Profound despair, the bloom of outer darkness, the dead sound of a hopeless soul freezing in the utter cold of space filled the face of…The Man Who Found Out.
Having just discovered Algernon Blackwood’s terrific existential horror story, The Man Who Found Out, I am pleased to report that it breaks trail in the territories later mapped out by H.P. Lovecraft and Philip K. Dick.
There’s something fascinating and understated in the clues we get about the story’s central mystery – the purpose of existence – Blackwood knew something of magic, as this story certainly weaves a mystery at the intersection of revelation and science.
And be sure to check out the excellent audio dramatization from Radio Project X too!
The Man Who Found Out
By Algernon Blackwood; Read by Kalynda
1 |MP3| – Approx. 35 Minutes [UNABRIDGED]
Published: November 30, 2011
First published in The Canadian Magazine, December 1912.
The Man Who Found Out
Adapted from the story by Algernon Blackwood; Performed by a full cast
1 |MP3| – Approx. 28 Minutes [AUDIO DRAMA]
Podcaster: Radio Project X
Podcast: June 12, 2012
Derived from an incident in which he and a friend were dangerously tailgated by a large truck on the same day as the Kennedy assassination, Duel is emblematic of Richard Matheson’s queer existential fiction. It was first published in the April 1971 of Playboy.
The most accessible version of this classic story is this one, put out by Harper Audio in 2009:
Duel (from Road Rage)
By Richard Matheson; Read by Stephen Lang
1 |MP3| – Approx. 63 Minutes [UNABRIDGED]
Publisher: Harper Audio
Published: February 2009 “Driving to San Francisco, a businessman finds himself the victim of a deadly game being played by the driver of a huge, mysterious truck. Later to become Steven Spielberg’s classic 1971 film.”
But, back in 2006 BBC Radio 7 (now BBC Radio 4 Extra) did a special broadcast in honour of Richard Matheson’s 80th birthday. Along with a specially recorded interview there was also an unabridged reading of Duel. That version is available via torrent over on RadioArchive.cc:
By Richard Matheson; Read by Nathan Osgood
2 MP3s via TORRENT – Approx. 1 Hour [UNABRIDGED]
Broadcaster: BBC Radio 7
Broadcast: February 18, 2006 “A huge truck plays deadly games with an innocent motorist.”
Blackstone Audio’s collection, Nightmare at 20,000 Feet, released in 2009 also includes it:
Nightmare at 20,000 Feet
By Richard Matheson; Read by Various
10.5 Hours – [UNABRIDGED]
Publisher: Blackstone Audio
And while the movie version is currently available, in its entirety, on YouTube this short film version, recut from Spielberg’s TV-Movie is perhaps even better:
The latest StarShipSofa podcast, episode #232, features Neil Gaiman‘s 2010 novelette The Truth Is A Cave In The Back Mountains as its “main fiction.” The narrator is Richie Smith and the story begins at about 12 minutes in.
There are few words that can get me as excited about a story as “Neil Gaiman” – he’s one of only a handful of living writers that’ll make me read anything he writes.
And when a story gets podcast I tend to go a little crazy, extracting the narration from any framing bits within the podcast, running that extracted audio through Levelator, and making my own art for the resulting MP3. Like this:
I took the original cover art by the wondrous Tom Gauld from the collection (Stories) where the novelette first appeared, photoshopped it (actually Paint.neted it), used MyFont.com’s “What The Font” feature to find the font (Didot LTStd-Roman), and put it all together.
Looking at it from the outside, it probably sounds completely bonkers to you. And perhaps it is.
But what can I do?
The medication that I’ve been taking for it (two carefully measured cups of coffee every morning) aren’t reducing the behavior in the slightest. Do you think I should up my dosage?
Update: Having now finished listening, I find The Truth Is A Cave In The Back Mountains to be yet more proof that Neil Gaiman is one of the best authors of any century. What Ted Chiang is to Science Fiction Neil Gaiman is to Fantasy.
