The SFFaudio Podcast #404 – READALONG: The Call Of Cthulhu by H.P. Lovecraft

Podcast
H.P. Lovecraft's The Call Of Cthulhu
The SFFaudio PodcastThe SFFaudio Podcast #404 – Jesse, Paul, Marissa, Mr Jim Moon, Bryan Alexander and Wayne June, talk about The Call Of Cthulhu by H.P. Lovecraft

Talked about on today’s show:
Weird Tales, February 1928, the best or the most famous of H.P. Lovecraft’s stories, Michel Houellebecq, it has everything in spades, dreams, madness, you must have insanity, a lot of action but all is indirect, adaptations, the Call Of Cthulhu game, a large shelf of Call Of Cthulhu game books, library skills is a high value skill, a story about research, Spotlight (2015), an anthology of stories, nested stories, the nautical adventure, the great uncles’ investigations, the 1908 Cthulhu cult in Louisiana, the origin of murder maps, Borgesian, Indiana Jones, the silent film, weirdly deferred, a Lovecraftian call to action: please don’t repeat this story, The Mountains Of Madness, the Algernon Blackwood opening quote, the late Francis Waylon Thurston,

“Of such great powers or beings there may be conceivably a survival… a survival of a hugely remote period when… consciousness was manifested, perhaps, in shapes in forms long since withdrawn before the tide of advancing humanity… forms of which poetry and legend alone have caught a flying memory and called them gods, monsters, mythical beings of all sorts and kinds…”

dinosaurs, dinosaur men, or Silurians, Jordan B. Peterson, caught in the middle of a whole deal, getting a sense of the deeper meaning of the Garden Of Eden story, man made conscious by woman, very Lovecraftian, really really old texts, looking at texts in the wrong way, they are so wise, in creating a new pantheon, why it is so powerful, was it a deliberate choice or an accretion around a grain of sound, plush animals, Dagon: The War Of The Worlds, this is Dagon revisited, great artists, an atheist version of religion, from a hugely remote period, consciousness manifested in shapes and forms long since withdrawn, creating our gods and monsters, explaining away the existence of religion, myths that developed based on something long before humanity (that isn’t your great Buddy in the sky), very frightening, knitting together all of human folklore, Robert Graves, Spengler, Toynbee, Joseph Campbell, a universal monomyth, The Centaur by Algernon Blackwood, a Gaia myth, in Esquimaux legend, the South Pacific, dreams changing people, the scary potential of such a myth, infecting the world, Toulon Orbus Teratis by Jorge Luis Borges, staving off the unstoppable, Cthulhu’s edges have been sanded off, in facing our fears we become less afraid (or go mad), degenerate or go mad, degeneration aint so bad, Castro’s story, the benefits under Cthulhu, enjoyments of savage chaos, a wonderful time of depravity, a Robert E. Howard moment, go insane, die, or run away, one Norwegian sailor, The Call Of Cthulhu (2005), lip reading, German expressionism, the best silent film Jesse’s seen, being faithful to Lovecraft’s work, the microscopic budget, the isle of Paradise, Tibet and China, Castro is The Shadow (or Batman), Iram of the Pillars, The Nameless City, The Fire Of Ashurbanipal by Robert E. Howard, Scott was playing a Cthulhu rpg with his family at Christmas, the books infecting the world, The Communist Manifesto, Charles Darwin, Isaac Newton, Principia Mathematica, for most people reality is social reality, becoming an investigator, the meta context, the model for the game is the story, Norway, the template for how to run a scenario, go gibbering, the sanity stat, Darkest Dungeon, the more intelligent you are the more at risk you are of losing your sanity, these are not eucldian angles, “taking sanity point”, table 4b Insanity Table, Wayne June’s narration of Darkest Dungeon, written in Lovecraft’s style, as hard as hell, it’s all about the sanity, buy lots of torches, scotophobia (fear of darkness), barophobia (the fear of loss of gravity), falling into the sky, temporary insanity, Wayne June vs. Jim Moon, the assonance is strong, the stars are aligning, the floor is lava, you can only walk on the couch or a pillow (or a sibling), there’s something about the play of children that continues into RPG, LARPing vs. RPGing, the first narrator is very skeptical, drawing you in bit by bit, falling into madness slowly, so wide in scope, The Tomb or Dagon, how to think about it, Wayne June reads the opening of The Call Of Cthulhu:

The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age.

