Review of The Wind from a Burning Woman by Greg Bear

Science Fiction Audiobooks - The Wind from a Burning Woman by Greg BearThe Wind from a Burning Woman
By Greg Bear; Read by George Guidall and Christina Moore
7 Cassettes – 10 Hours [UNABRIDGED]
Publisher: Recorded Books
Published: 1992
ISBN: 1556907672
Themes: / Science Fiction / Fantasy / Terrorism / Asteroids / Metaphysics / Religion / Utopia / Dystopia / Future City / Cloning / Aliens

This superior anthology collects several early Greg Bear stories. The narrators, George Guidall and Christina Moore, guide us skillfully through Bear’s dense prose and do so with obvious relish. This collection features only top-notch stories — any single tale alone would be sufficient evidence that Bear is a future Grandmaster of science fiction and fantasy. Bear’s later novels occasionally suffer from a density that makes reading difficult. Very little of this is evident in this collection. The stories are generally clear in the telling, and where they are not, the confusion is brief. The wholly original and infinitely interesting ideas contained within each story make worthwhile any brief confusion of style.

The Wind from a Burning Woman, the title story, was later to serve as a prequel to Bear’s novel Eon, and describes the possible consequences of the ultimate act of terrorism.

The White Horse Child is an great allegory about a curious young boy who will grow up to become a writer. Written in a style that owes a debt to Clifford D. Simak, this pastoral fantasy story is an instant classic. Petra is a very unusual fantasy tale, its religious theme tackles the hard boiled consequences of taking certain biblical prophecies events as actual future events. So brilliantly does it achieve originality it reminds us why Greg Bear is so exceedingly interesting to read.

Scattershot is my personal favorite in this collection. Its sheer inventiveness and exploration of the consequences of metaphysical physics makes it a fascinating listen.

Mandala is an almost satiric examination of the far end of the curve of utopian ideals. It could almost be thought of as Greg Bear’s take on Arthur C. Clarke’s The City and the Stars.

Hardfought is a Hugo-winning novella that follows the viewpoints of both the aliens and the humans in their interstellar war. It could be considered Greg Bear’s take on Robert Heinlein’s Starship Troopers or Joe Haldeman’s The Forever War. In order to fight their battle, humans have adapted in strange ways. It’s an absolutely fascinating read.

Stories included:
The Wind from a Burning Woman
The entire crew of Psyche, an asteroid turned into a spaceship, is murdered. Giani, the granddaughter of the project’s administrator commandeers the spaceship in an attempt to uncover the truth.

The White Horse Child
An odd allegory about a boy becoming a writer. God fearing, book burning, censoring Auntie Dancer tries to stop a child from becoming a storyteller.

Petra
“God is Dead”, when stone comes alive after reality rearranges itself. Petra is a half-caste, a lowly figure in the world of the cathedral. His father was a living statue, his mother a human nun.

Scattershot
Francis Geneva finds herself allied with a robotic Russian teddy bear after her starship has an accident. She and her new companion are forced to explores the consequences of the many-worlds interpretation of quantum mechanics. In a reality where every possibility exists coping can be quite stressful. Sometimes the aliens are from Earth.

Mandala
In order to become perfect the sentient cities of Earth cast off their final flaw, the problem causing people. Mandala explores a future where mankind has reverted to a stone age existence after losing access to their technology.

Hardfought
Insular aliens known as the Sylexy are at war with humanity, in an attempt to understand their strange enemy they capture and clone a human soldier.

Review of The Hedge Knight by George R.R. Martin

Science Fiction Audiobook - Legends 4The Hedge Knight
Contained in: Legends: Stories by the Masters of Fantasy, Volume 4
by George R.R. Martin; Read by Frank Muller
4 Cassettes [UNABRIDGED]
Publisher: Harper Audio
Date Published: 1996
ISBN: 0694521132
Themes: / Fantasy / Knights / Jousting / Court Intrigue /

I’m not a big epic fantasy fan. I have nothing at all against them – it’s just that I enjoy good science fiction more than I enjoy good epic fantasy. I’ve read and enjoyed Tolkien, then the first three books in Terry Brook’s Shannara series… with that my appetite for epic fantasy novels was sated.

But then came George R.R. Martin. Several people told me to read the first book in his A Song of Ice and Fire series, A Game of Thrones. I finally picked up the thousand-pager, and am now hooked, impatiently waiting for Martin to finish the fourth book (of six!) in the series.

