Review of Willful Child by Steven Erikson

SFFaudio Review

Willful Child by Steven EriksonWillful Child
By Steven Erikson; Read by MacLeod Andrews
Publisher: Brilliance Audio
[UNABRIDGED] – 9 hours

Themes: / science fiction / space / spoof / homage /

Publisher summary:

These are the voyages of the starship A.S.F. Willful Child. Its ongoing mission: to seek out strange new worlds on which to plant the Terran flag, to subjugate and if necessary obliterate new life-forms, to boldly blow the.…And so we join the not-terribly-bright but exceedingly cock-sure Captain Hadrian Sawback and his motley crew on board the Starship Willful Child for a series of devil-may-care, near-calamitous and downright chaotic adventures through ‘the infinite vastness of interstellar space.’The New York Times bestselling author of the acclaimed Malazan Book of the Fallen sequence has taken his lifelong passion for Star Trek and transformed it into a smart, inventive, and hugely entertaining spoof on the whole mankind-exploring-space-for-the-good-of-all-species-but-trashing-stuff-with-a-lot-of-high-tech-gadgets-along-the-way, overblown adventure. The result is an SF novel that deftly parodies the genre while also paying fond homage to it.

Willful Child by Steven Erikson tells the rambling adventures of Captain Hadrian Sawback and his crew after his appointment to the A.S.F. Willful Child. It’s a broad comedy Star Trek spoof that feels as episodic as the TV show with no bigger story arc to tie everything together. What begins as an often interrupted quest to bring an AI to her home system (a quest that turns out to be pointless as the AI neither learns nothing of her origins nor cares) becomes a haphazard rescue mission requested by the seemingly unrelated, quickly forgotten characters from the prologue. But in a book like this, the plot is obviously a vehicle for the antics of our heroic captain.

Hadrian Sawback, the recently assigned starship captain, is much like if Captain Kirk was played by Stan Smith from American Dad. While possessing all of lewdness of Captain Brannigan, he lacks his naivety and instead acts with reckless abandon and no thought as to the consequences of his actions. His crew, chosen from head shots, is either incompetent or disapproving. Like most of the secondary characters, they are underdeveloped and reactionary. One of the exceptions is the rather disgusting, mucus-y aliens who are the main villains of the story. While their body fluid-based comedy is not to my taste, they do have their own goals and help provide a sense of continuity. However, they do not provide much of a challenge to Sawback, who, to be fair, experiences little difficulty with anything.

The whole story relies heavily on science fiction tropes and gets more and more slapstick as it goes. Erikson is a good writer but your enjoyment of the book will be dependent on your sense of humor. If you enjoy excessive alien mating, awkward cross-dressing and frequent Star Trek parodies, this you’ll love this book. MacLeod Andrews does a wonderful job with the narration and manages to bring life to even the most minor characters. It’s a perfect light summer read.

Posted by Rose D.

Review of Lock In by John Scalzi, read by Wil Wheaton

SFFaudio Review

Lock In by John ScalziLock In
By John Scalzi; Narrated by Wil Wheaton
Publisher: Brilliance Audio
Publication Date:
[UNABRIDGED] – 10 hours

Themes: / virus / near future / body swapping /

Publisher summary:

A blazingly inventive near-future thriller from the bestselling, Hugo Award-winning John Scalzi Not too long from today, a new, highly contagious virus makes its way across the globe. Most who get sick experience nothing worse than flu, fever, and headaches. But for the unlucky one percent—and nearly five million souls in the United States alone—the disease causes ‘Lock In:’ Victims fully awake and aware, but unable to move or respond to stimulus. The disease affects young, old, rich, poor, people of every color and creed. The world changes to meet the challenge. A quarter of a century later, in a world shaped by what’s now known as ‘Haden’s syndrome,’ rookie FBI agent Chris Shane is paired with veteran agent Leslie Vann. The two of them are assigned what appears to be a Haden-related murder at the Watergate Hotel, with a suspect who is an ‘integrator’—someone who can let the locked in borrow their bodies for a time. If the Integrator was carrying a Haden client, then naming the suspect for the murder becomes that much more complicated. But ‘complicated’ doesn’t begin to describe it. As Shane and Vann began to unravel the threads of the murder, it becomes clear that the real mystery—and the real crime—is bigger than anyone could have imagined.

