Review of Chicks Kick Butt

SFFaudio Review

Chicks Kick ButtChicks Kick Butt
Edited by Rachel Caine and Kerrie L. Hughes
Performed by Joyce Bean, Jennifer VanDyck, Justine Eyre, Khristine Hvam, Lauren Fortgang, Nicola Barber, Dina Pearlman, Piper Goodeve, Aimee Castle, Elizabeth Livingston, Christina Delaine, and Kim Mai Guest
Publisher: Brilliance Audio
13 hours [UNABRIDGED]

Themes: / urban fantasy / vampires / werewolves / demons / exorcisms / short stories /

Publisher summary:

Today’s women don’t stand around waiting for a hero. These days, women are quite capable of solving their own problems and slaying their own dragons (or demons, as the case may be). In this all-new anthology, Kerrie L. Hughes and New York Times bestselling author Rachel Caine have collected original stories from thirteen of today’s most exciting urban fantasy and paranormal authors. Each story features a strong heroine who kicks butt and takes names in a dangerous world and makes that world a better place for everyone in it — except the bad guys, of course. And if she finds a bit of romance along the way, well, a little heat warms the heart and sharpens the mind . . . just as long as the man can keep up.

Chicks Kick Butt is an anthology of stories with strong, driven female protagonists written by women. I am pretty sure that I’ve never read anything by the majority of the authors, and it was the concept that made me pick it. Most of the stories involved characters or worlds from other, full-length novels. Please note there are spoilers in the individual reviews for the stories, so let me just say if you’re looking for a light entertaining read, I may not recommend this anthology. It was uneven in terms of writing quality overall, although the stories by Rachel Vincent and Lilith Saintcrow were quite good. I will be honest, some of the writing was so bad I couldn’t finish listening, and so the review is only for the first part of the story. The audio narration was similarly off, with some of the narrators’s over-the-top characterization taking me out of the story. There was a neutral male voice actor who gave each story’s relevant info. While the audiobook came on disks, I transferred it to digital for ease of listening. So it is not a flaw, but on each end track the audio would fade into music, there would be the instruction to switch disks, and then the last few sentences would be repeated before moving on.

On to the individual stories:
Shiny by Rachel Caine – *** Not really my thing, but pretty good. I am unfamiliar with this author’s other work, but she wove the explanations in really well. The story was really character driven over the sunny backdrop of Florida, and was definitely entertaining, with diamond bikinis, fast cars, and handsome men. I wouldn’t seek out her work, but I’d listen if she was included in another anthology. The car-obsessed main character, Joanne, has a great voice.

In Vino Veritas by Karen Chance – * So bad I had to stop listening. The narrator was pretty neutral, but the writing was just bad. Admittedly, I’m pretty picky with vampire stories, but I did try to give it a chance even after they came out with the ‘dhampire’ bit. I enjoy well-done daywalker stories. This just wasn’t one of them.

Hunt by Rachel Vincent – **** Powerful, slightly triggery with flashbacks to a sexual assault, threatened sexual assault, and violence. Werecat Abby goes on vacation with some friends only to have their camp invaded by several violent men. It is a story about finding the strength within oneself, and the narrator was a perfect match to the story. She relayed Abby’s emotional reaction to the events well without distracting from the story.

Monsters by Lilith Saintcrow – **** Characters, concept, narration, all of it was great. Perfect match between the tone of the narrator and the luridly poetic imagery. This story threw together a vampire and werewolf in a quest for revenge, but the depiction of both felt fresh, more visceral than most modern vampire stories. I would definitely read more by this author.

Vampires Prefer Blondes by P N Elrod -*** Surprised how much I liked it. Narrator really sold it, effortlessly falling into the main character and the verbal ticks of the noir novel. I had my doubts for the first track or two, but the story drew me in. It had a very solid universe that didn’t need much explanation, plus the realistic reactions of the characters was a refreshing change.

Ninth Tenths of the Law by Jenna Black – ** I was getting an Exorcist vibe from this (which is good, especially since it was about exorcism), but the ending was a bit weak. The build up was great, with a runaway rebellious teenage possibly possessed by a demon, an over-bearing religious fanatic, and a jaded protagonist, but then the world-building kicked in and overshadowed a really interesting story. I understand that Morgan having a demon inside her is from a series of novels, but here it felt like a cheap trick to resolve the plot. The narrator was great, completely hidden by the story.

