alternate history – Page 8

Review of Airborn by Kenneth Oppel

SFFaudio Audiobook Review

Airborn SFFaudio Essential
By Kenneth Oppel; Performed by a FULL CAST
10 CDs – 10.5 Hours [UNABRIDGED]
Publisher: Full Cast Audio
Published: 2006
ISBN: 1933322543
Themes: / Fantasy / Parallel World / Alternate History / Airships / Swashbuckling / Pirates /

…the pirate airship was already adjusting its course, keeping pace, and as it forced us closer to the waves, we would have less space to manoeuvre. There was a great flash from the pirate ship’s underbelly and a thunderous volley of cannon fire scorched the night sky across our bow.

A voice carried by bullhorn shuddered the air. “Put your nose to the wind and cut speed.”

The story of Airborn is told by 15 year old Matt Cruse, a lowly cabin boy on the a ziz-like commercial airship called the Aurora, primarily used as a passenger liner, the Aurora also carries industrial an commercial goods between continents. Matt was actually born in the air and dreams of becoming an officer one day, not only to further his career as an airman but also to better support his family back home. One day, while aloft and on watch, Matt spies a damaged hot air balloon drifting in the South Pacificus. Only Matt’s natural aptitude in the rigging can save the dying man carried in it. When Matt rescues him the feverish old man’s words are of an amazing, and highly improbable creature he’d spotted in the sky. A year or so later, young Kate de Vries, who was granddaughter to the hot-air balloonist, comes aboard the Aurora. Kate herself has dreams of following in her grandfather’s flightpath and becoming a famous naturalist. They might never have discovered her grandfather’s secret though, had it not been for sudden and vicious pirate raid lead by the legendary air-pirate Szpirglas (pronounced Spear-glass). After the attack and crash-landed on an uncharted island off the regular air-routes it is up to Matt to discover the secret of Kate’s grandfather, repair the damaged airship along with the crew and win the heart of Kate herself. If Matt can just pull it all together he might even live long enough to attend the Air Academy and become a officer.

This is a simple, almost classically structured, juvenile adventure story in the Heinleinian tradition. What is so different about this novel is that it isn’t set in a familiar setting – no spaceships and farm boys here, instead we have an alternate history/alternate universe tale, set on Earth, but an Earth which has place names subtly altered (The city of Vancouver is called Lionsgate City, the Pacific ocean is the Pacificus). Most importantly a flourishing airship economy has made the world of Airborn a cross between a benign steampunk world and pneumatic tube etherland of alternate science and technology. The successful airships industry is buoyed not by helium or hydrogen but instead by a mango scented and plentiful noncombustible gas: hydrium. Also in use are ornithopters, which are a fun but failed technology in our world, though they seem to serve well enough in Airborn, at least for short hops. The world’s extant empires are all subtly altered too, it appears that the expansive British Empire centered in “Angleterre, is tempered, perhaps by a more vigorous Germanic or French empire? North America itself is cut-up into “Kanada” and the “American Colonies”. The Aurora itself though is the primary setting of the novel. As a commercial passenger airship it is based out of Lionsgate City (Vancouver) and plies the airways of the Pacific to Sydney, Siberia and beyond.

There is a tremendous difference between a FULL CAST reading and a regular audiobook. A full cast audiobook, and by that I mean a FULL CAST AUDIO production, is as close to an audio drama as you can get without actually becoming a dramatization. Each character has his or her own actor, this along with descriptive text and punctuating music transmogrifies the unabridged words into vibrant mental images. I’d be willing to bet that if you were to hook-up a person listening to Airborn to a Functional Magnetic Resonating Imaging machine the FMRI would show tremendous activity in the visual cortex. There is a sequel, called Skybreaker in the release pipeline coming from Full Cast Audio, if it lives up to the standard set in writing and production it will be an SFFaudio Essential too.

posted by Jesse Willis

Prisoners Of Gravity, the best damn TV show ever: Have a listen

Online Audio

If you like Science Fiction and you haven’t managed to catch a single episode of Prisoners Of Gravity, I pity you. I really do. The show was awesome. It was produced between 1989 and 1994 for TV Ontario (and syndicated sporadically across North America) – each episode was like an extended blog entry (before there was such a thing). The topics, each episode only had one, focused on a particular theme found in Science Fiction, Fantasy, Horror and comic books.