Lock In is a solid book that has some good action, a bit of mystery, and a solid dose of politics thrown in. The story moves at a rapid pace and Scalzi clearly put some thought into the implications of the world he created. Some of the technology and mysteries that come as revelations are a bit obvious but the story is still a lot of fun. Scalzi also includes a short story (which was also released for free online) that explores the back story leading up to this book. I read that story before this one but I don’t think it would make a big difference reading it before or after since Scalzi explains what’s going on really well. I hope he writes more stories in this world.

The general premise is that a disease/virus spreads wildly and leaves a decent portion of the population “locked in”. Those that are “locked in” are completely aware of everything but can’t move, not even to blink their eyes. People affected by this condition are commonly referred to as “Haydens”. Technology has come up with a solution to this problem by implanting neural networks in the minds of Haydens that allow them to live a virtual life or live through a Threep, a robot they control (yes that name comes from C-3P0 of Star Wars). Everything was built up with the help of government funding but those funds are being cut now and haydens aren’t happy. We start the story following Chris, a rather famous hayden, on his/her first day working for the FBI.

With the change in government funding, there are lots of politics at work in the story. People want to cure the disease to free the people trapped in their bodies but some haydens insist they don’t need a cure. Non-haydens think they’re at a disadvantage to people who can do the same work without physically doing it themselves. Haydens are mad about cuts to public funding that will make it hard for them to get by. Companies are working all different angles to turn a profit. A lot of it is interested, some of it is a little too close to current political events and agendas that it might bother people who read to get away from stuff like that.

The story is structured almost like a mystery in that bad things are happening and they don’t totally make sense. The main character is investigating what’s going on as more and more details are revealed along the way. I thought a number of those revelations were obvious from the beginning and making them revelations instead of common knowledge in that world is a bit contrived, but that might just be because I’m a software engineer. In any case, just think of it like watching a Die Hard movie – go along for the ride, suspend belief a bit, and enjoy yourself.

As for the audio side of things, Wil Wheaton did a great job as usual. I haven’t encountered a book read by him that I didn’t like and hearing he narrated something automatically makes me more interested in giving something a try. The gender of the main character is never actually revealed so there are two audiobook versions featuring a male or female reader. That makes no difference in the story whatsoever so just pick a reader you like and go with it. If you didn’t hear that the gender wasn’t mentioned, you’d just as soon assume Chris to be the gender of the narrator.

Posted by Tom Schreck

Review of The Providence of Fire by Brian Staveley

SFFaudio Review
The Providence of Fire by Brian StaveleyThe Providence of Fire (Chronicle of the Unhewn Throne #2)
By Brian Staveley; Narrated by Simon Vance
Publisher: Brilliance Audio
Publication Date: 13 January 2015
[UNABRIDGED] – 23 hours, 37 minutes

Themes: / fantasy / brothers / monks / assassins / barbarian hordes /

Publisher summary:

Brian Staveley’s The Providence of Fire, the second novel in the Chronicle of the Unhewn Throne, a gripping new epic fantasy series in the tradition of Brandon Sanderson and George R. R. Martin The conspiracy to destroy the ruling family of the Annurian Empire is far from over. Having learned the identity of her father’s assassin, Adare flees the Dawn Palace in search of allies to challenge the coup against her family. Few trust her, but when she is believed to be touched by Intarra, patron goddess of the empire, the people rally to help her retake the capital city. As armies prepare to clash, the threat of invasion from barbarian hordes compels the rival forces to unite against their common enemy. Unknown to Adare, her brother Valyn, renegade member of the empire’s most elite fighting force, has allied with the invading nomads. The terrible choices each of them has made may make war between them inevitable. Between Valyn and Adare is their brother Kaden, rightful heir to the Unhewn Throne, who has infiltrated the Annurian capital with the help of two strange companions. The knowledge they possess of the secret history that shapes these events could save Annur or destroy it.

