Harlan Ellison, host of Hour 25, talks to D. Scott Rogo and David Alexander about psychics, spoon benders, séances, and other bunk paranormal phenomena. From October 31, 1986.
Posted by Jesse Willis
The Graveyard Shift: The Body Snatcher by Robert Louis Stevenson
Originally from KPFK’s The Graveyard Shift, broadcast October 17, 1978, Dudley Knight reads Robert Louis Stevenson’s The Body Snatcher.
|MP3|
[via From The Vault]
Posted by Jesse Willis
Hour 25: Harlan Ellison interviews Robert Silverberg
Hour 25, hosted by Harlan Ellison, October 24, 1986 – guest Robert Silverberg.
[via SFSignal.com]
Posted by Jesse Willis
Hour 25: Jack Catran vs. audience
This Hour 25 recording, I think hosted by Mike Hodell, has Jack Catran talking to callers regarding his ideas (about the difficulty SETI faces). Broadcast August 13, 1982.
Posted by Jesse Willis
Review of Crown of Slaves by David Weber & Eric Flint
Crown of Slaves (Honorverse: Wages of Sin #1)
By David Weber & Eric Flint; Narrated by Peter Larkin
Publisher: Brilliance Audio (Audible 2009)
[UNABRIDGED] – 20 hours
Themes: / military sci-fi / slavery /
Publisher summary:
The Star Kingdom’s ally, Erewhon, is growing increasingly restive in the alliance because the new High Ridge regime ignores its needs. Add to that the longstanding problem of a slave labor planet controlled by hostile Mesans in Erewhon’s stellar back yard, a problem which High Ridge also ignores. Finally, the recent assassination of the Solarian League’s most prominent voice of public conscience indicates the growing danger of political instability in the League – which is also close to Erewhon. In desperation, Queen Elizabeth tries to defuse the situation by sending a private mission to Erewhon led by Captain Zilwicki, accompanied by one of her nieces. When they arrive on Erewhon, however, Manticore’s most capable agent and one of its princesses find themselves in a mess. Not only do they encounter one of the Republic of Haven’s most capable agents – Victor Cachat – but they also discover that the Solarian League’s military delegation seems up to its neck in skullduggery. And, just to put the icing on the cake, the radical freed slave organization, the Audubon Ballroom, is also on the scene – led by its most notorious killer, Jeremy X.
Multiple articulated segments valiantly strive to give shape to this story. At times they move in joint cooperation and at others, they do not. This coauthored book is the first in what is being labeled the “Honorverse” series. It is said that it will launch an exciting new telling that… I’m sure you get the idea, or at least the idea that the publishers and Weber might wish you to have. The story appears simple at the surface. We encounter issues of slavery, the incessant pursuit of power, ill-conceived notions of political philosophy, religious ranting, and a whole lot of exposition. Yes, this seems simple, right? And to some degree it is. But a recipe merely listing the ingredients does not guarantee a tasty delight on the tongue. Or in this case, the literary palate. David Weber is a talented writer. Unfortunately Weber’s skill is not on display in this book.
First off, I don’t like writing reviews wherein I simply dump on an author’s book. It is easy to criticize something and all too often we tend to focus on the negative more than the positive. As I indicated, David Weber is a gifted writer in the military science fiction genre. His first volume of the Honor Harrington series On Basilisk Station is a fine read. But this book lacks Weber’s eye for craft. The sheer tonnage of exposition in this book is staggering. I’m not a fan of the information-dump, and I am especially not a fan when you are strapped down and force-fed it until your eyes glaze over. Flint and Weber’s ability to provide the reader with a strong foundational understanding of the rationale behind all character and political motivation is stunning. In many ways this book has the feel and tonality of a history book. You learn who did what and then why. This knowledge then is the underlying cause for the action of a character that you will now be told about. And perhaps this is my core issue. I felt as if this story was told to me and not shown. If this had been a lecture about lectures, it would have been more interesting than this book. Aside from massive droughts of exposition, flat characters, and shoddy dialogue, come the issue of adverbs. If you are reduced to using adverbs in dialogue attribution in order to tell the reader how someone says their lines, it is up to the editor to politely ask (demand) the author to rewrite. This book is full of adverbs and awkward transitions between metaphors and similes that are rarely rendered well.
Peter Larkin serves as narrator. And while his performance is better than I’ve heard in the past, he still injects far too much drama into his reading. His interpretation of youthful characters is distracting at best and downright irritating for the most part. Larkin doesn’t fall into the pitched cadence reserved only for air traffic controllers but comes dangerously close on several occasions. If Larkin can set aside the idea of performing and just read, he’ll do well in the business.
