Naxos Audiobooks: The Fall Of The House Of Usher, The Pit And The Pendulum & Other Tales Of Mystery And Imagination by Edgar Allan Poe

SFFaudio Online Audio

In lecture #4 of The Teaching Company’s Masterpieces of the Imaginative Mind: Literature’s Most Fantastic Works professor Eric S. Rabkin argues:

“The writing of Edgar Allan Poe has too often been dismissed for reasons that do not hold up under scrutiny. … The idea that he was an alcoholic is supported by the fact that he was found lying unconscious in an alley by a bar in his relatively young adulthood, in his 40s, and ultimately, a few days later died. In fact modern evidence that Richard Thompson at Purdue University has uncovered suggest that it is quite possible that Poe was allergic to alcohol, rather than an alcoholic. We have no evidence that he actually drank a lot. But even if he were an alcoholic claiming that his writing is nothing but the outpourings, as it were, of an alcoholic, is clearly foolish because if drinking alcohol made one a great and lasting writer the world would be full of them.

The idea that he was a pervert is based on the fact that he married his first cousin, who was only thirteen at the time, and that he never married again after her early death. It’s important to know that this first cousin, Virginia Clem, was of legal age when he married her, that marrying first cousins was not only legal but somewhat common at the time. His marriage was public, it was blessed by her mother. It was legal. It was devoted and it ended only with her death in 1847. They married in 1836, but in 1842, that is six years into the marriage, but five before her death, she was diagnosed with tuberculosis. And so for half of his marriage he lived in fear, in the knowledge, that his bride would come to an early demise. This does not sound to me like a pervert, it sounds to me like a deeply saddened man.”

On a happier note, Naxos Audiobooks, in cooperation with Audiofile magazine, are giving away an audiobook full of melancholy Poey goodness. It’s only available until midnight on October 31, 2009 (when the link will presumably turn into a 404 pumpkin) so get downloading!!

Naxos Audiobooks - The Fall Of The House Of Usher, The Pit And The Pendulum & Other Tales Of Mystery And Imagination by Edgar Allan PoeThe Fall Of The House Of Usher, The Pit And The Pendulum & Other Tales Of Mystery And Imagination
By Edgar Allan Poe; Read by William Roberts
45 Zipped MP3 Files – Approx. 4 Hours 52 Minutes [UNABRIDGED]
Publisher: Naxos Audiobooks
Published: 2003
ISBN: 9789626342831
The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares – premature burial, ghostly transformation and words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

Stories included:
The Pit and the Pendulum, The Tell-Tale Heart, The Masque of the Red Death, Ligeia, The Raven, The Cask of Amontillado, The Fall of the House of Usher, The Black Cat, The Premature Burial, The Facts in the Case of M. Valdemar

Posted by Jesse Willis

BBCR4: Bullitt

Aural Noir: Online Audio

Radio Times - Bullitt (BBC Radio 4 Saturday Play) by Jeremy Aspinall BBC Radio 4Very few people have heard of a novel called Mute Witness by Robert L. Fish (aka Robert L. Pike) – but many, many more have seen the 1968 film into which it was adapted: Bullitt, starring Steve McQueen and a Ford Mustang Fastback.

Personally I think naming a cop “Bullitt” just stupid. It’s like naming a fly fisherman “Rodd” or a janitor “Bukkett.” What you can’t argue with is that Bullitt is a good movie, with a really terrific chase sequence, despite the silly name.

A new radio play adaptation of the novel just aired on BBC Radio 4 and is currently available for listening via the BBC iPlayer. It’s also available over on RadioArchive.cc via torrent. But I got mine in the MP3 format via Radio Downloader. The voice acting appears to be by a British cast, playing New Yorkers. It works for me. See the Radio Times review, at left, for all the details.