Talked about on today’s show:
Richard Stark, the meaning of the title “361“, Roget’s Thesaurus entry #361, “killer’s don’t run around with a thesaurus”, Hard Case Crime, The Hunter, George Washington Bridge, New York, Those Sexy Vintage Sleaze Books blog‘s review of 361, Westlake and the USAF, Backflash, Westlake loves theatre people, actors, Hollywood, “dangerous and scary”, Stark had fans in prison, Parker vs. Dortmunder, The Man With The Getaway Face, revenge, stoic vs. existential, our podcast on Memory by Donald E. Westlake, Gregg Margarite, finding purpose in the purposeless world,
“Yeah. All right, this is what I’ve been thinking. To begin with, every man has to have either a home or a purpose. Do you see that? Either a place to be or something to do. Without one or the other, a man goes nuts. Or he loses his manhood, like a hobo. Or he drinks or kills himself or something else. It doesn’t matter, It’s just that everybody has to have one or the other.”
drinking, “there’s no one more pissed off than this guy”, “the drifter mentality”, how Westlake handles supporting characters, the lawyer’s secretary, the cowardly private detective, honesty vs. duplicity, hardboiled vs. noir, House Of Lords (whiskey), get a job at Walmart vs. take over the mob, Florida, Bill’s suicide, going on a drunk, identity, solider vs. airman, he’s not his father’s son, he’s not his brother’s brother, Charles Ardai, the absence of women, the Hard Case Crime cover (by Richard B. Farrell), Lawrence Block, “A Sound Of Distant Drums” is a long running literary joke, Westlake characters generally read paperbacks, Paul Kavanagh novels, Not Comin’ Home To You, Such Men Are Dangerous, a purposeless ex-military guy living on a deserted island in the Florida Keys, The Green Eagle Score, The Black Ice Score, The Blackbird, Grofield, University Of Chicago Press editions with introductions by Lawrence Block, Block’s Bernie Rhodenbarr’s “Burglar” books, murder mystery vs. identity mystery, Burglars Can’t Be Choosers, The Burglar Who Traded Ted Williams, The Burglar Who Painted Like Mondrian, did Westlake mature out of Parker?, Flashfire, Jason Statham as Parker, Payback, The Hunter, The Man With The Getaway Face, The Mourner, The Score, Two Much, Cops And Robbers by Donald Westlake, the way Westlake paints characters, The Hot Rock, humorous writing, the competent Parker vs. the hapless (bad luck) Dortmunder, Robert Redford, What’s The Worst That Could Happen, The Comedy Is Finished, Donald E. Westlake: an annotated bibliography by David Bratman, coffee, Idi Amin, sadly there is no biography of Donald E. Westlake, Matthew Scudder’s drinking problem, Eight Million Ways To Die, Telling Lies For Fun And Profit: A Manual For Fiction Writers, Lawrence Block should write a Parker book, race-walking, LawrenceBlock.com, Dan Simmons, Garry Disher, Hard Case, “361 is as hard-boiled as fiction comes”, Jim Thompson, The Jugger, Stephen King’s Misery is a spiritual successor to The Jugger, the pragmatism of celebrity/writer privacy, wheelbarrows full of books, too much of a good thing: “too many fans can interfere with your operation”, receiving unsolicited books, advanced reading copies, “it really clarifies your understanding of what your purpose is if you are confronted by a barrage of things that aren’t your purpose”, book tours do two things: sell books and reward the readers, Sheldon Lord, Lawrence Block’s sleaze books are coming to ebook, Random House, Lynn Monroe, Hellcats And Honey Girls, Subterranean Press, Robert Silverberg, Marion Zimmer Bradley, The Triumph Of Evil, Double Indemnity, The Postman Always Rings Twice, Bravo Two Zero by Andy McNab, A Drop Of The Hard Stuff, Getting Off by Lawrence Block (Jill Emerson).