Double Dead by Cheyenne McCray – ** I had to look this one up to see which one it was, and I still can’t really remember anything about it.

A Rose by Any Other Name Would Still be Red by Elizabeth A Vaughn – ** I really wanted to like this. It was probably the most violent of the stories, and the violence was described rather well. I couldn’t get a good handle on the main character or world. It felt like something that should be developed into a longer format.

Superman by Jeanne C Stein – * I couldn’t get into this at all. I listened to the whole thing, but found my mind wandering. Neither the narrator’s delivery nor the story were strong enough to hold my interest.

Monster Mash by Carole Nelson Douglas – **** Although I’m sure I missed a few references, I enjoyed this story quite a bit. There’s a lot to keep up with as Delilah tries to figure out who or what is haunting a supernatural casino, but it’s entertaining even if you’re unfamiliar with this universe. Narrator did an excellent job, with just enough characterization to make it fun.

Wanted Dead or Alive by L A Banks – *** Interesting (yes, I know, damning with faint praise). It was a little hard to follow, as the beginning was an infodump on the particulars of vampires in this universe, but I would give the author another shot with something longer. The characters were interesting, there was just a lot of explaining going on.

Mist by Susan Krinard – * I couldn’t finish this, and I LOVE Norse mythology. It may have been the combination of narrator and text. The voice actor droned a little while I was trying to parse which parts of the mythology they were using, and together it just lost my interest. I listened through to the fight scene in the park, but I figured I had enough when even a fight between a valkyrie and a giant couldn’t keep my attention.

Beyond the Pale by Nancy Holder – NR. At first the story was amazing, although the changeling bit made me snort out loud in surprise (Hitler and Manson as changelings instead of humans) but I let that part go. Then it got to the bit where faeries actually stole babies and the Nazis were blamed for it, and no. Just no. It kept nibbling at my mind while I was listening to what seemed to be a very well written story, so it would appear this isn’t the story for me.

Posted by Sarah R.

The SFFaudio Podcast #215 – TALK TO: Xe Sands

Podcast

The SFFaudio PodcastSpoken Freely Presents: Going Public ... In ShortsThe SFFaudio Podcast #215 – Jesse talks to narrator Xe Sands about Spoken Freely: Going Public In Shorts.

Talked about on today’s show:
Xe is a family name, xenon, a rare poisonous gas, a noble gas, the Going Public project, poems, stories, D.H. Lawrence, Banned Books Weeks, Lady Chatterley’s Lover, The Yellow Wallpaper by Charlotte Perkins Gilman, Peter Davies, Little Fictions, Why I Wrote The Yellow Wallpaper, first person narration, changing sides, Herland, The Pit And The Pendulum by Edgar Allan Poe, suspense, Paul Michael Garcia, 36 stories, 1 essay, Simon Vance, 1 speech, Dion Graham, Abraham Lincoln, blog hopping throughout the month of June, Downpour.com, verklempt, Xe Sands narrates literary fiction, general fiction, and romance, beefcake, a melodramatic emotional journey, Magnificence, The Vanishers, The Bostonians by Henry James, paranormal romance, urban fantasy, Three Days To Dead, Hexes and Hemlines, cozy mysteries, Washington, Juliet Blackwell, a familiar pig, literary fiction vs. general fiction, W.W. Norton, Anton Chekhov, Digital Divide: Writings for and Against Facebook, YouTube, Texting, and the Age of Social Networking by Mark Bauerlein, the culture of SoundCloud, bulletin board systems, here’s what happens when a spider lands on you when you’re recording a love theme, Xe Sands on Twitter is @xesands, coffee, how to start on Twitter, pre-reading, pronunciation, questions, post-apocalyptic Seattle, Tarnished And Torn, The Cursed (League of the Black Swan, #1) by Alyssa Day, Reachout And Read, Cassandra Campbell, Dick Hill, Mark Twain, Luke Daniels, Philip K. Dick, Kevin Hearne, Patrick Lawlor, The Lottery Ticket by Anton Chekov, next year?, LittleFiction.com, Amanda Leduc.

