LibriVox: The Shadows by George MacDonald

SFFaudio Online Audio

shadowsfin2.jpgThe Shadows
By George MacDonald; Read by Catherine Eastman
2 Zipped MP3s or Podcast – Approx. 1.5 Hours [UNABRIDGED]
Publisher: LibriVox.org
Published: November 27, 2007

Though no longer well known, his works (particularly his fairy tales and fantasy novels) have inspired admiration in such notables as W. H. Auden, J. R. R. Tolkien, and Madeleine L’Engle. The Shadows is one such fairy tale. The strange Shadows spend their existence casting themselves upon the walls and forming pictures of various sorts: mimicking evil actions of those who have done wrong in the hopes of causing their repentance, playing a comic dumb-show to inspire a playwright and dancing to inspire a musician, nudging a little girl to comfort her grandfather, and playing with a sick little boy as he waits for his mother to return home. For all that their forms are black, their hearts are of the whitest.

This fantasy for younger readers/listeners has a couple of things in its favor for adults other than just the historical interest in its author.  The reader here, Catherine Eastman, does an outstanding job and the story is quite imaginative. Highly recommended for younger listeners and not too bad for adults either.

Complete Audiobook [zip], individual MP3s here.

And here’s the podcast feed:

http://librivox.org/bookfeeds/the-shadows-by-george-macdonald.xml

Posted by Dave Tackett

Review of Super Pal and Jewels of the 11th Generation

SFFaudio Review

Great Northern Audio - Super PalThe Saving of the World: Super Pal (Includes Jewels of the 11th Generation)
By Great Northern Audio Theatre; Performed by a FULL CAST
1 CD – Approx. 70 minutes [LIVE AUDIO DRAMA]
Publisher: Great Northern Audio
Published: 2005/2006
Themes: / Fantasy / Comedy / Superheroes / Meteors / Jewels / Space Travel / Children / Squeak Toys / Computers

A comet is heading towards Big City, but is it a job for Super Pal?

Great Northern Audio brings you the tale of the blue-glowing superhero, as told from those closest to him. The nurse who helped birth him, the girlfriend who likes the cape (nudge-nudge), his best friend growing up, even the crooks he brought down.

Meanwhile, the comet comes closer, and Super Pal is nowhere to be found. The mayor begins to look at other superheroes, but no help is available. One kinked their back while lugging an oil rig across the desert, and another is expecting a baby and is on light duty. You know, bank robbers.

What to do? Well, Super Pal does have a weakness for cats in trees….

The CD also includes The Jewels of the 11th Generation, a story of two zany treasure-hunters looking for the ultimate treasure. They certainly find more than that! Children, pirates- and… squeak toys? But where are the jewels? This is also a lot of fun and well-written. Mix that with excellent acting, including the talents of David Ossman of Firesign Theatre, and you know exactly why I enjoyed it so much.

These performances were a lot of fun. I loved the documentary-style interviews in telling the tale of Super Pal, and the jokes in Jewels made me laugh out loud a couple of times! Very witty, and hearing the audience respond now and then in the background really made it all the more enjoyable. For a live performance, it has a better sound than a lot of in-studio performances. A very enjoyable hour!

Both SuperPal and Jewels of the 11th Generation were part of live Great Northern Audio performances in 2005 and 2006. Definitely worth going over to Great Northern’s website and getting a copy today!

BBC4 Afternoon Play The Veldt by Ray Bradbury

SFFaudio Online Audio

Just a reminder, the BBC 4 Afternoon Play that just aired is still available through the “Listen Again” service. Of it, one listener writes: “I was riveted by today’s drama, The Veldt. Truly chilling and a brilliant evocation of a whole, troubling yet thoroghly (SIC) engaging environment. Radio drama at it’s best.” I’m listening to it now. I have to agree, sounds great so far!

Online AudioAfternoon Play: The Veldt
By Ray Bradbury; Performed by a Full Cast
1 Broadcast – Approx. 45 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4
Broadcast: Tuesday 22nd May -14:15-15:00 (U.K. Time)
“An updated version of a classic SF story by Ray Bradbury, adapted from the stage play by Mike Walker, about a playroom that becomes a beguiling tempter, drawing two young children into secret, deadly adventures”

This is available via the Radio 4 Afternoon PlayListen Again” service for 7 days following the broadcast.

posted by Jesse Willis

Review of Songmaster by Orson Scott Card

SFFaudio Audiobook Review

Audiobook - Songmaster, by Orson Scott CardSongmaster
By Orson Scott Card; Read by Stefan Rudnicki
10 CDs, 9 Cassettes,or 1 MP3 disc – 12.5 hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2006
ISBN: 9780786178421 (CDs), 9780786180578 (MP3-CD), 9780786135097 (Cassettes)
Themes: / Science Fiction / Galactic Empire / Music / Education / Children / Despotism / Rebellion /

This early novel by Card is a precursor of many things to come from this great author. One of Orson’s favorite themes is that of a child with extraordinary talent coming of age. The child’s name is Ansset, and at very young age he is sent to the sequestered Songhouse. In the Songhouse, a powerful form of singing is taught that creates an abnormally strong emotional response in the listener. Ansset turns out to be exceptionally gifted singer and is groomed to be a Songbird.

