Upcoming Audiobook – Leviathan by Scott Westerfeld

SFFaudio News

Here’s an upcoming audiobook from Uglies and Pretties author Scott Westerfeld. I’m thinking that this book will be really cool – it has airships. AIRSHIPS!

Simon And Schuster - Leviathan by Scott WesterfeldLeviathan
By Scott Westerfeld; Read by Alan Cumming
CD – [UNABRIDGED]
Publisher: Simon & Schuster Audio
Published: October 6, 2009
ISBN: 0743583884
Prince Aleksander, would-be heir to the Austro-Hungarian throne, is on the run. His own people have turned on him. His title is worthless. All he has is a battletorn war machine and a loyal crew of men. Deryn Sharp is a commoner, disguised as a boy in the British Air Service. She’s a brilliant airman. But her secret is in constant danger of being discovered. With World War I brewing, Alek and Deryn’s paths cross in the most unexpected way…taking them on a fantastical, around-the-world adventure that will change both their lives forever.

And check out these Keith Thompson illustrations from the paperbook edition:

Leviathan Illustrations

Posted by Jesse Willis

CBC R1: Writers & Company talks to international crime writers

Aural Noir: Online Audio

CBC Radio One - Writers And CompanyThis week’s CBC Radio 1 Podcast of Writers & Company focuses on international crime writers. Host Eleanor Wachtel talks to Gianrico Carofiglio (Italy); Asa Larsson (Sweden); Louise Welsh (Scotland); Giles Blunt (Canada). They talk about mystery writing, their books and their inspirations (Kidnapped by Robert Louis Stevenson, Greek mythology, the Old and New Testament villains King David, Judas, Cain, O.T.-God) . |MP3|

Podcast feed:

http://www.cbc.ca/podcasting/includes/writersandco.xml

P.S. CBC is still embargoing a J. Michael Straczynski radio drama series that Canadians have already paid for. That’s not polite CBC! Release it!

Posted by Jesse Willis

The SFFaudio Podcast #032

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #032 – Jesse and Scott are ramifying and missling things as they talk about recently arrived and newly released audiobooks. We’ve got fists the size of baked hams in this episode so we say crazy things like:

“Soccer is cool!” – “The great thing about Laserdiscs…”

“Tele-Vision. It’s a Science Fiction-sounding word” – “…stupid Morlocks!”

We’re also asking the deep questions like: “Is there anybody more exciting than Robert Silverberg?” Indeed, it’s our most Reganesque show.

Talked about on today’s show:
Blackstone Audio, Flashforward by Robert J. Sawyer, The Quitaglio Ascension, End Of An Era, Golden Fleece, CERN, Flash Forward (TV series), The 4400, WWW: Wake, Nightmare At 20,000 Feet by Richard Matheson, Infinivox, The Year’s Top Ten Tales of Science Fiction edited by Alan Kaster, The Twilight Zone, William Shatner, John Lithgow, Where There’s A Will by Richard Matheson and Richard Christian Matheson, The Invisible Man by H.G. Wells, The Magicians by Lev Grossman, The Man In The High Castle by Philip K. Dick, The Grasshopper Lies Heavy, Codex, B>Wahammer: Slayer Of The Storm God by , Warhammer: 40,000: Heart Of Rage by James Swallow, Danielson Kid (age 14), Major League Soccer, soccer, Audible Frontiers, The Mote In God’s Eye by Larry Niven and Jerry Pournelle, Lucifer’s Hammer, Footfall, The Stand by Stephen King, post-apocalypse, Timothy Lahaye and Jerry B. Jenkins, Wild Seed by Octavia E. Butler, Fledgling, BBC Audiobooks America, 2000X: Bloodchild, Brilliance Audio, Moonrise by Ben Bova, the Grand Tour novels, Omni magazine, Analog, The Precipice, The Rock Rats, The Silent War The Aftermath, the Asteroid Wars sub-series, releasing digitally on Audible before hardcopy, the MP3-CD format is the best, VHS, Laserdisc, DVD, BluRay, digital copies, Gun With Occasional Music by Jonathan Lethem, Raymond Chandler and Philip K. Dick, The Automatic Detective by A. Lee Martinez, Kristine Kathryn Rusch, the Retrieval Artist series, what is noir?, detective fiction, Young Adult fiction, The Cambridge Companion Science Fiction, Brian Stableford, Gary K. Wolfe, Kathryn Cramer, Andy Duncan, Ken MacLeod, The Oxford Dictionary Of Science Fiction, neural (adj), visi-screen (noun), visi-plate (noun), ansible (noun), Kerguelen (proper noun), mind-meld (verb), mind-meld (noun), Recorded Books, Bimbo’s Of The Death Sun by Sharyn McCrumb |READ OUR REVIEW|!

Posted by Jesse Willis

BBC Radio 7: Raymond Chandler, Mary Shelley, Simon Bovey, William Gibson

SFFaudio Online Audio

BBC Radio 7 - BBC7There’s a terrific mix of Science Fiction, Mystery and Crime stories, novels and dramatizations set to be broadcast this week. It looks like every single one is a repeat, but I can’t think of any set of repeats better sounding than these! So what are you waiting for? All of them should be available in your Radio Downloader browser right now!