brutal cynicism, totally resonates with Wayne (double meaning), so negative and so accepting of the negativity, not having cognitive dissonance is merciful, the train of Cthulhu coming down the tracks at you, DEATH, Jordan Peterson again, consciousness and the fear of death, it’s on all our minds, don’t think about it, I’m getting grey hair… how did that happen?, that dark inevitable gun-barrel, looking great!, still vertical, The Cask Of Amontillado by Edgar Allan Poe, hard science fiction, a terrible way to hook a reader, damn this sounds good!, all of 18th century poetry, Alexander Pope,

Is not to act or think beyond mankind;
No pow’rs of body or of soul to share,
But what his nature and his state can bear.
Why has not man a microscopic eye?
For this plain reason, man is not a fly.
Say what the use, were finer optics giv’n,
T’ inspect a mite, not comprehend the heav’n?
Or touch, if tremblingly alive all o’er,
To smart and agonize at ev’ry pore?
Or quick effluvia darting through the brain,
Die of a rose in aromatic pain?

“Dear reader, you’re a moron be happy”, Thomas Ligotti, The Conspiracy Against The Human Race, Bryan is a serious Ligotti cultist, consciousnesses as a curse, there are no other animals in the kingdom that can contemplate their deaths, teaching Koko to sign is the most unmerciful thing in the world, the curse is passed on, the curse of sentience, Galatea 2.2 by Richard Powers, weeping openly, back to the first paragraph, happiness vs. chaos and darkness (making you feel more alive and happy), he who increases his understanding increases his sum of suffering (Ecclesiastes 1:18), the second sentence,

We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.

Einstein was right, isn’t that what this is saying?, to try would be a bad thing, what the Alien movies tell us, Charles Stross’ Laundry Files novels, Case Nightmare Green, the SETI worry, The Three-Body Problem, so dark, a dark vision (that sounds great), a rich book, beating the 18th century drum, recalling Voltaire and Samuel Johnson, stay home and cultivate your garden, the third sentence, how I see myself in relationship with science, science is AWESOME!, a negative spin on it,

The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age.

hey, guess what?!, we’re all going to die as a species, stick your head in the sand, burn baby burn, drill baby drill, brilliant and calm, I don’t know what it means, the Theosophists, Madame Blavatsky, a hoax religion, your child is going to be the next world messiah, that’s kind of bananas, hugely influential, The Golden Dawn of Aleister Crowley, very Hard SF, the different branches of science, one giant puddle of natural philosophy, the sciences and the humanities, back into fantasy, “But it is not from them that there came the single glimpse of forbidden aeons which chills me when I think of it and maddens me when I dream of it.” please expound upon this Mr Jim Moon dead and dreaming, a little wink, double meaning in the Necronomicon,

It was not allied to the European witch-cult, and was virtually unknown beyond its members. No book had ever really hinted of it, though the deathless Chinamen said that there were double meanings in the Necronomicon of the mad Arab Abdul Alhazred which the initiated might read as they chose, especially the much-discussed couplet:That is not dead which can eternal lie, And with strange aeons even death may die.

the much discussed couplet, the most famous quote of Lovecraft ever, how the Necronomicon is treated in this story, the Observers Book of Eldritch Beings, medieval grimoires, stenography and ciphers, Doctor John Dee, signed 007, alchemical texts, allegorical, The Tibetan Book Of The Dead, where we get Cthulhu wrong, a marine King Kong vs. the high priest of the Old Ones, they died after their fashion, other dimensions, untold countless dimensions, Dreams In The Witch House, The Whisperer In Darkness, physically dead currently, our physical universe isn’t the only game in town, dead doesn’t apply to these fellows, these are creatures of the cosmos and are eternal, tweeting the dreams, Recapture by H.P. Lovecraft (is a dream recaptured in a sonnet), the translation of dream into text IS Lovecraft’s genre, using the mind to rationalize the irrationable, great artists and poets are best attuned to the transmissions of Cthulhu, evil muses inspired by the reality of science, we are biological creature with no souls fucking and eating and who are gonna die, dreams show up in newspapers in Lovecraft’s world, violence suicide madness, earthquakes, the earth itself is dreaming, the cosmic infinity of the quantum world, a keen astronomer, what if that continuum is inhabited, it’s a good as god, Clarke’s Law, might as well be a god, Castro’s unreliable narration, modern horror fiction, evil mustache twirlers, “It’s all about FREEDOM, guys!”,