The bulk of an individual show would be just ‘talking heads’ – it was an interview format show with multiple celebrity guests of the best kind, mostly SF&F authors. Each guest would talk about the subject at hand with the interviews having been done at conventions, bookstores and the like – but I can’t stress enough just how each show was so narrowly focused on a specific theme in Speculative Fiction. Here’s just a few of the episodes subjects:

Alternate Histories, Religion, War, Dreams, Watchmen (yup a whole show on the Alan Moore comic series), Cyberpunk, World-Building, Death, Vampires, Dinosaurs, Metamorphosis, Mars and many more.

What made the show so endearing, besides the absolutely stunningly cool content, was the unrelentingly geek-o-serious production. The show’s host, played by comedian Rick Green, was supposed to be a frustrated über-geek named Commander Rick, who had, prior to the show starting, fled the earth in his homemade rocket (packed ful of books and comics). Unforunately for the Commander, he crashed into a television satellite, from which he now broadcasts his show. His only companion there is Nan-Cy, the sardonic artificial intelligent computer system that keeps Rick alive and relatively sane.

If this shows sounds interesting, or you’re feeling nostalgic, click on over to my good friend Rachelle Shelkey’s fansite, Signal Loss, and have a peek around. No official DVDs are available, but there’s a message board and episode trading might be doable now with the promulgation of cheap DVD-Rs. I myself am sending Rachelle my entire collection of VHS tape, in the hopes I will be getting some episodes I’ve never seen before. If you have some episodes contact Rachelle! If we can get enough people interested maybe we can get a complete series run!

Now for the audio|MP3|. It is the first 5 minutes from an episode of Prisoners Of Gravity on the subject of Science Fiction Fandom. Enjoy!

posted by Jesse Willis

Review of A Colder War by Charles Stross

SFFaudio Audiobook Review

A Colder War
By Charles Stross; Read by Pat Bottino
1 CD – 80 Minutes [UNABRIDGED]
Publisher: Infinivox
Published: 2005
ISBN: 1884612482
Themes: / Science Fiction / Horror / Alternate History / Politics / War / Evil / Cthulhu Mythos /

“Warning. The following briefing film is classified SECRET GOLD JULY BOOJUM. If you do not have SECRET GOLD JULY BOOJUM clearance, leave the auditorium now and report to your unit security officer for debriefing. Failing to observe this notice is an imprisonable offense. You have sixty seconds to comply.”

The biggest single threat to NATO may be the Shoggoth Gap. The wild card is Lt. Col Oliver North, President Reagan’s man. Roger Jourgensen, CIA operative, is at the center of this crisis. If all the political wrangling doesn’t work out perfectly there will be hell to pay, or worse, far, far worse.

Brilliant! Absolutely brilliant! A modern novellete in H.P. Lovecraft’s Cthulhu Mythos, rich in detail, frightening in execution! Stross’ stunning tale will pull you back into that old cold war era embalming fear and then magnify it into non-euclidian infinities. Imagine David Cronenberg directing Dr. Strangelove based on a script by H. P. Lovecraft. Imagine an alternate history in which nuclear bombs are not the ultimate weapon, but instead they are merely a stepping stone to eldritch technologies accessible through certain trans-dimentional forces first encountered in 1920s Antarctica, technologies which neither the USA nor the USSR can quite contain. Stross has admitted A Colder War is directly inspired by Lovecraft’s novel At The Mountains Of Madness. The amount of research and historical mastery Stross sprinkles throughout the narrative creates a verisimilitude necessary for truly effective alternate history. Insert the CD and then shudder in horror as the concept locks you in for the duration.