Posted by Jesse Willis

Review of Deadhouse Gates by Steven Erikson

SFFaudio Review

Deadhouse GatesDeadhouse Gates (Malazen Book of the Fallen #2)
By Steven Erikson; Performed by Ralph Lister
34 hours [UNABRIDGED]
Publisher: Brilliance Audio
Themes: / epic fantasy / magic / desert / empire /

Publisher summary:

In the vast dominion of Seven Cities, in the Holy Desert Raraku, the seer Sha’ik and her followers prepare for the long-prophesied uprising known as the Whirlwind. Unprecedented in size and savagery, this maelstrom of fanaticism and bloodlust will embroil the Malazan Empire in one of the bloodiest conflicts it has ever known, shaping destinies and giving birth to legends…. Set in a brilliantly realized world ravaged by dark, uncontrollable magic, this thrilling novel of war, intrigue, and betrayal confirms Steven Erikson as a storyteller of breathtaking skill, imagination, and originality — a new master of epic fantasy.

This book was pretty amazing.  I want to say that right off the bat.  This book is something special.  Steven Erikson has a wonderful way of writing about things that we know nothing about as readers but by the end of the book you look back and have a whole new appreciation for everything you read previously.  His foreshadowing is so subtle and wonderfully done that you don’t even realize that you realize that it’s coming, until in comes.

The characters are all very cool, including a few characters who return from Gardens of the Moon.  Kalam is a real favorite of mine; I really like his progression in this book as he is originally from Seven Cities and it affects him on an emotional level.  I also absolutely love Mappo and Icarium.  Those two were by far in my opinion the most interesting characters, and their relationship is memorable.

We get to see a whole new continent in this book in Seven Cities, with a middle eastern, desert feel.  The Whirlwind is an interesting concept; there is no doubt that this is another world that is extremely dangerous and volatile.  There is no safety anywhere and almost every decision made is one of life or death.

This book ends in a truly epic fashion and I think that anyone who enjoyed Gardens of the Moon will undoubtedly love Deadhouse Gates.  It has awesome magic, epic sword fights, political intrigue, and some truly horrifying monsters.  This book in my opinion surpasses Gardens of the Moon and sets the stage for a truly epic series that I can’t wait to finish.  This is only the second book of ten and I just can’t wait to see where this story is going to go.  I cannot recommend this book enough.

This book is read by Ralph Lister who really brings these characters to life in a way that is truly believable.  It’s as if there are a whole cast of people reading this book.  He does such a wonderful job.  I look forward to listening to Memories of Ice.

Posted by Scott Russell

The Port by H.P. Lovecraft

SFFaudio Online Audio

Part of the Fungi From Yuggoth sequence of sonnets, this poem, The Port, is one of two featuring the mouldering town of Innsmouth, Massachusetts (as depicted in H.P. Lovecraft’s novella The Shadow Over Innsmouth). It also places the seaport town in relation to another of his famous fictional places, Arkham.

The Port
By H.P. Lovecraft

Ten miles from Arkham I had struck the trail
That rides the cliff-edge over Boynton Beach,
And hoped that just at sunset I could reach
The crest that looks on Innsmouth in the vale.
Far out at sea was a retreating sail,
White as hard years of ancient winds could bleach,
But evil with some portent beyond speech,
So that I did not wave my hand or hail.

Sails out of lnnsmouth! echoing old renown
Of long-dead times. But now a too-swift night
Is closing in, and I have reached the height
Whence I so often scan the distant town.
The spires and roofs are there – but look! The gloom
Sinks on dark lanes, as lightless as the tomb!

And here’s the original art by Boris Dolgov:

The Port by H.P. Lovecraft

Listen to Mister Jim Moon’s reading of it: |MP3|

Posted by Jesse Willis

The Thing At Nolan by Ambrose Bierce

SFFaudio Online Audio

Virtually all of Bierce’s tales are tales of horror; and whilst many of them treat only of the physical and psychological horrors within Nature, a substantial proportion admit the malignly supernatural and form a leading element in America’s fund of weird literature.”

-H.P. Lovecraft, from Supernatural Horror In Literature

A 1,500 word horror tale by Ambrose Bierce, typically bundled as the final of seven short horror stories, under the collective “Some Haunted Houses”, The Thing At Nolan was first published on its own. And that’s why I’ve edited up a special The Thing At Nolan from a larger LibriVox version.

