Review of White Cat by Holly Black

SFFaudio Review

LISTENING LIBRARY - White Cat by Holly BlackWhite Cat: The Curse Workers, Book One
By Holly Black; Read by Jesse Eisenberg
1 |MP3| – Approx. 6 Hours 41 Minutes [UNABRIDGED]
Publisher: Listening Library
Published: May 11, 2010
ISBN: 9780307711816
Themes: / Fantasy / Urban Fantasy / Con men / Curses / Magic /

I wake up barefoot, standing on cold slate tiles. Looking dizzily down. I suck in a breath of icy air.

Above me are stars. Below me, the bronze statue of Colonel Wallingford makes me realize I’m seeing the quad from the peak of Smythe Hall, my dorm.

I have no memory of climbing the stairs up to the roof. I don’t even know how to get where I am, which is a problem since I’m going to have to get down, ideally in a way that doesn’t involve dying.

[…]

I’d dreamed of a white cat. It leaned over me, inhaling sharply, as if it was going to suck the breath from my lungs, but then it bit out my tongue instead. There was no pain, only a sense of overwhelming, suffocating panic. In the dream, my tongue was a wriggling red thing, mouse-sized and wet, that the cat carried in her mouth. I wanted it back. I sprang up out of the bed and grabbed for her, but she was too lean and too quick. I chased her. The next thing I knew, I was teetering on a slate roof.

A siren wails in the distance, drawing closer. My cheeks hurt from smiling.

Eventually a fireman climbs a ladder to get me down. They put a blanket around me, but by then my teeth are chattering so hard that I can’t answer any of their questions. It’s like the cat bit out my tongue after all.

Born into a family of curse workers, Cassell doesn’t have the magical powers to be a “worker.” Curses come in all shapes and sizes from transforming victims into something else down to emotionally influencing people. All that is needed is the touch of a finger. This makes gloves much more than a fashion accessory since they are a necessary item of protection.

Curse work is illegal so curse workers are all either part of the powerful crime families, con workers, or exist with their secret on the edges of society. Cassell’s family owes allegiance to a powerful crime family and working cons is as normal as breathing. In fact, working the con is the thing that makes up for not being a worker and Cassell eyes the world from this vantage point, which makes him a solitary figure with few friends.

Cassell has a dark secret, a problem with sleepwalking, and a family who specializes in running cons. He also lost the love of his life, Lila, long ago. However, he put that all behind him and is concentrating on life in boarding school and building a normal life, along with keeping book on the side. (Hey, a guy has to have a little spending money, right?) So when a white cat begins following him everywhere, terrifying dreams bring Lila back into his waking thoughts, and those dark secrets begin surfacing again, Cassell begins to suspect that he is a pawn in a complicated con game.

Can he out-con the pros and solve his problems? Well, of course he can or what would be the point of reading the book? The fascination is with watching Cassell have to admit that he needs help from others, seeing his longing for family ties even as he fears that he may have been betrayed by them,

Holly Black has a fully realized alternate world where the presence of curse working and magic define much more than Cassell’s personal problems. There is a slight but interesting subplot about an organization that is working for “worker’s rights.” The government has begun pushing a testing program, urging workers to come forward and be identified. Family loyalty along with the inner workings of crime families are also interesting embellishments to the plot. The magical abilities described are fascinating, as is the concept of “blow back” which besets anyone who works a curse. Nothing is done with impunity so you’d better be darned sure you want to curse someone because you will suffer some sort of severe reaction in turn.

Perhaps the most interesting aspect of the book is that Cassell is an unreliable narrator. What is more, he knows he is an unreliable narrator as he is afraid that he is too influenced by dreams or that his memory has been worked. Everyone around him is fairly unreliable as well since Cassell is never sure when someone is working a con or being natural. Although some major plot twists are fairly well telegraphed ahead of time, this hardly matters because we are so concerned with the fact that Cassell may be working a con we don’t see or that he is being conned himself.

The story is narrated by Jesse Eisenberg, who is probably best known for portraying the awkward college student in Zombieland or the equally awkward Mark Zuckerberg in Social Network. His trademark delivery works perfectly as the story is told by Cassell who is equally as awkward as either of those movie characters. Furthermore, Eisenberg alters his voice slightly but effectively to portray different characters: a fortune teller, Cassell’s mother, his roommate Sam, and the crime boss all get slightly different intonations which perfectly convey character. I would have liked the book anyway as a straight read, but with Eisenberg’s narration I bought it hook, line, and sinker. Just like an average mark, in fact.