Pat Botino’s tremulous voice isn’t at all typical for professional narrators, but when it comes to subverting heroic self-assurance, he’s got no equal. Here it works extremely well. The production is loud and straight, the way I like it. A few voice effects are used to distinguish documentation bookmarks of each section. Nothing flashy, nothing distracting. I’d be satisfied if every straight reading single narration audiobook was done this way. For a while now I’ve been telling just about anyone who would listen that editor and producer Alan Kaster at Infinivox has been picking out the best modern short science fiction and tunring it into fabulously read audiobooks. This latest wave of Infinvox’s GREAT SCIENCE FICTION STORIES includes three Charles Stross audiobooks.Lobsters, Antibodies and A Colder War. Each of these is available for just $7.99 right now on the Infinivox website. There’s nary a better value on the web!

Posted by Jesse Willis

Review of Timescape By Gregory Benford

Timescape
By Gregory Benford; Read by Simon Prebble and Peter Bradbury
11 Cassettes – 15.75 Hours [UNABRIDGED]
Publisher: Recorded Books LLC
Published: 2001
ISBN: 0788763180
Themes: / Science Fiction / Hard SF / Time Travel / Alternate History / Quantum Physics / Science / Ecology / Philosophy / Astronomy / Britain / USA /

Winner of both the Nebula Award and the John W. Campbell Awards for best science fiction novel, Timescape is an enduring classic that examines the ways that science interacts with everyday life to create the many strange worlds in which we live. In a future wracked by environmental catastrophe and social instability, physicist John Renfrew devises a longshot plan to use tachyons–strange, time-traveling particles–to send a warning to the past. In 1962, Gordon Bernstein, a California researcher, gets Renfrew’s message as a strange pattern of interference in an experiment he’s conducting. As the two men struggle to overcome both the limitations of scientific knowledge and the politics of scientific research, a larger question looms: can a new future arise from the paradox of a forewarned past? With multiple plot lines and diverse characters, Timescape offers something for all lovers of fascinating science and great fiction. Simon Prebble and Peter Bradbury combine for a narration that skillfully uncovers the mysteries beneath our understanding of the universe.

Timescape is a deep novel that explores characters, causal paradoxes, politics, history and physics over time all with equal skill. And despite the serious nature of the narrative there are even a few laughs in there! This isn’t just science fiction it is scientist fiction, that is it is fiction that shows how scientific experimentation in the modern university setting works. Benford, is himself a scientist and he doesnt dumb down the book for us amateurs. I was very surprised that I hadn’t heard how good this novel was previously. I count myself as a fairly knowledgeable fan of science fiction and yet somehow the certain fame of this novel slipped under my radar. I was pleased and surprised as Timescape approaches greatness in it’s chosen domain.

Appropriately Simon Prebble, with his English accent, reads the 1990s chapters of the novel, which are primarily set in England, while Peter Bradbury with his American accent reads the 1960s chapters, set mostly in California. This is the kind of book that was a natural for dual narration. Bradbury and Prebble are both excellent, pronouncing nearly every technical term correctly, in this hard science heavy novel that is no small feat! Recorded Books’ original cover art for this audiobook is even more evocative than the paperback and hardcover editions. Nice work RB! But it’s not all praise. First is an attribution mistake on the front cover of the audiobook, the copy reads “narrated by Simon Prebble and Peter Bradley” (it should read “Bradbury” not “Bradley”). There was also a problem plaguing my copy of Recorded Books cassette audiobooks – the sound level. It may have been only a problem with my copy, but in order to hear this audiobook I had to crank up the stereo to its maximum output level. Recorded Books does however offer to replace defective cassettes, and if the recording level were any lower I’d have to seriously consider taking them up on it. Likely this wouldnt be a factor at all with the CD version but there isn’t a CD version available at this time.

