News, Reviews, and Commentary on all forms of science fiction, fantasy, and horror audio. Audiobooks, audio drama, podcasts; we discuss all of it here. Mystery, crime, and noir audio are also fair game.
There are several readings of The Yellow Wallpaper on LibriVox, but the best one to my ears is Michelle Sullivan’s. I think that’s the one we’ll use on an upcoming SFFaudio Podcast.
The Yellow Wallpaper
By Charlotte Perkins Gilman; Read by Michelle Sullivan
1 |MP3| – Approx. 32 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: June 7, 2008
First published in The New England Magazine, January 1892.
The Yellow Wallpaper
By Charlotte Perkins Gilman; Read by Justine Young
1 |MP3| – Approx. 28 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: May 2, 2006
First published in The New England Magazine, January 1892.
The Yellow Wallpaper
By Charlotte Perkins Gilman; Read by Lola Rogers
1 |MP3| – Approx. 35 Minutes [UNABRIDGED]
Publisher: LibirVox.org
Published: February 13, 2007
First published in The New England Magazine, January 1892.
The Yellow Wallpaper
By Charlotte Perkins Gilman; Read by jaggO
1 |MP3| – Approx. 41 [UNABRIDGED]
Publisher: LibriVox.org
Published: March 25, 2007
First published in The New England Magazine, January 1892.
The Yellow Wallpaper
By Charlotte Perkins Gilman; Read by Kirsten Ferreri
1 |MP3| – Approx. 21 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: August 8, 2006
First published in The New England Magazine, January 1892.
Here’s a |PDF| made from the original publication.
And here’s one with the modernized title and with the author’s more familiar married name |PDF|.
Last Call
By Tim Powers; Read by Bronson Pinchot
16 CDs – Approx. 19.1 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: December 2010
ISBN: 9781441757364
Themes: / Fantasy / Gambling / Immortality / Las Vegas / Poetry / Arthurian Legend / Greek Mythology / Egyptian Mythology
Scott Crane abandoned his career as a professional poker player twenty years ago and hasn’t returned to Las Vegas, or held a hand of cards, in ten years. But troubling nightmares about a strange poker game he once attended on a houseboat on Lake Mead are drawing him back to the magical city. For the mythic game he believed he won did not end that night in 1969—and the price of his winnings was his soul. Now, a pot far more strange and perilous than he ever could imagine depends on the turning of a card. Enchantingly dark and compellingly real, this World Fantasy Award–winning novel is a masterpiece of magic realism set in the gritty, dazzling underworld known as Las Vegas.
Tim Powers’ Last Call (1992 William Morrow and Co.; 2010 Blackstone Audio, Inc.) is studded with references to old myths, snatches of T.S. Eliot’s “The Wasteland,” the art of poker playing, and the unique culture and atmosphere of old and new Las Vegas. It contains numerous major and minor characters, overarching themes and subplots, and digressions into probability theory. In other words, it demands close reading and attention to detail. Listening to it in half-hour chunks as I did while driving to work was probably not the best idea, and may have affected my review of the book, but what follows is an honest appraisal.
There’s a lot to like in Last Call, and I lot I liked. At its heart it’s really about the vast, mysterious forces driving the universe and the ways in which they manifest in our lives. Why does tragedy pass over a criminal and take a good person instead? Why does a disease like cancer randomly strike a family man with a wife and children to support? Although life appears chaotic and meaningless, perhaps there are active, purposeful forces of fate at work as well, old gods that exist outside our typical suburban lives but can be sought out and appealed to, and even manipulated. In Last Call Powers breathes new life into ancient myths like the Arthurian Fisher King, the Greek god Dionysus, and the Egyptian goddess Isis, incorporating themes of resurrection and physical health tied to spiritual health. These ancient demigods reappear in the forms of unlikely modern-day characters, including broken-down ex-gambler Scott Crane and his estranged foster-sister Diana. Last Call also includes a cast of memorable bad guys, including a bloated fat hit man Trumbull who is convinced that eternal life can be had through the consumption of raw flesh, and the chief baddie Georges Leon, a mystic who achieves immortality through stealing and possessing the bodies of the living. Crane is the central figure in the story, a man who in 1969 played a portentous game of Assumption with a powerful set of tarot cards. Twenty years later Crane returns for a second game against Leon with nothing less than his soul on the line.
Last Call is ultimately a hopeful book, as it implies that there may be a purpose to our lives and a way to control one’s destiny, if you can read the cards and master the archetypes of the Tarot. In Powers’ hands playing cards are a metaphor for the mysteries of life and the skill and luck required to navigate its uncertain waters.
Neil Gaiman’s American Gods employs a similar conceit of old gods reincarnated in the modern world but I must say I enjoyed Gaiman’s take better. Powers is a talented writer and I enjoyed his descriptions of the seedy soul of Las Vegas, as well as some memorable set-pieces he creates, including an encounter with the ghost of the infamous gangster Bugsy Siegel beneath the waters of Lake Mead. But the slow pace of the narrative, the meandering plotline, the too-numerous characters and plotlines that drop in and out of the story without sufficient explanation and resolution (Crane’s wife Susan, for example), and tedious descriptions of card game after card game make Last Call a difficult listen and at times an outright chore, despite the fine narration by Bronson Pinchot.
