Review of The Road to Dune by Frank Herbert, Brian Herbert, and Kevin J. Anderson

SFFaudio Review

The Road to Dune by Frank Herbert, Brian Herbert, and Kevin J. AndersonThe Road to Dune
By Frank Herbert, Brian Herbert, and Kevin J. Anderson; Read by Scott Brick
12 CD’s – 14 hours [UNABRIDGED]
Publisher: Audio Renaissance
Published: JUST RELEASED – September 2005
ISBN: 159397776X
Themes: / Science Fiction / Dune / Desert / Religion / Commentary / Journal / Short Fiction /

In a sentence, The Road to Dune is an intriguing collection of Dune “extras” that should please any fan of Frank Herbert. Including myself.

A quick background on me as far as Dune goes – I read the first novel once, then listened to George Guidall’s unabridged narration of the same book. I also heard The Butlerian Jihad, which was written by Brian Herbert (Frank Herbert’s son) and Kevin J. Anderson. I mention all this so that you can know my level of Dune knowledge – I am by no means an expert. With that said, I thoroughly enjoyed this book.

Brian Herbert and Kevin J. Anderson, as you may know, have continued Frank Herbert’s Dune series by adding two trilogies of prequels to Herbert’s existing books. They’ve consulted notes that Frank Herbert left behind, and the opening of this book explains that to some degree. Bill Ransom, who collaborated with Frank Herbert on a few books, also weighs in, describing his writing life with Frank.

Next up is a short novel called Spice Planet which represents the first version of Dune, or what Dune could have been. The novel is certainly better, but Dune World was also engaging and interesting from the perspective of a person who has read the novel (what’s different, what’s the same) and as a very good story in its own right.

Also included are deleted scenes and alternate endings from Dune and Dune, Messiah, letters and notes from Frank Herbert during the time he was trying to get Dune published. Especially interesting are some letters to and from John W. Campbell, Jr., the editor of Analog Science Fiction Magazine, which serialized the first Dune novel, but declined the second one.

Four short stories by Brian Herbert and Kevin J. Anderson are here, too. The first, “Whisper of Caladan Seas” was originally published in Amazing Science Fiction and takes place during the first Dune novel. The other three, “Hunting Harkonnens”, “Whipping Mek”, and “Faces of a Martyr” are set in the prequel times that Brian Herbert and Kevin J. Anderson write about in their trilogies. They are very good stories, all.

Scott Brick narrated, and I am reminded why I enjoy him so much. His narration is energetic, dramatic, and powerful, but never over the top. I never tire of his rich voice and the believable, living characters he performs.

I wholeheartedly recommend this book on several levels. For a person writing a thick tome of a science fiction novel, this glimpse into Herbert’s process is very educational. For a fan of Dune, this look into what could have been is very entertaining. For a fan interested in the history science fiction, the correspondence between Campbell and Herbert and the story of the novel’s purchase and publication by Chilton are pure gold. And for a fan of good stories, there’s plenty here to enjoy.

Posted by Scott D. Danielson

Review of Dune: An Interview with Frank Herbert and David Lynch

Dune: An Interview with Frank Herbert and David LynchDune: An Interview with Frank Herbert and David Lynch
1 Cassette – Approx. 1 Hour [INTERVIEW]
Publisher: Waldentapes
Published: 1983
ISBN: 0681308958
Themes: / Interview / Science Fiction / Moviemaking / Politics / Messiah / Power structures /

After reviewing Recorded Books unabridged Dune by Frank Herbert, Jesse suggested that I listen to this cassette which contains 2 interviews. One with Frank Herbert and David Lynch, the director of the first Dune movie, and an interview with Frank Herbert alone.

The interview with Lynch and Herbert shows how pleased Herbert was with Lynch’s film. The interview was recorded before the film’s release, and Lynch expressed nervousness while Herbert expressed satisfaction, along with some discussion of the difference between film and print, and the process of getting one to the other.