It is called urban fantasy but didn’t really feel that way to me. It is fantasy because of the curse working element but other than that there are precious few fantastic elements. Likewise, it is labeled YA, but aside from the age of the narrator and some elements like having to attend classes, it didn’t feel like something written for younger readers.

I thoroughly enjoyed this book. What can I say? I like con stories. I like the universe Holly Black created. Jesse Eisenberg’s narration pulled me into the story so I stayed there long enough to care about a boarding school student with an interesting set of problems. I also liked the fact that the story arc was concluded in this book except for one element which obviously serves as a bridge to the second book of the series.

It’s just plain fun all round and moves at a fast, addictive pace. Recommended.

Posted by Julie D.

BBCR4X: Bradbury 13

SFFaudio Online Audio

BBC Radio 4 ExtraCoolness! Mike McDonough, the legendary producer of the famous BRADBURY 13 audio drama series, writes in to say:

Gentlemen,

A good friend of mine pointed me to your website. I’m glad to see there are others in the world like me, who LOVE audio, and think it is a perfect medium for telling stories. I’ve been fascinated with the power of audio since I was a kid growing up in Los Angeles.

I’m glad you liked “A Sound Of Thunder“. That’s one of my favorite Ray Bradbury stories, and certainly one of the most successful of the thirteen audio adaptations that I did in the series. Bradbury’s writing is so visual sometimes, it was just a natural for audio. By the way, the series is currently being broadcast on the BBC in England. Here is a link to their blog about the shows I did many years ago! The series is also lately available for download on iTunes for anyone who might be interested.

http://www.bbc.co.uk/blogs/radio4/2011/06/radio_4_extra_the_making_of_br.html

Keep up the good work on your website. It seems very well-done and comprehensive.

All My Best,

Mike McDonough

Indeed, check out the BBC Radio 4 Extra blog post that has some vintage photographs of the McDonough actually recording the programme! It makes a great compliment to Radio Drama Revival’s excellent interview with McDonough. And, of course, BBCR4X is presenting all 13 episodes weekly right now! Blackstone Audio has released the collection on CD, it is available through iTunes and Audible.com has it too!

Blackstone Audio - Bradbury Thirteen

Posted by Jesse Willis

Audioboook Sync: SIXTEEN FREE Young Adult AUDIOBOOKS: (2 per week over the summer)

SFFaudio Online Audio

Overdrive Media Console

AudiobookSync.com is offering “FREE audiobook downloads of Young Adult audiobooks and Summer Reading Classics this summer! Watch for a new pair of audiobooks each week from 6/23/11 – 8/17/11.” That’s 16 FREE audiobooks. Unfortunately, like last summer, the files are not straightforward right-click downloads. The good news is that the files themselves are in the MP3 format and don’t expire (even though the offer does).

First, you will have to instal a piece of software called “Overdrive Media Console” and of course you must “take a moment” to read the 2000 word EULA (and presumably have finished law school). Next you’ll need to |CLICK HERE| to get the first audiobook (and follow the instructions). That will get the first audiobook downloading. To get the second audiobook you’ll need to |CLICK HERE| and do the same. There is a query regarding your country of residence. Ignore it (unless you want to risk not getting your audiobook).

Be sure to take careful note where the files are set to download to. I sent mine to a custom folder on my desktop.

Here is the first pair, available between June 23 and June 29:

SCHOLASTIC AUDIO - Shiver by Maggie StiefvaterShiver
By Maggie Stiefvater; Read by Jenna Lamia and David Ledoux
MP3 Download – Approx. 10.75 Hours [UNABRIDGED]
Publisher: Scholastic Audio Books
Published: 2009
ISBN: 0545165067
For years, Grace has watched the wolves in the woods behind her house. One yellow-eyed wolf–her wolf–is a chilling presence she can’t seem to live without. Meanwhile, Sam has lived two lives: In winter, the frozen woods, the protection of the pack, and the silent company of a fearless girl. In summer, a few precious months of being human . . . until the cold makes him shift back again.
Now, Grace meets a yellow-eyed boy whose familiarity takes her breath away. It’s her wolf. It has to be. But as winter nears, Sam must fight to stay human–or risk losing himself, and Grace, forever