I gave this book the same rating as The Emperor’s Blades, and I think in many ways it’s better. But I also had higher expectations coming in. I had none for the first book, and found myself pleasantly surprised. So I was looking forward to this.

This book started off slow. With how the last one ended, I guess I was sort of expecting the book to hit the ground running. The last book is largely the “magic school” trope, although there isn’t a whole lot of magic. But there is rigorous training and rivalries and the like. And some of the characters can do magic.

Maybe my love of that trope, or the fact that they were “in training” made me less aware of just how STUPID The Emperor’s kids are. There was no hiding that here. I’m not a big fan of the super smart, super capable protagonist who can’t seem to do any wrong, but I hate the “I’m going to pull a plan out of my ass and somehow things will work out mostly right in the end” protagonist even worse. It would d be bad enough if only one of them did, but all three of them did, and continued to do it. They didn’t learn from their mistakes. They didn’t really seem to grow as characters. They just kept being idiots. And selfish. It got pretty frustrating.

So why did I give this 4 stars? Well two reasons mainly. One the story is interesting. The world building Mr. Staveley does in this book is especially intriguing. The pieces he put in place in this novel look to make for a really interesting third (and final?) book in this series.

Secondly he has some great supporting characters. Some are returning from the first novel, and some are new. In particular I really enjoyed the POV chapters from a former supporting character who was given a chance to shine. They were easily my favorite chapters in the book. I only wish they had started sooner. Maybe even in the last book, but it wouldn’t have made too much sense, so I understand the reasoning.

Overall this book is better, but with higher expectations, I found myself a bit disappointed at the same time. But I’m looking forward to the next book. I think for a middle book there is a lot to like. Hopefully the Emperor’s kids will get a clue by then.

As a narrator, Simon Vance is excellent as always. He was one of the main reasons I decided to try out The Emperor’s Blades. His performance is such that this series remains a must audio for me, even if it means waiting a bit longer to get my hands on the next book.

Review by Rob Zak.

Review of The Shield-Maiden by Michael Tinker Pearce and Linda Pearce

SFFaudio Review

The Shield-MaidenThe Shield-Maiden (The Foreworld Saga: A Foreworld SideQuest #4)
By Michael Tinker Pearce and Linda Pearce; Narrated by Mary Robinette Kowal
Publisher: Brilliance Audio
Publication Date: 4 January 2013

Themes: / Mongoliad / Vikings / fantasy / warriors /

Publisher summary:

Sigrid is a Shield-Maiden who yearns to break free of the restrictions of her father’s home and join the Sworn Men in an actual raiding expedition. When a small diplomatic party that includes members of the Shield-Brethren lands at her family’s holding on Göttland, the party’s second in command, Halldor, sees in Sigrid a vision of beauty and power that might challenge – and even destroy – many men.

And when bloody chaos ensues at a nearby Viking fishing village, Sigrid proves she has more than mere talent: she has Vor – the fate sight – an astonishing focus in fighting that sets her apart from nearly all who have ever lived and puts her in the rare company of the finest Shield-Brethren.

But as Sigrid and her family confront her otherworldly ability, will it prove to be a gift to be celebrated, or an affliction to be cured?

Review:

Note: This book is available individually (as I listened to it) or as a part of the book SideQuest Adventures No. 1, which includes The Lion in Chains, The Beast of Calatrava: A Foreworld Sidequest, and this story.

As with The Lion in Chains and The Beast of Calatrava: A Foreworld Sidequest, this story is a “sidequest” in the Foreworld Saga, basically a side story to the main-line books intended to give readers more information on certain characters. As with The Beast of Calatrava: A Foreworld Sidequest, this story seemed to be farther removed from the main crusades in The Mongoliad world, taking place in the north sort of near where the Shield Brethren have their main training facility, though one of the characters, Halldor, may have been a minor character in the main series (his name was familiar, at least).

