Blackstone Audio – Page 4

Review of Wizardborn by David Farland

SFFaudio Review

Wizardborn: Book 3 of the Runelords
By David Farland; Read by Ray Porter
19.5 Hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2010
Themes: / Fantasy / Epic Fantasy / Magic / Battle /

Book three in the Runelords series is far better than book two, in my opinion. Although you should read all the books in order, as it’s one story in four parts, this book (like the others) can stand alone.

Wizardborn begins immediately after the Battle at Carris where Gaborn is regrouping and preparing to chase the Reavers back to the Underworld. He has lost the ability to warn his Chosen of danger and must do what he can to save mankind from the dark times to come.

Binnesman discovers that Averan is wizardborn and an Earth Warden and takes her on as his apprentice. In addition to learning how to be an Earth Warden, Averan must find the Waymaker, a Reaver who knows the paths in the Underworld and can tell her who to get to the Lair of Bones.

The book follows four storylines that all break off from the Battle at Carris. Gaborn’s fight against the Reavers, Borenson and Myrrima’s journey to Inkarra, Erin Connall and Prince Celinor’s journey north and Raj Ahten’s return to Indhopal.

I like how each chapter in this series begins with a title and a quote from an historical figure or book. It gives the world a sense of history and depth beyond the immediate story. The characters know their legends and heroes and their stories so the narration only touches on them, which lets the reader see enough to understand without feeling preachy. Indeed, it gives you the feel that this world is complex and has a living, vibrant history. The pacing is good and each chapter ending leaves you wanting to know more.

The book builds the tension of each story, cutting from one group to another until the end, where everyone is at a life-or-death crossroad and you can’t wait to see how it resolves.

The book is very well written. The narrator does an excellent job of keeping you engrossed in the book and separating the voices. He’s a good reader and suits the story well. On a scale of 1 to 10, I give it an 8.

And now, on to read book four…

Posted by Charlene Harmon

Commentary: Downpour.com – an audiobook delivery system that just works

SFFaudio Commentary

Downpour.com, Blackstone Audio’s online audiobook store, is a genuine competitor to Audible.com.

It offers audiobook downloads of titles, from Blackstone Audio’s extensive catalogue, and also those from many other audiobook publishers like Recorded Books, Harper Audio, Penguin Audio, Hachette Audio, and AudioGo.

Their subscription service is almost identically priced to Audible’s, each offers one credit per month for about $15. And, like an Audible credit Audible.com, a Downpour credit almost always gets you one audiobook.

I signed up for Downpour when they started late last Summer. And so far, I really, really like it.

I’ve had an account with Audible.com since 2001. But Audbile.com has always caused one giant problem for me: DRM.

DRM is actually designed to prevent you sharing your audiobook with your friends and family.

But worse, it can also make it difficult for you, the owner of the audiobook that you bought, to actually listen to what you have paid for.

Over the years I’ve spent countless hours trying to make an audiobook, that I bought, play on my audiobook players.

Every single time I’ve bought a new computer, iPod, iPad, or iPhone I’ve spent time authorizing and deauthorizing my devices. Sometimes it just takes a couple of minutes, sometimes hours.

Audible’s DRM makes you have to authorize your iTunes account, and your computer, and your iPhone, and your iPad, and your iPod. And you have to deauthorize your old devices to make the new devices work. You can’t have all of your devices authorized if you have more than three.

I just want my audiobooks to work like regular books, I want them to open up and give me their ideas. DRM cripples your ability to do that.

Downpour.com has no DRM at all. It just works.

In fact it works absolutely perfectly.

You make a purchase, it shows up in your online library, and then it downloads and delivers itself to your devices.

It is smoother than any audiobook service I’ve ever seen. It’s even smoother than Tantor Media’s excellent DRM-FREE download service.

If you use an iOS device for an audiobook, like I do, I’m betting Downpour.com is will work for you.

If you use a different audiobook player Downpour offers MP3s, which work with every audio player.

Posted by Jesse Willis

The SFFaudio Podcast #198 – READALONG: The Martian Chronicles by Ray Bradbury

Podcast

The SFFaudio Podcast #198 – Jesse, Tamahome, Jenny, and Professor Eric S. Rabkin discuss The Martian Chronicles by Ray Bradbury.

