MechMuse is a new "audio magazine" publishing …

Online Audio

Mech Muse

MechMuse is a new “audio magazine” publishing short stories, serialized novels, columns and interviews, all in the audio format. Each monthly issue is set to include between ten and fifteen hours of “fresh” Science Fiction and Fantasy content which will be downloadable onto an iPod or any other portable audio player. Short stories will be drawn from both new and established authors, novels will all come from “best-selling” authors. MechMuse’s debut issue (March 2006) issue is set to be released at MechMuse.com on Feb. 15th 2006. It will feature a short story After a Lean Winter and the audio novel On My Way to Paradise both by David Farland as well as feature works by Kevin J. Anderson. Other contributions include The Second Rat by David Barr Kirtley and more tales by the likes of Richard Raleigh and Edmund Schubert. Subscriptions cost $5 per month, or $25 for six months. There’s also a special coupon available that’ll give you a $1.00 discount off the first issue too!

posted by Jesse Willis

Review of The Raven by Edgar Allan Poe

SFFaudio Review

The Raven by Edgar Allan PoeThe Raven
By Edgar Allan Poe, Read by Bill Mills
MP3 file – 19 min. [UNABRIDGED]
Publisher: REB Audio books
Published: 2005
Themes: / Horror / Poetry / Mourning / Depression

“Once upon a midnight dreary,
While I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore…”
— A.E. Poe, The Raven

That’s how the poem begins, drawing a pall of melancholy over us with its first syllables. This audio book, however, takes a little more time getting there. As if reflecting the distance from this mood we might be starting, the first tones are of bouncy pop music as the company and title are introduced. Then comes Bill Mills’ voice, warm, and rich as hickory smoke, leading us down into darkness with a brief, stylish bio of the author.

When the first line finally arrives, I have to admit, I cringe for just a second. The slow, broken delivery—scattering audible periods where the text shows, at most, commas—has just a whiff of Shatner-reading-Lucy-in-Sky-with-Diamonds over-interpretation. But that passes in an instant, and I find myself discovering new wonders in nearly every spoken line of a poem I’ve read probably a hundred times. I have a tendency to dismiss rhymed poetry as lightweight, as my brain usually prefers humming the tune to learning the meaning behind the words, but Mills’ reading is a perfect foil for that. He treads a careful path between chanting the regular meter and disregarding it entirely, cleverly emphasizing the story the words tell while still respecting their poetry. What he presents is a tale of a man just tumbling off the edge of hope into a free fall of depression, a man who speaks the name of his lost love into the darkness outside his soul only to have the darkness reply with morbid hopelessness.

The one thing marring this production is the background track. Behind the serious lead vocals vamps a cartoon ghoul-band of horror excess: Howling wind, howling wolves, crackling thunder, soaring choirs, and crashing orchestras. It isn’t destructive, but it is ridiculous. That said, this is still an excellent recording. I highly recommend following Mr. Mills down this twilit path, no matter how many times you think you’ve seen it before.

Posted by Kurt Dietz

Review of The Time Machine by H.G. Wells

SFFaudio Review

Science Fiction Audiobooks - The Time Machine by H.G. WellsThe Time Machine
By H.G. Wells; Read by James Spencer
MP3, OGG or AAC files download – 3 hours, 2 minutes [UNABRIDGED]
Publisher: TelltaleWeekly.org
Published: 2004
Themes: / Science Fiction / Time Travel / Math Fiction /

I felt assured that the Time Machine was only to be recovered by boldly penetrating these underground mysteries. Yet I could not face the mystery. If only I had had a companion it would have been different.

Sounds suspiciously like the plot of every Doctor Who episode doesn’t it? But The Time Machine isn’t just about exciting time-travel adventures, it’s also about the class struggle in Great Britain in the late 19th century, the widening gap between rich and poor, what Humans have control over and what they don’t. Doctor Who has been known to tackle these ideas too, one of it’s serials even has H.G. Wells as a character, but the fact that The Time Machine did it first, and so well, speaks volumes.

Scientifically explained SF stories of time travel take their cue for explanation, when they do it at all, from this novel. Prior to its publication stories of travel in time went unexplained, the Connecticut Yankee, of Mark Twain’s comedic time-travel novel got a knock on his head that sent him back to Middle Ages England – and that was explanation enough in its way. But The Time Machine isn’t played for comedy, Wells’ futures are allegories for his worries about capitalism and communism, for his notation about gender blurring in the industrial age and his realization that not only are all men mortal, but so in fact is Mankind itself!

In just three hours Wells posits two futures: 1. A relative near term future humanity which has bifurcated into two distinct species (Eloi and Morlock) – they stand as the evitable result of aristocrat and proletariat class calcification present in the political theory at the time of it’s writing. 2. A vision of a far future Earth, showing the inevitable and unavoidable physical reality of the universe. Were this not a public domain text, and were not the plot so familiar to us we’d have to think ourselves blessed by this excellent reading. As it is, and as cheap as it is this classic of science fiction can be judged only by it’s audiobook. Thankfully the reading keeps pace with the text.

