The SFFaudio Podcast #247 – READALONG: On The Beach by Nevil Shute; read by Simon Prebble. Jesse fends off illness to lead us in an intriguing discussion about Nevil Shute’s apocalyptic novel. This podcast features Jesse, Jenny, Seth, and Paul.
Talked about on today’s show:
Reversed seasons in Southern Hemisphere; novel originally serialized in London weekly periodical The Sunday Graphic; “on the beach” as naval phrase meaning “retired from service”; the novel almost universally acclaimed by critics and readers alike; what is the ideal time frame for an end-of-the-world scenario?; On The Beach as bleak existential novel; the author’s avoidance of political or religious polemic; 1959 movie starring Gregory Peck, Ava Gardner, and Anthony Perkins; Australia as a secular nation; Earth Abides by George R. Stewart; Endgame by Samuel Becket; the novel as a metaphor for terminal cancer patients; The Star by Arthur C. Clarke; abstract sterile end-of-world mechanics, a “cosy catastrophe“; 2008 BBC radio adaptation; 2000 TV movie starring Bryan Brown, modernized and featuring a much more optimistic tone; Roland Emmerich’s disaster flick 2012; could the novel’s characters done more to ensure the continued survival of humanity?; fallout shelters, “duck and cover!”; Chernobyl; rampant alcoholism; euthanasia; attitudes toward media–were newspapers responsible for the war?; regression of technology in the novel; The Waveries by Fredric Brown; we wish the Cosy Catastrophe genre would supplant Paranormal Romance; reflection of a pre-WWI era arms race; 1959 movie version tackles Cold War paranoia; U.S. government’s criticism of the novel; Five Years by David Bowie; faced with the end of the world, our panel would evidently read Marcel Proust; needless revisions in film adaptations; much action takes place “off the page” in the novel; lookism; The Scarlet Plague by Jack London; Simon Prebble’s excellent audio narration; George Orwell’s 1984; Man’s Search for Meaning by Viktor Frankl and logotherapy; Jay Lake and his bout with cancer; Daphne du Maurier’s Rebecca, adapted by Alfred Hitchcock, and how we’re haunted by the people who are no longer with us; the novel’s three-dimensional characters; Nevil Shute employs typical British understatement; Lord of the Rings‘s Denethor and the idea of hopelessness; Egyptian tomb goods and attitudes towards death; Jesse plans his funeral rites.
The SFFaudio Podcast #245 – It’s our -The Best of 2013! episode. For it we invited SFFaudio fans, SFFaudio reviewers, and SFFaudio participants to share their listening highlights of 2013. We asked folks to tell us about their favourite audiobook or podcast episode.
If you don’t see your favourites listed below, feel free to add them as a comment. And remember, it needn’t be a podcast or audiobook from 2013, only one you heard in 2013.
And if you leave a comment in the first week (and a way to contact you) you’ll also be eligible for a a FREE PRIZE audiobook mailed to your home (anywhere in the whole universe*)!
Talked about on today’s show:
Jenny is not an economist, a Heinlein vibe, God Emperor Of Dune, The first half of this book is talk, a terrible novel but an interesting book, The Moon Is A Harsh Mistress, the distancing narrators, 700 years into the future, the audience is for seven hundred years in the future (or is that six hundred), prizefighting, grub = food, the purpose of the footnotes, The Sleeper Awakes by H.G. Wells, Avis Everhard, alternate history, Michael Bishop, an underground book, an underground society, that Buck Rogers stuff, Armageddon—2419 AD by Philip Francis Nowlan, exchanging socialism for the Yellow Peril, Asgard, Seoul, set in the year 419 B.O.M. (Brotherhood of Men), A Thousand Deaths by Jack London, The Island Of Doctor Moreau, predictions, war with Germany, a surprise attack on December 4th, William Randolph Hearst, war economy as a solution to national surplus, Trotsky’s letter to Jack London, London had good reason to be a socialist, work conditions and natural disasters, a chaotic time, Jackson’s arm, race vs. class, Jack London’s racism, The Heathen by Jack London, the dog stories, class consciousness, grinding out the middle class between the 1% and the people of the abyss, The Shadow And The Flash by Jack London, manly overachievers, oligarchy doesn’t use race to divide people, do you want you fruit to be picked or not?, Japanese segregation in California classrooms, Canadian politics, Cooperative Commonwealth Federation, Franklin D. Roosevelt, John Steinbeck, ‘temporarily embarrassed millionaires’, the quote attributed to Abraham Lincoln:
“I see in the near future a crisis approaching that unnerves me and causes me to tremble for the safety of my country… corporations have been enthroned and an era of corruption in high places will follow, and the money power of the country will endeavor to prolong its reign by working upon the prejudices of the people until all wealth is aggregated in a few hands and the Republic is destroyed.”
