Review of Siege Perilous from the Mongoliad Cycle

SFFaudio Review

Siege PerilousSiege Perilous (The Mongoliad Cycle #5)
By E.D. deBirmingham; Performed by Angela Dawe
Publisher: Brilliance Audio
[UNABRIDGED] – 12 hours
Themes: / Mongoliad / fantasy / Rome / Holy Grail /

Publisher summary:

Ocyrhoe, a young, cunning fugitive from Rome, safeguards a chalice of subtle but great power. Finding herself in France, she allies with the persecuted, pacifist Cathar sect in their legendary mountaintop stronghold, Montségur. There she resists agents of the Roman Church and its Inquisition, fights off escalating, bloody besiegement by troops of the King of France, and shields the mysterious cup from the designs of many.Percival, the heroic Shield-Brethren knight from The Mongoliad, consumed by his mystical visions of the Holy Grail, is also drawn to Montségur—where the chalice holds the key to his destiny. Arrayed against Percival and Ocyrhoe are enemies both old and new who are determined to reveal the secrets of the Shield-Brethren with the hope of destroying the order once and for all.Alive with memorable characters, intense with action and intrigue, Siege Perilous conjures a medieval world where the forces of faith confront the forces of fear. Choices made by characters in The Mongoliad reach their ultimate conclusion in this fifth and concluding novel—and all of Christendom is at stake.

And so it ends. When I started The Mongoliad series last year, I thought it was just a trilogy. I had no idea what to expect with the series as a whole and with the idea of “group fiction.” I had no idea I’d be getting into a historical fantasy-type book (series) with a little mysticism thrown in for fun, had no real idea the breadth that the series would take. Now that I’m done with the main series of Foreworld books, I’m a little sad to see them go. Certainly I’ve liked some better than others, but this book, Siege Perilous, was a fitting and mostly satisfying end.

If you’ve read my reviews of the previous books (Book One, Book Two, Book Three, and Book Four), you’ll recall that my biggest frustration with these books is the expanse of story that is covered. There are multiple plot lines with widely varying characters across a wide geographical area. This makes it hard to keep track of who is who and what’s going on in any given story line, and made the books less “fun” to read. This book didn’t have the same problem. There were still a few story lines (3-4), but they quickly came to all be in the same setting; we were able to see the same event from a few different points of view. Without the confusion of the world and the various goals each person was trying to meet, since those had all come together, it was much easier to follow, and as such made the overall story more enjoyable to read (listen to).

This may have also been helped by the fact that this seems to have been written by only one person. Previous books in the Foreworld Saga were written by at least 3 authors. I’m not sure if these were group writing events, where everybody weighed into each plot line, or if everybody wrote a separate story, but the end result was a difficult-to-follow main story. At first, I wasn’t sure if E.D. deBirmingham was a real person or if it was a pseudonym for a group of the writers, but this 2012 Sword & Laser Google Hangout with the authors from the series demonstrates that she’s really just one person. She also seems to be one of the only women in the project, if not the only woman. I think the woman’s touch on the writing–the battle scenes in particular–was observable in the book as the battle scenes were not as…well, drawn out in this one, as they were in past books.

Plot-wise, this book wraps up the story of the quest for the Holy Grail. Early on in the series, it became obvious that Percival had visions and was on a quest of some sort for the Holy Grail. All of the movements of the Knights Brethren was driven by that. They met and worked with the Binders and the Shield Maidens, they fought the Mongols and the Levonian Brotherhood, all along their quest. When we left the Knights Brethren in Katabasis, the Mongols had been left to decide their new Kahn of Kahns, Ferronantus had died trying to preserve the Spirit Banner, and Raphael found himself talking to Leanne and Gonsuk to get the small sprig of wood that was important to the Spirit Banner and the Mongols. Back in Rome, Cardinal Vieshi had been elected Pope after mad Father Rodrigo was killed by Ferrens after trying to kill Ohseriweh (a Binder orphan). Ohseriwheh was sent away from the Holy Roman Emperor (King Frederic) to protect the Holy Grail that Father Rodrigo had held/used, and Ferrens became a member of Frederic’s court. This book more or less starts with that setup, and takes us along with Raphael, Percival, Ferrens, Ohseriweh, Cardinal Vieshi, and Levonian Herrmeister Deitrich. Through various means, they find themselves in Carcassonne, in a part of the Crusade involving the Cathars and an isolated mountaintop fort. I don’t want to spoil the plot, so that’s where I’ll leave it, but suffice it to say that the book mostly takes place here, through the eyes of these characters, as they struggle to find the rightful vehicle for the Holy Grail.