BBC RADIO 3 - William Shakespeare's Romeo & JulietRomeo & Juliet
By William Shakespeare; Performed by by Douglas Henshall, Sophie Dahl, Susannah York, and a Full Cast
MP3 Download – Approx. 3 Hours [AUDIO DRAMA]
Publisher: AudioGO / BBC Radio
Published: 1999
ISBN: 9780563553441
Douglas Henshall, Sophie Dahl and Susannah York star in Shakespeare’s passionate story of doomed love. BBC Radio has a unique heritage when it comes to Shakespeare. Since 1923, when the newly formed company broadcast its first full-length play, generations of actors and producers have honed and perfected the craft of making Shakespeare to be heard. With the intimacy of radio the full beauty and meaning of some of the most lyrical lines ever written can be truly heard: tenderness and passion, betrayal and bigotry are brilliantly evoked as the tale comes to its tragic conclusion. The play is introduced by Richard Eyre, former Director of the Royal National Theatre, and the accompanying booklet includes a scene-by-scene synopsis, full character analysis, brief biographies of the leading actors and of Shakespeare himself, as well as an essay from the producer on their interpretation of the play. Revitalised, original and comprehensive – this is Shakespeare for the new millennium.

Future audiobooks released through the same method:

Available June 30 – July 6:
Little Brother by Cory Doctorow |READ OUR REVIEW|
The Trial by Franz Kafka

Available July 7 – July 13:
Where The Streets Had A Name by Randa Abdel-Fattah
A Passage To India by E.M. Forster

Available July 14 – July 20:
The Last Apprentice: Revenge of the Witch by Joseph Delaney
Beowulf by Francis B. Gummere [Trans.]

Available July 21 – July 27:
Chanda’s Secrets by Allan Stratton
Tess of the D’Urbervilles by Thomas Hardy

Available July 28 – August 3:
Ashes, Ashes by Jo Treggiari
Rescue: Stories of Survival From Land and Sea by Dorcas S. Miller [Ed.]

Available August 4 – August 10:
Immortal by Gillian Shields
Wuthering Heights by Emily Brontë

Available August 11 – August 17:
Storm Runners by Roland Smith
The Cay by Theodore Taylor

Posted by Jesse Willis

Prometheus Unbound: Review of The Syndic by C.M. Kornbluth

SFFaudio Online Audio

Prometheus UnboundHere is a very interesting, but highly ideological, podcast review of (and apology for) Cyril M. Kornbluth and his 1953 novel The Syndic. It is an interesting listen, but as I mentioned, it is extremely narrowly focused – seemingly like a sermon to the adherents of some sort of religion called “libertarianism.” There is no audiobook available at the moment, but Wonder Publishing has an ebook edition available.

|MP3|

Incidentally, Groff Conklin‘s March 1954 Galaxy magazine review of the novel describes The Syndic as “remarkable both for its inconclusiveness and for its surprisingly philosophical depth.”

The Syndic by C.M. Kornbluth

The Syndic by C.M. Kornbluth

The Syndic by C.M. Kornbluth

Posted by Jesse Willis

Everything Is A Remix

SFFaudio Online Audio

Here’s a really terrific project that illustrates, in a very succinct way, the history of creativity. It’s thesis is that there is a fundamental through-line which connects all human creation and that is to copy, modify and mix (or remix) the creations of the past to make something new.

Everything is a Remix Part 1 from Kirby Ferguson on Vimeo.

Everything is a Remix Part 2 from Kirby Ferguson on Vimeo.

Everything is a Remix Part 3 from Kirby Ferguson on Vimeo.

One example, not cited in the series so far, is this thread of remixing:

Edward Bellamy’s Looking Backward (1888) -> David Butler’s Just Imagine (1930) -> C.M. Kornbluth’s The Marching Morons (1951) -> Mack Reynolds’ Looking Backward From The Year 2000 (1974) -> Robert A. Heinlein’s For Us, The Living (written in 1938, published 2003) -> Mike Judge’s Idiocracy (2006)

In fact, we recently posted an audiobook reading of C.M. Kornbluth’s The Marching Morons, which took inspiration from the 1930 film Just Imagine. Robert A. Heinlein’s first novel (which went unpublished until 2003) was also a response to this movie. But Just Imagine itself likely took its inspiration from Edward Bellamy’s immensely popular 1888 utopian novel Looking Backward 2000-1887. Science Fiction writer, Mack Reynolds, wrote a couple sequels to Looking Backward but he wasn’t alone – in fact more than a dozen sequels, responses and inspired works followed. The history of Science Fiction is a flowing and knotted tapestry of scientific discovery, theory, ideology, adventure, and drama that cannot be summed up with any simplistic bag with the names like “inspiration” or “genius.”

Posted by Jesse Willis