The SFFaudio Podcast #255 – AUDIOBOOK/READALONG: The Repairer Of Reputations by Robert W. Chambers

Podcast

TheSFFaudioPodcast600The SFFaudio Podcast #255 – The Repairer Of Reputations by Robert W. Chambers; read by Mark Turetsky. This is a complete and unabridged reading of the short story (1 hour 25 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mr Jim Moon, and Mark Turetsky!

Talked about on today’s show:
The King Of Yellow, 1895, novelette, the connections between the stories, Cynthia, the coda, The Mask, Paris, the lethal chamber (a suicide booth), the Fates, revision of judgement, questioning the reader’s sanity, The Yellow Sign, Hildred Castaigne, the future setting (or lack thereof), the statue of Garibaldi (at Washington Square Park), the Carcosa Mythos, weird tales, weird romances, New York City, Mr. Wilde, Hawberk, Dr. Archer, the geography of Washington Square, the elevated train, a subway entrance (as a death chamber), the Wikipedia entry, Futurama (and New New York), a bohemian place, NYU, why is everything militarized?, what’s with the jingle of metal?, the expansion of the American Empire, “citation needed”, dragoons, hussars, lancers, the Prussian style, New Jersey, the texture of the fantasy future, a courtly atmosphere, colouring psychosis, a Napoleonic fascist sate, the meta-fictional nature of The King In Yellow, the Cthulhu Mythos vs. the Yellow Mythos, a surrealist existential nightmare, a fall from a horse, “he’s in the biscuit box”, it’s not horror, weird fiction, Ambrose Bierce, Science Fiction, science, the pinnacle of technology is a dreadnaught, The Structure Of Scientific Revolutions by Thomas Kuhn, Copernicus, Ptolemy, Galileo, the Moons of Jupiter, we’re living in a paradigm, a time of scientific flux, modern atomic theory (and The Mask), H.P. Lovecraft’s cosmicism, Steve Job and the “reality distortion field“, a social reality, Mr. Wilde’s career is the ability to distort social reality, “Napoleon, Napoleon, Napoleon”, Charlemagne, George Bernard Shaw: “The reasonable man adapts himself to the world; the unreasonable one persists in trying to adapt the world to himself. Therefore, all progress depends on the unreasonable man.“, Emperor Norton, California, Ambrose Bierce, “A sure sign of a genius is that all of the dunces are in a confederacy against him.”, the Hawberk (aka the Duke of Avonshire), the Metropolitan Museum, why does Louis visit Hildred?, the lethal chamber is central to the action, under the thrall of the Yellow Sign, Who Knows? by Guy de Maupassant, insanity and isolation, how is Hildred employed?, how Schizophrenia works, going along with the delusion, what is the significance of the cat?, the crisis comes when the cousin has to move, the crush on Constance, the anti-story nature of the work, the unreliable narrator (not Mark!), “suspension of disbelief”, Samuel Taylor Coleridge (and the old romantic poets), a reaction against science, are the ships real?, aren’t the ships and cavalry set up as a Chekov’s Gun that will go off?, internal inconsistencies, how old are the characters?, Hildred vs. Louis, the statue of General Sheridan, Académie Julian, artists and prostitutes and models, The Mask by Robert W. Chambers, what photography did to painting, impressionism, disruptive ideas, the homunculus, the missing fingers, the damaged ears, Mr. Wilde’s manuscript is the story we’re reading!, is the Chamber is a reference to Chambers himself?, The Street Of The First Shell by Robert W. Chambers, the siege of Paris (during the Franco-Prussian War), Two Fishers by Guy de Maupassant, the Benedict (80 Washington Square East), HBO’s True Detective and the connections to The King In Yellow by Robert W. Chambers, detecting reality (and identity), the purple ears vs. pink ears, how does repairing reputations work?, Hildred’s reputation, a Strangers On A Train-esque clearing house for murder, Scandal (we haven’t seen it), Osgood Oswald Vance, crouching, who killed Mr. Wilde?, the cat did it!, the cat must be symbolic, Oscar Wilde and The Yellow Book, a web of fantasies, “folie à deux”, ‘don’t make fun of crazy people because their folly lasts longer than our own’, we don’t have perfect access to reality, WWI, a social reality vs. a harsh physical reality of artillery, madman vs. a fool, craziness vs. folly, Omar Khayyám, Act 1, Act 2 will make you insane, densely packed with world and incidence, revolutionary science, speculation, no Shyamalan twists please, Cohle and Hart, precedents for a twelve year gap, Battlestar Galactica, Vikings, Rome, Lost, it won’t be a happy ending, suicide is hugely important in both stories, ‘death is not the end’, back to the cat, The Street Of The Four Winds by Robert W. Chambers, cats, dark magic, evil omens, The Black Cat by Edgar Allan Poe, No mask?, Stefan Rudnicki talking about The King In Yellow, the “pallid mask”, is it a skull?, Boris, the face in the fates, the bird on the statue, a jigsaw puzzle, “the long arm of The King In Yellow reaches forward and backward in time and space”, David Lynch’s Lost Highway, is Mr. Wilde real at all?, a very readable book, stylistically it’s surprising modern, the artisty milieu, a freshness, “beware of The King In Yellow“.

The Repairer Of Reputations by Robert W. Chambers - illustration by Tucker Sherry

In The Académie Julien In Paris by Marie Bashkirtseff

The Repairer Of Reputations by Robert W. Chambers - WORD CLOUD

Washington Square, New York - The King In Yellow

A review of The King In Yellow from Godey's Magazine, June 1895

The Lethal Chamber from PROVIDENCE by Alan Moore and Jacen Burrows

ACE - The King In Yellow by Robert W. Chambers

The King In Yellow by Robert W. Chambers - Signed by Kurtz

Posted by Jesse Willis

The SFFaudio Podcast #087 – READALONG: Hyperion by Dan Simmons

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #087 – Jesse talks with Gregg Margarite and Mark Douglas Nelson (two terrific LibriVox and iambik audiobook narrators) about the Brilliance Audio (Audible Frontiers) audiobook Hyperion by Dan Simmons.

