News, Reviews, and Commentary on all forms of science fiction, fantasy, and horror audio. Audiobooks, audio drama, podcasts; we discuss all of it here. Mystery, crime, and noir audio are also fair game.
We talk so much about spoken-word audio at SFF Audio that I thought I’d take a second to feature a musical work inspired by two works of fiction, one literary and one zombie.
From the composer’s post:
Two summers ago, before my sophomore year, I read two novels: one featuring a protagonist named “R,” the other entitled “Room.” R is a grown man trapped in apocalyptic America who can’t even remember his whole name. His outlook on the world crumbling around him is deeply profound, but almost from the perspective of an innocent child.
In the novel “Room,” John is a 5 year-old boy born and raised in a small garden shed, unable to leave, but ignorant of any other world apart from the one that has been created for him. When he escapes, he is suddenly surrounded by the world – and he doesn’t know what to think of it. My piece R(oom) is a compilation of these two conflicting ideas: a man who sees the world through the eyes of a child, and a child who sees the world of man for the first time.
Inspired by Room (by Emma Donaghue) and Warm Bodies (by Isaac Marion), composer Holt McCarley wrote R(oom). You can listen to it and some of his other works by going to his SoundCloud account. I saw it performed live last fall at Furman University, where the composer is a undergraduate student. It has been on my mind lately since the film version of Warm Bodies recently released in theaters.
This came in the day after recording our latest Recent Arrivals podcast, so I thought it deserved mention. Steampunk Specs releases February 28, 2013 from Infinivox.
Contents:
Smoke City by Christopher Barzak A woman comes to terms with the loss of her family to the child labor mills of the city.
Dr. Lash Remembers by Jeffrey Ford A doctor tries to cope with a strange plague terrorizing the citizens of London.
Machine Maid by Margo Lanagan A sexually repressed wife gets revenge on her husband through a robot maid.
Arbeitskraft by Nick Mamatas Friedrich Engels strives to spread class revolution as a labor organizer for factory cyborg matchstick girls.
Ninety Thousand Horses by Sean McMullen An acclaimed mathematician, with a murky past, is forced to spy for an industrial prior to becoming Britain’s foremost rocket expert during World War II.
Tanglefoot (A Clockwork Century Story) by Cherie Priest An orphan boy builds an automaton, in an aging scientist’s laboratory, that becomes more than an idle companion.
Clockwork Fairies by Cat Rambo An English aristocrat courts a woman who would rather spend her time in a laboratory than at a high society ball.
Edison’s Frankenstein by Chris Roberson At Chicago’s Columbian Exposition in 1893, an Algerian bodyguard crosses paths with a disoriented naked man.
A Serpent in the Gears by Margaret Ronald A dirigible journeys to an isolated land and discovers people and animals merged with machine parts.
Zeppelin City by Michael Swanwick & Eileen Gunn Radio Jones finds a way to listen in on the Naked Brains, who rule the world, while Rudy the Red fights against the oppressors.
Unabridged readings by Tom Dheere, Vanessa Hart, and Nancy Linari, for a total of 8.5 hours.
There’s a terrific radio drama series available via torrent over on RadioArchive.cc.
Broadcast late last year on BBC Radio 4, December 17 – 21, 2012, Modesty Blaise: A Taste For Death is truly lovely listening!
I listened to the entire five part serial two or three times. That’s something I rarely do. Yet even after multiple listens this program has left me wanting more.
Blaise, as voiced by Daphne Alexander, is a confident, mysterious, and thoughtful secret agent. The supporting cast is top shelf, as is the sound design, editing, and music. This show is unmissably great.
In tone it’s probably not what you expect, being more of a cozy version of The Sandbaggers than a feminized James Bond. Not campy, exactly, as it is far too reverent for that.
Indeed, this particular adventure features far more than just 007 style espionage, romance, and action – it features friendship, teamwork, kindness, thoughtfulness, and a light-handed touch.
Best of all the producers aren’t at all above teasing the audience – the very first sounds from episode one are a total tease!
I love it.
Also cool, Modesty Blaise: A Taste For Death seems to be set in the period the novel of the same name was written (1969). Blaise, a child escapee from a WWII era displaced person camp, drives a “Jensen” (in my mind it’s a Jensen Interceptor).
Here’s the description from RA.cc:
She’s glamorous, intelligent, rich and very, very cool. Modesty Blaise has been called the female James Bond but she’s much more interesting than that. With her expertise in martial arts and unusual weapons, the ability to speak several languages and her liking for fast cars, twenty-something Modesty became a female icon long before the likes of Emma Peel, Lara Croft, or Buffy.
In Stef Penney’s brand new radio adaptation of Peter O’Donnell’s novel, Sir Gerald Tarrant, Head of a secret British agency, tempts Modesty out of retirement and into a job involving a young woman with extra sensory powers, an exotic desert location, and a larger than life public school villain, intent on murdering his way to a vast fortune. With its perfect cocktail of glamorous settings, hidden treasure, a twisting turning plot, and characters to root for, A Taste for Death is an action packed treat – and a guilty pleasure.