As much as I enjoyed this book, I did not particularly enjoy the audiobook version. The narrator for this book was Angela Dawe, a break from the previous books’ narration by Luke Daniels. Dawe’s voice had some quirks that didn’t work for me with an audiobook. Quite often, it seemed like she had an higher voice at the end of the sentence than the beginning. This made it sound like some of the sentences were questions, rather than statements. Her pacing was odd, too. There were longer-than-normal breaks between each sentence, the silence lasted just a beat longer than expected. Oddly, the narration didn’t seem to take a breath or pause when I would have expected there to be commas. Further, and this may be due to editing, there wasn’t much of a gap between section breaks within a chapter. This made it hard, sometimes, to know immediately that a new point of view was coming and would make me confused until my brain registered that there was a section break. I’m not sure what lead to this narrator’s selection, but I wasn’t as happy with it as I was Luke Daniels’ narration.

All in all, I’m glad I read the series. I actually will not be leaving the world quite yet, as I have a few of the SideQuest Adventure books and another side story in the world. I’ll be reading those soon, to keep up my familiarity with the world. I definitely think that listening to this book shortly after finishing Katabasis helped keep the overall plot in my head. To those who might be interested in reading the Foreworld Saga books, I do strongly recommend reading at least the 5 main-line books in order and in close time proximity to one another. Siege Perilous, while in many respects an outsider in the saga, may have in fact been my favorite, and provided a mostly satisfying end to the Saga.

Posted by terpkristin.

Review of Katabasis from the Mongoliad Cycle

SFFaudio Review

KatabasisKatabasis (Mongoliad Cycle #4)
By Mark Teppo, Joseph Brassey, Cooper Moo, and Angus Trim; Performed by Luke Daniels.
Publisher: Brilliance Audio
[UNABRIDGED] – 13 hours

Themes: / Mongoliad / martial arts / fantasy / monks / conquests / Mongols / Russia /

Publisher summary:

With the death of the fearsome Ögedei Khan, the Mongol invasion of the West has been brought to an abrupt halt. The defenders, a band of brave warrior monks known as the Shield-Brethren, limp homeward again across a frozen, bloodied wasteland. But where — and what — is “home” now that the threat of invasion no longer shapes their lives? Thirteenth-century Europe has been saved from annihilation at the hands of the Mongols, to be sure, but new and terrible threats are at hand: political and religious turmoil threaten to turn the warriors’ world upside down once more. Painted against a rich backdrop of medieval mysticism and Russian folklore, Katabasis weaves together the tales of victor and victim alike in a fearless exploration of what it means not just to survive, but to truly live again.

When I reviewed The Mongoliad: Book Three in the Foreworld Saga, I didn’t realize that there were to be a 4th and 5th entry into the series. The book ended with the end of a major story arc (if not the most satisfying of endings) and I thought it was okay to leave it there.

But the story didn’t end there. Where the story in the first three books in the series really covered the story of the Christians versus the Mongols, this book follows the Shield Brethren into Russia while the Mongols mostly start gathering to find their new Kahn of Kahns. There was a greater supernatural element in this book than in the previous ones, and it was interesting to see characters I thought we had left at the end of the first book (or thereabouts) make a reappearance. At the crux of this story seems to be old religion versus new religion. It is hinted that Cardinal Vieshi, a cardinal in Rome who we met in the 2nd and 3rd books, is behind an attempt by the Levonian Brotherhood to defeat the Shield Brethren and help “modern Catholics” take a hold in Russia. The old religion, though, the Shield Brethren, the Shield Maidens, and the native Russians, are on their own mission to keep the old religion not only still around, but still relevant. As part of this, the Spirit Banner, guarded so carefully by the Mongols in the first three books, is a central part to the plot with Ferronantus, Raphael, and the Shield Brethren. In a bit of an oddity, Leanne (former slave Chinese woman in Ogedai Kahn’s retinue) has managed to save the sliver of…well, it’s still not exactly clear what it is, but it’s important enough that GonSuk had her protect it and it was attempted to be stolen from Ogedai in the first book. This gives her a tie–if she’s not really clear on what the tie is–to the Spirit Banner and the Shield Brethren.