Talked about on today’s show:
Rock Hudson, The Martian Chronicles (TV adaption), Eric’s Coursera course (Fantasy and Science Fiction: The Human Mind, Our Modern World), The Million Year Picnic, I, Mars, The Moon Be Still As Bright, Usher II, the hot dog stand on Mars, fix-up, The Long Years (a robot family), Night Call Collect, There Will Come Soft Rains, a book of poems, novels of recurring characters, “composite novels”, “the culminating image of the whole book”, Cortez burning his ships, “were definitely going to need the daughters” (if the daughters are willing), Joanna Russ, Picnic On Paradise, The Million Year Picnic, “tamed nature”, the publisher’s motivation, Walter Bradbury, the market change (with Ballantine Books), “Mammon rules again”, the table of contents, Way In The Middle Of The Air, a more Edenic ending, 1984, North Korea, Earth Abides, the Golden Gate Bridge, getting a sense of the author, H.P. Lovecraft, colour, repetition, word choice, Spender, The Moon Be Still As Bright, Captain Wilder, the instinct to be cruel, the instinct to minimize the horror, the instinct to shoot the tomb robbers, feeling the emotion he’s trying to give us, the physics, nostalgic, seeing it from all sides, Farewell Summer, Bradbury’s gut reactions, The Martian Chronicles as a fairy tale, Isaac Asimov’s reaction, Fantasies set in space, Usher II and censorship, “the Poe machines”, the colour of Mars’ sky (blue and pink), the Martian canals, The Green Morning, Johnny Appleseed, the epigraph, “…space travel has again made children of us all.”, Christopher Columbus, the Chicken Pox plague, Another America, telepathy, the noble savage, a symbolic America, The Pedestrian, Bradbury was a strange guy, Fahrenheit 451, Edgar Rice Burroughs, the Martian high culture, the second expedition, “look up in space, we could go to the Moon!”, dinosaurs!, Mars Is Heaven, Science Fiction is supposed to have knowledge in it, imagery (sight, light, and fire), the brass band, Columbia, The Gem Of The Ocean, music, Humans are technological, Martians are emotional, the window, Beautiful Ohio, music dominates (not intellectual knowledge), Genevieve Sweet Genevieve, “fully lyrical”, the fire lay in the bed and stood in the window, the dog symbolizes the entire loss of the human race, the long monologues, getting it without filtering it, The Musicians, Rocket Summer, “it made climates”, the silences, the music as a symbol for American culture, the killing spree, The Off Season parallels with the second expedition, an inversion, Bradbury has it every way, Emma Lazarus, The New Colossus, Sam Parkhill, an epitome of perverted American ideals, Bradbury loves hot dogs, Dark Carnival, Something Wicked This Way Comes, mournful Mars, America by Ray Bradbury, the Wikipedia entry for The Martian Chronicles, The Taxpayer, the urge to improve, alas, the silhouettes on the house, Chernobyl vs Hiroshima, a grim meme, what gives this book it’s staying power?, Nightfall by Isaac Asimov, L’Anse aux Meadows and Roanoke, maybe it’s circular, “we’re the Martians now and we will be again”, Night Meeting, Stephen Hoye narrated Blackstone Audio, Bradbury’s reading, Bradbury’s first flight, Harlan Ellison, wasting time on the internet, Ylla, The Ray Bradbury Theater, Mardi by Herman Melville, making this book cohere, what part doesn’t fit?, reading it as short stories, “it’s an American book”, robots, decommissioning is murder, Ray Bradbury and Philip K. Dick had a shared contempt for litterers, crassness, The Electric Ant, Do Androids Dream Of Electric Sheep?, I Sing The Body Electric, Walt Whitman, “it’s the music!”, there’s no switch, gingerbread and tea, Helen O’Loy by Lester Del Rey, are there stories not included in The Martian Chronicles that should have been?, Way In The Middle Of The Air, The Other Foot, different editions of The Martian Chronicles, The Illustrated Man, The Fire Balloons, Stranger In A Strange Land, Grouch Marx (Lydia the Tattooed Lady), The Penal Colony by Franz Kafka, The Veldt, The City, Rod Steiger, Dandelion Wine, The Canterbury Tales by Geoffrey Chaucer.

The Martian Chronicles illustration by Michael Whelan
The Off Season by Ray Bradbury - illustration by Vincent Napoli
Way In The Middle Of The Air by Ray Bradbury - illustrated by Robert Fuqua
The Earth Men by Ray Bradbury - Thrilling Wonder, August 1948
Dwellers In Silence by Ray Bradbury - Planet Stories
The Million Year Picnic by Ray Bradbury - illustrated by Leydenfrost

Posted by Jesse Willis

The SFFaudio Podcast #196 – READALONG: A World Out Of Time by Larry Niven

Podcast

The SFFaudio Podcast #196 – Scott, Jesse, and Tamahome discuss the Blackstone Audio audiobook of A World Out Of Time by Larry Niven.