With an original score by Goldfrapp’s Will Gregory, arranged by Ian Gardiner, and performed by the BBC National Orchestra of Wales, conducted by Ben Foster.
Cast:
Modesty Blaise ….. Daphne Alexander
Willie Garvin ….. Carl Prekopp
Sir Gerald Tarrant ….. Alun Armstrong
Simon Delicata ….. Sam Dale
Steve Collier ….. Geoffrey Streatfeild
Dinah Pilgrim ….. Samantha Dakin
McWhirter ….. Alex Fearns
Skeet Lowry ….. Jeff Mash
Sir Howard Presteign ….. Nigel Anthony
The SFFaudio Podcast #199 – Scott, Jesse, Tamahome, and Jenny talk about NEW RELEASES and RECENT ARRIVALS (audiobooks).
Talked about on today’s show:
Recent arrivals first, here’s Jenny’s list, Harry Harrison’s Deathworld, Speculative! Brilliance audiobooks (from public domain works), “he’s super clear”, author of Make Room! Make Room! (aka Soylent Green), Planet Of The Damned, “nice font”, Ursula K. Le Guin’s The Telling is in the Hanish Cycle, the out of print Harlan Ellison version of AWizard of Earthsea, The Lathe Of Heaven and the PBS TV-movie with Bruce Davidson (trailer), Work Of The Devil by Katherine Amt Hanna, “the devil has no time for long novels”, Joe Hill’s Horns and In The Tall Grass (with Stephen King), Philip K. Dick’s Vulcan’s Hammer, similar to Colossus: The Forbin Project (film), “goes Skynet on your ass”, The Game-Players Of Titan has slug aliens, good names for bands, Time Out Of Joint, Tears In Rain by Rosa Montera is inspired by Blade Runner (it has a female Rutger Hauer), translated from Spanish, The Woodcutter by Kate Danley has fairy tale characters, Beowulf, Jeff Wheeler’s Legends Of Muirwood series released all at once, House Of Cards is a great British show, Dead Spots by Scarlett Bernard sounds like one of those Lifetime movies, The Mad Scientist’s Daughter by Cassandra Rose Clarke has a disturbing android romance, ewww!, Tam knows who Steven Erikson is (Forge Of Darkness), re-read of the Malazan series, we need urban fantasy and military SF people, Tenth Of December by George Saunders, prefers short stories, on Colbert, Vampires In The Lemon Grove by Karen Russell, her novel Swamplandia has been optioned by HBO, New releases start, Poe Must Die by Marc Olden, Ben Bova’s Farside comes out soon (hard SF), narrated by Stefan Rudnicki, Stefan’s Fantastic Imaginings, where’s James P. Hogan’s Inherit The Earth?, the movie Frequency didn’t star Kevin Bacon, the entire X Minus One radio drama run, short story audio collections having chapters and a table of contents, Star Wars audiobooks with enhanced sound, Bryce’s review of Star Wars: Scoundrels, more Star Trek novel audio books, more classic sf, Leigh Brackett, Jerry Pournelle, Harlan Ellison, Arthur C. Clarke, George R.R. Martin, “you’re welcome, Audible”, The Mad Scientist’s Guide To World Domination by John Joseph Adams, short fiction is back, Olaf Stapelton, like a science fiction The Silmarillion, SF Crossing The Gulf podcast will discuss Olaf Stapledon and others, Mary Doria Russell, where’s the audio version of Karen Lord’s The Best Of All Possible Worlds? (actually it came out the same day as the print version), Jenny loved it, what is the Candide connection Karen?, indie Scifi Arizona author Michael McCollum on Audible (Steve Gibson approved), the Audible Feb2013 Win-Win $4.95 sale, get the first in a series cheap, Sharon Shinn’s Archangel Samaria series, Image Comics’s first issue sale, The Red Panda audio drama becomes a comic (cover), John Scalzi’s The Human Division serial, wish science fiction authors in TV series, George R.R. Martin to develop more shows for HBO, football jerseys vs Star Trek uniforms.
Gone Girl
By Gillian Flynn; Read by Julia Whelan and Kirby Heyborne
Publisher: Random House Audio
Publication Date: June 5, 2012
ISBN: 9780307990402
[UNABRIDGED] – 19 hours
Themes: / thriller / marriage / diary / writers /
Publisher summary:
Marriage can be a real killer. On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy’s diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer? As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet?
This audiobook was 19 hours and I finished listening to it in three days. That’s on my 3 mile commute. I just couldn’t stop. I’d make up reasons to listen. This is a very well-written thriller that I can hardly discuss without giving things away. I almost hate myself for liking it because of all the hype, but it really pulls you in and makes you want to know where it is going. I don’t read many thrillers, but this was a good one!
The audiobook is a great way to “read” this, because the chapters are divided between Amy, who has gone missing, through her diary, and Nick, her husband who is a key suspect. The two readers, male and female, really bring the story to life. I’m used to Kirby Heyborne reading zombie novels, so it was hard to ever think of Nick as good, but the author does that anyway.
We talk so much about spoken-word audio at SFF Audio that I thought I’d take a second to feature a musical work inspired by two works of fiction, one literary and one zombie.
