Review of Tales From The Crypt

SFFaudio Review

Tales from the CryptTales From The Crypt
Performed by Tim Curry, Gina Gershon, Luke Perry, Oliver Platt, John Ritter, Campbell Scott and others
4 CDs – Aprox 3 hrs. [AUDIO DRAMA]
Publisher: Highbridge Audio
Published: 2002
ISBN: 1565116747
Themes: / Fantasy / Horror / Crime / Murder / Humor / Undead / Music / Zombies /

Produced by the now defunct Sci-Fi Channel’s Seeing Ear Theatre, these seven audio plays are based on EC comicbook stories from the 1950s, skillfully updated and masterfully produced its one of the best anthology audio drama series of the last 25 years! Unfortunately, only seven of the eight episodes actually produced are included. And that is the biggest disappointment with this collection. The actors are awesome, the sound effects and music fill the audio landscape without drowning out their performances – but all this would be nothing without good writing, and again we’ve lucked-out. All seven tales are a whole lot of fun. Each episode is bookended by the Cryptkeeper’s introduction and comments on the story. The Cryptkeeper is voiced by John Kassir, the same actor as in the television series. This undead host’s obsession with horror is only exceeded with his obsession with frightfully bad puns. It is really good stuff boys and ghouls!

Island of Death
A dot-com millionaire with a penchant for movie trivia crash lands on an isolated tropical island and becomes embroiled in a twisted cross between a reality television show and Odysseus’ encounter with the sea-nymph Kalypso. Luke Perry (Jeremiah) is teamed with Gina Gershon (Bound) for the least successful tale in this collection. Gershon and Perry are great, but the action is a might hard to follow.

A Little Stranger
They say politics makes for strange bedfellows, but did they really mean vampires and werewolves? Set in 1968, this is the sole episode without a major Hollywood star in the lead. Randy Maggiore and Lisa Nichole star, and make the horrific crossbreed of terror and comedy.

Tight Grip
Told from a truly bizarre perspective, this is a tale of a young concert violinist is boxed in by a terrible secret stars Tim Curry (The Rocky Horror Picture Show). Original and really scary.

By the Fright of the Silvery Moon
A modern day sheriff in New Mexico faces deadly perils, irate environmentalists and angry ranchers. John Ritter (Three’s Company) stars as the sheriff.

Zombie!
The longest tale in the collection. An immigration lawyer who has stolen his client’s money retires to mysterious Haiti. What he finds there may just be enough to overcome a powerful zombie curse. Oliver Platt (Funny Bones) stars. An immersive and fascinating tale of horrific Caribbean curse that makes you crave the sweetmeats.

Carrion Death
A truly excellent “horrality” tale. A bookish schoolteacher – disgusted with his inept students – goes on a crime spree and lands himself in prison. When he escapes from custody into the desert the only thing that can stop him are the talking ants. Campbell Scott (The Spanish Prisoner) seems to revel in his character’s clear insanity.

Fare Tonight, Followed by Increasing Clottiness!
A vampire hunter takes cab ride to bloody peril during a citywide vampire outbreak. An ingenious pairing of a modern day Van Helsing and an East Indian taxi driver. Keith David (The Chronicles Of Riddick), is awesome in this one, and not just for his iconic maniacal laughter. Aasif Mandvi (Spider-Man 2) is also excellent, playing his meek humor close to the vest!

Posted by Jesse Willis

Review of Virtual Light by William Gibson

SFFaudio Review

Virtual Light
By William Gibson
Read by Frank Muller
6 Cassettes – Approx. 9 hours UNABRIDGED
List Price: USD $34.95
RECORDED BOOKS LLC.
ISBN: 0788782533

William Gibson’s novel, Virtual Light (1995), is a bit of a letdown. But this is primarily because Neuromancer (1984), is one of the best novels of the 20th century – so its no wonder lightning hasn’t struck twice. Though comparisons between Neuromancer and Virtual Light are inevitable, and reasonable, we should try to forget that William Gibson wrote such an incredible first novel – Neuromancer won the three most important science fiction awards (The Hugo, Nebula and Philip K. Dick Award)… we should try to forget – it ain’t easy – but we should try because Virtual Light is a good SF.

That being said, Virtual Light is a whole different animal, more modest in scope, set closer to the present (in 2005) and more resembles a venture into Elmore Leonard territory than a cyberpunk adventure. It really is a crime novel with a science fiction McGuffin. The McGuffin being, a pair of sunglasses that not only make the wearer look cool, but also make him or her almost superhuman. Here’s the premise – Chevette Washington, a San Francisco bicycle courier has stole some high tech sunglasses. Berry Rydell, private security guard and ex-cop is sent to track her and the sunglasses down. As usual with Gibson novels, the atmosphere created by the prose is spectacular, we see, feel, touch, taste and smell the world Gibson describes and it’s visceral. The characters are compelling, motivated and have cool names like “Rydell” and “Warbaby”. The plot is almost labyrinthine despite the stated simplicity and there are many stops along the way, but we don’t mind too much, the journey is enjoyable, the people are cool and the ideas original.

And of course being an audiobook, the narrator plays an important role in determining the outcome. Thankfully, Virtual Light is read by Frank Muller, which is a good thing. Muller has a good range of voices and a huge vocabulary so there aren’t any pronunciation errors (something that can take a listener right out of the narrative). Virtual Light is an interesting listen, and the unabridged version is definitely superior. The Bantam Doubleday Dell Audio version read by Peter Weller, is well performed but hard to follow, being abridged to a mere 3 hours and two cassettes. But if you are going to listen to this audiobook and you haven’t heard Neuromancer (or read it yet) listen to this one first, it won’t be a let down that way, and it’ll likely whet you’re appetite for more William Gibson.