Review of The Engines of God by Jack McDevitt

SFFaudio Review

Science Fiction Audiobooks - The Engines of God by Jack McDevittThe Engines of God
By Jack McDevitt; Read by Tom Weiner
14 Hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2012
Themes: / Science Fiction / Archaeology / Climate Change / Aliens / Space / Space Exploration /

Climate change has Earth on the brink of disaster. The only viable solution is terraforming other planets to ensure survival. For a small group of archaeologists, however, terraforming is the worst possible solution. The only suitable planet is also the one planet with the most promising artifacts of an unknown alien race. Known as the Monument Makers, the aliens’ buildings feature a seemingly uncrackable code on them. The team is looking for the alien equivalent of the Rosetta Stone and must race against time to finish excavations before terraforming begins.

Despite the fact that the book begins by talking about climate change, which always gives me a sinking feeling, that is just the pretext for launching readers into a mystery. The team’s quest takes them to outer space, other planets, and into extreme danger as they follow the Monument Makers’ trail to discover their whereabouts and why every alien civilization has been abandoned.

This book reads as if it were a series of four novellas strung together with the common thread of tracking the Monument Makers. Each of the completed stories gives Jack McDevitt the opportunity to take the reader a bit further into archaeological mysteries while also examining different planets, space travel, and alien beings. Transitions between “novellas” are minimal at best and character development is weak. Still McDevitt wove a mystery that kept me listening at a red-hot pace. This is surprising because the author revealed his story in a very straight forward manner with plenty of foreshadowing. In McDevitt’s case, however, the telling itself was so compelling that I was fascinated to hear what would happen next.

In short, I enjoyed this very much, although at the end the story suddenly threw off narrative and resorted to bullet points to finish things off. “In audio, it was an abrupt ending that startled me, however, that didn’t spoil it as the story itself was done. In fact, I didn’t care about the “[insert name here] went on to do this” summary and it could have been left out without hurting anything.

Tom Weiner did a fine job of narrating the book. His reading was not something that stood out for any reason but which carried the story along very well. It left me with the memory of story rather than reader, which is surely what good narration should accomplish.

McDevitt tells a very good mystery that gives answers to some questions and leaves others to the readers’ speculation. Engines of God is ultimately a satisfying adventure which introduces us to a universe that he went on to write other novels about and which I will be seeking out.

Posted by Julie D.

BBCR4 + RA.cc: The Hound Of The Baskervilles (1988)

Aural Noir: Online Audio

BBC Radio 4RadioArchives.ccOne of (if not the most) adapted novels in the history of cinema is The Hound Of The Baskervilles. I myself love the novel and have seen at least a half dozen screen adaptations. But the latest adaptation I’ve witnessed is my new favourite.

Bert Coules’ 1988 BBC Radio adaptation is absolutely fantastic. It keeps nearly every scene I like from the novel. Better yet, it’s use of sound, to both cut from scene to scene and to drive the action forward, is absolutely masterful. Audio drama of this quality is just that step above. It’s truly wondrous listening!

According to the notes on RadioArchive.cc (where I got it) this version has never been rebroadcast on the radio. That’s a big shame, it’s an absolute treasure!

Even more strangely this adaptation is actually the first of two separate Bert Coules adaptations of Hound done for BBC Radio.

The torrent is HERE.

The Hound of the Baskervilles
Adapted from the novel by Sir Arthur Conan Doyle; Performed by a full cast
2 MP3 Files via Torrent – Approx. 110 Minutes [UNABRIDGED]
Broadcaster: BBC
Broadcast: 1988

Cast:
Sherlock Holmes … Roger Rees
Dr John H Watson … Crawford Logan
Sir Henry Baskerville … Matt Zimmerman
Dr James Mortimer … Peter Craze
Jonathan Stapleton … Jonathan Tafler
Beryl Stapleton … Caroline Gruber
Barrymore … Richard Tate
Mrs Barrymore … Barbara Atkinson
Mrs Hudson … Barbara Atkinson
Arthur Frankland … Norman Bird
Laura Lyons … Moir Leslie
Postmaster … John Baddeley