The emperor, Mikal, who most believe to be the most horrible tyrant of the galaxy, wants to have a Songbird. Ansset is sent as a child to be Mikal’s Songbird. But there’s more to Ansset than what appears on the surface.

The writer’s credo “show, don’t tell” had to be abandoned in a sense. How does an author write about the impact of the music being sung without describing it? (telling). After all, the writer’s tools are words and not music. Card does show us the emotional impact that listeners have to the singing, so in that sense he is showing us. The great power of the songbird’s music could emotionally ravage a listener for good or ill. As a reader/listener, we need to believe this. So, how well does this novel succeed when it is about music, but is written in prose? In one word— beautifully. In the hands of less expressive author this could have been clumsy technique. This is a touching novel, in which you’ll care for Ansset.

The audiobook is narrated beautifully by Stefan Rudnicki. Mr. Rudnicki conveys an introspective and measured performance that suits the novel perfectly. There are parts of the text that he has to convey by singing. He does this in an understated manner that doesn’t undermine the emotional context of the scene. And the recording is up to the usually high standards that we expect of a Blackstone audiobook. If you’re fan of Ender’s Game or Card’s other works and you haven’t read or heard Songmaster—get it! If you’re not familiar with OSC’s works, this is a good place to start.

Review of Ender’s Game: Special 20th Anniversary Edition by Orson Scott Card

Science Fiction Audiobooks - Ender's Game by Orson Scott CardEnder’s Game: Special 20th Anniversary Edition
By Orson Scott Card; Read by Stefan Rudnicki, Harlan Ellison, Gabrielle de Cuir, David Birney and a FULL CAST
9 CDs – 10.5 hours [UNABRIDGED]
Publisher: Audio Renaissance
Published: 2004
ISBN: 1593974744
Themes: / Science Fiction / War / Children / Military / Politics / Spaceships / Space Station / Aliens /

Andrew ‘Ender’ Wiggin isn’t just playing games at Battle School; he and the other children are being tested and trained in Earth’s attempt to find the military genius that the planet needs in its all-out war with an alien enemy. Ender Wiggin is six years old when his training begins. He will grow up fast. Ender’s two older siblings, Peter and Valentine, are every bit as unusual as he is, but in very different ways. Between the three of them lie the abilities to remake a world–if the world survives.

Many male children covet uniforms and the manly art of war – and on the surface that is what Ender’s Game appears to be about, a wish-fulfillment novel for the pre-teen set. But it isn’t only that. Science Fiction is an accumulative literature, perhaps more so than any other kind. Good creations stick in SF and accumulate and grow. Robots once invented, need not be reinvented. Faster than light travel, time travel or Asimov’s “three laws” are tools which once created need not be ignored as outside the scope of another SF novel, quite the contrary in fact. Simply ask yourself; in what other literature could a constructed story device like an “ansible” (invented by Ursula K. Le Guin in 1966 but used in Ender’s Game) be mentioned without renaming it? But it is not just the story props that SF shares, the concepts and themes of science fiction can never be fully appreciated in isolation. Every science fiction story is in dialogue with another.

Ender’s Game is especially engaged with two other superlative science fiction novels that preceded it, namely Robert A. Heinlein’s Starship Troopers and Joe Haldeman’s The Forever War, and like those two masterpieces of science fiction Ender’s Game has something new and unique to say. Whereas Starship Troopers can be viewed as the relationship between a teenager’s individualism and his relationship to society (a neo-Hobbesian social contract concept typical of mid-career Heinlien), and The Forever War as a discussion of that same relationship but with a college aged young man and his more skeptical worldview (the post Vietnam influence) Ender’s Game engages neither an adult’s nor a teen’s relationship to his society its war. Instead Ender’s Game is that relationship from a child’s perspective. It is also, paradoxically, not a grunt’s view of a war, as was the case with both Heinlein’s and Haldeman’s novels, but rather is about how the supreme commander of an interstellar war is created.