BBC Radio 4 - BullittBullitt
Based on a novel by Robert L. Fish; Dramatized by Adrian Bean; Performed by a full cast
Broadcaster: BBC Radio 4 (Saturday Play)
Broadcast: 24th October 24, 2009 @ 14:30-15:30
“A gritty detective story set in the 52nd precinct in New York. Lieutenant Clancy is assigned to protect an important Mafia witness but when the witness is found dead Clancy has only a matter of hours to find the killer before his enemy, the assistant district attorney, finds out.”

Lieutenant Clancy ……………………….. Jason Isaacs
Ada Chalmers/Barnett/Renick/Johnny Rossi ……. Kerry Shale
Detective Kaprowski ……………………….. Lou Hirsch
Captain Wise/Johnny Rossi/Ships Officer ……. John Biggins
Dr Willard/Pete Rossi …………………… Stephen Hogan
Doc Freeman/Sergeant ………………….. Bruce Alexander
Detenctive Mark Kelly ……………………… Sasha Pick
Ann Renick/LAPD Officer …………….. Emerald O’Hanrahan
Hotel Manager/Chalmers’ Secretary ………….. Kate Layden
Directed by Pauline Harris

And though Halloween doesn’t really mean much in the U.K., BBC Radio 4 is doing something somewhat appropriate on this Saturday and the next following…

Haunted House: An Appointment With Fear
By Reece Shearsmith
2 Broadcasts – Approx. 60 Minutes [DISCUSSION]
Broadcaster: BBC Radio 4
Broadcast: October 29 and November 5, 2009 @ 11:30-12:00
Comic actor Reece Shearsmith hosts energetic and witty illustrated discussions on horror, before an audience inside the reputedly haunted Sutton House in Hackney. Reece examines some classic scary moments from British radio and television and explores the ingredients for a classic horror story. He is joined by horror enthusiasts Mark Gatiss, Vic Reeves and Yvette Fielding.

Here’s one thing even the best audio dramatizations can’t do very well…

[Thanks very much Roy!]

Posted by Jesse Willis

New Releases: BBC Audiobooks America does SHERLOCK HOLMES

Aural Noir: New Releases

Here are two new releases from BBC Audiobooks America, read by the best Watson ever!

Three Tales of Avarice by Sir Arthur Conan Doyle; Read by Edward Hardwicke

Includes:
The Adventure of the Priory School
The Red-Headed League
The Adventure of the Blue Carbuncle

Three Tales of Intrigue by Sir Arthur Conan Doyle; Read by Edward Hardwicke

Includes:
The Crooked Man
The Greek Interpreter
The Naval Treaty

Posted by Jesse Willis

Review of The Lies Of Locke Lamora by Scott Lynch

SFFaudio Review

Science Fiction Audiobook - The Lies of Locke Lamora by Scott LynchThe Lies of Locke Lamora
By Scott Lynch; Read by Michael Page
18 CDs – Approx. 23 Hours [UNABRIDGED]
Publisher: Tantor Audiobooks
Published: 2009
ISBN: 1400110513
Themes: / Fantasy / Crime / Magic /

An orphan’s life is harsh—and often short—in the island city of Camorr, built on the ruins of a mysterious alien race. But born with a quick wit and a gift for thieving, Locke Lamora has dodged both death and slavery, only to fall into the hands of an eyeless priest known as Chains—a man who is neither blind nor a priest. A con artist of extraordinary talent, Chains passes his skills on to his carefully selected “family” of orphans—a group known as the Gentlemen Bastards.

Here’s the one sentence summary I’ve been using to describe The Lies Of Loche Lamora:

Like Oliver Twist in Lankhmar.

In a way this is the anti-Harry Potter book. It’s about a school for thieves and not magicians. It doesn’t have heroes and villains as much as it has profligate crooks and despicable liars. Our protagonist is the titular Locke Lamora, a young wastrel in the city of Camorr. He’d starve or be sold into worse slavery had he not been born with a certain larceny in his heart. Camorr, the city itself, too is a terrific character in this book, being a vividly described assemblage of various fantasy cities Lankhmar, Arenjun, and real life historical ports like late medieval Venice. Under careful tutelage, Locke and his companions grow into formidable talents, practicing their art in a series of ever more elaborate con-games.

