
First podcast September 29, 2008.
HERE are the shownotes.
Posted by Jesse Willis
News, Reviews, and Commentary on all forms of science fiction, fantasy, and horror audio. Audiobooks, audio drama, podcasts; we discuss all of it here. Mystery, crime, and noir audio are also fair game.

I hate “spoilers” – no, not the concept itself, I hate the use of the word. It’s very rarely accurate – how many “spoilers” actually ruin a short story, novel or movie?
If spoilers actually spoiled shit you’d need not see a stage production of Hamlet, or watch A Bridge To Far, or read A Connecticut Yankee In King Arthur’s Court. That said, I think the use of the word has become near pandemic in amateur reviewing. Perhaps we are in the phase where the word has become so overused that it has become a dead metaphor?
Which leads me to point out this podcast, entitled This Podcast Contains Spoilers, and their intelligent, and persuasive, discussion of The Thing (2011).
Based on just this one episode of This Podcast Contains Spoilers I see it as an exemplar of a certain kind of fan based podcasts. Recorded conversation, by and with intelligent fans, well produced, personable and thorough.
|MP3|
Podcast feed: http://thispodcast.libsyn.com/rss
Here’s my take on the movie itself (written before listening to the podcast):
Let me tell you about The Thing (2011) … spoiler* … here’s the thing, it is just what you expect it to be!
First though I should tell you this is not a remake. It is a prequel. In fact, the film’s producers thought John Carpenter’s 1982 version so perfect they dared not remake it. They should be applauded for this. But the demands of Hollywood profiteering require that no potential goldmine ever go un-exploited, and hence we have a prequel with the same title, same structure, and the same ideas as the 1982 version.
All the elements of the original (itself a kind of remake/adaptation) are in this version. There are at least a dozen near scene-for-scene parallels between The Thing (2011) to the John Carpenter version (1982). The main difference between the two is the inclusion of two females characters – I’m betting the Hollywood profit formula meant a script with all male characters just couldn’t get greenlit these days.
As prequels go, this one is one of the best I’ve ever seen. The acting is solid, the cinematography and sound design are fine, and the script is pretty tight. But being that there are absolutely no new ideas in it, it is of no cognitive value. It’s scary. I was afraid to watch it at night. But I didn’t think any new thoughts while watching it. When you watch John Carpenter’s The Thing for the first time you shit your pants and think strange and cool thoughts. When you watch the 2011 version you just end up with shit in you pants.
And that’s the basic problem. I can’t think of a prequel that ever improved on the original – and this remake/prequel is wonderful example of why they can’t! The Thing (2011) is a noble failure. It is malconcieved, but finely executed, it is a creation which strives for the maximum greatness in the shadow of The Thing (1982) itself.
Among the many thoughtful choices in the 2011 version was the idea to provide more than a token amount of Norweigan – it might have been more interesting to do the whole thing in Norweigan but this is Hollywood, where such ideas can’t get greenlit. In fact I didn’t expect that Hollywood would allow for as much foreign language as is in it. I was actually surprised at how much of it wasn’t in English (maybe about 20% Norwegian)!
Apparently the producers wanted to make the most compatible prequel possible, taking note of the facts about the backstory and basing their starting point for the construction of the prequel script. You’d think they should be applauded for this. But the demands of Hollywood profiteering require that no potential goldmine ever go unexploited, and hence a prequel with the same title, and basic structure as the 1982 version.
Now let me tell you a little about the premise. The title creature digests and then mimics the original – creating an imperfect copy that must, due to its ravenous metabolism, give itself away after only a brief time upon the screen. It consumes the nearest living thing in a gruesome display of lustful gluttony.
Yep, this movie is metaphor for the Hollywood movie industry.
Posted by Jesse Willis
*If you’re watching a prequel it cannot be spoiled. You fucking know what happens.