Talked about on today’s show:
SciPodBooks.com (Mark Douglas Nelson’s audiobooks), Mark’s double understanding of Hyperion, “make it internally consistent”, Jurassic Park, living in forward and backward time, “The Scholar’s Tale”, setting reality aside, “why can’t stories be written in less than 600 (or 1100) pages”, “the nomenclature was great”, Hyperion made Gregg sad (it reminded him of Walmart), The Canterbury Tales, The Decameron, was Hyperion a near miss?, “The Priest’s Tale”, Robert Sheckley, if they were self contained stories would it have worked better?, The Fall Of Hyperion, comparing the Hyperion Cantos to Philip Jose Farmer’s Riverworld series, “The Diplomat’s Tale”, the stories get worse as you go along, Kurt Vonnegut Jr.’s Slaughterhouse Five |READ OUR REVIEW|, “The Soldier’s Tale”, making a link between sex and violence, Starship Troopers, Colonel Fedmahn Kassad is a good character, “The Poet’s Tale”, Martin Silenus (the Satyr) and Sad King Billy (William XXIII of the Kingdom of Windsor-in-Exile), “The Detective’s Tale” (the long goodbye), cybrids are very cool, John Keats, Ezra Pound, combining a hardboiled/noir detective story with William Gibson’s Neuromancer, talking to dolphins, narrator duties, you don’t fall in love with the client!, “when a detective‘s partner is killed he’s supposed to do something about it”. The Hitchhiker’s Guide To The Galaxy, “The Scholar’s Tale”, Sol Weintraub, The Curious Case Of Benjamin Button, Merlin sickness (Merlin’s disease), David Hume‘s explanation of miracles: a miracle would be “a transgression of a law of nature”, if speculative fiction exists this is what they were talking about, time debt, if anything can happen then I don’t care what happens, the story of Abraham and Isaac (the binding of Isaac), is Hyperion a religious book?, Abraham’s ethics were childish compared to Sol, The river Lethe (was one of the rivers in Hades – it was river of unmindfulness, The Green Odyssey |READ OUR REVIEW|, why was the windwagon late?, Agatha Christie’s Murder On The Orient Express and Ten Little Indians, what happened to the Templar?, We’re Off To See The Wizard, The Wizard Of Oz, the confrontation with the Shrike, it’s a grab bag of everything, Simmons must have been inspired by all sorts of sources, the half-hour blender metaphor, Gregg is upset we all came to the same (and correct) conclusion, Simmons set himself a Titanic task with Hyperion, where was the editor?, listening to a multi-voiced audiobook, Full Cast Audio, Hyperion‘s narrators (Marc Vietor, Allyson Johnson, Kevin Pariseau, Jay Snyder, Victor Bevine), having to fend off the legions of audiobook groupies, Gregg gets emails about the pronunciation of “prestidigitation”, the generic American sitcom accent, Norse mythology, Yggdrasil (the world tree), Stephen King’s the Dark Tower series and Kevin J. Anderson’s Saga of Seven Suns series, Kevin J. Anderson‘s writing secret (he goes hiking with a voice recorder), Frank Herbert’s Dune, David Lynch’s Dune, Dune Messiah is a let-down but it has the Golah!, Gregg wants a copy of The Orange-Catholic Bible, “would you be a Bene Gesserit or a Mentat?”, Gregg would be a Morlock, look elsewhere for a cannibal podcast, Larry Niven and Jerry Pournelle‘s Oath Of Fealty, Jonathan Swift‘s Gulliver’s Travels, Julie Davis of Forgotten Classics, Gregg says Julie is really a horse!

Posted by Jesse Willis

Review of Dune: An Interview with Frank Herbert and David Lynch

Dune: An Interview with Frank Herbert and David LynchDune: An Interview with Frank Herbert and David Lynch
1 Cassette – Approx. 1 Hour [INTERVIEW]
Publisher: Waldentapes
Published: 1983
ISBN: 0681308958
Themes: / Interview / Science Fiction / Moviemaking / Politics / Messiah / Power structures /

After reviewing Recorded Books unabridged Dune by Frank Herbert, Jesse suggested that I listen to this cassette which contains 2 interviews. One with Frank Herbert and David Lynch, the director of the first Dune movie, and an interview with Frank Herbert alone.

The interview with Lynch and Herbert shows how pleased Herbert was with Lynch’s film. The interview was recorded before the film’s release, and Lynch expressed nervousness while Herbert expressed satisfaction, along with some discussion of the difference between film and print, and the process of getting one to the other.

To me, the interview with Herbert alone (the bulk of the cassette) was the most interesting. Of Dune he said that what he wanted was “something that showed the impact of a messiah on history as the creator of a power structure.” His theory was that a messiah creates a power structure that attracts corruptible people, no matter how well-meaning the messiah might be. This led into a discussion of how a messiah is accepted by a culture in the first place, then into the nature of the power structure a messiah leaves behind, and into how this applies to contemporary power structures in government.

Another tidbit I picked up that I didn’t know is that Herbert considered Dune, Dune, Messiah, and Children of Dune one book, with Dune, Messiah being the pivotal book. I have not read past the first novel, so now I’ve got a couple more books on my TBR pile.

The entire program was interesting enough to listen to twice. If you are a fan of Dune, find yourself a copy of this! I think you’ll enjoy it.

Posted by Scott D. Danielson