Orson Scott Card has not ignored the disconnect between a child’s desire to play at war and the brutal cost of killing, and the burden of ultimate responsibility. We primarily follow Ender and his classmates as they train to command Earth’s military in a genocidal war against a hostile alien threat, but the parallel story of his two siblings back on Earth compels equally. Each character in this novel is in a chess match of emotional and philosophical conflict with one another and their society. There are a few better hard science fiction stories, and a few better soft science fiction stories, but there are fewer science fiction stories as well constructed and emotionally satisfying as this one.

The 20th anniversary of the novel’s re-publication brought about this audiobook. It is regrettable that the cover art of this edition is as generic as it is because the folks at Audio Renaissance have quite literally have brought greatness to the text. They’ve included an introduction and a postscript read by Card himself, both of which place the novel and the audiobook in its context as well as enlightening us to the author’s method of its construction. Multiple readers lead by Stefan Rudnicki work perfectly to vocally illustrate each chapter, character and scene. Stefan Rudnicki, Harlan Ellison, Gabrielle De Cuir, David Birney and the rest of the readers have given us an audiobook perfectly rendered. In what is the pattern for the Enderverse novels adapted for Audio Renaissance readers trade off at the ends of chapters, and when two unplaced voices are unattributed – except by what they actually say – two actors engage in conversation. Multi voiced readings have never been better.

And so it is with great pleasure that we enter this Special 20th Anniversary edition of Ender’s Game as the first into the ranks of the SFFaudio Essential audiobooks.

Posted by Jesse Willis

Review of A Coyote in the House By Elmore Leonard

A Coyote's in the House by Elmore LeonardA Coyote In The House
By Elmore Leonard; Read by Neil Patrick Harris
3 CDs – 3 Hours [UNABRIDGED]
Publisher: Harper Children’s Audio
Published: 2004
ISBN: 0060728825
Themes: / Fantasy / Anthropomorphic Fiction / Movies / Crime /

This dog was cool for a homeboy, an older male who had peed all over this big yard, marking it to let everybody know this was his turf and nobody else’s. Keep it, homes. Live here and get food handed to you. Believe you’re somebody in your pitiful kept world, no better than a slave.”

Buddy’s the aging movie star, Antwan’s the streetwise hipster and Miss Betty is the showgirl. Buddy also happens to be a German Shepherd, Antwan is a wild and wily Coyote and Miss Betty is a bouffant Poodle. A Coyote In The House is a kid’s book in the tradition of Jack London’s The Call of The Wild. In essence this it is the same story, simply with a sub-urban as opposed to an arctic setting – that and Elmore Leonard’s patented prose. It’s not just Leonard’s dialogue that’s distinctive; it’s his story structure, characters, and cadence that all scream Elmore Leonard. And that’s very disconcerting. Leonard hasn’t written anything but adult crime novels and westerns so to hear this audiobook was truly odd. I think kids and adults who listen with together will both be pleased. It’s a fun story but it’s a strange experience for fans of Elmore Leonard’s other novels.

I couldn’t get over how Leonard completely ignores the impossibility of the situation he’s created. I know it’s a kid’s story, and kids won’t likely see it the way I do, but this story is utterly impossible. It basically ignores everything we do know about animal intelligence and replaces it with hipster lingo and human motivations and then marches on, oblivious to all the impossibilities those things entail. As an example, Buddy, the aging German Shepherd movie star, watches his old movies all day long – every animal in A Coyote In The House is intimately familiar with movies and movie stars – this despite the story logic that these canines, felines and avians can’t understand most of what humans say (and vice versa). Further, the animals can’t manipulate objects with their paws like in a Disney movie say, and yet somehow Buddy is able to – off screen – grab a VHS tape of one of his movies put it in the VCR and watch it, rewind it and put it back before his owners get home and see him. “Oh come on,” you say. “It’s a kids story, it doesn’t have to make sense.” Maybe. It didn’t ruin the experience for me but it didn’t let me fully enjoy it either. I just think that it’d have been a far better story to tackle, realistically, the animal’s perspective head on.

One other curious thing of note. The use of the word “bitch.” In any other Leonard novel it wouldn’t be a novelty – here it refers doubly as a slang term (for adult listeners) and as a female canine for children. Some adults may have a problem letting their kids hear such words, when the usage is not clear cut but I think that’d be the wrong attitude to take – the word is legitimately used here and I’d be far more concerned about kids thinking that animals are just like people – when they aren’t – than learning a “bad” word. Performed by Neil Patrick Harris, A Coyote In The House has a goodly number characters with distinctive voices. Harris is quite impressive as a reader! His audiography seems to consist mostly of children’s novels, perhaps a legacy from his child stardom. In any case he’d be a good reader of adult novels too.

Posted by Jesse Willis