When I was a kid playing Dungeons and Dragons I almost always played the “thief” class. Magic users always seemed lame to me, clerics were like magic users but with religion (which seemed to me like a third wheel for actual role playing) and fighters were boring. Sure you’re tough – and that’s good for fighting, but that’s it. I always thought there was a little too much fighting in D&D. My favourite part of role playing was the part in the tavern, before the quest proper really got started. I was inspired by Baggins burglar clan – but thought they had it too damn easy with the magic ring of theirs. Later in life I’d see movies like: The Sting, The Grifters, and Harry In Your Pocket. I’d read books like: The Green Eagle Score and The Girl With The Long Green Heart. Those stories all had setups I really dug. I liked characters who lived by their wits. Characters who, without being either the best shot, or the fastest draw, without having the biggest muscles or fastest legs could make the getaway with at least half a sack of gold in hand. And that’s why I like The Lies Of Loch Lamora so much.

The Lies Of Locke Lamora is rich with detail. I have a hard time conceiving just how much time Scott Lynch put into the world building. The magic system is based, smartly, around the “language” or “name” model of magic. Words have power. Knowing the “true name” of something or someone gives you power over it. Indeed, even in real life language is almost like magic. I can say to you something like: “The blue horse with the rainbow flavoured fedora is clambering slowly up the valley’s cool red roof” and some sort of weird imagery is suddenly **poofed** into your mind. I can buy into this kind of magic. It’s the same kind of magic that J.K. Rowling puts into her villain names: Just think about it, Voldemort and Malfoy, (“underground death dweller” and “bad foil”). It’s too bad Rowling didn’t have the teachers at Hogwarts teaching this magic language magic system instead of the hodge-podge it has – I might have cared more. So back to the book at hand, magic plays a fairly central role in the plot of The Lies Of Locke Lamora, it’s rare, and doesn’t enter into the novel until quite late. Other furnishings in Lynch’s Fantasy landscape include substitution. Instead of glasses we get “optiks” and instead of chemical we get “alchemical.”

Thinking back, narrator Michael Page did employ a fairly wide range of voices. And there are quite a few characters for him to bring to life. Several of these age over time. Some narrators take over the text, Page is not one of them – he delivers the lines as appropriate, so that for the most part I didn’t notice his performance. If there are any laments I have about this excellent audiobook they are very few. One would be it’s length, it is a tad long. This is a sin that virtually every Fantasy novel is guilty of these days. It held my attention, but there were certainly a few scenes that could have been easily summarized without losing one whit of the novel’s otherwise careful pacing. Another lament, the Bantam Spectra paperbook edition of this book includes an excellent map of the city of Camorr. Modern audiobooks never include maps as a supplement. So neither does this Tantor edition. This is a mistake. Any novel assumes a certain familiarity with geography but Fantasy novels, especially of this kind, are burdened with creating a new world from scratch. An audience that is unfamiliar with its geography is less likely to be able to follow the action spatially. Several times during my was listening I wished I had a map of the city of Camorr at hand.

If you do get this audiobook I suggest that you print out a copy of THIS MAP over on ScottLynch.us.

Posted by Jesse Willis

Review of Killing Castro by Lawrence Block

Aural Noir: Review

Killing Castro is book number 051 in the Hard Case Crime library.

BBC Audiobooks America - Killing Castro by Lawrence BlockHard Case CrimeKilling Castro
By Lawrence Block; Read by Henry Leyva
4 CDs – Approx. 4 Hours 45 Minutes [UNABRIDGED]
Publisher: BBC Audiobooks America
Published: January 2009
ISBN: 9780792759751
Themes: / Thriller / Cuba / Hitman / Mercenaries / History / Assassination / Crime /

There were five of them, each prepared to kill, each with his own reasons for accepting what might well be a suicide mission. The pay? $20,000 apiece. The mission? Find a way into Cuba and kill Castro.