The musical score at the beginning and end of each CD is too long, too dramatic, and distracting to the extent of making it difficult to hear the narration under the music. In this case, a little goes a long ways.
Posted by Casey Hampton.
Review of Extinction by B.V. Larson
Extinction (Star Force #2)By B.V. Larson; Performed by Mark Boyett
Publisher: Brilliance Audio
[UNABRIDGED] – 12 hours
Themes: / aliens / military sci-fi / fighting bugs /
Publisher summary:
Earth’s Star Force Marines invade an alien world! In the second book of the Star Force series, Kyle Riggs has another bad year. The Nano ships have a new mission – one that sentences their pilots to death. Meanwhile, the governments of Earth want to steal Star Force’s Nano technology for their own. Worst of all, Earth has made a promise to the Macros, and the machines are coming to collect. Extinction is the story of Earth’s entry into an interstellar war between living creatures and machines. To buy the peace, we’ve signed up with the machines.
If the first book of B. V. Larson’s Starforce series set humanity at the center of a conflict between Replicators and Terminators, this second entry sticks with that mostly successful formula and improves on it with a healthy dose of Starship Troopers. Kyle Riggs remains the protagonist and narrator of the story and all the important characters from the previous novel return and see some development. The plot of Extinction can be broken into five major acts, which for the purpose of this review I will call Return to Earth, Independence, Exploration, Growth, and Fighting Bugs.
The Return to Earth portion of the story brings Kyle back from the confrontation around Venus that ended Swarm. It essentially serves to reintroduce readers to his character and give some nods to character development. Gone is the mild-mannered university professor of the previous novel. Riggs has been transformed by his experiences in South America and around Venus and is now a hard as nails military commander. Larson devotes just enough time to the deaths of Riggs’s children and the other horrors of Swarm to show that his protagonist still has a human side, despite being enhance by a body full of nanites.
The portion of the story that I think of as Independence finally brings some serious political intrigue to the series. I know that this is Starforce, not Game of Thrones, but it’s nice to see some consideration given to the big picture. In addition to establishing clear political relations between Starforce and the nations of Earth, this second portion of the novel develops the relationship between Riggs and his sometimes-commander Crow. Sandra is back as well and, while Riggs still appears to treat her as little more than a sex machine and foil for exposition, the author at least gives Sandra more freedom to act. She even surprises Riggs a few times throughout the story by taking initiative in difficult situations and pushing him to make the right decisions.
The Exploration and Growth portions of the story race by as quickly as the year of plot time that they encompass. Larson pulls in more elements from the science fiction cannon in these sections, with star gates, inertial suppression (or the lack thereof), and the difficulties of negotiating with artificial intelligences all adding their flavors to the story. Little can be said about this portion of the story without giving away the plot points, so I’ll just say that if you like fast moving exposition about strange planets and alien technology, this part of the story is a great read.
Everything in the book builds up to the final portion of the story, which can be summarized in two words: Fighting Bugs.
The alien enemies in this portion of the story are truly alien, even if we have seen similar creatures from other series, and they give the Starforce marines a good fight. Thousands of nanite-enhanced marines and machine gun-toting aliens are slaughtered on the altar of audience entertainment in a bloodbath of storytelling that rivals the plot of Starcraft. If that sort of action is what you are looking for, then this book will be exactly your cup of energy drink. On the other hand, this section of the book does have a distinctly video game feel to it, as Kyle Riggs slogs neck deep through the blood of literally thousands of other humans and aliens as they are slaughtered all around him. Sure, readers need a hero with which to identify, but at some point you stop caring about Kyle Riggs as a character and just assume that he will survive any situation to get the reader to the next battle.
I think that this book should mark the decision point for readers. Two books into the Starforce series, Larson has clearly established what sort of story he is telling. If you like this particular brand of military scifi, you’re going to get your fill. Larson does little to expand on already existing science fiction tropes, but like a very talented Lego artist, he continues to stick these already existing elements together to build new stories that are quite cool, even if the edges are a bit rough and the construction materials easily recognizable.
The production quality of this audiobook was excellent. Mark Boyett provides the perfect narration for a character who still retains elements of his former life, but is slipping deeper into his role as a cold-hearted commander. The CD version I listened to comes on ten discs, each of which begins and ends with a short musical cue. I started to find the narration a little slow in parts, so about three hours in I set my iPod to double-speed and was much more content. Don’t take this to mean that the narration is too slow. I think it is perfect, as the standard speed is just right for people who are new to audiobooks and long time listeners like me can double it with little distortion.
Posted by Andrew Linke