The Bat Segundo Show, episode #432, has the host, Edward Champion, “basking in a pleasant tsunami of erudition” when he talks to Stephen Fry.
Among the many subjects discussed in this delightfully wide ranging conversation are Ayn Rand’s Atlas Shrugged, how to write essays for exams, the Oxford manner, the ethics of the French Resistance, absolutism, and Brave New World.
|MP3|
Podcast feed: http://feeds.feedburner.com/segundo
Posted by Jesse Willis

![]()
The SFFaudio Podcast #147 – Pickman’s Model by H.P. Lovecraft, read by Mr Jim Moon. This is a complete and unabridged reading of the short story (21 Minutes) followed by a discussion of it by Jesse, Tamahome, Mr Jim Moon, Wayne June and Mirko Stauch. Here’s the ETEXT.
Talked about on today’s show:
S.t.a.u.c.h., comic book explosion sounds, “thwip”, Pickman’s Model by H.P. Lovecraft, Hypnobobs Podcast, Hypnogoria.com, Jim Moon’s audio essay about ghouls, R. Chetwynd-Hayes, Amicus Press, Beyond The Grave, The Monster Club, The H.P. Podcraft Podcast, The Tomb, The Call Of Cthulhu, The Crawling Chaos, The Music Of Erich Zann, The Festival, nobody wants to talk about art, Neonomicon, Pickman’s Necrotica, Night Of The Living Dead, Richard Burton, the German audio drama adaptation, The Thing On The Doorstep (annotated by S.T. Joshi), I Am Providence: The Life And Times Of H.P. Lovecraft, The Case Of Charles Dexter Ward, Robert E. Howard, Omar Epps, House, M.D., “no nordic man”, The Graveyard Book by Neil Gaiman, lead-lined coffins, a slurry of sauce, “the lesson”, “subway accident”, The Dream Quest Of Unknown Kadath, Bradford Dillman, “for procreational purposes”, The Shadow Over Innsmouth, The Unnameable, Gustav Dore’s illustrations for Edgar Allan Poe’s The Raven, the power of art, Supernatural Horror In Literature, Aristotle’s Poetics, Algernon Blackwood, YogSothoth.com, What The Moon Brings, a ghoulish sense of humor, Robert Bloch, Clark Ashton Smith, eldritchdark.com, Out Of Space And Time, Cotton Mather, spectral evidence, the original waterboarding, The Horror At Red Hook, He, Audio Realms, The Mountains Of Madness, Through The Gates Of The Silver Key, The Statement Of Randolph Carter, two one sided conversations, what would Lovecraft write today?, The Lovecraft Chronicles by Peter Cannon, Lovecraft’s racism, Mr. Nigger Man (Lovecraft’s cat), racist paint colours, WWII, xenophobia, the strange and the stranger, Samuel Loveman, mythologizing the author, Buck Rogers, Doc Savage, Poe himself is the star of The Raven, laughing in horror, the Night Gallery paintings, Hannes Bok, a wolf with a mullet, a modern adaptation, The Rats In The Walls, if a story can be spoiled it’s probably not worth reading (or re-reading), Tam would have dropped his shit, Joanna Russ, Cthulhu 2000, Poe wrote his wife to death, Beyond The Wall Of Sleep, The Crawling Chaos, “psychedelically cosmic”, Jim Moon’s Necronomicon woodcuts, 16th century Pickman,














Posted by Jesse Willis

Harlan Ellison (and David Ansen) talk about, arguably, the greatest Science Fiction movie ever adapted from a novel.
Posted by Jesse Willis

Here’s a paperbook that arrived at the old PO BOX address just after it closed (they nicely set it aside for me). The press release says it came out in December 2011. I think I heard good things about it. Maybe that was on a podcast, maybe over on SFSignal or from Tamahome (who is always talking about books from the 21st century). The Amazon and Goodread reviews are mixed (with not many seeming to be in the middle).
Based on those it sounds like it has infodumps, politics, and didacticism. That all sounds good to me!

Now where’s the audiobook? The only John C. Wright audiobook I’ve seen is Infinivox’s Guest Law |READ OUR REVIEW|.
Here’s the accompanying press release:


Posted by Jesse Willis