The Thing At Nolan by Ambrose BierceThe Thing At Nolan
By Ambrose Bierce; Read by Peter Yearsley
1 |MP3| – Approx. 10 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: 2006
First published in San Francisco Observer, August 2, 1891.

And here’s a |PDF|.

There’s also a CBS Radio Mystery Theater adaptation, adapted by actor Arnold Moss! It fills in a lot of the details from the very sketchy sketch of Bierce’s original story. Moss also takes a role!

CBS Radio Mystery TheaterCBSRMT #0920 – The Thing At Nolan
Adapted from the story by Ambrose Bierce; Adapted by Arnold Moss; Performed by a full cast
1 |MP3| – Approx. 44 Minutes [RADIO DRAMA]
Broadcaster: CBS Radio
Broadcast: November 20, 1978
Source: CBSRMT.com
When a father vanishes while digging a ditch in frontier Missouri, suspicions fall on the rebellious son who recently threatened him with bodily harm. His mother believes his claims of innocence, but the rest of the townsfolk do not.

Cast:
Court Benson
Russell Horton
Arnold Moss
Bryna Raeburn

Posted by Jesse Willis

Review of Deathworld by Harry Harrison

SFFaudio Review

deathworldDeathworld
By Harry Harrison; Read by Jim Roberts
Publisher: Brilliance Audio
6 hours [UNABRIDGED]

Themes: / gambler / psionic abilities / planetary worlds / planetary colonists /

Publisher summary:

Professional gambler Jason dinAlt, who has ‘psionic’ abilities, is hired to win a great deal of money for a mysterious and very imposing stranger. When he ‘breaks the bank’ their expertly timed escape gets them off-world just in time. The gambler learns he has helped the dwellers of Pyrrus, otherwise known as ‘Deathworld’ – a planet that appears to be fighting and trying to destroy its inhabitants. Intrigued, he determines to see this world and learn its secrets. He discovers that there are colonists who live outside the embattled city who are not under constant and ever evolving attack from the planet. Jason’s efforts to help the city dwellers and re-unite the two planetary groups before they are all destroyed makes for a gripping listen.

Deathworld is one of Harry Harrison’s early books written in the finest tradition of the pulps with a forced romance and a flimsy excuse, but highly entertaining nevertheless. Jason dinAlt, the psionic gambler with a heart of gold, decides to go the the deadliest known planet in the universe due to a fit of malaise and stays there in spite of a rather tedious training period (made more enjoyable if you imagine Eye of the Tiger playing in the background). However, once he gets released into the general population, the mystery of Pyrrus picks up and it’s certainly a mystery I never suspected.

Pyrrus itself, presumably named after the war of attrition being fought there, is a dreadful world where even the plants can kill you, but the ingenuity of the planet’s lethalness and the two societies it has created are a nice backdrop to the adventure plot. Our exposure to the wildlife is more limited than I’d like with the focus being on the warfare instead. The relationship between the aptly named Junkmen and Grubbers is much more developed and is one of the most interesting elements of the story. Their mutual hostility reflects the tension between industrialism and agrarianism that is always prevalent in developing civilizations.

The characters themselves are mostly flat and underdeveloped, everyone according to their role and no more. Meta, Jason’s love interest, is especially annoying to me, though that may have been because of the complete lack of chemistry between her and Jason. She feels like a perfunctory character whose actions and reactions are dictated by the needs of the story rather than any sort of internal motivation. Jason, too, doesn’t have much a character arc (although I trust he isn’t as bored by the end as he was before Pyrrus). As a gambler he’s willing to put his life on the line for a hunch but his investment in the fate of the world is never fully explained beyond a general sense of goodwill. Still, what is character development in the face of carnivorous plants, poisonous animals, murderous bacteria, and the perpetual threat of volcanic eruptions? I’m not going to read a book called Deathworld for characters talking about their feelings.

Should you feel inclined to listen to this book, I don’t recommend this audiobook. The narrator, a Mr. Jim Roberts, was flat, boring and completely wrong for the tough characters and fast-paced action. It felt like I was being read to by a New York accountant, a well-meaning but unsuccessful uncle. The characters all sound the same and no attempt is made to put emotion into them. With a story like this, the right narration can really make or break it. I’d recommend either reading the book yourself or finding another version of the audiobook.

Posted by Rose D.