BBC Radio Collection - The Big Sleep and The High WindowThe High Window
Based on the novel by Raymond Chandler; Performed by a full cast
1 Broadcast – Approx. 90 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 7
Broadcast: Saturday August 1, 2009 @ 1pm and 1am
When wise-cracking private eye Philip Marlowe is hired to track down a valuable missing coin, he quickly discovers that contact with it invariably has fatal consequences. Dramatised by Bill Morrison, John Tydeman’s production was first broadcast in 1977. Stars Ed Bishop.

The Mortal Immortal
By Mary Shelley; Read by Shaun Dooley
1 Broadcast – Approx. 30 Minutes [ABRIDGED?]
Broadcaster: BBC Radio 7
Broadcast: Sunday at 6.30pm and 12.30am
Driven to despair by disappointment in love, alchemist’s assistant Cornelius drinks a potion which he discovers to be the elixir of life. At first, Cornelius revels in what he sees as his good fortune – until the drawbacks of his action slowly start to become clear. This production by Gemma Jenkins was specially made for Radio 7 and first broadcast in 2005.

Slipstream by Simon BoveySlipstream
By Simon Bovey; Performed by a full cast
5 Broadcasts – Approx. 2.5 Hours [RADIO DRAMA]
Broadcaster: BBC Radio 7
Broadcast: Monday to Friday, August 3 – 7, 2009 @ 6pm and Midnight
When 150 aircraft are shot down in one raid, Colonel Barton fears the destruction was the work of Slipstream, a terrifying new weapon developed by the enemy. Barton determines to find the weapon before it can be used again. Simon Bovey’s World War Two drama was specially commissioned for Radio 7. Produced by Marc Beeby, it stars Rory Kinnear and Tim McMullan and was originally transmitted in 2008.

Pattern Recognition by William GibsonPattern Recognition
By William Gibson; Read by Lorelei King
5 Broadcasts – Approx. 2.5 Hours [ABRIDGED]
Broadcaster: BBC Radio 7
Broadcast: Monday to Friday, August 3 – 7, 2009 @ 6.30pm and 12.30am
Cayce Pollard has an unusual allergy which leaves her hyper-sensitive to brand names. Instinctively aware of what products will and will not succeed, she enjoys a lucrative career in advertising. On a business trip to London, however, she finds herself involved in tracking down the maker of a strangley addictive online film – a search that proves to be extremely dangerous. This Radio 7 commission was first broadcast in 2007.

Down Payment On Death
By Jim Eldridge; Performed by a full cast
5 Broadcasts – Approx. 2.5 Hours [RADIO DRAMA]
Broadcaster: BBC Radio 7
Broadcast: Monday to Friday, August 3 – 7, 2009 @ 1.30pm, 8.30pm and 1.30am
Professional assassin Art Gordo is blackmailed into doing one last job by Clarke from ‘The Department’. Adapted by Jim Eldridge’s 1972 novel. Stars Dinsdale Landon as Art and Glyn Owen as target Allweather. First broadcast in 1976 on the BBC’s World Service.

Posted by Jesse Willis

Maria Lectrix: Song In A Minor Key by C.L. Moore

SFFaudio Online Audio

From Maureen O’Brien of the Maria Lectrix podcast/blog comes…

“Northwest Smith is one of the great adventurers of Science Fiction, one of that group of cool, gray-eyed men who roam the spaceways and provide much of the inspiration for the legends that are a part of the folklore of space. Here is Northwest Smith, in a rare moment of peace…”

Song In A Minor Key by C.L. MooreSong In A Minor Key
By C.L. Moore; Read by Maureen O’Brien
1 |MP3| – Approx. 7 Minutes [UNABRIDGED]
Podcaster: Maria Lectrix
Podcast: July 26, 2009
The last of the Northwest Smith stories, and probably the shortest. First published in the February 1940 issue of the mimeographed fanzine Scienti-Snaps. Later reprinted in Fantastic Universe, January 1957.

[Thanks Maureen!]

Posted by Jesse Willis

Canadian Copyright Consultations: Vancouver

SFFaudio Online Audio

Tony Clement (Minister Of Industry) and James Moore (Minister of Heritage) announcing copyright consultation

A few days ago the Canadian government’s copyright consultations site posted the audio from the Vancouver consultations. The audio |MP3| shows a wide variety of sensible copyright ideas. But the most pernicious was that of the Entertainment Software Association of Canada‘s 6 minute argument in favour of a more draconian version of the failed Bill C-61 from last year. Their spokesperson, Danielle LaBossiere Parr, argued along these lines…

Premise 1. The video game industry makes $2.2 Billion a year in Canada (if you include “hardware sales”).
Premise 2. The video game industry is extremely lucrative (“we had a record breaking year”).
Premise 3. There’s been a 300% increase in piracy (but video games “haven’t been affected” – and our research shows Canada is twice as bad as the USA).
Premise 4. DRM TPM is good. You don’t need to own or be able to control what we sell you (and we can’t provide essential services without it).