This short story explores the mysterious “Vor,” the somewhat mystical “force” that overtakes many of the Shield Brethren when they fight. In this story, we see that this force, which is often mentioned in reference to the visions that some of them have (notably, Percival), can also afflict female warriors, and that it is also attributed to feats of amazing bravery and strength, that it is what enables the Shield Brethren to be victorious even against crazy odds. The main character in this story is a young woman, Sigrid, the daughter of the land owner where the story occurs. She has trained as a Shield Maiden, though still lives on her father’s lands, hasn’t been allowed (by her father) to join any of the local skirmishes, even though she’s taken a vow to be a Shield Maiden. Things change, however, when her people find themselves under attack by some Danes, where Sigrid’s ability in battle helps win the day–plays a key role in the victory, in fact. Suddenly, her family, her people, and Sigrid herself, must come to terms with what she is and what she can do. This story was refreshing in that it was primarily about a female warrior, though some of the reactions from the other characters were all too familiar.

Narrated by Mary Robinette Kowal, it was fitting to have a female voice narrate the story of the female warrior. Kowal’s narration was quite good, far superior to the narrator in Siege Perilous (the only other Mongoliad-world story I’ve listened to not narrated by Luke Daniels). That said, sometimes the pronunciation was odd, for places or things mentioned in this book and in others. For example, the island where the Shield Brethren do their initiation was pronounced by Kowal as “Tear’s Hammer” where Daniels pronounced it “Tear-shamar). This sometimes made it confusing to keep the entire world in my head as I listened, but did not detract from the overall story.

All in all, it was a nice diversion for a Saturday afternoon. Read More

Review of Mage’s Blood by David Hair

SFFaudio Review

mages blood coverMage’s Blood (The Moontide Quartet #1)
By David Hair; Performed by Nick Podehl
Publisher: Brilliance Audio
[UNABRIDGED] – 25 hours
Themes: / fantasy / crusades / religion /
Publisher summary:

Most of the time the Moontide Bridge lies deep below the sea, but every 12 years the tides sink and the bridge is revealed, its gates open for trade. The Magi are hell-bent on ruling this new world, and for the last two Moontides they have led armies across the bridge on “crusades of conquest”. Now, the third Moontide is almost here, and this time the people of the East are ready for a fight… but it is three seemingly ordinary people that will decide the fate of the world.

Overall, 2.5 stars. I prefer character driven stories, and this is definitely that. So why didn’t I enjoy it? The answer for me at least is the characters. I found most of them unenjoyable. If I have no one to really root for, the story has to be that much better or I’ll be bored. Don’t get me wrong, there are things to like about Alaron and Elena, but there is a lot not to like. I don’t need perfect characters who fall into the chosen one trope, but something about their faults really just rubbed me the wrong way and I often found them frustrating and unlikable.

The best character in the book was Alaron’s friend Ramon, who while he was basically a walking trope, was brought excellently to life by Mr. Podehl’s narration and added some nice comic relief to the story. Most of the other characters are flat, or too trope heavy. We have some mustache twirling bad guys, and the helpless Ramita who seems to merely be there to drive the plot as a goal/pawn for the other characters in the book.

The world building here was alright, but seems to borrow too heavily from actual cultures (in particular the Middle East, and religion of Islam) that it didn’t feel much like being transported to another world apart from the magic. And that was another issue I have. I guess Brandon Sanderson spoiled me for poorly developed magic systems, but it all felt just a bit too hand wavy to me.

Overall this book was just too uneven. There were some parts I really enjoyed, and there are questions I’d like to keep reading to get the answers too, but it’s just not worth it for me. There is too many other things I’d rather be reading.

This is my first audio book read by Nick Podehl. I’ve heard mixed, though mostly positive things about him as a narrator, especially for the Kingkiller series.

I thought he was excellent here, and really helped me get through the unenjoyable parts of this book. I think if I was reading this rather than listening, I might have quit the book without finishing.

I look forward to listening to other books read by him in the future, just not the other books in this series.

Review by Rob Zak.