Dwight D. Eisenhower, “the military-industrial complex”, Eugene Debs, why was The Iron Heel not more popular?, The Black Hundreds, Das Kapital, Marxian fan-fiction, ‘social evolution is exasperatingly slow’, sooo sad, Marx’s essay on Napoleon III, a Darwinian model, do we live under an oligarchy?, government regulation (anti-trust and child labour laws), why socialism didn’t take hold in the early 20th century USA, Larry Summers, the Chilean cover of The Iron Heel, Salvador Allende, a novel read by revolutionaries, Science Fiction within the novel, the aesthetic end, the role of religion, the God of the Oligarchs, mostly air with a little bit of vertebra, Chicago, religious revivals and the apocalypse, Azusa Street Revival, the 1906 San Fransisco earthquake, William Randolph Hearst, Patty Hearst, John Waters, Cecil B. Demented, personal charisma and bulletproof arguments, Everhard is a porn star name, Benjamin Franklin, London’s didactic reading, Marx’s surplus theory of value, economy is not a science, power wins, the French Revolution, the Commonwealth of England, George Orwell’s review of The Iron Heel, 1984 is in The Iron Heel, coincidental dates, London’s insight into fascism, too much love from the strong and not enough love for the weak, Eric S. Rabkin, unmanning, ‘designed to be crucified’, father figures are destroyed, the chapter titles, The Call Of The Wild, a powerful beast is unmanned, builds up and builds through interaction with others, a sated king, a dominant primordial beast, The Sea Wolf, reading London is like a shot of adrenalin to the heart, surplus value, colonialism, the machine breakers, the trusts did not advertize, consumerism, Paul Krugman, petty bourgeoisie, the genocide of Chicago, the Paris Commune, gothic wooing, We by Yevgeny Zamyatin, Looking Backward: 2000-1887 by Edward Bellamy, the education of the oligarchy,
“They, as a class, believed that they alone maintained civilization. It was their belief that if ever they weakened, the great beast would ingulf them and everything of beauty and wonder and joy and good in its cavernous and slime-dripping maw. Without them, anarchy would reign and humanity would drop backward into the primitive night out of which it had so painfully emerged.”
excusing colonialism, the white man’s burden, ignoring the starving masses, the Roman Empire, steampunk, Lloyd Blankfein “doing God’s work”, Margin Call, oppositional films, “The Social Network deeply hates Zuckerberg and the online world”, Nine Inch Nails, Michael Douglas, Wall Street, the cleaning lady, why isn’t The Iron Heel more generally appealing to SF readers?, British Space Opera vs. American Space Opera, Commune 2000 A.D. by Mack Reynolds, a broken utopia, job cash vs. job love, the social end of SF, the storytelling technique doesn’t attract, the unsuccessful revolution, Winston Smith’s diary, looking back when writing doesn’t have the same power, the Goldstein Book, brainwashing, the bomb in congress, spy and counterspy, Starship Troopers is a series of lectures punctuated by gunfire, Frank Herbert, “a raving genius”, doing Dune (and Dune Messiah), Chilton Books, the boot crushing the human face forever, the leaky suspense, a Norton critical edition, how to record The Iron Heel, the footnotes are problematic, a crazy wild marvelous book, WWI, WWII, Metropolis, armoured cars or tanks, The Last Man by Mary Shelley, a terrifying future found in a cave written on leaves, A Journal Of The Plague Year by Daniel Defoe, The Scarlet Plague by Jack London, Idiocracy, The Marching Morons by C.M. Kornbluth, on Lenin’s deathbed he was read Jack London, The Cold Equations, To Build A Fire, The Empire Strikes Back,
“The cold of space smote the unprotected tip of the planet, and he, being on that unprotected tip, received the full force of the blow.”
cosmic and Lovecraftian, as snug as a Jedi in a hot tauntaun, Robert Sheckley, Metro 2033 by Dmitry Glukhovsky.
This rare recording features Vincent Price starring in an Australian radio adaptation of George Orwell’s 1984. Produced at the Lux Radio Theatre in Sydney, Australia, in 1955 the interesting twist with this version is that the narrator is split-off personality of Winston Smith’s, and that personality is played by a different actor.