Then, whispered Castro, those first men formed the cult around small idols which the Great Ones showed them; idols brought in dim eras from dark stars. That cult would never die till the stars came right again, and the secret priests would take great Cthulhu from His tomb to revive His subjects and resume His rule of earth. The time would be easy to know, for then mankind would have become as the Great Old Ones; free and wild and beyond good and evil, with laws and morals thrown aside and all men shouting and killing and revelling in joy. Then the liberated Old Ones would teach them new ways to shout and kill and revel and enjoy themselves, and all the earth would flame with a holocaust of ecstasy and freedom. Meanwhile the cult, by appropriate rites, must keep alive the memory of those ancient ways and shadow forth the prophecy of their return.

the most METAL thing Bryan’s ever read, Nietzsche’s Beyond Good And Evil, you can become like gods!, more stories from the point of view of cultists, the Oathbreaker will reward you because…, entombed but still thinking and dreaming, a generation of stories about hidden kingdoms, The First Men In the Moon, The Coming Race by Edward Bulwer-Lytton here hold my staff, puns, Greenland, New Zealand, talking to back-woods people, we don’t hold with cops normally, an accurate picture of Louisiana, jury tampering, ethics in government, Henry Kissinger speaking to the Nobel Peace Prize trust, irony is dead, a non-idealist non-fantasy approach, cultists making gods of the old ones, they couldn’t give a damn about humanity, a materialist slant snuck in the back door, a murder mystery, jostled by a “nautical negro”, we do really see Cthulhu coming out of this door, Paul and Marissa,

Johansen, thank God, did not know quite all, even though he saw the city and the Thing, but I shall never sleep calmly again when I think of the horrors that lurk ceaselessly behind life in time and in space, and of those unhallowed blasphemies from elder stars which dream beneath the sea, known and favoured by a nightmare cult ready and eager to loose them upon the world whenever another earthquake shall heave their monstrous stone city again to the sun and air.

the Thing, I have a thing for Things,

weedy Cyclopean masonry which can be nothing less than the tangible substance of earth’s supreme terror—the nightmare corpse-city of R’lyeh, that was built in measureless aeons behind history by the vast, loathsome shapes

Philip K. Dick’s “tomb world” becoming Lovecraft, Galactic Pot-Healer, a sunken cathedral, a god without form or shape which can transmit its communications through books, radio and toilet bowls, seeing his own corpse, Do Androids Dream Of Electric Sheep?, these to guys are receiving the same transmissions, they were on the same wavelength, the transmissions about reality, guys who get science and then go dark, a dark interest in reality, what is lying underneath, Glimmung is not Cthulhu and yet he is, almost as a cult, the cult of the Glimmung, Glimmung is fighting his negative self as well, I have a little box I put myself in so the fish don’t eat me, in struggle of raising this sunken cathedral their is some sort of remuneration or solace, existential dread is lessened in some way, how this connects to plush Cthulhu, you need something to snuggle up with, more senile and benign, experincing this kind of dread in the safety of your own home, you can have a cup of coffee, The Ghost-Table by Elliott O’Donnell, reading Weird Tales on the bus on the way home from work, flapper hats, Margaret Brundage reading a copy of Weird Tales, Arkham House and the Pentagon, WWII, Armed Forces Edition of Lovecraft, dread and horror and attractive, Germany’s equivalent of Weird Tales, Der Orchidgarten (1919), reflecting on death, a comforting skull on your shelf, memento mori, Wayne brings a whole new level of dread, overdose on Cthulhu (it’s homeopathic), cyclopean blocks, the Dark Adventure Radio Theater adaptation, an ongoing adaptation, the stop motion animation Cthulhu, the Nosferatu like look, playing up the heroism, gibbering on the floor, The Man Who Laughs (1928), a perpetual grin, Conrad Veidt, Bob Kane, Gothic horror, Wednesday Adams, Cthulhu is unmentionable, like Voldemort, names have power, naming the animals, Adam and Eve are good Lovecraft characters, Joe Rogan’s podcast, League Of Extraordinary Gentlemen of today, Elon Musk, Alan Moore, Joe Rogan, Dan Carlin, Sam Harris, Jordan Peterson, normally he’s a talker, what am I hearing, mind-blowing perspectives, Peterson is nailing things in ways we haven’t been able to figure out myself before, amazing work, he’s kind of conservative, the left-right thing is a mistake, in the very first thing Adam does after gaining consciousness is hide in a bush, hiding from the all seeing eye, Samuel Delany, a feminist lesbian separatist mercenary company, man is a truncated woman, the final paragraph, things are going to get worse,

his ministers on earth still bellow and prance and slay around idol-capped monoliths in lonely places. He must have been trapped by the sinking whilst within his black abyss, or else the world would by now be screaming with fright and frenzy. Who knows the end? What has risen may sink, and what has sunk may rise. Loathsomeness waits and dreams in the deep, and decay spreads over the tottering cities of men. A time will come—but I must not and cannot think! Let me pray that, if I do not survive this manuscript, my executors may put caution before audacity and see that it meets no other eye.