Review of Ilium by Dan Simmons

SFFaudio Review

Ilium by Dan SimmonsIlium (Ilium #1)
By Dan Simmons; Narrated by Kevin Pariseau
Publisher: Brilliance Audio
[UNABRIDGED] – 25 Discs; 30 hours
Themes: / Mars / gods / ancient Greece / scholars / Shakespeare / fantasy /
Publisher summary:
From the towering heights of Olympos Mons on Mars, the mighty Zeus and his immortal family of gods, goddesses, and demigods look down upon a momentous battle, observing—and often influencing—the legendary exploits of Paris, Achilles, Hector, Odysseus, and the clashing armies of Greece and Troy.Thomas Hockenberry, former 21st-century professor and Iliad scholar, watches as well. It is Hockenberry’s duty to observe and report on the Trojan War’s progress to the so-called deities who saw fit to return him from the dead. But the muse he serves has a new assignment for the wary scholic, one dictated by Aphrodite herself.With the help of 40th-century technology, Hockenberry is to infiltrate Olympos, spy on its divine inhabitants…and ultimately destroy Aphrodite’s sister and rival, the goddess Pallas Athena. On an Earth profoundly changed since the departure of the Post-Humans centuries earlier, the great events on the bloody plains of Ilium serve as mere entertainment.Its scenes of unrivaled heroics and unequaled carnage add excitement to human lives devoid of courage, strife, labor, and purpose. But this eloi-like existence is not enough for Harman, a man in the last year of his last 20. That rarest of post-postmodern men—an ‘adventurer’—he intends to explore far beyond the boundaries of his world before his allotted time expires, in search of a lost past, a devastating truth, and an escape from his own inevitable ‘final fax.’ Meanwhile, from the radiation-swept reaches of Jovian space, four sentient machines race to investigate—and, perhaps, terminate—the potentially catastrophic emissions of unexplained quantum-flux emanating from a mountaintop miles above the terraformed surface of Mars.

If someone were to describe this book to me (if they even could), I don’t know if I would believe how much I absolutely enjoyed it. Dan Simmons is a mad genius.

Shakespeare-quoting humanoid robots, Greek Gods, post-humans, and old-style humans somehow make the craziest awesome story imaginable.

Ilium is a story told through essentially three unrelated viewpoints. First, there’s Hockenberry. This is told in first person. Hockenberry is called a “Scholic,” a human from our the 20th century (our time) who was rebirthed in a future where Homer’s Trojan War is being fought. His job is to report on the war … to the Greek Gods.

At first, this is completely confusing. Why? is a question I asked myself over and over, but it begins to make sense with time. Plus, it’s hard not to be fascinated with the events of the Iliad. It’s also impressive how much research went into it, though that’s only an assumption since my knowledge of the Trojan War is essentially from the movie, Troy (but I have read the Odyssey!).

The second viewpoint is the humans, mainly Daemon. Daemon is a self-involved fool who is unlikeable to say the least. But who wouldn’t be when you have everything handed to you on a silver platter by robots called servitors (sp – I did listen to the audio so forgive me), like all humans everywhere. Pleasure is their life, knowledge … is lacking.

The third viewpoint is that of a sonnet-loving humanoid robot called a “moravec” and named Mahnmut. Specifically, and only, Shakespeare’s sonnets. It’s work consists of exploring the moon of Jupiter called Europa. Mahnmut is called in on a mission with a group of moravecs to explore some occurrences on the planet mars.

At first, I was highly entertained, though confused, with the events of the Trojan war and the other parts were just above boring. Slowly, the story takes hold and it had me hook, line, and sinker.

Listening to the audiobook, I was looking forward to my morning and evening drives and not too sad to do errands on my lunch hour either. Somehow, it ALL makes sense even though it sounds like the oddest collection of classics to make up a cohesive story all its own. What does Shakespeare have to do with the Iliad or Proust (his work makes appearances too) for that matter, all set in the future with technology that gives humans everything they ever want or need?

It’s crazy I tell ya. Crazy! How did I like this book this much? I’m telling you, Simmons is a mad genius. I will just sit back and let him take me on his journey. It’s amazing. I question not.

Kevin Pariseau is the narrator of this audiobook and while at first I thought he over-acted the part of Hockenberry, though somehow not the other parts, I really grew to like him and found out that it was literally just the character of Hockenberry that he was playing. And it’s impressive given how many Greek words and names he’s got to …erm… name.

The only problem is that Ilium is only half the story. It stops at a huge cliffhanger and I’m already heading to Olympos to see how this ends.

5 out of 5 Stars (Mind … blown)

Posted by Bryce L.