In some ways, this was a complete story. There was a central conflict, and the plot moved to bring that to a relatively satisfying ending. In some ways, the plot lines here were less confusing than in the previous books. There seemed to be fewer plots and fewer characters to keep track of, generally speaking. However, at the end, it got muddled. I suppose it might be just me–I often have felt like I’ve been “missing something” while listening to these books and this one was no different. Something happened at the end that I didn’t quite grok, and it’s obvious that it will play out for the 5th (and final, I think) book in the main Foreworld Saga. I hope that when I finish that one, it will make more sense.

Luke Daniels did the narration for this audiobook, as with the other Foreworld and Foreworld Prequel books that I have listened to. Sometimes, his narration is fantastic. He does different voices for the characters and makes it easy to get drawn into the world. However, between the odd names, multiple plot lines, and sometimes difficult/foreign words, it can be hard to understand what he’s saying or what’s going on. As with the other books, this is one that I think might be easier to read the print first, or at least have a copy handy so you can refer to the Cast of Characters and/or re-read confusing parts. Sometimes, Daniels would do lines in a characters voice and…well, in character. So if the character was to be whispering or muttering, Daniels would do that. This would make it hard to understand what he was saying, especially when he used the thick accents.

All in all, I think I liked this book better than I liked the end of the first three books. I look forward to seeing what happens in the 5th book–which I note is not narrated by Luke Daniels.

Posted by terpkristin.

The SFFaudio Podcast #263 – AUDIOBOOK/READALONG: The Colour Out Of Space by H.P. Lovecraft

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #263 – The Colour Out Of Space by H.P. Lovecraft, read by Donal Buckley. This is a complete and unabridged reading of the short story (68 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mirko, and Huan Vu (the director of the movie adaptation, Die Farbe).

Talked about on today’s show:
Arkham Insiders, Die Farbe (aka The Color), The Atlanta Radio Theatre Company adaptation, The H.P.L.H.S., Die Farbe gets a shout-out in the Dark Adventure Radio Theater adaptation, the novella/novelette, Amazing Stories, September 1927, science fiction and horror together, The Whisperer In Darkness, the framing story, American soldiers running away from the colour, unjustified punishment, cosmic horror, pre-WWII Germany, the symbology, the endings, mind control, zombie ants, parasites, the science of The Colour Out Of Space, The H.P. Lovecraft Literary Podcast, a pocket spectroscope, how do we see a new color?, discovering a new color, infra-red light, the blind and the colorblind, the black and white, film doing something an audio drama never could, a companion piece to The Whisperer In Darkness, the wasp, Formicula (aka Them!), an explanation for what the colour is, The Voice In The Night by William Hope Hodgson, anthropocentric aliens, an analogy, is The Colour Of Of Space SF?, alien flapjacks, spores, a sentient cloud of gas, “the Horla” (woops I mean the Horta), Star Trek‘s The Devil In The Dark, an alien (in much of SF is really about people), alien aliens, a corrective, John W. Campbell Who Goes There?, The Thing, whose who and whats what, it’s insidious, what will happen when you flood that valley?, Arkham Springs water, fear of radiation, a nuclear contamination story, “the blasted heat” is like Chernobyl, Macbeth, the meteor, dry ice, too creepy for night reading, Lovecraft’s opinion, The Willows by Algernon Blackwood, alien mind control, stealthy listening, the horror in the attic, The White People by Arthur Machen, the comic undercutting in The Dreams In The Witch-House, a mood study, Die Farbe is a wonderful adaptation of The Colour Out Of Space, the changes in the film version, the character names, Robert M. Price, a biblical reading of The Colour Out Of Space, He Am Himself, comets, reproduction, Monsters, cosmic bug spray, expanding your perspective, From Beyond, the running time, the chosen colour, Schindler’s List, you shouldn’t make evil that colour, taupe?, khaki?, a striking contrast, Sin City, color theory, signal colors, Ancient Greece, The Odyssey, “the wine dark sea”, “rosy fingered dawn”, what if my blue is your red?”, science over experience, dark matter/dark energy are placeholder words, science is mostly failure, “not optimistic at all”, if this happened in reality, the way out, The Dream Cycle Stories, going to The Dreamlands, Celephaïs by H.P. Lovecraft, To A Dreamer by H.P. Lovecraft, it’s not horror, The Dream-Quest For Unknown Kadath by H.P. Lovecraft, Lovecraft isn’t only horror, the IndieGoGo page for The Dream-Lands, The-Dreamlands.com, Die-Farbe.com, Gary Lovisi, the matchmaker.