Talked about on today’s show: Blackstone Audiobooks audiobook edition of Mindswap by Robert Sheckley, The Status Civilization by Robert Sheckley, Rick Jackson’s Wonder Audio version of The Status Civilization, Marvin, existentialism, Jean-Paul Sartre, Søren Kierkegaard and Martin Heidegger, Mars, swapping minds vs. swapping bodies, xenophiles, “metaphoric deformation”, one of the greatest scenes of comedy ever in a novel, mind vs. body, mind vs. brain, consciousnesses and memories, Mindswap is “a subversive ontological satire,” Gulliver’s Travels by Jonathan Swift, extracting sunlight from a cucumber, “theory of searches”, existentialism for a Science Fiction audience, Voltaire’s Candide, Douglas Adams, The Hitch-Hiker’s Guide To The Galaxy, balance is superfluous, “contemplation is the most direct form of involvement (and so it is avoided by everyone)”, Bertrand Russell, New York, solipsism, cognitive dissonance, Mark Twain, A Connecticut Yankee In King Arthur’s Court, Future Shock by Alvin Toffler, Chekhov’s gun, comedic soliloquies, speaking with a lisp, the twisted world, the interventionist fallacy, the authorial sting, “the ripe greenness of her ovipositors”, Luke defends the honour of the name Kathy, Marvin The Paranoid Android vs. Marvin The Martian, Roland Barthes, absurdity is funny, a pseudo-Gulliver’s Travels, the mechanics of the humor, Gregg’s top five written objects, Laputa, “the pinnacle of satire”, A Modest Proposal, “everything is bullshit”, Dr. Jeykll And Mr. Hyde by Robert Louis Stevenson (our next readalong), Dracula, Lair Of The White Worm, Ken Russell, Gothic, On The Buses, Africa, “Africa? Where do you mean in Africa?”, Namibia vs. South Africa, Kilimanjaro vs. Everest, a set can’t be a member of itself, “it’s all a big giant steaming pile of absurdity” vs. “the glory and excitement of being alive”, monsignors vs. bishops, “you’re just not in our target market”, “I don’t believe what someone believes has to be true or not”, spiritual experiences vs. explanations of them, there’s a helmet for that (spiritual experiences), the charismatic formula, true vs. honest, Luke’s blog post on spiritual experiences and atheism, Thomas Aquinas, “truth is relative”, Gregg has big sets!, Julie is completely talk-able, Margaret Atwood history denier, the Apollo missions, making stupid easier, The Daily Show with Jon Stewart is a great aggregator , Glenn Beck’s snakedance, smart people are making the universe complex, “the enemy of nuance” vs. “the enemy of history”, rejecting reality, why they argued with Jefferson, their totally alienable, “this is why I watch 30 Rock“, Kids In The Hall, you have the potential of niche markets, ‘the United States is the greatest country in the world (with the greatest failures and great achievements)’, nobody cares about Africa (or South America), not knowing the Prime Minister of Canada vs. not knowing the Governor of Guam, Peter F. Hamilton’s latest book, a bunch of fun loving existentialists, Sheckley’s short stories, City by Clifford D. Simak (it has conflict), Sheckley at his best is Voltaire and soda (or Voltaire and tonic), Flannery O’Connor, the keyword game, Earth Abides by George R. Stewart, art and craft are the same thing, craftsmen aren’t artists, I Hate Music, “I’m NOT tone deaf!”, Charlie Parker, iTunes=music, mp3=music, “it’s like I’m gay and I’m the only one”, This Is Your Brain On Music, Gregg is too emphatic (?), “I – do not – sound – like – William Shatner.”, Weird Al Yankovic, “my guitar is the best girlfriend I ever had.”
Talked about on today’s show: The Hyena by Robert E. Howard, racism, racism in Robert E. Howard’s fiction, Jack London, H.P. Lovecraft, Solomon Kane, Crom, By This Axe I Rule, Howard/Lovecraft correspondence, plot vs. mood, pessimism, writers who kill themselves, Philip K. Dick, defining chaos, Dark Valley Destiny by L. Sprague de Camp, Blood And Thunder by Mark Finn, Howard’s life and death, The Whole Wide World, Howards’ westerns and historical stories, “with gigantic melancholies and gigantic mirth”: was Howard or Conan bipolar?, Texas in the early 20th century, Conan’s intellect, The Tower Of The Elephant, Barbarian vs. Cimmerian, Conan’s philosophy (Epicureanism?), fantasy, Howard’s use of magic, The Frost Giant’s Daughter (aka Gods Of The North), magic doesn’t trump steel, existentialism, nihilism, Ymir, The Prisoner, Howard’s animal similes, The God in the Bowl is a murder mystery and a locked room mystery and a detective story!, Yag-Kosha isn’t a great alien design, The Hyborian Age, Marvel’s Conan The Barbarian, The Savage Sword Of Conan, Dark Horse’s Conan, Curtis Magazines, The Scarlet Citadel, big battles and giant snakes, Marvel’s King Conan (Conan The King), The Hour Of The Dragon, Queen Of The Black Coast, barbarian love, Oliver Stone, John Milius, The Howard Conan:
“Let me live deep while I live; let me know the rich juices of red meat and stinging wine on my palate, the hot embrace of white arms, the mad exultation of battle when the blue blades flame and crimson, and I am content. Let teachers and priests and philosophers brood over questions of reality and illusion. I know this: if life is illusion, then I am no less an illusion, and being thus, the illusion is real to me. I live, I burn with life, I love, I slay, and am content.”
The Stone/Milius Conan:
“Crush your enemies, see them driven before you, and hear the lamentation of their women.”