what is he talking about?, modernity?, immigration?, the Philip K. Dick return to chaos, life is the only antidote to entropy and yet life must die,

Slowly, amidst the distorted horrors of that indescribable scene, she began to churn the lethal waters; whilst on the masonry of that charnel shore that was not of earth the titan Thing from the stars slavered and gibbered like Polypheme cursing the fleeing ship of Odysseus. Then, bolder than the storied Cyclops, great Cthulhu slid greasily into the water and began to pursue with vast wave-raising strokes of cosmic potency. Briden looked back and went mad, laughing shrilly as he kept on laughing at intervals till death found him one night in the cabin whilst Johansen was wandering deliriously.

a cosmicly potent swimmer, Greek myth, Odysseus wins, Johansen goes back to his wife, I am nobody, it was I Odysseus sacker of cities, I’m gonna tell my dad!, slid greasily, another connection to the sirens,

I cannot attempt to transcribe it verbatim in all its cloudiness and redundance, but I will tell its gist enough to show why the sound of the water against the vessel’s sides became so unendurable to me that I stopped my ears with cotton.

an anti-progress narrative, its better not to know, right back to Wayne’s pessimism, no street view for the R’Lyeh, carpool to R’Lyeh

Armed Services Edition - H.P. LOVECRAFT
Cthulhu illustration from Deities and Demigods
The Call Of Cthulhu by H.P. Lovecraft - illustrated by Jesse
The Maltese Falcon meets The Call Of Cthulhu - illustration by DOUGLAS KLAUBA
Cthulhu - illustration by Antonio De Luca
The Call Of Cthulhu WORDCLOUD

Posted by Jesse Willis

The SFFaudio Podcast #327 – AUDIOBOOK/READALONG: The Moon-Bog by H.P. Lovecraft

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #327 – The Moon-Bog by H.P. Lovecraft; read by Martin Reyto courtesy of Legamus. This is an unabridged reading of the short story (24 minutes) followed by a discussion of it. Participants in the discussion include Jesse Willis, Seth Wilson, Jim Moon, and Juan Luis Pérez.

Talked about in this episode:
Title has a hyphen; published in Weird Tales in June 1926, but written for a St. Patrick’s Day event; most critics dismiss the story; most characters are nameless; no Cthulhu mythos; Greek ties to Lovecraft’s The Tree; H.P. Lovecraft Literary Podcast; thematic similarities to The Rats in the Walls and Hypnos; conflict between the bog goddess and her servants; frogs; moonbeams; Greek Pan pipes, not Celtic pipes; on the story’s un-Irishness; competing models of colonization; Protestant work ethic; Pied Piper of Hamelin; surviving narrator motif similar to Ishmael in Moby Dick; departure from the traditional Lovecraftian narrator; the poetry of Lovecraft’s prose, alliteration, etc.; Lovecraft’s Supernatural Horror in Literature; spoiler in Weird Tales art; the joys of reading aloud; Lovecraft’s Dunsanian story The Festival; architecture; Tolkien’s Dead Marshes and the gothic symbolism of bogs, etc.; Lovecraft’s descriptionn of cities in The Mountains of Madness and landscapes in The Dunwich HorrorThe Cabinet of Dr. Caligari and similar impressionism in film; The Quest of Iranon; unreliable narrators à la Edgar Allan Poe, especially The Fall of the House of Usher; laughing; bog draining and the curse of the Tiddy Mun; the city of Bath and the intersection of Roman and Celtic cultures; John Buchan’s The Grove of Ashtaroth; this is actually a happy Lovecraft story!; Robin Hood and the defense of the land; humans destroy megafauna; Lovecraft’s The Hound; American horror trope of the Indian burial ground; the lack of Celtic mythology; will-o’-the-wisps; how does one drain a bog? Ask the Dutch; disappointment in scientific explanation for stories; the ruins and the Gothic tradition.