Posted by Jesse Willis

Review of Legends II: Volume III

Legends II: Volume III
Edited by Robert Silverberg
Containing stories by Robert Silverberg, Neil Gaiman, and Orson Scott Card
Read by Jason Culp, Peter Bradbury, and Michael Emerson
4 Cassettes – 7 hours [UNABRIDGED]
Publisher: Random House Audio
Published: 2004
ISBN: 0739310860
Themes: / Fantasy / Majipoor / Mythology / Alternate History / Gods /

The cover of this audiobook prominently displays the names “Neil Gaiman” and “Orson Scott Card”, so I was a bit surprised to find a Robert Silverberg story leading off the collection. It probably shouldn’t have been unexpected, because a look at the back of the audiobook includes blurbs from all three stories – it’s just from the front, the audio appears to include two stories, not three.

“The Book of Changes” is set in Silverberg’s Majipoor universe and is a fine story about an epic poet’s discovery and subsequent writing of his masterwork. The story is steeped in the history of Majipoor, but is clear and enjoyable to a person unfamiliar with that history, as I am. Silverberg has created a world that is as much science fiction as it is fantasy. In Majipoor’s past, humans colonized then got into a war with the native inhabitants. These past events are discussed in Silverberg’s story, but the tale is firmly focused on the poet and the act of creation – something Silverberg knows much about. Jason Culp’s performance was near perfect.

The second novella in the collection is “Monarch of the Glen”, written by Neil Gaiman. The story starts in a hotel bar where Shadow (the main character from Gaiman’s American Gods) is talking to a Scotsman. It is immediately notable that the story is in good hands with Peter Bradbury, whose crisp, clear accents place the listener firmly in the setting which in this case is Northern Scotland. The scotsman offers Shadow a job as a bouncer, but Shadow knows that something is afoot beyond the obvious. Neil Gaiman provides a story that is just as mythic and mysterious and unexpected as his previous fiction. This is a Gaiman story through and through, which is as marvelous a thing as a visit from a good friend.

Last up is Orson Scott Card’s “The Yazoo Queen,” which is set in his Alvin Maker universe. It’s read by Michael Emerson, who performs a sort of old-west style voice which works very well with the prose Card writes with throughout the series – conversational with plenty of 19th century slang and pronounciation. THe story is a prologue to The Crystal City, the sixth novel in the series. In the story, Alvin Maker and Arthur Stuart meet Jim Bowie and Abraham Lincoln while travelling on the Mississippi River. Card’s world is early 19th century America where the Revolutionary War never took place and the magic (called “knacks”) that superstitious folks believed in back then really works. Alvin, the focus of all the stories, is a maker – he can see into things and change them, making them better. He’s chasing after the Unmaker and each volume in the series is building toward a confrontation between the two.

Another notable thing about this audio is that each story is preceded by a summary of what the series is all about. I found each one interesting – in the case of Silverberg’s Majipoor, it was all new information and in the case of the other two, it was a recap for me. But in all three cases it was very welcome.

Three very enjoyable stories read by three top-notch narrators – highly recommended!

Posted by Scott D. Danielson

Review of Nazi Eyes On Canada Produced by J. Frank Willis

Nazi Eyes On Canada
Produced by J. Frank Willis; Performed by a FULL CAST
2 Cassettes – Approx 2 Hours [UNABRIDGED]
Publisher: Scenario Productions
Published: 2000
ISBN: 1894003136
Themes: / Science Fiction / Alternate History / World War II / Propaganda /

1942. From the West, from the East, the war draws near to Canadian shores. Canada is saying goodbye to her sons who are off to serve in all parts of the world. Taxes, the restrictions on unessential services, and the re-allocation of man power bring the war into the life of every Canadian. But Canadians are still living in relative luxury, and they still hold fast to the greatest of blessings – freedom. “Nazi Eyes on Canada” shows how all this would have changed in the Nazi lust for power on the North American continent had been fulfilled.