The Hedge Knight is a short novel set in the A Song of Ice and Fire series, but well before the events in the first novel. We follow the travels of Dunc, a squire to an aged hedge knight. When this hedge knight dies in the middle of nowhere, Dunc takes on the role of knight himself and gets into trouble when he crosses a prince at a tournament.

Like the the larger series, The Hedge Knight is filled with interesting, realistic characters, none of which are all good or all bad. There is plenty of intrigue and political maneuvering along with the medieval action.

The story is ably performed by Frank Muller, who’s considerable skill along with Martin’s excellent prose makes this recording one I return to again and again.

The Legends 4 audiobook also contains a Pern story by Anne McCaffrey and a Riftwar story by Raymond Feist.

Review of Eaters of the Dead by Michael Crichton

Fantasy Audiobooks - Eaters of the Dead by Michael CrichtonEaters of The Dead
By Michael Crichton; Read by Victor Garber and Michael Crichton
2 cassettes – 3 hours [ABRIDGED]
Publisher: Random House Audiobooks
Published: 1998
ISBN: 0679460330
Themes: / Fantasy / Historical Fiction / Alternate History / Vikings / Arabs / Mythology / Neanderthals / Epic /

In the year A.D. 922, Ibn Fadlan, a devout Muslim nobleman, left his home in Baghdad on a mission to the King of the Bulgars. During his journey, he met various groups of “barbarians” who he reported as having varying degrees of bad hygiene and alcoholism. It was a classic clash of cultures story that revealed more about both societies than any other type of narrative could. Whilst encamped in a Norseman trading village word came of a request for warriors to return to Scandinavia to battle an unnamed foe. Because the Norsemen were so superstitious, Fadlan was shanghaied as the “13th warrior”, a necessary foreigner, and forced to accompany the war party. Under the leadership of Buliwyf, Fadlan and eleven other Norsemen journeyed far to the North, to a land where the nights last only a few minutes, where sea monsters abound in the oceans and where shimmering lights in the sky are a nightly occurrence. Once there he and his companions must fight a battle against the Eaters Of The Dead.

If the premise is familiar it may be because you’ve seen the movie “The 13th Warrior,” which is based upon this novel. Supposedly this is a true story taken from the journals of an Arab courtier named Ahmad Ibn Fadlan. In reality it is only partially based on those writings. Crichton wrote Eaters Of The Dead based on a bet. He argued that Beowulf, the oldest surviving epic in British literature, could be successfully turned into a satisfying adventure story. In the real life writings of Ibn Fadlan Crichton found a viewpoint chracater who’d be able to witness the adventure of Beowulf and his fight against Grendel first hand. Starting with actual journal entries from Ibn Fadlan, Eaters Of The Dead begins as non-fiction. About a third of the way into the reading, Crichton stops using Fadlan’s journals, starts writing in the style of Fadlan, and begins telling his version of Beowulf. Sounds simple, but because Crichton doesn’t tell us any of this in his introduction, it isnt.

Confusing things further, Victor Garber’s reading of the story is interupted every so often by commentary by Michael Crichton! Crichton doing commentary on Crichton confuses things to a high degree, and yet somehow it works! This is a compelling story, likely because it draws so heavily from the deeply rooted mythology including snippets of ideas from everything from J.R.R. Tolkien’s The Hobbit to modern anthropological theories regarding the extinction of the Neanderthals.

Victor Garber does a good job reading, his only flaw is that his Arbaic accent sounds a bit to much like a Punjabi accent. Crichton too reads his commentaries well. As with many abridgments this one leaves the listener wanting more of the story, though thankfully it doesn’t suffer from the equally common failing of being incomprehensible.