Violinist: Katherine Adams
Script by: Bert Coules
Produced and directed by: David Johnston

The Hound Of The Baskervilles - original  iIllustration

Posted by Jesse Willis

CBC: The Vanishing Point: J.G. Ballard’s The Dead Astronaut

SFFaudio Online Audio

The Dead Astronaut by J.G. Ballard

The Dead Astronaut is a part of a larger subset of J.B. Ballard stories adapted for the long running CBC radio series The Vanishing Point. This tale of a haunted Cape Kennedy is typically Ballardian, surreal, full of abandoned buildings, abandoned people, and abandoned dreams.

CBC - The Vanishing PointThe Vanishing Point – The Dead Astronaut
Adapted from the story by J.G. Ballard; Dramatized by Lawrence Russell; Performed by a full cast
1 |MP3| – Approx. 28 Minutes [RADIO DRAMA]
Broadcaster: CBC Radio
Broadcast: 1988
First published in Playboy, May 1968.

Cast:
Gordon Clapp … Philip
Donna Goodhand … Judith
Peter McNeil … Quentin
Tom Duckworth … the voice

Here’s the original art that accompanied the story’s publication in Playboy:

Playboy, May 1968 - illustration by Charles Schorre

[via JGBallard.ca]

Posted by Jesse Willis

The SFFaudio Podcast #169 – TALK TO: Jonathan Davis

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #169 – Jesse and Luke Burrage (from the Science Fiction Book Review Podcast) talk to audiobook narrator Jonathan Davis.

Talked about on today’s show:
Not the Jonathan Davis of Korn, favourite audiobook narrators, Luke’s real job (juggling), how to become an audiobook narrator (or a professional juggler), acting, theatrical acting, voice over, New York, Testament by John Grisham, Brazil, Portuguese vs. Brazilian Portuguese, Gone For Soldiers by Jeff Shaara, long form narration, Snow Crash by Neal Stephenson, urban samurais and Aleutian assassins, binaural recording, The Shadow Of The Torturer by Gene Wolfe, The Windup Girl by Paolo Bacigalupi, London, Paris, Iowa City, Thailand, genetic engineering, Japan, accessory dogs, GMO food, graphic sex scenes in mid-juggle, Glamorama by Bret Easton Ellis, Zoolander, American Psycho, a 12 page sex scene, Star Wars, Genghis Khan And The Making Of The Modern World by Jack Weatherford, straight readings vs. impersonations, Yoda, Ewan McGregor, Liam Neeson, Luke re-edits Star Wars, alien languages, Calculating God by Robert J. Sawyer, When Gravity Fails by George Alec Effinger, Ian Mcdonald, North Africa, Egypt, Arab Spring, Bedouin, narration styles, straight narration vs. theatrical performance vs. cinematic narration, Michael Caine, scalpel vs. laser, Mike Resnick’s Starship series, voice based books, Star Trek, David Copperfield, Oliver Sacks, The Watchers by Jon Steele, Kirinyaga, The Scar by Sergey Dyachenko and Marina Dyachenko, Starship: Mutiny, Elinor Huntington, existential resonance, Harry Potter, conspiracy, dystopia, Ray Bradbury, Cool Air by H.P. Lovecraft, Starship: Rebel, no research, just fun, language, audiobooks as a collaboration between an author, a narrator and a listener, Walking Dead by Greg Rucka, espionage, comics, Neil Gaiman, Catch And Release by Lawrence Block, Hex Appeal, Jim Butcher, The Dresden Files, studio time, The Book Of The New Sun, “do your homework”, “suddenly revealed to be a Texan”, an Aleutian Rastafarian, Hiro Protagonist, Minding Tomorrow, revealing voices, American Gods, George Guidall, “the perfect audiobook experience”, Woden (aka Odin aka Mr. Wednesday), The Stand by Stephen King, reading with your ears, preferred narration styles, The Hundred Thousand Kingdoms by N.K. Jemisin, racism, Dune, Zoo City by Lauren Beukes, Johannesburg, South Africa, fantasy fiction shouldn’t have an American accent, Luke’s SFBRP review of The Scar, House Of Suns by Alastair Reynolds, an Arkansas accent, inner monologue vs. dialogue, the Sling Blade voice, Casaundra Freeman, audiobook narration is difficult, learning the characters over a series, George R.R. Martin, A.J. Hartley, Act Of Will, Will Power, working with authors, Cyteen by C.J. Cherryh, Book Of The Road, male and female narration, Gabra Zackman, Jonathan is the infodumper, Full Cast Audio, a one man show vs. theatrical collaboration, Scott Brick, Feyd-Rautha, a Jamaican brogue?, The Brief Wondrous Life of Oscar Wao, do you like computer games?, Max Payne 3, Tron, “that’s my neck fat”, Vladamir Lem, Armando Becker.

