dragons – Page 6

Review of The Fires of Heaven: The Wheel of Time Book 5 by Robert Jordan

The Fires of Heaven: Book Five of The Wheel of Time
By Robert Jordan; Narrated by Kate Reading and Michael Kramer
29 CD’s – 38 hours [UNABRIDGED]
Publisher: Audio Renaissance
Published: 2004
ISBN: 1593976062
Themes: / Fantasy / Epic Fantasy / Magic / Good and Evil / Demons / Dragons /

The fifth book in Jordan’s Wheel of Time series, The Fires of Heaven is one of the author’s better novels. As in all of his books in this series, this book is enjoyable because there is so much going on with the plot and numerous sub-plots. Jordan does a good job of keeping all of the smaller story lines relevant to the overarching theme of the final battle between good and evil that will culminate for Rand al’Thor and his companions in Tarman Gaidon. Jordan does a nice job of blending interesting concepts such as circular time with a compelling story line that includes humor, drama, suspense, romance and all the rest. What sets this book apart from the others in the series is the clever depiction of an epic battle between the Shaido clan of the Aiel and the mixture of warriors following Al’Thor. Once again, there are a lot of things going on among the principle characters in this battle, and Jordan manages to keep it all engaging and very exciting.

A criticism that I have of this book also applies to the other books in the series. The tension between the men and women in the stories is taken too far and beaten to death. It has become annoying to the listener at the point of this book, and begins to be more so in the subsequent novels. In some cases, as with Nynaeve Al’Maera, the character has become completely un-likeable. The characters would be more believable if they could evolve past this stuff or if Jordan could just not mention it so much.

Kate Reading and Michael Cramer work together to narrate the female and male perspectives. Since the books are so large and such big sections of it are told from one gender’s point of view at a time, it works well to keep the listener’s interest. There are also fewer of the awkward-sounding attempts at trying to depict a character of the opposite sex by altering the pitch of the voice.

Ms. Reading is always enjoyable to listen to. She is especially talented at enunciating clearly, yet sounds completely natural. Her classic voice is a pleasant match for the characters she portrays and she manages to subtly distinguish the social class and personality of her characters.

Overall, this is an enjoyable story and one of the best out of the ten volumes, as it moves along at a compelling pace with interesting things happening with the various characters. You won’t find particularly deep or moving scenes in this book, nor is Jordan a particularly picturesque writer, but he is a good story-teller. I would recommend this book to anyone who likes an adventurous story, and who is looking for something epic to listen to.

posted by Tricia

Review of A Wizard of Earthsea by Ursula K. LeGuin

Fantasy Audiobooks - A Wizard of Earthsea by Ursula K. LeGuin A Wizard of Earthsea
By Ursula K. LeGuin; Read by Harlan Ellison and Ursula K. LeGuin
Audio Download – 6 hours [UNABRIDGED]
Publisher: Fantastic Audio (downloaded from Audible.com)
Published: 2003
ISBN: 1574535587 (Audio CD version)
Themes: / Fantasy / Series / Magic / Dragons / Wizards /

Just minutes into this audio book, the Kargs are attacking the village of Ten Alders, confused by a fog a young wizard has woven into an impenetrable shield, harried by invisible weapons and diaphanous shapes in the mist, and headed for certain destruction. You realize, as Harlan Ellison’s already non-standard voice rises in pitch and his words pile up against one another as he charges faster and faster through the narrative, pausing only to slurp back the fevered spittle he has worked up, that this is not your average narrator. His voice doesn’t resound with the Stradivarius polish of most professional performers, and his characterizations are neither entirely distinct nor consistent, but you can’t help yourself. He has you spellbound. And why? Because his is the authentic voice of a reader, one so caught up in the story that you can’t resist being pulled along with him on his journey.

And what a journey it is! A Wizard of Earthsea is brilliant, a notable gem even among the manifold wonders of such an accomplished author as LeGuin. It is the origin story of Ged, one of the most famous sorcerers in the world of Earthsea and a lesson in both the imprisoning power of our own dark deeds and the redemption that comes through facing them. It follows Ged from his home village of Ten Alders to the City of Gont, from there on to the great school for wizards on the central island of Roke, and then on a fearful, bold chase across the whole of Earthsea. Most island settings fairly drip with the damp richness of the Pacific Northwest, and the characters span a veritable rainbow of colors and cultures. This is epic fantasy in the European tradition, but with a distinctively American flavor.

As in so many of LeGuin’s works, truth is of paramount importance on Earthsea. The old language of Earthsea, like the psychic language that unites the planets in her science fictional Hainish universe, is a language in which men cannot lie. It is also the language in which the true names of all things are recorded, which makes it the basis of all magic on Earthsea. But this latter property also gives the old language of Earthsea Platonic overtones of ideal forms lurking behind every imperfect manifestation in nature, and lends A Wizard of Earthsea a palpable sense of great truth buried just below the surface of what we see. Thus, LeGuin subtly exhorts us to explore beyond the level of the richly imagined fantasy action. And what she has placed there is well worth spending the time to think about.