As with all Michael Crichton novels, this turns into a Frankestienian morality tale in the vein of “there are some things men wernt meant to know”. For the most part it works, but what bothers me most about Eaters Of The Dead is its fence sitting nature. Not strictly fiction nor strictly non-fiction, Crichton has chosen to deliberately blend the reality and the fantasy without any disclaimer of even the most generous “based on a true story” or even the weaker “inspired by true events”. Instead he deliberately tricks us into thinking this is a true story by interspersing his own commentaries about the translation! True stories are inherently more interesting than fiction, no doubt Crichton chose to capitalize on this by deliberately obscuring the fact that he basically made up the whole last 2/3rds of the book! Had there been a disclaimer about this at the beginning of the book I’d have been much happier with it. That said, the story is fun, an interesting ride, and certainly one of Crichton’s best novels, but it isn’t even in the same class as say Robert Silverberg’s terrific A Hero Of The Empire, which also deals with historical figures in ancient Arabia.. If you absolutely insist on reading Michael Crichton novels I’d recommend you actually NOT read his Science Fiction! Read his fantasy, read Eaters of The Dead and then if you want a non-SFF treat try Crichton’s admirable The Great Train Robbery (also based on a true story), which is far better than his constant rehashing of Frankensteinian plots about cloning, time travel, etc.

Review of Dark Tower II: The Drawing of the Three by Stephen King

SFFaudio Review

The Dark Tower II: The Drawing Of The Three by Stephen KingThe Dark Tower II: The Drawing of the Three
By Stephen King; Read by Frank Muller
Publisher: Penguin Audiobooks [UNABRIDGED]
Date Published: November 1997
ISBN: 0140867155
Themes: / Fantasy / Parallel worlds /

This is the second book in Stephen King’s Dark Tower series. I read the first volume a few months ago (in print) and found it very different from Stephen King’s other work. To start with, it was not set in our world, where King sets nearly all of his novels. This volume is set both in the wasteland of the first novel and this world. King expertly uses the setting along with his unforgettable characters to explore the notions of Good and Evil in a grand fashion.

The main character in the books is Roland, a gunslinger, possibly the last gunslinger, who travels in a world separate but somehow connected to our own. This second volume starts within hours after the first ends. Roland is required to draw three people from our world into his to help him on his quest to reach the Dark Tower. If none of this makes sense, that’s okay. I’m hesitant to provide too much detail. It is enough to say that what you have here is a contemporary fantasy novel written by one of the finest creators of believable characters in fiction.

And Frank Muller does the narrating. I’ve never been disappointed in a Muller narration, and this certainly is no exception. His voice is perfect for this material – I imagine Roland’s voice to be Muller’s – and the great energy which he provides this novel probably made it more interesting than it actually was. Several times when listening time came to and end, I took an extra lap around the block or listened for an extra ten minutes… and Muller’s reading is as responsible for that as King’s writing.

I am definitely a Stephen King fan. I enjoy nearly all of his stories. My favorites are from his early career, The Stand and Salem’s Lot especially. Neither of those have audio versions, unfortunately. (Well, there is a version of The Stand available from Books on Tape, but it is not the complete version of the novel that King released later in his career.)

For more info on the Dark Tower series, check the Dark Tower Compendium.

Review of Legends: Stories from the Masters of Fantasy: Volume 1

SFFaudio Review

Legends: Stories From The Masters of Fantasy: Volume 1 edited by Robert SilverbergLegends: Stories From The Masters of Fantasy: Volume 1
Edited by Robert Silverberg; Read by Frank Muller and Sam Tsoutsouvas
4 Cassettes – Approx. 6 Hours [UNABRIDGED]
Publisher: Harper Audio
Published:
ISBN:
Themes: / Fantasy /

Robert Silverberg, himself a prolific fantasy author, has gathered with this series a collection of the longer novellas by the most popular living fantasy authors. Each of the authors was asked to write a new story based on one of his or her most famous series.

In Volume One there are two novellas. The first belongs to Stephen King and is set in his popular Gunslinger/Dark Tower universe. Silverberg’s contribution is set in his Majipoor universe. An intriguing premise but did it turn out to be any good?

The Dark Tower: The Little Sisters Of Eluria by Stephen King; Read by Frank Muller
Roland of Gilead, badly needs to find a horse doctor. His horse is ailing and won’t last long, but when he comes across a lonely desert town he quickly ends up needing a doctor for himself. Unfortunately, the only medical attention he’s getting comes from a vampire like sisterhood intent on both healing AND bloodletting.

