t have nerdgasms”, hot rodding your computer, history geeks, enthusiasts, professionals vs. nerds, Star Trek nerds, they misunderstood Scotty’s origin, red matter is nothing, Star Trek movie made Luke cry, i09, “the top 10 suicide missions in SF”, ramming speed, WWII, “submarmine”, ram the “submarmine”, the Titanic, in 38 years everyone will be ramming other ships, health and safety, 1919, “I can’t believe the way this conference is going…”, futurism works in a story, the internet vs. cyberspace, Snow Crash, the blogsphere (discussion boards) were predicted (?) by Orson Scott Card in Ender’s Game, The Huffington Post, Luke really has to go now.

Runit Island


Posted by Jesse Willis

LibriVox: The Eyes Have It by Philip K. Dick

SFFaudio Online Audio

LibriVoxOne of the shortest, if not the shortest, of all of Philip K. Dick’s many short stories. First published in 1953, in Science Fiction Stories #1, The Eyes Have It, is just a simple story about a literal man and the ridiculous alien invasion he imagines. It’s a silly little piece of fluff. A mere lighthearted thought experiment. Just a fun little story of no real account or import. In fact it’s barely …. wait one second … could it … ? …. what if … ? … HEY! That’s that just what they want you to think!!!

LIBRIVOX - The Eyes Have It by Philip K. DickThe Eyes Have It
By Philip K. Dick; Read by Gregg Margarite
1 |MP3| – Approx. 8 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: March 20, 2010
|ETEXT|
A little whimsy, now and then, makes for good balance. Theoretically, you could find this type of humor anywhere. But only a topflight science-fictionist, we thought, could have written this story, in just this way….

Posted by Jesse Willis

Norbert Elliot’s lecture on Jorge Luis Borges

SFFaudio Online Audio

NJITNorbert Elliot’s World Literature 330 course is designed to offer:

“…students an opportunity to enhance their understanding of contemporary global interactions by exploring a diverse array of culturally expressive artifacts–novels, short stories, and poems–groups geographically by region. Course readings represent the following regions: North America; Latin American and the Caribbean; and Australia and Oceania”

Lecture 11 is titled – Jorge Luis Borges |MP3|

Posted by Jesse Willis

BBC Radio 4: Cat Women Of The Moon (a documentary about sex and gender in Science Fiction)

SFFaudio Online Audio

Sex In Space

Radio Times review (by Jeremy Aspinall) of Cat Women Of The MoonBBC Radio 4Cat Women Of The Moon
Presented by Sarah Hall
2 Part Broadcast – Approx. 1 Hour [DOCUMENTARY]
Broadcaster: BBC Radio 4
Broadcast: August 30, 2011 and September 6, 2011 11.30am-12.00 UK Time
Cat Women Of The Moon was a Fifties film that followed a popular motif in science fiction; an all-women society surviving without men. In the first of these two programmes, Sarah Hall looks at how science fiction has been used to examine relationships between the sexes – and in some cases, more than two sexes. In many novels the exploration of sexuality is unconventional and experimental. Some societies have more than one sex; in others, people can change sex at will. In other science fiction worlds, people form relationships with aliens or they might have sex with artificial life forms. The programme includes contributions from leading science fiction writers including Iain Banks, China Mieville and Nicola Griffith. The programme is presented by the Sarah Hall, author of The Carhullan Army and The Electric Michelangelo, which was shortlisted for the Booker Prize.

Producer by Nicola Swords

I did a search and it appears that the complete 1954 film of Cat Women Of The Moon is in the public domain. Even better it is easily available for download from the Internet Archive |CAT WOMEN OF THE MOON| in a variety of formats (though there isn’t a 3D version as far as I could see). Here’s the |AVI|.

[Many thanks to Roy for the spot!]