"blasted heath" illustrated by H.P.  Lovecraft in a letter to F.  Lee Baldwin March 27, 1934

The Colour Out Of Space by H.P. Lovecraft

The Colour Out Of Space - illustration by Virgil Finlay

The Colour Out Of Space by H.P. Lovecraft

Die Farbe

The Colour Out Of Space - Illustrated by Jason Eckhart

Posted by Jesse Willis

Review of Raising Steam by Terry Pratchett

SFFaudio Review

steamRaising Steam (Discworld #40)
By Terry Pratchett, read by Stephen Briggs
Publisher: Random House Audio
Publication Date: 18 March 2014
[UNABRIDGED] – 12.5 hours

Themes: / fantasy / Discworld / machines /

Publisher summary:

Change is afoot in Ankh-Morpork. Discworld’s first steam engine has arrived, and once again Moist von Lipwig finds himself with a new and challenging job.

Like other novels in the Discworld series, Raising Steam has a tasty mix of internal referencing, matter-of-fact world bending, and playfulness. Exploring the idea of what the industrial revolution may have been like in a world with magical powers and creatures beings (oh the trollmanity), Pratchett also somehow manages to sneak in the occasional sharply satirical quip (quite a feat given the fantastic nature of the Discworld).

I found that the reader in the audiobook provided a good listening experience as his reading neither distracted from the plot nor made the book boring.  Raising Steam was an overall good reading experience that seemed to slide easily into its place among the Discworld series.

Posted by Trant Thumble.

Review of The Emperor’s Blades by Brian Staveley

SFFaudio Review

Emperor's BladesThe Emperor’s Blades (Chronicle of the Unhewn Throne #1)
By Brian Staveley, read by Simon Vance
Publisher: Brilliance Audio
[UNABRIDGED] – 16 discs; 20 hours

Themes: / fantasy / brothers/ monks /

Publisher summary:

The emperor of Annur is dead, slain by enemies unknown. His daughter and two sons, scattered across the world, do what they must to stay alive and unmask the assassins. But each of them also has a life-path on which their father set them, their destinies entangled with both ancient enemies and inscrutable gods.

Kaden, the heir to the Unhewn Throne, has spent eight years sequestered in a remote mountain monastery, learning the enigmatic discipline of monks devoted to the Blank God. Their rituals hold the key to an ancient power he must master before it’s too late.

An ocean away, Valyn endures the brutal training of the Kettral, elite soldiers who fly into battle on gigantic black hawks. But before he can set out to save Kaden, Valyn must survive one horrific final test.

At the heart of the empire, Minister Adare, elevated to her station by one of the emperor’s final acts, is determined to prove herself to her people. But Adare also believes she knows who murdered her father, and she will stop at nothing—and risk everything—to see that justice is meted out.

I’m not sure what in the description made me choose this book to review. Maybe it was simply the fact that it was the first in a series. Since doing so I’ve seen a bit of buzz about this book, so I was eager to get my hands on my review copy.

This being the first book of a new series, there is a lot of character development and world building to get through. For the most part I think Mr. Staveley does a good job of this, especially as a first time author. However it does suffer from a few slower parts and some predictable twists.

His characters are interesting and have depth. The lore of his world is intriguing. The prologue seems confusing at first, but later on the reader discovers its significance, so just tuck it away for future reference.

For the most part this is the story of two brothers. They just happen to be sons of the Emperor of the largest nation in the world. First there is Kaden, the heir to the throne who is studying with the monks of the Blank God in an isolated monastery. Then there is Valyn, who is training with the Kettral, an elite military force made up of the best of the best.

Both suffer a bit from some of the fantasy school tropes. Valyn especially has his small group of friends and his rival with his group of cronies. However this being a military training facility, things are a lot more serious than bullying in the hallways.

We also get a few chapters with their sister, Adare, who has remained with their father in the capital. These are short, but politically charged. I hope we see a more prominent role from her in the books that follow.  This highlights the main flaw of this book. Like many fantasy books, the women are mostly relegated to secondary characters. They suffer a bit from stereotypes, but I think he does have some strong female characters that just don’t receive as much focus as I’d like. In general, the secondary characters are all pretty interesting and have enough depth so as not to be interchangeable.

Each brother’s story starts off in very different places but eventually converge with one another at the end. Things really pick up when they do. Strange things are happening around both brothers and they appear to be linked to a conspiracy to kill the emperor and his family. This makes for a lot of politics and conspiracy theories.