I’ve never been overly fond of Stephen King, I find his writing like his ideas at best mildly interesting and at worst boring. But, being as I’d not tried anything of his work in some time, I was willing to give him another try. This piece seemed ideal. It was supposed to be fantasy, and not pure horror that he’s so well know for. It was also a prequel to a long series that I’d heard good things about (The Dark Tower series). But alas, I was not impressed in the least. While there are interesting elements, the setting is what appears to be a post-apocalyptic cross between the Zane Grey and The Road Warrior, which while not completely original is at least not a setting that has been done to death. Unfortunately the story is very long winded. I normally don’t care for overly long fantasy tales, The Lord of The Rings being a notable exception, but I am in the minority here. Stephen King fans don’t seem to mind a thicker than thick novel. This production of the Little Sisters of Eluria has the benefit of clarity, at all times I knew what was going on, and Frank Muller’s reading was okay, barring his usual difficulty with women’s voices. There are some writers who while not writing in the clearest manner manage to hold your attention by their very ideas. In the case of the Little Sisters Of Eluria, the clear writing and clear production just made the boredom more obvious for me. If you like the Dark Tower series you may enjoy this novella, but I found it a vulgar, mildly gross, hard to finish and ultimately pointless.

Majipoor: The Seventh Shrine by Robert Silverberg; Read by Sam Tsoutsouvas
Majipoor, a planet settled long ago by human colonists, is ruled by Valentine, once Lord Valentine now Pontifax of the whole planet. Valentine and his court entourage are on an expedition to an ancient city where they intend to investigate the murder of archeological team leader.

First let me say I like a lot of Silverberg’s work, some of his short stories are really good, but I’ve found his work very uneven. Being unfamiliar with the Majipoor stories I thought this novella would be a good introduction to Robert Silverberg’s fantasy series. This story though is a murder mystery, set on an alien world full of traditions and history. Silverberg does a fairly good job of bringing newbies like me up to speed, informing us of Pontifax Valentine’s personal history, and the strained species relations between the native Metamorphs (shapeshifting intelligent aliens) and the Human colonists of Majipoor. That being said, the story isn’t at all enthralling, it has a lot of “your majesty this” and “your majesty that” found in some of the more derivative fantasy fiction. The mystery element is unsolvable by the reader, something that I dislike as a general rule. But on the other hand Sam Tsoutsouvas does a good job, saving his different voices only for important plot characters. As with the other story in this audiobook, perhaps it will be more enjoyable for someone who likes the universe in which it is set. I can imagine never listening to another Majipoor story, and the idea doesn’t worry me in the least.

Review of To Your Scattered Bodies Go by Philip Jose Farmer

SFFaudio Review

To Your Scattered Bodies Go
by Philip Jose Farmer; Read by Richard Clarke
2 cassettes – 2 hours [ABRIDGED]
Publisher: Waldentapes (1985)
Suggested Retail: $14.95 USD
ISBN: 0681327731
Status: Out of Print – RARE
Themes: / Science Fiction / Sci-Fi / Fantasy / Mystery / The Afterlife / History / Series

My biggest problem with this audiobook is that it is over much too quickly. Like most early science fiction audiobooks, this is an abridgement of a novel, in this case a great novel. Philip José Farmer’s To Your Scattered Bodies Go is a Hugo Award winner (for 1972), and this alone makes it worth a look. But the story is intiguing enough to make you wish for more, a lot more.

Set on the huge and mysterious Riverworld, a planet whose central river is the new home to every last soul who ever lived on Earth – from prehistoric apemen to moon-dwelling future civilizations (and even an alien visitor to Earth). Our protagonist is the reborn Sir Richard Francis Burton, famed translator of The Arabian Nights, explorer, brawler, scholar, womanizer and adventurer. His quest? To discover the end of the river, the meaning of this world’s strange existence, where death is a mere inconvenience and food is magically delivered. With such nasty foes like a youthful Hermann Göring and some super evolved aliens called “Ethicals” to deal with, you know its going to be fun. Burton himself is fascinating to follow and I’d like to see if there is a good audiobook biography of him out there. The story itself runs two hours, read by some fellow named Richard Clarke, with a familiar but hard to place English accent. Clarke is backed up by a nicely accenting musical score.

The package is unique to Waldentapes (a line I’m sure we’ll be looking at again) a clear soft plastic case that opens in a very convoluted manner designed for quick sales and low cost it nevertheless has an interesting cover depicting actual events of the novel. While it is long out of print it is not impossible to find, copies turn up on a semi-regular basis on eBay, selling for very reasonable amounts. Since I wished this book was longer, I was happy to find an unabridged version from Recorded Books. Hopefully we will be able to post a review of that version here soon. All in all this is a good find and a valuable addition to any science fiction audiobook collector.