News, Reviews, and Commentary on all forms of science fiction, fantasy, and horror audio. Audiobooks, audio drama, podcasts; we discuss all of it here. Mystery, crime, and noir audio are also fair game.
The SFFaudio Podcast #757 – Jesse, Paul Weimer, and Cora Buhlert talk about Odds On by Michael Crichton Talked about on today’s show: John Lange, 1965 or 1966, first under John Lange, not published in order of writing, writing back… Read moreThe SFFaudio Podcast #757 – READALONG: Odds On by Michael Crichton
Jesse, Paul Weimer, and Cora Buhlert talk about The Venom Business by Michael Crichton. Talked about on today’s show: John Lange, the worst Michael Crichton novel, the worst of the Lange books, the number one problem, it is too long,… Read moreThe SFFaudio Podcast #749 – READALONG: The Venom Business by Michael Crichton
The SFFaudio Podcast #675 – Jetta Of The Lowlands by Ray Cummings – read by Richard Kilmer. This is a complete and unabridged reading of the story (4 hours 5 minutes) followed by a discussion of it. Participants in the… Read moreThe SFFaudio Podcast #675 – AUDIOBOOK/READALONG: Jetta Of The Lowlands by Ray Cummings
The SFFaudio Podcast #105 – a complete and unabridged reading of The Most Dangerous Game by Richard Connell. Narrated by William Coon of Eloquent Voice. A tempest tossed hunter crawls ashore on a mysterious island only to find his way… Read moreThe SFFaudio Podcast #105 – AUDIOBOOK: The Most Dangerous Game by Richard Connell
On Stranger Tides By Tim Powers; Read by Bronson Pinchot 10 CDs – Approx. 11.7 Hours [UNABRIDGED] Publisher: Blackstone Audio Published: August 2010 ISBN: 9781441754981 Themes: / Fantasy / Pirates / Magic / Caribbean / Voodoo / Zombies / On… Read moreReview of On Stranger Tides by Tim Powers
ca·lyp·so – /kəˈlɪpsoʊ/ – a musical style of West Indian origin, influenced by jazz, usually having topical, often improvised, lyrics. I’ve only been the Caribbean once. But I still greatly feel its tropical magnetism. Ian Fleming did too. The first… Read moreJAMES BOND: Doctor No by Ian Fleming