One of biggest concerns when reading books in a series is how the author chooses to end it. You need to strike a good balance between leaving the reader wanting more and wrapping up the main conflicts of the book. I think Mr. Staveley does a great job here and I’m looking forward to jumping right into book 2 when it comes out.

I’ve listened to a few books read by Simon Vance now, and I always enjoy his narration. Not only is his normal reading voice clear and easy to understand, but he does a variety of voices and accents. His reading definitely added a little extra something to the book. As a first time author, Mr. Staveley lucked out to get such a quality reader. I plan to continue this series in audio as a result.

Review by Rob Zak.

Review of Geomancer by Ian Irvine

SFFaudio Review

GeomancerGeomancer (Well of Echoes #1)
By Ian Irvine; Read by Grant Cartwright
Publisher: Bolinda Audio via Brilliance Audio
Publication Date: July 2013
[UNABRIDGED] – 23 hours, 47 minutes

Themes: / fantasy / magic / crystals / visions / aliens /

Publisher summary:

Two hundred years after the Forbidding was broken, Santhenar is locked in war with the lyrinx – intelligent, winged predators who will do anything to gain their own world. Despite the development of battle clankers and mastery of the crystals that power them, humanity is losing. Tiaan, a lonely crystal worker in a clanker manufactory, is experimenting with an entirely new kind of crystal when she begins to have extraordinary visions.

The crystal has woken her latent talent for geomancy, the most powerful of all the Secret Arts – and the most perilous. Falsely accused of sabotage by her rival, Irisis, Tiaan flees for her life. Struggling to control her talent and hunted by the lyrinx, Tiaan follows her visions all the way to Tirthrax, greatest peak on all the Three Worlds, where a nightmare awaits her.

The start of this book was promising, but things went off the rails. Then, just as they seemed to be recovering, I found the end to be awful. I think my main problem this book is the characters and their dialogue. In part one of the book Mr. Irvine introduces us to several characters that I despised almost immediately. In part two he seems to be trying to elicit sympathy from the reader via self-pity from internal monologue and sympathetic back story. It might work for some readers, but not for me. At best instead of coming around to like the characters as complex and flawed, I find myself mostly indifferent about what might happen to them.

The main character is mostly likable, although some of her thoughts rubbed me the wrong way. I assume this is another attempt to give her depth through flaws instead of being a hero trope. Maybe my dislike of almost all the characters is just an inability for me to understand their society, but I doubt it. The most likable characters are minor ones who don’t seem to stick around very long. It’s really hard for me to enjoy a book when I don’t like the people I’m reading about.

The main story is interesting. The world is at war with much more powerful alien creatures. Humanity have built machines called clankers in order to be able to fight back, but they are still mostly outmatched. At first this seems more like sci-fi than fantasy, but the clankers are powered by crystals and there a mostly unexplained magical system based on them and their connection to power nodes around the world. So really it’s some sort of mix that has more of a fantasy feel than science fiction.

There are a lot of political and social issues that play into things. With so many young men dying in a seemingly endless war, everyone is expected to produce children to essentially provide the next generation of fodder. Anyone accused of a crime is sent to one of two places depending on their gender. Males are sent to the front lines where they will likely die in short order. Women are sent to “breeding factories” which are exactly what they sound like. Entirely too much time was spent on the breeding factories, and the notion of a society so desperate to survive they force women to sleep numerous partners in the hopes of producing the most helpful offspring as frequently as possible is downright horrifying to me.

This is apparently the second series of Mr. Irvine’s Three Worlds sequence. Having never read the first (The Mirror Quartet), I’m sure I’m missing some references to things from that series. My understanding is this is set hundreds of years later, and possibly on a different world. I never felt lost but it’s possible I would understand more about the crystals and their powers if I had read that series first.

Overall it wasn’t a very good book and it was not as well executed as I would have liked. I found myself cringing at some of the writing in places, especially the dialogue. The ending of the book really was really off-putting – it felt like a bad soap opera on television.

Grant Cartwright, the narrator, is the only bright spot of the book, and a large part of me being able to get through the worst parts. I’m not sure if he exclusively reads books targeted at an Australian audience, but if so that’s a shame. He does a good amount of voices for the various characters and his normal reading voice is clear and easy to understand. Some of his voices are grating, but I think that’s fitting for the characters he is portraying. Maybe this partnership between Bolinda and Random House will bring more of his work to North America. I’d like to see what he does with a better book.

Review by Rob Zak.