
Though the Digital Millennium Copyright Act (DMCA) is a United States copyright law, and hasn’t been adopted by Canada, I suspect that’s not the point of the following email.

The post that Kristina Moore refers to is HERE. It has comments on it that clarify why one of the links is now dead.
But that’s not the end of the story, lets go back a bit and consider why I was contacted at all. Let’s take it as a hypothetical given that, as Kristina Moore’s email is claiming, Adjustment Team is copyrighted.
I don’t believe that to be the case, not from what I read about it being a case of copyfraud. But even so, lets assume Moore’s claim to be true. What then does that have to do with my post? I did not post the story. I linked to it. And from my reading of Chilling Effects FAQ page on linking (and deep linking), that is not a copyright violation under the DMCA. And, even if it were the DMCA is United States law, not a Canadian one.
Now I will admit I did put up, and host, two pictures from the original publication in Orbit Science Fiction’s Sept-Oct. 1954 issue – but that surely can’t be what The Wylie Agency was upset about. The Philip K. Dick estate certainly does not hold the rights to the images. And, yes, though I did link to an audiobook version of Adjustment Team, that file was removed from LibriVox because of a similar DMCA notification to LibriVox.
In case you would like to do your own research on the matter, I point you to the Wikimedia Commons source for Adjustment Team. Where the story is still available HERE. That’s where I got the pictures.
I will leave up my original post until I get a reasonable explanation for why I shouldn’t. In hopes of getting one I have replied to Moore’s email with an invitation to appear as a guest The SFFaudio Podcast.
Posted by Jesse Willis







Going in, and liking Robert Sheckley, I was surprised how much I didn’t respond to his most famous short story Seventh Victim. Upon first reading it I didn’t think of it as terrific story. Nor did I think of it as having much in the way of intellectual heft. But, upon reflection, particularly after watching the film adaptation I am coming around a bit. Indeed, plenty of folks, it seems, think of Seventh Victim as an academic story. It’s been used in both introductory psychology and philosophy textbooks. It has been reprinted more than a dozen times in different anthologies or collections. The 1965 film adaptation, called The Tenth Victim (La Decima Vittima), prompted Sheckley to expand the short story into a novel under the same name (which spawned more novel sequels Victim Prime and Hunter / Victim.
Future Tense – The Seventh Victim
X-Minus One – The Seventh Victim