Perhaps my lukewarm reaction to Last Call has something to do with the fact that I I’m not a fan of card playing; Vegas is a cool place to visit and I’ve tried my hand at a few slot machines, but sitting down at a table in the company of hardcore gamblers has zero appeal for me. If you read Last Call watch closely for the signs, the subtle flush of cheek or restless eyes that the best card players know how to detect and interpret. As for casual readers: Beware.
Poe’s Detective: The Dupin Stories
By Edgar Allan Poe; Read by Bronson Pinchot
4 CDs – Approx. 5 Hours [UNABRIDGED]
Publisher: AudioGO
Published: March 15, 2011
ISBN: 9781609981624 Edgar Allan Poe is the undisputed originator of the Detective story. His brilliant, imaginative sleuth C. Auguste Dupin set the stage for eccentric, logic wielding investigators like Sherlock Holmes and Hercule Poirot. This audio collection of Poe’s three Dupin stories also includes one non-Dupin detective tale, Thou Art the Man. It features celebrity narrator Bronson Pinchot. The story titles are: “The Murders in the Rue Morgue“; “The Mystery of Marie Rogêt“; “The Purloined Letter“; and “Thou Art the Man.”
The SFFaudio Podcast #177 – Jesse, Tamahome, Jenny, talk about the latest NEW RELEASES and RECENT ARRIVALS in audiobooks and paperbooks.
Talked about on today’s show:
Jenny’s beagle Bailey loves audiobooks, breed vs. brand, “Space Drama”, The Prankster by James Polster (from Brilliance Audio), stranded on Earth, novellas, Luke Daniels is everywhere, Space Cadet by Robert A. Heinlein, Between Planets by Robert A. Heinlein (Full Cast Audio), Ace Tachyon (aka Abner Senries), Methuselah’s Children by Robert A. Heinlein, immortality, Universe by Robert A. Heinlein, “Future History”, 1941, “the guy with the two heads”, Lazarus Long, The Notebooks Of Lazurus Long, kilted spacemen, Fate of Worlds: Return from the Ringworld by Larry Niven and Edward M. Lerner (Blackstone Audio), Ringworld, “big dumb object” (and the blog of the same name), space elevator, Energized by Edward M. Lerner, a NASA engineer is the main character!, Grover Gardner, terpkristin, geopolitical intrigue, hard SF, Larry Niven and Gregory Benford “bowl-world?”, Dyson’s sphere, library of congress subject headings, Dewey Decimal Classification, Grover Cleveland, a librarian’s license, are librarians born or trained?, “on the square and on the level”, Trucker Ghost Stories edited by Annie Wilder (Macmillan Audio), Tavia Gilbert, Peter Ganim, 21st Century Dead: A Zombie Anthology edited by Christopher Golden (Blackstone Audio), Simon R. Green, Ken Bruen, Daniel H. Wilson, Brian Keene, zombies are taking over, The Walking Dead (comic), Locke & Key, Joe Hill, Stephen King, “gears and robots” or “steamy robots”, Clockwork Angels: The Novel by Kevin J. Anderson, Neil Peart (of Rush), steampunk, steampunk music?, The Steampunk Bible edited by Jeff Vandermeer, Mr Jupitus In The Age Of Steampunk, maker stuff with tophats, is there a good steampunk book to wow Tam?, Murdoch Mysteries, Tesla vs Edison, steampunky, 1950s kitchen appliances, golden age SF, Boneshaker by Cherie Priest, Sword & Laser, VN by Madeline Ashby, Von Neumann machine, “she stopped being able to not harm humans”, gynoid vs. android, a girlnoid, guynoid vs. gynoid, Angry Robot, Saturn’s Children by Charles Stross |READ OUR REVIEW|, Exhalation by Ted Chiang, non-human main characters, Cloud Atlas by David Mitchell, post-apocalyptic Hawaii, “a hard entry point”, The Curious Incident Of The Dog In The Nighttime, fantastical, “fantasy noir”, “a noir cannot be series”, “investigative fantasy” or “hardboiled fantasy?”, darker than you think by Jack Williamson (Blackstone Audio), Jim Meskimen, embroiled in hardboiled?, The Humanoids, With Folded Hands, setee vs. seetee, Technomancer (Unspeakable Things: Book 1) by B.V. Larson (Brilliance Audio), space-kilt!, Red Planet by Robert A. Heinlein, naked on a frozen planet, Saint City Sinners by Lilith Saintcrow, Tanya Eby, Battle Royale by Koushun Takami, Morning Glories (comic), Midnight (Nightingale Trilogy: #2) by Stephen Leather, Ralph Lister, “supernatural noir”, hardboiled vs. noir, Philip Marlowe is hardboiled (perhaps with noir elements), Kiss Me Deadly by Mickey Spillane, noir as a visual vs. noir as a story, Hamlet, noir stories don’t need detectives (and usually don’t have them), femme fatale, James M. Cain, Body Heat, Chinatown, “it’s chinatown Jake” = things are so fucked up you should walk away, “kitty kat”, “fantasy adventure”, Wake