Talked about on today’s show:
Tamahome is a third, Ender’s Game, 1976, Rammer by Larry Niven (1971), a fix-up novel, Infinivox, Pat Bottino, “his most perfect short story”, the novel ruins the short story (sort of), the anticipation is more interesting than the resolution, chapters 2 and 3 nullify the power of chapter 1, Corbell, Peerssa, the Clouds of Magellan, “a fuck you ending”, interesting social systems, a sciencey vocab, cryonics, Bussard Ram Jets, ergosphere, Protector, Beowulf Shaeffer, The Soft Weapon, the Technovelgy website, biological package probes, the bubble car, the empty man, gravity assisted subway, poster TV, RNA shots “don’t read Cliff Notes, eat Cliff”, planaria (flatworms) experiments, humans are wired for language, birds are wired for flight, young forever, Star Trek, null field, consciousness transferal, continuation of consciousness, Robert J. Sawyer, Rollback, Identity Theft (or Shed Skin), your robot body, we care about will, Four Worlds Of The Diamond by Jack Chalker, “there’s a mystery that needs to be solved, cloning, Lilith: A Snake In The Grass, Audible.com, The River Of The Dancing Gods, The Identity Matrix, Demons Of The Dancing Gods, G.O.D., Inc., Dancers In The Afterglow, Immortality, Inc. by Robert Sheckley, “who are you when you’re just some ground up hamburger?”, he’s treated like a criminal, why don’t the citizens want to make this trip?, a certain kind of person, Louis Wu, “a special sort of breed”, the two CBC Ideas shows on James Cameron, manned spaceflight, Playgrounds Of The Mind, “my favourite characters are all tourists”, “I demand to be a tourist”, The Integral Trees by Larry Niven, a whole world in zero gravity, “this guy is Mr. Physics”, Arthur C. Clarke, Hothouse by Brian Aldiss, Ringworld, The Ringworld Engineers, Robert A. Heinlein, Dan Carlin’s Common Sense, David Brin, passing a planet, “something on the order of that”, moving planets, Uranus, mathematically logical (but with non-existent materials), the air is full of the oceans, the null-rooms, a null-box, zero-entropy space, better sandwich storage, transporting the garbage out, Doctor McCoy, quantum communication and quantum teleportation, Think Like A Dinosaur by James Patrick Kelly, Seeing Ear Theatre, Dream Park, Oath Of Fealty, The Mote In God’s Eye, Inferno, Lucifer’s Hammer, Luke Burrage, Escape From Hell, Footfall by Larry Niven and Jerry Pournelle, an alien invasion story, Scott has a signed copy!, elephantine aliens with twin trunks, the audiobook of Footfall is available, a book written by people who care about science!, a septic tank full of books, Robert A. Heinlein, Dan Carlin’s Common Sense, David Brin, the DHS vs. the U.S. military, what would Larry Niven do as the head of the EPA?, a Death Star, Obama’s unemployed geekishness, Newt Gingrich, moonbase!, he loves himself because he’s surrounded by idiots, the idea of an idea man is fantastic, Douglas Adams, a thousand or ten thousand year project, focused on the current and the recent past, the deep time issue, time capsules, the Long Now Foundation, cathedral building, pyramid building, “on the cosmic scale”, the space race was motivated by military competition, Space X http://en.wikipedia.org/wiki/SpaceX , a private moonbase?, the ultra rich, science isn’t for profit, human existence isn’t for profit, space probes, hydro-electric dams, where is the Moonbase Kickstarter?, maybe we could have just one guy and his clone up there, Moon, real Science Fiction, Crashlander, Neutron Star, Peter F. Hamilton is an ideas man, Great North Road, five pages describing a weather change, another fix-up novel, Neutron Star, the animated Star Trek, Kzin, Alan Dean Foster, World Of Ptavvs, Algis Budrys, telepathy, Charles Stross, Advanced Dungeons & Dragons, Community, The Big Bang Theory, Dan Harmon’s keynote.

A World Out Of Time by Larry Niven

Posted by Jesse Willis

Fantastic Imaginings, edited by Stefan Rudnicki

SFFaudio Recent Arrivals

Just in, this very interesting anthology, edited by Stefan Rudnicki! I couldn’t find a Table of Contents on this package or on the Audible site, so I included it below. Why don’t audio publishers find the Table of Contents important when it comes to anthologies and collections? Because… THEY ARE.

After seeing the contents, I’m eager to dive into this. Oliver Onions, Guy de Maupassant, Harlan Ellison, John Crowley… Harlan Ellison reading John Crowley… this is terrific!