Sound quality is excellent, but the reader, James Spenser, doesn’t have much to do in the way of voices. He does however a marvelous job engendering anticipation, fear, disgust and sympathy through pacing. Spencer’s lack of an English accent for this Englishman’s tale doesn’t really matter, only one character in the novel is named, she couldn’t sensibly be called English and she doesn’t even have a speaking part. Much of the difficulty in this story comes from the stilted way it is rendered. Told in first person by an unnamed witness to the recounting of the main events, we are regaled second hand with the time traveler’s adventures in time. I can charitably call it “quaint.” Arthur C. Clarke later took up this kind of storytelling with his “Tales Of The White Heart” series of short stories, likely I think in homage to Wells. I’ve heard several audiobook renditions of The Time Machine now, of the non British reader’s Spencer’s is “the definitive edition.” And at just $5.00 it’s a deal.

Posted by Jesse Willis

Good news brain craving fellows, Zombie Astrona…

Online Audio

Zombie AstronautGood news brain craving fellows, Zombie Astronaut, one of our favorite mp3 webzines, has done something we should have guessed it would, it came back to life, just after we thought it was dead for sure (we really should have known, every horror movie cliche is true after all). A brand new issue is up and full of tasty sweetmeats. Enjoy!

posted by Jesse Willis

Two BRAND NEW specially commissioned programs …

The 7th Dimension

Two BRAND NEW specially commissioned programs start airing on BBC 7‘s The 7th Dimension this weekend. First is Jefferson 37 an original radio drama series. Second, is I Am Legend, which looks like an UNABRIDGED reading of the fantabulous Richard Matheson novel. Of the latter, there are differening reports on its number of instalments either 9 or 10 half-hours. Super sweet either way! Here are the details of both:

Jefferson 37
By Jenny Stephens; Directed by Peter Leslie Wild
4 Part Serial – Approx 120 Minutes [AUDIO DRAMA]
Broadcaster: BBC 7 / The 7th Dimension
Broadcast: Saturday Jan 21st 2006
Starring: David Birrell, Alison Carney, Oliver Hembrough and Dharmesh Patel
“A gripping thriller, set in the near future, and explores the idea of clones being created specifically to provide body parts to those who can afford it.”

I Am Legend
By Richard Matheson; Read by Angus McInnes
9 or 10 Part Reading – approx 5 Hours [UNABRIDGED?]
Broadcaster: BBC 7 / The 7th Dimension
Broadcast: Mon-Fri 6pm and 12 midnight Jan 23 – Feb 3 2006 (?)
“Taking place in New York, it’s a tale of vampires and a man immune to the plague that has decimated most of the population”.
Adapted by Scott Stainton Miller
Produced by Eilidh McCreadie

posted by Jesse Willis

Commentary: Back in 1947

SFFaudio Commentary

Back in 1947, The Bulletin of the Atomic Scientists first informed the world what time it was on the “Doomsday Clock“. Since then, the minute hand of that clock has moved forward and back to reflect the subjective level of nuclear danger and the state of global security. I suggest we SF & F fans institute another clock, one for which we can easily see the subjective coolness of the times in which we are living. When Sci Fiction closes it’s doors the “uncoolness clock” hand sweeps 5 minutes towards Midnight, when Charles Stross writes another awesome story it sweeps the clock’s hand back a minute. Everybody on board with the idea?

Good. Now I have a candidate for sweeping the hand back a minute. Here’s the argument:

We should sweep the hand of the “uncoolness clock” back for reason of Escape Pod. Escape Pod is our favorite Science Fiction Podcast Magazine. It’s been scoring coup after coup in the game of audio Science Fiction coolness at least once a week for more than six months and without fail. And it’s really starting to get popular. Just look at the evidence:

1. Escape Pod got mentioned in the February 2006 issue of the venerable Asimov’s Science Fiction magazine (along with SFFaudio and TellTaleWeekly). Very Cool!

2. E-Pod got a BoingBoing.net post a few months back – with BoingBoing being the single most popular blog on the internet – the furtive attention of which has crashed many a server due to the mass of click-throughs. Way Cool!

3. Just two weeks ago Escape Pod podcast a Scott Sigler short story entitled Hero. Significant in that Sigler is the only podcast novelist so far with two podiobooks available (EarthCore and Ancestor) both of which encroach on a five digit subscribership. Damn cool!

4. And finally, we come to today’s instalment of Escape Pod, a short story, by maverick Science Fiction author Cory Doctorow entitled Craphound. Keener cool!

That’s four cool reasons why Escape Pod is worthy of sweeping the “uncoolness clock” back a minute from midnight. But perhaps the best reason is E-Pod’s quality, there’s never been a bad story on Escape Pod, with more than 40 tales under the whimisical editorial hand of Steve Eley that’s really saying something. Oh ya and it’s 100% FREE!

So what I’m saying is nuclear annihilation may still loom over us all but I’m telling you thing’s are still really cool in the Science Fiction department. You cool with that?

posted by Jesse Willis