Posted by Jesse Willis

New titles from Brilliance Audio and a Call for Reviewers

SFFaudio Recent Arrivals

Blackbirds by Chuck WendigWe received a pile of of new books and new-to-audio books from Brilliance Audio.  Remember, you can always see these the day they come in on our NewAudioBookIn Twitter account.  Sometimes a very furry audiobook fan assists with the unveiling. (Interested in being a reviewer?  Read through to the end of the entry!)

There is some good stuff here!  I am tempted to listen to Blackbirds despite already having read it.  It seems like it would translate well to audio.  I have an eARC of next Miriam Black book, Mockingbird, so maybe I’ll resist for now.

Blackbirds by Chuck Wendig
Counter-Clock World by Philip K. Dick
Dreadnaught: The Lost Fleet: Beyond the Frontier by Jack Campbell
Farmer in the Sky by Robert A. Heinlein
The Hot Gate: Troy Rising, Book Three by John Ringo
The Mongoliad
, Book 1 by Neal Stephenson, Greg Bear, Mark Teppo, E.D. deBirmingham, Erik Bear, Joseph Brassey and Cooper M.
Omega Point by Guy Haley
Shadow Blizzard
by Alexey Pehov

Are you interested in writing reviews for SFFaudio?  We are looking for people to fill in some of our sub-genre gaps.  If you are interested, please send an e-mail to Jenny.  Include the sub-genres you are interested in (this list from Worlds Without End is a great help), and an example of a review you have written of an audiobook.  Linking to a review you posted in a site like GoodReads or LibraryThing is just as good as a blog post.  If you end up on our list, you would be contacted when we receive a title you might be interested in, and you would decide whether or not to accept it.  We sometimes get books outside of science fiction and fantasy, so you might as well tell us everything you like to read.

Posted by Jenny Colvin

Coursera Audio versions

SFFaudio News

About a month ago, we posted about Dr. Eric Rabkin’s upcoming Coursera course: “Fantasy and Science Fiction: The Human Mind, Our Modern World.” I am one of the thousands of people who has signed up for this free course, which starts next week!

I thought it would be nice to post links to audio versions of the required course readings, when they are available.  I am only listing some of the  unabridged versions, so any abridged or dramatizations will be left out (although they definitely exist for some of these favorites!) Please leave a comment if you will be participating too!