TABLE OF CONTENTS
INTRODUCTION
Lofty Ambitions by Harlan Ellison, read by Harlan Ellison

PART 1: THE MYTHS WE LIVE BY
A Youth In Apparel That Glittered by Stephen Crane, read by Stefan Rudnicki (poem)
After the Myths Went Home by Robert Silverberg, read by Stefan Rudnicki
Novelty by John Crowley, read by Harlan Ellison
Pan And The Firebird by Sam M. Steward, read by Stefan Rudnicki
Murderer, The Hope Of All Women by Oskar Kokoschka, performed by cast
The Touch Of Pan by Algernon Blackwood, read by Stefan Rudnicki
The Lost Thyrsis by Oliver Onions, read by Roz Landor
The Bacchae (excerpt) by Eurpides, performed by cast

PART 2: MYTHS THAT BITE
A Noiseless Patient Spider by Walt Whitman, read by Stefan Rudnicki
Mystery Train by Lewis Shiner, read by John Rubenstein
Continued On The Next Rock by R.A. Lafferty, read by Stefan Rudnicki
Diary Of A God by Barry Pain, read by Enn Reitel
The Repairer of Reputations (excerpt) by Robert W. Chambers, read by Stefan Rudnicki
The Yellow Sign by Robert W. Chambers, read by Stefan Rudnicki
An Inhabitant Of Carcosa by Ambrose Bierce, read by Danny Campbell
The Horla by Guy de Maupassant, read by Arte Johnson

PART 3: SHOCKING FUTURES
Kubla Khan by Samuel Taylor Coleridge, read by Stefan Rudnicki (poem)
City Come A’Walkin (excerpt) by John Shirley, read by Don Leslie
A Pail Of Air by Fritz Leiber, read by Stefan Rudnicki
The Machine Stops (excerpt) by E.M. Forster, read by Roz Landor
Looking Backward and Equality (excerpts) by Edward Bellamy, read by David Birney
Gulliver’s Travels (excerpt) by Jonathan Swift read by Scott Brick
Utopia (excerpt) by Sir Thomas More, read byChristopher Cazanove
Monument To Amun by Queen Hatshepsut, read by Judy Young

PART 4: TRAVELING FOOLS
La Bateau Ivre by Arthur Rimbaud, read by Stefan Rudnicki
Inspiration by Ben Bova, read by Stefan Rudnicki
The Bones Do Lie by Anne McCaffrey, read by Stefan Rudnicki
A Princess Of Mars (excerpt) by Edgar Rice Burroughs, read by John Rubinstein
The Great Stone Of Sardis (excerpt) by Frank R. Stockton, read by David Birney
Alice’s Adventures In Wonderland (excerpt) by Lewis Carroll, read by Michael York
Diary Of A Madman (excerpt) by Nicolai Gogol, read by Stefan Rudnicki
The Inferno (excerpt) by Dante, read by Stefan Rudnicki
The Odyssey of Homer (excerpt), read by David Birney

PART 5: TRANSFORMERS
The Stolen Child by William B. Yeats, read by Stefan Rudnicki
The Porcelain Salamander by Orson Scott Card, read by Gabrielle de Cuir
Let’s Get Together by Isaac Asimov, read by Arte Johnson
Dracula (excerpt) by Bram Stoker, read by Simon Vance
Dr. Jekyll And Mr. Hyde (excerpt) by Robert Louis Stevenson, read by John Lee
Goblin Market by Christina Rossetti, read by Gabrielle de Cuir
Frankenstein (excerpt) by Mary Shelley, read by Stefan Rudnicki0\ *
The Laidly Worm of Spindleston Heugh (Traditional English Fairy Tale), read by Judy Young
A Midsummer Night’s Dream (excerpt) by William Shakespeare, performed by cast
The Ballad of Tam Lin (Celtic ballad), read by Stefan Rudnicki
Metamorphosis (excerpt) by Ovid, read by Cassandra Campbell

PART 6: REST IN PIECES
Hearse Song
The Conqueror Worm by Edgar Allan Poe, read by Stefan Rudnicki
The New Testament: Revelations (excerpt), read by Stefan Rudnicki
The Colloquy of Monos & Una by Edgar Allan Poe, read by Stefan Rudnicki and Gabrielle de Cuir
From the Crypts of Memory by Clark Ashton Smith, read by Danny Campbell
The Comet by W.E.B. DuBois, read by Mirron Willis
Sand (excerpt) by Stefan Rudnicki, performed by cast
Transience by Arthur C. Clarke, read by Bahni Turpin
The Illusionist by Gareth Owen, read by Stefan Rudnicki
Unchosen Love by Ursula K. LeGuin, read by Stefan Rudnicki
In Lonely Lands by Harlan Ellison, read by Harlan Ellison
News from Nowhere (excerpt) by William Morris, read by Stefan Rudnicki