Lux Radio Theatre – Nineteen Eighty-Four
Adapted from the novel by George Orwell; Performed by a full cast
1 |MP3| – Approx. 53 Minutes [RADIO DRAMA]
Produced by Sterling Macavoy
Adapted by Morris West
Directed by Paul Jacklin
Vincent Price (Winston Smith)
Margo Lee (Julia)
Alexander Archdale (Charrington)
Guy Dulman (Parsons)
David Netheim (narrator)
Talked about on today’s show:
The audiobook, Recorded Books, the appendix, The Lord Of The Rings, the feeling in your right hand, a dream-like book, Room 101, a disjointing of time, Infinite Jest by David Foster Wallace, Signet Classic, already a member of the Junior Anti-Sex League at 12, a 1971 sex drive, memory, Winston Smith’s obsession with the past, the three traitors, the Soviet Union as applied to Britain, show trials, it is so effective, The Running Man is a prole version of Nineteen Eighty-Four, “WHITMAN, PRICE, AND HADDAD!!! You remember them! There they are now, BASKING under the Maui sun.”, down the memory hole, the brutality of the movies and the applause of the audience, the crushing of weakness, the terrible children, the 1954 BBC TV version starring Peter Cushing, Winston’s own memories of his childhood, did Winston kill his sister, his bowels turn to water when he see a rat, the return of the mother, a bag of decay, the 1984 version of 1984, John Hurt looks like he was born to play Winston Smith, is it Science Fiction?, dystopia, does this feel like Science Fiction?, Social Science Fiction, If This Goes On… by Robert A. Heinlein, Animal Farm, Goldstein’s Book, the re-writing of history, collapsing the vocab, The Languages Of Pao by Jack Vance, Babel-17 by Samuel R. Delany, The Embedding by Ian Watson, Isaac Asimov’s review of Nineteen Eighty-Four, Orwell imagines no new vices, WWIII, in regular SF we get used to a lack of motifs, the coral, the memories, the place with no darkness, everything is recycled in a dream and people merge, in dream logic 2+2 can equal 5, reduction of the world and the self, Brave New World by Aldous Huxley, soma, The Hunger Games, Wool by Hugh Howey, cleaning day, grease, transformed language, a crudboard box, euphony, a greasy world, a comparison to We by Yevgeny Zamyatin, We The Living by Ayn Rand, Harcourt Brace, Politics And The English Language by George Orwell, V For Vendetta, Norsefire vs. IngSoc, a circuitous publishing history, crudpaper, prole dialect, part dialect, New Speak, military language, Generation Kill, military language is bureaucratic language, Dune by Frank Herbert, Battle Language, private language, Brazil, the thirteen’s hour, The Canterbury Tales by Geoffrey Chaucer, victory means shit, Airstrip One, speakwrite, Star Wars, careful worlding, a masterwork, a transformation and an inoculation, watch 1984 on your phone while the NSA watches you watch it, North Korea, “without getting to political”, 2600‘s editor is Emmanuel Goldstein, the traitor Snowden, that’s what this book is, it’s political, The Lives Of Others, hyper-competent, the bedroom scene, “We are the dead.”, how did the picture break off the wall, dream-logic, Jesse knows when he’s dreaming, if you dream a book you must generate the text, dreaming of books that don’t exist, a great sequel to Ringworld?, The Sandman, “We shall meet in the place where there is no darkness.”, O’Brien, Martin, the worst thing is you can’t control what you say when your sleeping, uncanny valley,
Whatever it was, you could be certain that every word of it was pure orthodoxy, pure IngSoc. As he watched the eyeless face with the jaw moving rapidly up and down, Winston had a curious feeling that this was not a real human being but some kind of dummy. It was not the man’s brain that was speaking, it was
his larynx. The stuff that was coming out of him consisted of words, but it was not speech in the true sense: it was a noise uttered in unconsciousness, like the quacking of a duck.