  1. Grimm — Children’s and Household Tales
    Household Tales
    narrated by Kelly Lintz, unabridged, 26 hours, 41 minutes, Audible 2012

  2. Carroll — Alice’s Adventures in Wonderland and Through the Looking-Glass
    Alice’s Adventures in Wonderland
    and Through the Looking Glass read by Michael Page, 6 hours, Brilliance Audio
    Alice’s Adventures in Wonderland and Through the Looking Glass read by Christopher Plummer, 5 hours, 59 minutes, Harper Audio, 2010
    Alice’s Adventures in Wonderland read by Michael York, 3 hours, Blackstone Audio, 2008
    Alice’s Adventures in Wonderland read by Jim Dale, 2 hours, 57 minutes, Listening Library, 2008
    Through the Looking Glass read by Harlan Ellison, 3.1 hours, Blackstone Audio, 2009
  3. Stoker — Dracula
    Dracula
    read by Alan Cumming, Tim Curry, Simon Vance, Katherine Kellgren, Susan Duerden, John Lee, Graeme Malcolm, Steven Crossley, Simon Prebble, and James Addams, 15 hours, 28 minutes, Audible, 2012
    Dracula read by Marc Nelson, 16 hours, 39 minutes, Trout Lake Media, 2011
    Dracula read by John Lee, 15 hours, 15 minutes, Tantor Audio, 2008
    Dracula
    read by Simon Vance, 14.2 hours, Blackstone Audio, 1998

  4. Shelley — Frankenstein
    Frankenstein
    read by Simon Templeman, Anthony Heald, and Stefan Rudnicki, 8 hours, Blackstone Audio, 2008
    Frankenstein
    read by Simon Vance, 8 hours, 21 minutes, Tantor Audio, 2008

  5. Hawthorne & Poe — Stories and Poems
    Hawthorne – Selected Stories read by Walter Zimmerman, Walter Covell, Jack Benson, and John Chatty, 5 hours, 47 minutes, Jimcin Recordings.  (Contains “Dr. Heidegger’s Experiment” and “The Birthmark”)
    Poe – The Raven read by Anne Cheng, 8 minutes, LibriVox (video by Jesse of SFF Audio)
    Poe – The Fall of the House of Usher, etc.  read by William Roberts, 4 hours, 54 minutes, Naxos Audiobooks (also includes “Black Cat,” “The Tell-Tale Heart” and the title story)
    Poe – The Oval Portrait read by Gary Zupkas, 9 minutes, SonicMovie.net, 2009
    Poe – The Facts in the Case of M. Valdemar read by Walter Zimmerman, 25 minutes, Jimcin Recordings, 2009
    Poe – Annabel Lee read by Patrick Lawlor, 3 minutes, Listen & Live Audio, 2009
    Poe – The Bells read by K. Anderson Yancy, 10 minutes, SonicMovie.net, 2009
  6. Wells — The Island of Dr. Moreau, The Invisible Man, “The Country of the Blind,” “The Star”
    The Island of Dr. Moreau read by Simon Pebble, 5 hours, 21 minutes, Recorded Books, 2011 (you can hear the SFF Audio discussion of this story in January 2012)
    The Invisible Man read by James Adams, 5.6 hours, Blackstone Audio, 2009
    The Invisible Man read by Alan Munro, 5 hours, 49 minutes, Trout Lake Media, 2012
    The Country of the Blind read by Walter Zimmerman, 1 hour, Jimcin Recordings, 2008
  7. Burroughs & Gilman — A Princess of Mars & Herland
    A Princess of Mars
    (multiple versions)
    A Princess of Mars read by William Dufris, 6.8 hours, Blackstone Audio, 2008
    Herland read by William Dufris, 7 hours, Tantor Audio, 2011
  8. Bradbury — The Martian Chronicles
    The Martian Chronicles
    read by Ray Bradbury, 7 hours, 14 minutes, Listening Library 1976
    The Martian Chronicles read by Scott Brick,  9 hours, 3 minutes, Tantor Audio 2010
    The Martian Chronicles read by Peter Marinker,  7 hours, 38 minutes, BBC Audiobooks, 2010
    The Martian Chronicles read by Stephen Hoye, 9 hours, 14 minutes, Blackstone Audio, 2009
  9. LeGuin — The Left Hand of Darkness
    (No audio found)

  10. Doctorow — Little Brother
    Little Brother
    read by Kirby Heyborne, 11 hours, Listening Library