There are only two off-key notes in this work and its production. The first is that, though LeGuin is given co-narration credits, she only reads a very brief poetic prologue and an only slightly less brief prose epilogue. If you’re looking to experience the author interpreting a major work with her own voice, you’re not going to find that here. The second is that, though LeGuin is noted for her progressive, feminist opinions, some of what we see in this story seems almost misogynistic. There is only one female character who seems not to harbor outright selfishness, evil, or temptation; and female magic is given an unrepentant indictment in several places. I’m new to the series, so maybe these issues are redeemed in the later books. I certainly hope so.

In any case, this production of Ursula K. LeGuin’s A Wizard of Earthsea offers a dark, compelling glimpse at the forces behind the turning of the world as told in the raw, earnest voice of Harlan Ellison. My recommendation: Skip the TV miniseries—which LeGuin apparently hated—and spend your time marveling at the wonders of this quirky, enthralling audio book.

Posted by Kurt Dietz

Review of Legends II: Volume One

Legends II: Volume One
Edited by Robert Silverberg; Stories by George R.R. Martin & Anne McCaffrey
Read by Graeme Malcolm & Alyssa Bresnahan
3 Cassettes – 5.25 hours [UNABRIDGED]
Publisher: Random House Audio
Published: 2004
ISBN: 0739310828
Themes: / Fantasy / Series / Collection / Dragons / Knights / Royalty /

The tag line to this audio book is “New short novels by the masters of modern fantasy”. Would it have knocked out any teeth to use the word “novella?” It’s like calling a pack of number 2 pencils “a pallet of light-duty lumber.” A novella is not merely a novel that was born sickly or abstained from performance-enhancing drugs; it is a distinct literary form with a tighter focus in theme, setting, character, and time. Has the novella become such a bane to publishers that they seek to disguise it with a new name, as politicians have disguised the apocalypse of global warming with the ambivalence of climate change? I hope not. The literary form of Goethe, Conrad, Silverberg and Leiber still has a lot to offer us today. Its name should be spoken with pride, and its name-bearers sold, bought and read (or listened to) without shame.

A great place to start is George R.R. Martin’s “A Song of Ice and Fire: The Sworn Sword”, which is a fine example of a fantasy novella. It is tightly focused on a single, weighty event in time: The final clash between the proud, nearly-extinguished ser Eustace, and the desperately aggressive Lady Webber. Caught in the middle are our protagonists: Dunk, the simple knight with a sense of right and wrong that supersedes his own pride and safety, and Egg, whose compassion for even the lowest grows every time we see him. Heraclitus proposed that character determines destiny, and this is certainly true here. Everything that occurs within Martin’s tough, gritty, complex tale feels like an inevitable result of the characters and their choices. For those looking for lots of sword-banging, spell-casting action, this isn’t the place to find it. This story deals more in verbal confrontation, shades of revealed truth, and the nature of honor and treachery. My only quibble is that the ending, hard-won as it is, is a little pat, especially after the moral ambiguity of Dunk and Egg’s first story “The Hedge Knight” and the foregoing mass of this one. But given everything else about this absorbing tale, hewn from the same wood as the rest of the Song of Ice and Fire, this is a very minor point.

Martin’s pacing is slow and deliberate, shining a light into all the crevices of the personal, moral and physical terrain covered here. Graeme Malcolm’s reading is fittingly unhurried and considered. A British accent is a must for high fantasy like this (in my opinion), and Malcolm’s is dignified and readily intelligible to the American ear. There is even a compelling, extensive introduction to tune your ear to it. I think you’ll enjoy Malcolm’s voice characterizations, as well, as they are subtle, yet distinct, and seem well matched to the characters. Some music is present, mostly as punctuation between the book title, the introductory material, and the story itself, which is helpful. It also accompanies the brief prologue and epilogue to the story, which is not helpful, but also not too distracting.

Anne McCaffrey’s story “Pern: Beyond Between” is much less successful. It seems less a novella (let alone a wee novel) than a doughy short story that got rolled out a little too thin. The main ingredient is the disappearance of Lessa and Hoth into the great unknown of Between, but sifted in are travels in space, time, and Between; a few changes in viewpoint; and even a digression into a different genre. Sadly, the result never quite rises off the page. You will never quite taste the wistful loss and the painful discovery this story hints at, nor feel the fullness of the characters in your belly. It will leave you hungry for the Pern you remember from the original novels. And should you have missed these rightfully revered classics, I highly recommend skipping the appetizer-sized review of it which precedes the story. It gives a little too much away.

As with the first story, the reading of this one is wonderful. If Alyssa Bresnahan’s voice isn’t the voice I heard in my head while reading the original Pern series, no one’s is. It is the perfect complement to McCaffrey’s prose, flawed as that may be. Again, music is used to separate the introductory material from the story, and this time it is kept sensibly out of the narration.