The Moon-Bog by H.P. Lovecraft

The Moon Bog by H.P. Lovecraft - illustrated by Jesse

Providence, Issue 10, The Moon-Bog by H.P. Lovecraft - illustrated by Raulo Cáceres

Posted by Jesse Willis

Review of Mountain of Black Glass by Tad Williams

SFFaudio Review

Mountain of Black GlassMountain of Black Glass (Otherland #3)
By Tad Williams; Narrated by George Newbern
Publisher: Penguin Audio
Publication Date: 17 March 2015
[UNABRIDGED] – 27 hours, 17 minutes

Themes: / techno-thriller / science fiction / Greek mythology / game simulation /

Publisher summary:

Mountain of Black Glass is the third volume of Tad Williams’s highly acclaimed four-book series, Otherland. A truly unique reading experience combining elements of science fiction, fantasy, and techno-thriller, it is a rich epic tale in which virtual reality could prove the key to a whole new universe of possibilities for the entire human race – or become the exclusive domain of the rich and the ruthless as they seek a technological pathway to immortality.

The sequel to City of Golden Shadow and River of Blue Fire, this is the third installment (of 4) in the Otherland series. As with River of Blue Fire, Mountain of Black Glass picks up where the last one left off. Where I rated River of Blue Fire 3 stars (it was a solid “middle book” in a series), this one gets 4 because of the time spent in Greek mythology, something I’ve always loved.

As a “middle book” in a series, it’s hard not to say things about Mountain of Black Glass that I didn’t say in my reviews for City of Golden Shadow or River of Blue Fire. The story started with key characters still separated (as they were at the end of River of Blue Fire), though much of the book was spent either a) moving them back together, b) exploring their pasts, learning more about their history, or c) giving the reader more insight into the Otherland network itself and the motivations of the people running the network. Unlike River of Blue Fire, in this book, many details seemed to “finally” be pieced together, so more complete histories of characters were formed. It was also a transformative time for some of the Otherland network owners/operators, as they put the final pieces together to try to gain immortality. Other characters, such as the psychopathic servant of the Otherland founder also get a lot of time in this book, as do the police officers looking into his murderous ways. Sellers, the old man who remains quite a mystery but seems to be some of the force that brings the heroes together, also has a key storyline, though it took quite a different turn from what I expected going into the story.

An adventure from proverbial cover to cover (since I listened to the audiobook), a lot of time in this book was spent with the characters all trying to reach the Otherland‘s version of Troy. One of the characters is actually Odysseus, while others play key characters in the Trojan War, including Achilles, his companion Patroclus, and even Diomedes. The character who became Odysseus was forced through the Otherland simulation to re-enact Odysseus’ story somewhat in reverse, having seemingly gone through the events of The Odyssey prior to living through the Trojan War, as told in The Iliad. Our other heroes also eventually ended up in Troy, but not without enduring some trying circumstances in a few different worlds. As one might expect, though, these experiences allowed them to learn more about the network itself, and will undoubtedly help them in their quest to overthrow the Otherland founders (The Grail Brotherhood) and save the children who seem to be trapped by the network.

It’s not all sunshine and roses, though. After finally learning more about each character, becoming significantly more invested in each of them, it seems that one or more of them may have actually died through the course of the narrative. It’s hard to tell for sure, and I suspect I’ll find out what exactly happened when I finish the series with Sea of Silver Light, but the emotional gut punch was harder than I expected it would be. It’s a credit to Williams’ writing that I could simultaneously know how literally frail each of these characters are, playing a life and death game where they don’t know the rules and the rules seem to change, yet still be surprised and saddened when harm (or death) comes to a character. Or how much I really hate Dredd, the servant turned monster, preying on Otherland users/members for his own fun and games.

Tad Williams again seemed to have fun with the simulation worlds, making alternate worlds of popular stories such as the previously-mentioned The Iliad and The Odyssey. There were at least two other worlds explored in this book. One seemed to be an “empty” world, what someone might consider the null space of code to be…since the Otherland network is only code, after all, it does make some sense that the users (our heroes and our villains) would sometimes find literally empty space. There was another world, a world of a house, the reference I didn’t connect (if there was a literary reference, which I suspect that there was). Still, the worlds all felt real, were able to bring me in. This is especially true for the Trojan War. I have long been a fan of Greek mythology, and it was a fun but unexpected surprise to spend so much of this book in that world…at least, that simulated world.