Posted by Jesse Willis

SFBRP #134 – A Science Fiction Book Review Podcast Review Podcast

SFFaudio Online Audio

The Science Fiction Book Review Podcast Our friend Luke Burrage, of the Science Fiction Book Review Podcast, has a new episode up (SFBRP #134) that features a discussion of other book reviewing podcasts. Writes Luke:

“This episode I invited Jesse and Tamahome from the SFFaudio Podcast to review other podcasts that review, or at least talk about, science fiction and fantasy novels and other literature. This was inspired by an overcrowded and shallow look at podcasts on a recent episode of the SF Signal podcast that Jesse took part in, and we all agreed we had more to say on the subject.”

Have a listen |MP3|

Podcast feed: http://www.sfbrp.com/?feed=podcast

Here’s what we talked about:
Luke’s been busy, reviewing podcasts about science fiction book reviews, Tamahome comes from Fushigi Yûgi, The SFFaudio Podcast, writing a blog is slower than talking on a podcast, SFFaudio readalongs are like a book club, talking with authors, TOPIC episodes, FOOD in Science Fiction, STUPIDITY AND INTELLIGENCE in SF, chatting about SFF literature, Luke is not much on comics, TV, or movies, Tamahome adds colour, “a three-body problem”, Robert J. Sawyer, rape, Hominids, “copious shownotes”, a movie is a footnote to the book, When Gravity Fails by George Alec Effinger, Children Of Men by P.D. James, I Am Legend, pretending there is no movie, Luke doesn’t totally agree with his own argument, The Hunger Games by Suzanne Collins, “it’s The Matrix problem” (sequels), Blade Runner, destroying the sense of wonder, this is why religions eventually collapse too (drilling down), lot’s of hippies having a rave doesn’t interest Luke (or me), gnosticism shouldn’t or can’t be known, sequel-itis or sequel fatigue, it seems as if the only books on store shelves today are series, SFBRP reviews are about just one book per episode and only books, Luke get’s great feedback, Goodreads.com, Amazon.com, SFBRP community is self serving but with wonderful externalities, Luke’s Creative Podcast, A Good Story Is Hard To Find, Scott D. Danielson, Julie Davis, Eifelheim, Catholicism, spoilers, A Good Story Is Hard To Find may be the best podcast out there, SFBRP is irregular, Serenity, Stories Of Your Life by Ted Chiang, Black Cherry Blues by James Lee Burke, East Of Eden, The Franchise Affair by Josephine Tey, historical fiction, Fantasy, mystery, Quiz Show, “the traces of one reality”, the Writing Excuses guys are three Mormons?, SFSignal Podcast #70 with Jesse, podcast lists with no discussion (and no women), The Geek’s Guide To The Galaxy podcast #42 (an interview with Eoin Colfer), [**Eoin should be pronounced “Oh-Ehn”**], the purpose of sequels is to milk the back catalogue, Isabel Allende, the Douglas Adams estate, The Dirk Gently TV series (trailer), John Joseph Adams, David Barr Kirtley is pretty damn good, philosophy, bring the interviewee into the discussion, sycophantic interviews, Jack Womack, Requires Only That You Hate, The Sword And Laser Podcast is a book club podcast, a casual book club, The Jane Austen Book Club, Rim and Scott, The Geek Nights Book Club, board games and computer games, comics and manga, World War Z, The Lies Of Loch Lamora, The Prince Of Nothing, the Geek Nights forum, “speller and gramming”, Rim and Scott (and Luke) are frequent guests on the Friday Night Party Line podcast, Beyond The Door, The Hanging Stranger by Philip K. Dick, Fair Game by Philip K. Dick and The Garden Of Forking Paths by Jorge Luis Borges, the Lightspeed podcast (has spoiler introductions), Jack McDevitt, “he doesn’t want you to worry”, Minding Tomorrow by Luke Burrage, time travel, Terminal World by Alastair Reynolds, The Things (Sffaudio post) by Peter Watts, Courtney Brown of Emory University, the Science Fiction And Politics podcast, Foundation by Isaac Asimov, “all I’m here to do is make you guys argue”, Janelle Monáe, Darwin’s Radio by Gregg Bear, Dan Simmons (Tam was thinking of Darwin’s Blade), Snow Crash, bringing a different spin, The Kick Ass-Mystic Ninjas, Harry Harrison, spoilers don’t necessarily really spoil anything, medieval Germany, when walking a tight-rope Luke strikes a balance, the Gweek podcast, Mark Frauenfelder has a genuine enthusiasm that’s infectious, Ready Player One, Mur Lafferty’s I Should Be Writing format is broken for me, the Paul The Book Guy podcast, it’s a panel show with sound effects and jingles, the segments are way too brief, “books, audiobooks, audio drama”, “a series of commercials” it’s overproduced, The Skiffy And Fanty Show, John DeNardo, Geek Night’s competition for the worst podcast on the internet, War Of The Worlds 2, “Torture Cinema”, Shaun Duke and Jen Zink, “book mountain”, “this podcast is all about me and my slurpee”, picking crappy movies on purpose, “a little bit shallow”, having a barrier to entry, there aren’t as many podcasts about books as one would hope, SFBRP is highly placed on iTunes, The Dragon Page podcast, Arizona, Web Genie, Adventures In Scifi Publishing, podcasts about publishing don’t interest Jesse, stop sending Luke books to review, the many TWiT podcasts, claims of “we’re not shilling” = shilling, do you need to compromise your art for $50?, professional podcasters provide a service, Microsoft Security Essentials, Microsoft made a product that is free, great, and works?, Leo Laporte is has a genuine personality, Jeff Jarvis, Audible ad segments on TWiT have value (and should be compiled), Andy Ihnatko, Macbreak Weekly, the SFBRP:RP, (Tam forgot to mention Coode Street/Galactic Suburbia)