Conclusion: To avoid losing our $2.2 Billion a year business Canada has to make the breaking of DRM a statutory fineable offense and remove judicial oversight from corporate claims of copyright over materials in the public domain.

My analysis:

-Parr’s choice of Steam as an example of good DRM is interesting because it completely bypasses Canadian sales (being that it operates out of the USA and doesn’t collect PST or GST). Also, who knows what percentage of that $2.2B is hardware?

-Premise two seems to be in direct contradiction to premise three.

-Premise Four is the active portion of the argument. If you buy into the idea that TPM (DRM) is good for consumers you can accept it. If you like being prevented from using what you own you’ll like DRM.

-What Parr didn’t say in her speech is that the “entertainment software industry in Canada is export-intensive. Fifty per cent of firms rely on exports for 90-100% of their revenues, much of which comes from the United States.”* That surely doesn’t support her claim that the Canadian industry is threatened unless we make DRM breaking fineable. Her claim that TPMs facilitate “parental controls” and allow games to be distributed on a “trial or demo” basis is belied by the fact that such features have existed without invasive TPM/DRM.

Here’s her full speech (15:46 – 21:16):

“Thank you very much for hosting the consultation we’re very pleased to be at the table. And certainly Minister – took note of your comments this morning., I uh was at the digital forum and I know in a lot of the comments made there was ‘what about content? We need to deal with content’ So was encouraged to hear your comments that this is an important part of the overall digital strategy.

So here we’d agree – we’re here in Vancouver we are the largest, the largest hub for video game development in Canada. Canada in fact is the third largest producer of video games in the world. We are hitting well above our weight class, we are extremely successful and uh we are uh you know right behind Japan and the U.S. and if you look at on a proportional basis with our population it’s especially impressive. Um you know in Canada sales of entertainment software and hardware 2.2 billion dollars it was record breaking year and we’re continuing to see growth. So and I say that because our industry has huge potential for the Canadian economy and uh I think its important to … to think about that when you’re crafting policy to protect intellectual policy.

Um now you might also say, and we’ve heard this argument, ‘well you’re doing so well, why should we worry about you?’ But if you look at our online piracy statistics uh between 2007 and 2008 we saw 300% increase in online piracy. Uh, you know video games are we haven’t been affected as quickly perhaps as music and movies have in part because of our file size, they’re massive. And so as broadband speed catches up it becomes easier and easier to download games online so we really have to take action now action to prevent further harm to our industry.

When it comes to Bill-C61 we were actually really happy with the anti circumvention provisions of Bill-C61. You know certainly from our perspective our business is the sale of intellectual property, we don’t sell concert T-shirts, that sort of thing, we sell intellectual property and that is the backbone of our business and the only way we’re successful.. So certainly creating protection for digital locks is essential and uh we thought that C-61 did a good job at that. On the other side we felt that the ‘notice and notice’ regime in C-61 didn’t go far enough from our perspective. We would like to see ‘notice and takedown.’

And the reason for that is with sales of video games you look at Halo 2 for example, when it was launched, the vast majority of sales was in the first couple of weeks. It’s something like 80 or 90 percent of the sales are right around the launch date. So when a game is made available online, sometimes even before its released, there is a tremendous amount of harm that’s done in terms of sales to legitimate Canadian retailers and to the rights-holders as well. And so that’s why we think notice and takedown is necessary, because the time that you need to take to get an injunction, to have offending content removed, for example, notice and notice doesn’t compel them to remove the content. We feel that a notice and takedown regime would be in the best interest of video game publishers in Canada.

Um, the other thing the other point I’d like to make is that Canada, when it comes to video game piracy is disproportionate in terms of its offending. We did some research with gamers in both Canada and the US and we asked them the same questions. We found that 17% of U.S. consumers or U.S. gamers admitted to owning pirate product. Whereas 34% of Canadians gamers said the same. So it’s double the rate of piracy in Canada. Um, so it’s time to act now I mean certainly circumvention devices and protecting TPMs its allowing content owners to choose the business model that makes sense. And ultimately the market will decide if they don’t think that TPMs are fair or that they don’t like the way the service is being provided ultimately consumers will decide. And the business model will be adapted. But we really do have to offer protection under the law for digital locks or TPMs and allow consumers really to decide.

In terms of the video game example, I’ll sort of conclude I know I’ve talked a lot. Um, we’ve used TPMs in a number of ways. It’s not just preventing piracy, but it’s also allowing more choice for consumers in the sense that … no, services like Steam, for example, that allow you to have a subscription, essentially, to a video game. You can login when you’re traveling, from this computer, or you can login from your home computer, as opposed to only being to access the game when its downloaded on your home PC for example. That’s facilitated by DRM. Um same thing when it comes to parental controls.

So you know if you want to restrict, not allow your kids to play M-rated games for example. Or in World Of Warcraft you don’t want your kid more than 6 hours a week time all of those things are facilitated by DRM. And finally so time trials and VIP areas of sites and allowing people to try before they buy – all thiose jkinds of things that are really beneficial for consumers. Uh you know I think the video game industry has done a real good job of using DRM in a positive way. Thank you.”

There’s also an official transcript |HERE| it includes all the other speakers as well.

Posted by Jesse Willis