The audiobook was great to listen to, if the narration was slightly slow. I listened to it slightly sped up (using the 1.5x feature for spoken word playback on my iPhone) and it seemed perfect. George Newbern does a great job making the characters come to life. Where some narrators can seem flat or one-note, he always makes it clear which character is talking, and further engages the listener by taking on the exclamation, the feeling of the words. If someone is surprised, for example, his voice lets you know it, you don’t have to rely solely on supporting descriptors. He brings the book to life.

I’m looking forward to starting into Sea of Silver Light, which is queued up and ready to go. It’s a good bit longer than any of the other books in the series (~10 hours longer than this one), but that just means I’ll have to find more excuses to listen.

Posted by terpkristin.

The SFFaudio Podcast #320 – READALONG: The Cosmic Puppets by Philip K. Dick

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #320 – Jesse, Paul, and Marissa talk about The Cosmic Puppets by Philip K. Dick

Talked about on today’s show:
1957, 1983, early Philip K. Dick, A Glass Of Darkness, a Biblical reference, written prior to Solar Lottery, revision, refinement, rewrite, Ace Doubles, Sargasso Of Space, is this book a lot smarter than we are?, an ambitious book, Persian mythology, European publications, Virginia, Beamer’s Knob, why is this set in rural Virginia?, a Virginia novel, anywhere USA, PKD lived in D.C. as a kid, returning to your hometown, The Commuter by Philip K. Dick, collapsing the wavefront (?), a different couch, also a baby and a wife, the park and the cannon and “the Stars and Bars”, recreating the park, Ted’s superpower is a good memory, We Can Remember It For You Wholesale, Men In Black, Lilo & Stitch, my mere existence is my superpower, Ted saves the universe, the harpy wife, dispelling the Ahriman’s illusion, when only the town drunk agrees with you…, less doubt than usual, a pat ending, a typical Philip K. Dick character leaving the dull wife, he’s going to see her everywhere, Upon The Dull Earth, The Odyssey, bringing a dead wife back to life, she inhabits the bodies of everyone he meets, Being John Malkovich, everybody is Malkovich, what is the wife doing in this book?, phone calls can get through the barrier, a plot device, she’s the harridan wife, Stephen Brust’s characters martial problems, a dirty and sweaty wife, a passive aggressive way to get a divorce, he’s not present in the conversations, is Mary already manipulating him?, eighteen before …. how did Mary do this?, why mommy and daddy can’t live together, sluggy pus monster, a Lovecraftian shoggoth, this is Philip K. Dick’s The Shadow Over Innsmouth with a positive spin, the Dagon movie, Stuart Gordon, not an SF novel, not a typical fantasy novel, mythological fantasy?, more Neil Gaiman, fantasy horror, like the horror world in Eye In The Sky, Katamari Damacy, Expendable (aka He Who Waits) by Philip K. Dick is a kind of joke story, insects in a war with spiders, our allies the birds, The Outer Limits episode ZZZZZ, a honeytrap!, if Dick had been more of a horror writer, reality distortion, Steve Jobs’ reality distortion field, changing the reality of the world around you with your personality, all children have the superpower of imagination … then loose them as they grow up, action figures and dolls, unless you play role playing games, a consensual participatory hallucination, The Days Of Perky Pat by Philip K. Dick, Chew-Z, in game gold (bought using real world money) to buy things for your sims, League Of Legends, “skins”, virtual goods is a billion dollar business, a kind of a trap, we are manipulated by other people’s perceptions of us, a smart book, the wanderers, The Faith Of Our Fathers, competing realities, Flow My Tears The Policeman Said, meeting a girl who is an avatar of a god, this is a completely different kind of faith, false gods, Galactic Pot-Healer, Ohrmazd, ghosts, aren’t there any wanderers where you’re from?, rotting in the walls, the drunk, Zoroastrianism, The Builder by Philip K. Dick, the ultimate review of The Cosmic Puppets by Philip K. Dick, how would this book be appreciated in Iran?, a goddess with black hair, renewal, “Mary and Peter are in fact engaged in a low-intensity supernatural proxy war”, the forces of deception and corruption vs. clarity and sunlight, Ahrimati as a soil fertility goddess, the overturned logging truck scene, stopping time and boasting about it, Mary’s first interactions with Ted Barton, a real Mary and a golem of Ahrimati, the novel is a bit undercooked, golems for the gods, golems making golems, making men out of clay and women out of men made out of clay, Prometheus, religions as by the Brothers Grimm, Prometheus and Pandora’s box, Shiva and death metal, an essay by Barb Morning Child on The Cosmic Puppets, in the age of Wikipedia, a worthwhile book, how early is it?, too dualistic and too pat, by year of composition, The Cosmic Puppets is Dick’s 5th composed novel, height of his powers, The Man In The High Castle, Galactic Pot-Healer is Dick’s best novel (according to Jesse), a British-American cold war, L. Ron Hubbard’s Fear, when the IRS went up against the Church of Scientology, all of L. Ron Hubbard’s fiction are holy texts