[**Thanks also to Kate O’Hanlon**]

Posted by Jesse Willis

Hugo Blick’s The Shadow Line

Aural Noir: Online Audio

The Shadow LineLets assume that each medium offers its own best format. If that’s true, then on TV it is the limited series programme that is the least respected and most underrated. Take The Shadow Line, a BBC 2 television series, created written and directed by Hugo Blick and starring Chewitel Ejifor. The UK paper reviewers seem to want to compare it to The Wire or the Danish series The Killing. But that’s wrong. The Shadow Line isn’t much like either. Really it is just good old fashioned thriller, something the BBC TV has done before. It’s more in the vein of House Of Cards or Edge Of Darkness. But this time it comes primarily from a single creator’s vision. This give it an extended metaphor, the “shadow line” of the title, a thread that pops up in new ways in each episode. It is both a point of dialogue and a mass of ideas. Here’s the show’s premise:

A homicide detective, with partial amnesia, returns to the job to investigate the murder of a recently pardoned heroin importer.

The Shadow Line was aimed high, and it achieved many of its goals. Where it works, it works stunningly well. Where it fails, it fails in small ways, and then moves on. In the end it is an utterly noir thriller, a highly stylized television poem and meditation on life, death and society. The methodically slow paced, cryptic, surprisingly ruthless plot delivers its message in a persuasive form, as a limited series. Most refreshing of all, it does not play, as seems does most TV, to the stupidest person in the room. One commenter put it succinctly:

“This series reminds me why it is worth paying a licence fee. Only the BBC makes drama as good as this. Drama that doesn’t treat the audience like morons.”

Another said this:

“Superb series, and the first time for an awfully long time that I’ve seen a drama on TV that’s made my brain work.”

A third, this:

A sheer joy from start to finish, even with the odd line of clunky dialogue. It was crisp and weird, and the odd, crystal-clear delivery and stylised speech of the characters, from the police to the gangsters, made it stand out from a host of dirge that has been on the screens lately. Yes it had flaws, but the complexity, the suspense, the tension, the labyrinthine plotting and the odd-ball cast of characters made it the best British drama for years.

I agree completely.

Discussion of the programme:
TV.com UK Podcast |MP3|
BBC Radio 4’s Saturday Review podcast |MP3|
British TV Podcast Show #89 |MP3|

Interviews:
Highlights From The Green Room (with Chewitel Ejifor) |MP3|

Posted by Jesse Willis