Polar Express, the book within the book, high end books, Fahrenheit 451 by Ray Bradbury, is London the capital of Oceania?, the value of the book, Stephen Fry’s character, a book that tells you only things you already knew, The Man In The High Castle by Philip K. Dick, the possibilities of other books, supercharged moments in movies, Twelve Monkeys, Dark City, Book Of Dreams, utopias within dystopias, reading in comfort and safety, the golden place, Julia is a pornosec writer, Robert Silverberg, Lawrence Block, Donald E. Westlake, Marion Zimmer Bradley, The Processed Word by John Varley, Russian humor, is there really a war?, power is the power to change reality, Stephen Colbert’s truthiness, doublethinking it, the proles seem to be happier, feeling contempt, lottery tickets depress Jesse, “renting the dream”, the proles are obsessed by lotteries, who is the newspaper for?, the chocolate ration, Larry Gonick’s The Cartoon History Of The Universe, how stable is Oceania?, guys and Guy, how stable is North Korea?, Christopher Hitchens, there’s no hope in 1984, the subversion mechanism has been subverted, changing human behavior, Walden Two by B.F. Skinner, Faith Of Our Fathers by Philip K. Dick, genocide, racial purity, are they bombing themselves?, where does Julia get all her treats?, utopia is a nice cup of coffee, The Principle Of Hope by Ernst Bloch, what’s missing from your life comrade?, is Julia playing a role?, she’s the catalyst for everything, misogyny vs. misanthropy, Nietzsche’s master morality slave morality, political excitement is transformed into sexual excitement, ‘I have a real body it occupies space (no you don’t you’re a fictional character)’, Julia’s punk aesthetic, I love you., she’s the dream girl, the romantic couple that brings down the bad order, The Revolt Of Islam by Percy Bysshe Shelley, Pacific Rim, The Matrix, Equilibrium, Mephistopheles, Mustapha Mond, Jesse thought she was in on it, the prole lady out the window, nature, ragged leafless shrubs, nature has been killed, the Byzantine Empire, the Catholic Church, cult of personality vs. an idoru Big Brother, Eurythmics, we’re nostalgic for the Cold War, the now iconicironic 1984 Apple commercial, dems repubs NSA, has Britain been secretly controlling the world using America?, George Bernard Shaw, society and politics, SF about the Vietnam War, petition for and against the war, Judith Merril, The Forever War by Joe Haldeman, The Handmaid’s Tale by Margaret Atwood, China.
Earlier this year BBC Radio 4 began a season they called “The Real George Orwell” – here’s the official description:
A Radio 4 journey through the labyrinth that is the life and work of George Orwell.
Of course there is no real George Orwell – it was the pen name of Eric Blair – but he was a writer and political commentator who is very hard to pin down. Ever since his early death in 1950, he has been at one and the same time the darling of some on both the left and the right of British politics – whilst being reviled by others. For all the beautiful simplicity of his writing and storytelling Orwell/Blair is a complex mass of confusions – an anti-establishment, pro-English, ex-Etonian ex-policeman and socialist, who was ardently anti-authoritarian. He was as anti-fascist as he was anti-communist, a former Spanish Civil War soldier who was anti-war but pro the Second World War, and so on and so on.
Through dramatisations of the key books, through four newly commissioned plays that explore the disjuncture between the man who was Eric Blair and the writer who was George Orwell, and through factual programming and readings, Radio 4 will take you on a journey from Burma via Catalonia, Wigan, Jura, Manor Farm along the road that led to Nineteen Eighty-Four, one of the most influential novels of the twentieth century.
I’m listening to Nineteen Eighty Four now, and loving it. Have a read of Tom Goulding’s review for the RadioTimes:
Radio 4 continues its series of Orwell dramatisations with Jonathan Holloway’s long-awaited two-part adaptation of Nineteen Eighty-Four. An eerie dystopian vision in the vein of Yevgeny Zamyatin’s We and Aldous Huxley’s Brave New World, Orwell’s magnum opus is a prescient window into Cold War politics, closed-circuit surveillance and blanket censorship.
Christopher Eccleston is the downtrodden protagonist Winston Smith, while Pippa Nixon shines as forbidden love interest Julia. Elsewhere, V For Vendetta villain Tim Pigott-Smith fills O’Brien’s face-stamping boots with sinister relish.
A masterclass in ferocious condemnation and harrowing satire, this is another gem in this superb season.
Then fire up your torrent client and head on over to RadioArchive.cc – where the drama is getting rave reviews!
Adapted from the novel by George Orwell; Dramatised by Jonathan Holloway; Performed by a full cast 2 MP3s via TORRENT – Approx. 1 Hour 54 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4
Broadcast: Feb. 10, 2013 and Feb. 16, 2013
Source: RadioArchive.cc Winston Smith works for the Ministry of Truth. Sick and separated from his wife, he lives alone in a one-room flat in Victory Mansions in London, chief city of Airstrip One. Big Brother stares out from every poster, the Thought Police uncover every act of betrayal. When Winston finds love, he discovers that life does not have to be dull and deadening, and awakens to new possibilities.
Directed by Jeremy Mortimer
Winston Smith – Christopher Eccleston
Julia – Pippa Nixon
O’Brien – Tim Pigott-Smith
Parsons – Kim Wall
Syme – Sam Alexander
Prostitute – Susie Riddell
Charrington – Robert Blythe
Actor – Christine Absalom
Actor – Don Gilet
Actor – Joe Sims
Actor – Joshua Swinney
Actor – Sam Alexander