PART 7: COMMENTARIES
The Special And General Joys of Science Fiction by Ben Bova, read by Stefan Rudnicki
Edgar Allan Poe 1809-1849 by Elliott Engel, read by Gabrielle de Cuir
Adolescence And Adulthood In Science Fiction by Orson Scott Card, read by Stefan Rudnicki

Posted by Scott D. Danielson

Review of Energized by Edward M. Lerner

SFFaudio Review

Energized
By Edward M. Lerner; Read by Grover Gardner
Length: 10.5 hours [UNABRIDGED]
Publisher: Blackstone Audio, Inc.
Published: 2012
ISBN: 1470813033
Themes: / Science! / satellites / engineers / NASA / terrorists / oil / energy / space / thriller /

The SFFaudio crew pegged me to read this book because the description says that one of the main characters is a NASA engineer. I always think it’s funny when people specify “NASA” engineer. It’s like on TV shows when you see people working near the space shuttle, they’re all wearing NASA hats. Nobody does that. The description could just as easily said “aerospace engineer” and the meaning would be the same…but less sexy, somehow. I admit, I was weary of reading this one at first. My experience with people who write about “NASA engineers” is that they have no idea what they’re talking about excepting cursory research. I’m happy to report that Edward M. Lerner does know what he’s talking about with regards to the space and satellite stuff (looking at his bio, it’s no surprise). That said, I went into this thinking it was going to be a science fiction book. It’s much more a mystery/thriller with science fiction elements. It’s as much “science fiction” as Daemon is (which is to say, not much).

In the interest of full disclosure, it’s probably worth mentioning that I am currently employed by a company that (among other things) designs and builds satellites, both for the government and the commercial sector. I currently work on the commercial side of things and have never worked on a NASA contract. There are definite holes and inaccuracies with the science and engineering in this book. But most people won’t recognize them, and they don’t impact the overall enjoyment of the story.

That disclaimer done with, Energized was pretty entertaining. Set in the near-future United States, the world has gone through a “crude-tastrophe” and the price of oil has skyrocketed to the tune of $20+/gallon to fill up a car. There is a fixed market, controlled mostly by Russian interests, for oil, so naturally the US explores alternate energy sources. Unfortunately, Rome wasn’t built in a day and it’s virtually impossible to produce enough energy via alternate sources overnight. NASA has been working on a large-scale satellite that can beam solar energy to earth from space.

The first third of the book (maybe closer to the first half) deals with the public (and private sector) reactions to this kind of a satellite and introduces the reader (listener?) to the concept and its risks. Admittedly, this section could have been shorter without sacrificing much of the story; it did seem to drag on a bit.

The second section of the book introduces the “thriller” aspect. As anybody in the aerospace industry is aware, the stuff built “for the powers of good” in/for space can usually be used to do evil. Sure enough, terrorists find a way to take over the satellite and use its harnessed energy to destroy ground-based and air-based targets. As is typical for thrillers, there are some good guys in the area, capable of stopping the terrorists. In this case it’s Marcus Judson, NASA engineer, one of the lead consultants for the power satellite project, along with some of his colleagues. Yet again, this section seemed overly long and drawn out.

However, the length of the first two sections may only seem long in relation to the final section–the part where the final “battle” occurs and either good or evil triumphs. This part felt a bit rushed, comparatively. In retrospect, I think it was probably the right length and that the other two parts were just a bit too long. I won’t spoil it for you, but the final “battle” involves maneuvering (literally and metaphorically) on the ground and on the 2 mile-on-a-side power satellite. It stretches the belief but still left me interested and wanting to listen to see what happened next.

As I stated previously, the book was enjoyable. It was a bit far-fetched but not so far-fetched as to be completely unbelievable. The science fiction elements are there and create an atypical setting for most mystery/thriller type books, and I’d recommend this to anybody that enjoys the mystery/thriller genre.

Grover Gardner is one of my favorite narrators and he shines in this type of book. He also narrates the Andy Carpenter books, another mystery/thriller series, so it feels natural for him to read Energized. The only “weirdness” I had is that the Andy Carpenter books have a character named Marcus as well, so hearing of two very different “Marcus” characters read by the same narrator was a bit jarring at times.

All in all, this is a popcorn-type book, easily consumed and digested. It does have its flaws (with the technical side of things as well as story length), but they’re not so big as to ruin the fun. If you’re in the market for a hard science fiction book with far-reaching themes, this isn’t the book for you. But if you’re in the mood for a thriller with science fiction elements, you’ll probably enjoy Energized well enough.

Review by terpkristin.