Nazi Eyes On Canada was a dramatized radio series produced by the Canadian Broadcasting Corporation (CBC Radio) during Canada’s fourth year in World War II. Its purpose was not so much to entertain as to sell war bonds, the rationale being ‘if you buy war bonds you’ll prevent the Axis powers from winning the war as depicted in these dramatizations’. The series was inspired by a German publication (contemporary to the time) written by a Nazi spy who used the alias “Colin Ross”. Ross traveled throughout Canada in the 1930s assessing the military and industrial capacity of Canada for a Nazi think tank. The purpose was to investigate first-hand the strategic requirements for an eventual North American invasion. Based on Ross’ reports, Nazi Eyes On Canada depicts exactly what such a Nazi occupation by the Third Reich would mean for the average Canadian. Broadcast over five weeks, each week looked at a particular province under the heel of the fascist jackboot: Episode 1: Ontario, Episode 2: Alberta, Episode 3: New Brunswick, Episode 4: British Columbia and Episode 5: Saskatchewan. Scenario Productions has also included a speech by then Prime Minister of Canada William Lyon Mackenzie King which serves as an introduction to the series.

This is one of the most unusual radio drama series I’ve ever heard. It puts big Hollywood stars, CBC staffers, and regular citizens together for each episode. CBC announcer Lorne Greene works with the likes of Helen Hayes, Quentin Reynolds, Vincent Price and Orson Welles! One factoid not mentioned in the liner notes of Scenario Productions’ two cassette version is that Orson Welles showed up late to the live broadcast of episode five. Welles had been at the rehearsal but at airtime he was nowhere to be found, so producer J. Frank Willis had to imitate Welles until he showed up during the third scene – something to listen for.

I found the series on the whole deeply disturbing. It was effectively scary and fascinating at the same time. But I have many reservations about it. Nazi Eyes On Canada is poorly written, jingoistic and commercial. The real life Canadian citizens (who get tell us their responses to the dramatization of their lives under Nazi occupation) read their lines woodenly. Much repetition is made with regards to the source material – to be expected I guess as they were originally broadcast a week apart. But the worst part of the experience was the blatant racism displayed during Episode 4. That episode is set in Vancouver, which in Colin Ross’ book would be given to Germany’s Axis ally the Empire of Japan, along with all lands west of the rocky mountains. So during Episode 4 we are invited to visit Vancouver under Imperial Japanese occupation. Unlike the Nazis who though are portrayed as thoroughly evil, the Japanese are painted evil by nature and are implied to be ‘a deceptive yellow race’. Such racist filth absolutely disgusted me.

But it wasn’t just this broadcast. During the time of the live airing of Nazi Eyes On Canada in 1942, widespread anti-Japanese sentiment in British Columbia led to internment of all Japanese males between the ages of 14 and 45. In 1942 Canada set up eight internment camps in the interior of British Columbia where over a nine month period 22,000 innocent Canadian Japanese were locked up for racist reasons. Make no mistake; it was racism pure and undiluted. German Canadians were not subjected to the same treatment.

So what exactly makes this science fiction?

Well for one thing Philip K. Dick’s excellent The Man in the High Castle uses the exact same premise and if that isn’t science fiction my name is J.R.R. Tolkien. The projection into the future as depicted in Nazi Eyes On Canada is an earmark of SF too. But most importantly this vintage radio drama series does what the greatest works of science fiction do; preventing the future. It’s a good thing so many Canadians bought war bonds, because expansionist fascism was defeated in no small part because of it. It is just too bad we didn’t have more science fiction dealing with racism before the Second World War. Science fiction isn’t a cure-all, but it is the vaccination against future horrors we can foresee. But you have to hear its message to be protected.

So keep listening and never forget.

Posted by Jesse Willis