of the Bloody Angel: An Eddie LaCrosse Novel by Alex Bledsoe, pirates!, Stefan Rudnicki, The Hammer And the Blade by Paul S. Kemp, Nick Podehl, Functional Nerds, Fritz Leiber’s Fafhrd and the Gray Mouser, the trouble with fish-gods, a buddy movie (book), dragons, Sky Dragons (Dragonriders of Pern) by Anne McCaffrey and Todd McCaffrey, Emily Durante, Brilliance Audio, Blood of the Emperor (The Annals of Drakis: Book Three) by Tracy Hickman, Margaret Weis, PKD!, Counter Clock World by Philip K. Dick, Gather Yourselves Together by Philip K. Dick (mainstream PKD) <-published posthumously, Eye In The Sky by Philip K. Dick, Dan John Miller (Brilliance Audio), The Zap Gun by Philip K. Dick (Brilliance Audio) <-an expansion of The GunProject Plowshare, Mel Foster, Anthony Boucher liked it, The Man Who Japed by Philip K. Dick (Brilliance Audio), Repent Harlequin Said The Ticktock-man by Harlan Ellison, Dick was a crazy autodidact, didacticism, A World Of Talent and Other Stories (Eloquent Voice), Total Recall (aka We Can Remember It For You Wholesale), public domain Philip K. Dick stories, a strange dedication, Geek’s Guide To The Galaxy, John Joseph Adams, The Reel Stuff edited by Brian Thomsen and Martin H. Greenberg, Mimic by Donald A. Wollheim, the Total Recall remake is terrible and stupid, Inception, are “sci-fi” movies are opera for Americans?, Air Raid by John Varley, Loopers, time travel, many new Stanisław Lem audiobooks are up on Audible.com!, Lem READALONG!, Tam is always “Lemming”, Lemistry: A Celebration of the Work of Stanisław Lem, Eric S. Rabkin, Cyberiad, Luke Burrage’s review of Solaris, Noise: A Novel by Darin Bradley, Chris Patton, dystopias are refreshing, The Hunger Games by Suzanne Collins, Spider Robinson, The Road by Cormac McCarthy, Jesse is completely wrong, does a lack of engagement with the society in The Hunger Games make it not really SF?, science fictiony vs. Science Fiction, 1984, an ever evolving book of rules about idea fiction, Arguably: Essays by Christopher Hitchens, George MacDonald Fraser’s Flashman, The New York Review Of Books, arguing with books, Jenny’s favourite part of the NYRoB, the New York Review Of Books blog, academic writing vs. literary writing, Vanity Fair and Vanity Fair online, Simon Prebble has captured Chrisopher Hitchen’s voice, Jo Walton, the Booker Prize longlist, Bring Up The Bodies by Hilary Mantel (historical fiction), history, I, Claudius by Robert Graves, fictionalized history vs. historical fiction, Luke Burrage’s review of Wool by Hugh Howey, Jenny makes friends with all the authors.
I bet most folks think that the closest Robert A. Heinlein came to tackling the topic of religion was Stranger In A Strange Land. But I think that novel has got too much other stuff going on in it. To get a better idea, check out his terrific 1941 short story Universe (later combined with another short story for the fix-up novel entitled Orphans Of The Sky).
The people of Universe live under an oppressive theocracy, with the death penalty given for heretical ideas. In the script for the radio dramatizations one character describes it as a society of “regimented slaves.”
Universe offers many, many sparky ideas – all of which are centered around religion and cosmology.
When asked about heaven the main character says this:
“The peasants believe [in] it literally but many of the younger scientists, like myself, know that it is figurative, symbolic.”
Turns that he’s wrong, that the foundations of his religion are based in a real history, that his god was once alive, and that the belief he scoffs at (and others kill in the name of), are based facts about their universe. It’s absolutely thought provoking soft sf bounded by a hard SF that only someone like Robert A. Heinlein could pull off.
And, unlike the original short story, which is rather hopeful, the end of the radio dramatization is deeply noir.
Dimension X – Universe
Adapted by George Lefferts; Adapted from the story by Robert A. Heinlein; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: NBC
Broadcast: November 26, 1950
Provider: Archive.org
X-Minus One – Universe
Adapted by George Lefferts; Adapted from the story by Robert A. Heinlein; Performed by a full cast
1 |MP3| – Approx. 28 Minutes [RADIO DRAMA]
Broadcaster: NBC
Broadcast: May 15, 1955
Provider: Archive.org
Illustrations of strong>Universe by Hubert Rogers and Charles Schneeman from the May 1941 of Astounding:
The Yellow Wallpaper
Dimension X – Universe
X-Minus One – Universe
