Robert A. Heinlein’s short story The Roads Must Roll features a future in which a small union of engineers seize control of the nation’s vital infrastructure. This replacement for the highway and railroad systems is a series of massive conveyor belts allowing for the flow of goods and people around the country.
Here’s the synopsis from ISFDB:
Set in a future where the automobile has been replaced by The Roads, a gigantic set of parallel conveyor belts. The belts run at different speeds allowing a pedestrian to enter the Road at slow speed, and make his way to the center, where speeds are in excess of 100 MPH. Follows the exploits of Gaines, the Transport Commissioner, as he tries to put down a strike by the Rolling Roads Guild.
Dimension X – The Roads Must Roll
Adapted from the novelette by Robert A. Heinlein; Script by Ernest Kinoy; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: NBC
Broadcast: September 1, 1950
The more complex, the more integrated a civilization is, the more fragile it becomes to – sabotage! First published in Astounding, June 1940.
X-Minus One – The Roads Must Roll
Adapted from the novelette by Robert A. Heinleinl; Script by Ernest Kinoy; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: NBC
Broadcast: January 4, 1956
The more complex, the more integrated a civilization is, the more fragile it becomes to – sabotage! First published in Astounding, June 1940.
Posted by Jesse Willis
X-Minus One – The Lifeboat Mutiny
Going in, and liking Robert Sheckley, I was surprised how much I didn’t respond to his most famous short story Seventh Victim. Upon first reading it I didn’t think of it as terrific story. Nor did I think of it as having much in the way of intellectual heft. But, upon reflection, particularly after watching the film adaptation I am coming around a bit. Indeed, plenty of folks, it seems, think of Seventh Victim as an academic story. It’s been used in both introductory psychology and philosophy textbooks. It has been reprinted more than a dozen times in different anthologies or collections. The 1965 film adaptation, called The Tenth Victim (La Decima Vittima), prompted Sheckley to expand the short story into a novel under the same name (which spawned more novel sequels Victim Prime and Hunter / Victim. 
Future Tense – The Seventh Victim