To me, the interview with Herbert alone (the bulk of the cassette) was the most interesting. Of Dune he said that what he wanted was “something that showed the impact of a messiah on history as the creator of a power structure.” His theory was that a messiah creates a power structure that attracts corruptible people, no matter how well-meaning the messiah might be. This led into a discussion of how a messiah is accepted by a culture in the first place, then into the nature of the power structure a messiah leaves behind, and into how this applies to contemporary power structures in government.

Another tidbit I picked up that I didn’t know is that Herbert considered Dune, Dune, Messiah, and Children of Dune one book, with Dune, Messiah being the pivotal book. I have not read past the first novel, so now I’ve got a couple more books on my TBR pile.

The entire program was interesting enough to listen to twice. If you are a fan of Dune, find yourself a copy of this! I think you’ll enjoy it.

Posted by Scott D. Danielson

Review of Dune By Frank Herbert

Science Fiction Audiobooks - Dune by Frank HerbertDune
By Frank Herbert; Read by George Guidall
16 Cassettes – 24 hours [UNABRIDGED]
Publisher: Recorded Books
ISBN: 0788763334
Date Published: 1998
Themes: / Science Fiction / Politics / Space travel / Culture / Ecology /

George Guidall is a tremendous narrator. His nuanced performances continually make his audiobooks easy on the ear yet insistent – his performances demand attention. Matched with the Frank Herbert’s Dune… well, this is as good as it gets, folks. A detailed, meaningful, and entertaining piece of science fiction performed by a narrator with fine voice, excellent timing, and utmost attention to those very details… magnificent.

Dune is a masterpiece of world-building. In the novel, Frank
Herbert creates Arrakis, the desert planet that is also called Dune.
The natives of this planet are people called Fremen, a mysterious desert-dwelling people that the characters in this novel don’t fully understand, at least at the beginning. They are proud people, and though a family from the galactic empire rules them, they project an aura of power and resiliency. Arrakis is important to the galactic empire because it is the world where Spice is mined. Spice is of supreme importance in Herbert’s universe for a host of reasons I won’t list here.

The fully realized culture of Arrakis is merely backdrop at the beginning of the novel, which immediately takes up the story of Paul Atreides, son of Duke Atreides. The Atreides family takes over as the ruling family of Arrakis from a rival family called the Harkonnens. From the moment they arrive on Arrakis, the Fremen treat Paul in a special way, since Paul fits the description of someone for which the Fremen have been waiting a long time. The story follows Paul from his departure from his home planet to his arrival on Arrakis and his eventual survival in the desert, during which much about the fascinating culture of the Fremen is revealed.

Frank Herbert wrote a novel here that works on so many levels that it can be read several times. From one angle, you’ve got a novel about the effects of a Messiah on a culture. From another, you’ve got an ecological novel about survival in a desert and the ethical questions about whether to disturb that harsh but natural environment to make it more habitable for humans. Still another gives you a novel of brutal political intrigue as Harkonnen plots against Atreides (and vice versa) in the pursuit of the power that is ownership of the Spice. Each of these subplots is fully developed an intertwined with the others in this novel, which succeeds in every way in print and now succeeds again as an audiobook thanks to the wonderful performance of George Guidall.

Posted by Scott D. Danielson

Books on Tape was purchased a couple of years ago …

SFFaudio News

Books on Tape was purchased a couple of years ago by Random House. Last week, they decided to close the rental division of the company. Most of the unabridged titles that have been produced during that time were available in retail editions on the Random House Audio imprint – I expect that will continue to be the case. Questions abound regarding their backlist, which includes books by Isaac Asimov, Robert Jordan, Frank Herbert, and Terry Brooks.

Right now, the company is selling their used rental copies at rental prices – that is, whatever they charged to rent a title is now the purchase price. While supplies last, as they say.

Posted by Jesse Willis