Until the announcement on the Hard Case Crime website in 2008 most Block aficionados, like me, had no idea that novel that is Killing Castro existed. Us Blockheads knew that LB had written a ton of novels early in his career. Heck we’d even identified quite a few of them. But unless you’d owned a copy of Fidel Castro Assassinated: A Dramatic Tale of a Daring and Successful Plot to Kill Cuba’s Dictator, and had compared this obscure 1961 Monarch paperback with Block’s writing you’d never have known he’d written it. This is because it was originally attributed to an otherwise unknown author “Lee Duncan.” Had it been written by “Paul Kavanagh” (a known Block pseudonym), I’d have already found and read a copy years ago. Indeed, to my ears this certainly feels like a lost fourth Paul Kavanagh novel. Two of Paul Kavanagh’s three other novels are about shady operatives doing black-ops for cash too. If you want the original paperback, by the way, ABEbooks.com currently lists a copy at $150.00. That’s down from the $600 asking price just a few months back. Hard Case Crime offers the gorgeous covered paperback version for just $7. Me, I’ll stick with the BBC Audiobooks America version.

One of the things I liked most about this audiobook, other than the brisk characterization and snappy plotting, was all the historical context Block put into the novel. This isn’t merely a thriller, or a crime story. Running just under 5 hours (204 pages in paperbook) there’s about half an hour of historical exposition between all the action. In those sections Block deftly details Fidel Castro’s personal biography, the history Batista’s rule of Cuba, Fidel’s leadership of the revolution and a thoughtful analysis of the revolution’s aftermath. As far as I can tell the history is entirely accurate. It sticks to the facts and makes a case both for and against Castro’s revolution without any special pleading. To my mind “Lee Duncan” could have probably got a job at the Cuba desk of the CIA, just based on the analysis within this novel. They really could have used him too as the book originally came out the same year as the CIA-backed Bay Of Pigs invasion. But I guess the covert world’s loss is our literary gain.

This is the first time I’ve heard Henry Leyva as a narrator. He performs the American mercenaries with enough distinction to tell all five of them apart, and gives good voice to two Cuban rebels, one male, one female. As Leyva is fluent in both English and Spanish he brings a ton of authenticity to the Cuban accented anti-castristas. He really is a narrator to watch. I first heard him as an actor performing in an episode of J. Michael Straczynski’s excellent audio drama anthology series City Of Dreams. He’s also narrated the audiobook version of Cuba Libre by Elmore Leonard, so I’m gonna have to get my hands on that audiobook too.

Posted by Jesse Willis

Free @ Audible.com: The Case Of The Missing Will by Agatha Christie

Aural Noir: Online Audio

Here’s a FREE Agatha Christie short story from BBC Audiobooks America [via Audible.com]. I have at least one friend who’ll snap up this download within about two seconds of seeing this post. And check out the narrator!

BBC Audiobooks America - The Case Of The Missing Will by Agatha ChrisiteThe Case of the Missing Will
By Agatha Christie; Read by David Suchet
FREE Audible Download – Approx. 21 Minutes [UNABRIDGED]
Publisher: BBC Audiobooks America
Published: 2008
Provider: Audible.com
Poirot receives an unusual request for help from a Miss Violet Marsh, who was orphaned as a child and went to live with her peculiar Uncle Andrew. He died a month ago, leaving a will with a strange clause. Marsh has given instructions that his “clever” niece is allowed to live in his house for one month and in that time she has to “prove her wits” and find his second will. If at the end of that time she hasn’t, all his worldly goods go to charitable institutions and she will be left with nothing. Can Poirot help her?

Posted by Jesse Willis