The sound and production quality of both these stories are exceptional; however, they make an oddly matched pair. McCaffrey’s story could be safely given to your emotionally stable ten-year-old niece, but some of the language and themes of Martin’s would blister the poor child’s ears. And the packaging? Even calling it bland would imply an effervescence it sorely lacks. And of the 11 authors represented in the hardback version of this book (which lists only a tiny bit more than this audio book), only two are represented here. How much would you have to shell out to hear the novellas from all these distinguished authors? I shudder to imagine it. In short, while one of these stories is outstanding and the narrations excellent, this audio book does little to attract a new audience to the novella, and it certainly does not provide great value for the money.

Posted by Kurt Dietz

Review of Mystic Warrior by Tracy and Laura Hickman

Mystic Warrior
By Tracy and Laura Hickman; Read by Lloyd James
12 CDs – Approx 15 hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2004
ISBN: 0786186860
Themes: / Epic fantasy / Dreams / Magic / Dragons /

Thrice upon a time there was a world that was three worlds; one place that was three places; one history that was told in three sagas all at the same time. Thrice upon a time the gods foresaw a time when three worlds would become one; when the children of their creation would face the binding of the worlds.

Thus begins Book One of The Bronze Canticles: Mystic Warrior by Tracy and Laura Hickman. Fans of Hickman’s work should be extremely pleased with this audiobook. Lloyd James does a fantastic job performing, really embracing the epic fantasy and giving it an energy and depth on par with the finest narrators in the business.

This book is the first volume of a fantasy series in which the Human world, the Goblin world, and the Faery world are being slowly drawn together. The main human character is Galen Arvad, who experiences the drawing together of the worlds through dreams, as do couterparts in the other two worlds. Unfortunately, Galen’s world views these dreams as lunacy, and they seek to put such people to death. Galen does his best to avoid this while discovering the reasons behind all the trouble.

There are scenes from all three worlds in the book, each one interesting in its own right. There are swords, dragons, dwarves, and magic wrapped in an interesting story peopled with good characters. Matched with Lloyd James’ first-rate narration, this is a winner for fans of epic fantasy.

Posted by Scott D. Danielson

Review of A Taste Of Damsel By Tom Gerencer

A Taste Of Damsel
By Tom Gerencer; Read by Tom Gerencer
MP3 DOWNLOAD – 14 minutes, 56 seconds [UNABRIDGED]
Publisher: Telltale Weekly
Published: 2004
Themes: Fantasy / Humor / Dragons /

Anyone can slay a dragon. Well, provided they are dragonslayers, which Colson isn’t. But even clerks from copy shops can have heroic qualities and even the very, very old can learn new tricks.

First published in the August 2002 issue of Realms of Fantasy magazine, “A Taste Of Damsel” is mirthful look into the epicurian philosophy of dragons. It is read by the author, Tom Gerencer, who narrates at too fast a clip. The range in voices is minimal and unfortunately a slight background hiss marrs the recording. Despite all that, this audio download is a good value and at $0.75 USD. “A Taste Of Damsel” is fine, if lightweight, fantasy fare. Available online at Telltale Weekly.

Posted by Jesse Willis

Review of A Clash of Kings by George R.R. Martin

A Clash of Kings
By George R.R. Martin; Read by Roy Dotrice
21 Cassettes – 37 Hours [UNABRIDGED]
Publisher: Random House Audio
Published: 2004
ISBN: 073930870X
Themes: / Fantasy / Medieval setting / Power struggle / Dragons /

A Clash of Kings continues the saga started by George R.R. Martin in A Game of Thrones. There are six projected volumes in this series. The first three novels are currently in print, and all three of them are now available on unabridged audio from Random House Audio or Books on Tape. A Game of Thrones and A Clash of Kings are also available on Audible.com.

This volume is frankly more of the same kind of thing experienced in A Game of Thrones. (See the SFFAudio review of A Game of Thrones here). In this case, that’s a good thing. A Clash of Kings is a direct continuation of the first volume with the addition of several new characters. The stories of members House Stark and House Lannister were again the center of the plot – their struggle for power in the land of Westeros continues, while the supernatural threat from the North continues to gather, and Daenerys Targaryen, with her dragons, gains power. Tension runs high throughout the book, and resolution is left for future volumes.

George R.R. Martin has created a medieval world filled with interesting characters that I continue to care about. The plot is complex, and each time I felt a question was answered, a new mystery unfolded.

The myriad of characters created a challenge for narrator Roy Dotrice, but again he does a fabulous job. With captivating skill and range he charges on, unfolding the story chapter by chapter, character by character, event by event. The book is certainly a marathon for the listener, but by the end, after 37 hours, I was (and am) still eager to continue listening to this truly excellent fantasy series.

posted by Scott D. Danielson