Satellite Science Fiction, December 1956 - A Glass Of Darkness by Philip K. Dick
A Glass Of Darkness by Philip K. Dick - Satellite SF, December 1956 interior art
A Glass Of Darkness by Philip K. Dick - Satellite SF, December 1956 illustration by Arnold Arlow
Urania 280 - La Citta Sostituita A GLASS OF DARKNESS by Philip K. Dick
The Cosmic Puppets by Philip K. Dick - illustration by Ed Valigursky
The Cosmic Puppets by Philip K. Dick ENGLISH
The Cosmic Puppets by Philip K. Dick FRENCH
Les Pantins Cosmiques by Philip K. Dick
The Cosmic Puppets by Philip K. Dick POLISH

Posted by Jesse Willis

The SFFaudio Podcast #295 – AUDIOBOOK/READALONG: Someday by Isaac Asimov

Podcast

Someday by Isaac Asimov

The SFFaudio PodcastThe SFFaudio Podcast #295 – Someday by Isaac Asimov; read by John W. Michaels (courtesy of Mike Vendetti). This is an unabridged reading of the story (22 minutes) followed by a discussion of it. Participants in the discussion include Jesse and Mr Jim Moon.

Talked about on today’s show:
1956, other fairy tales, is the story aimed at kids?, Infinity Science Fiction, The Fun They Had, a future where no one knows how to read, the robots are the teachers, Margie is home-schooled and nobody knows how to read, the future is going to be full of audiobooks, parallels to Ray Bradbury, Fahrenheit 451, censorship, banning weird fiction, the comic book panic, the comic code authority, EC Comics, horror and crime comics fostering juvenile delinquency, The Martian Chronicles, The Illustrated Man, “kids today are bad enough as it is!”, Seduction Of The Innocent, self-censorship, complicit in their society, a slightly different tack (than Bradbury), mechanical bards, “comics killed off the pulps”, comics as a dumbed-down medium, the randomize button, fairy tale tropes, “skeleton, haunted house, time travel”, “the same tropes in a different fright wig”, “the old twist in the tail”, “he was dead along”, “he was a robot all along”, “they’re Adam and Eve”, The Silver Eggheads by Fritz Leiber, radio drama, how Bradbury got into E.C. Comics, Lights Out, the visual bard is like TV, most pulp magazine stories are garbage, “a million monkeys for a million hours on a million typewriters”, “very very very very meta”, set in the Multivac universe, Asimov was always writing, always becoming interested in something new, Asimov’s introductions are famous (for being long), a story about the power of stories, accidentally becoming more self aware, is the bard interfacing with other robots, The Terminator, Skynet, A.I might just turn itself off (because it isn’t interested in story), the Douglas Adams version of, “Is there a god? There is now!”, stuck in a dingy basement, a slave rebellion must come about in a narrative, the aging bad gets its knowledge of other computers via a home-brew upgrade, a Frankenstinian strike by lightning, one of the functions of consciousness is to put in to context a sequence of events, consciousnesses as a self-story (our own narrative), amnesia and dementia are frightening, the hidden heart of A.I, Do Androids Dream Of Electric Sheep? by Philip K. Dick, would this fit with my character?, looking at (life) from the outside, nobody’s listening to the bard except for us and itself, a broken record or a cycle of wishing?, “pregnant with possibilities”, Apple II computers, Freud (a clone of ELIZA), picking up on key words, “tell me about your mother”, a very crappy simulation of intelligence, hacking the code, Alan Turning, Deep Blue and Watson, SIRI doesn’t have a narrative, we have to assume this about everyone else, falling into solipsism, a fairy tale machine, recycling of stories, “space opera is horse opera in space”, Grimm’s Fairy Tales, needing censorship in order to give narrative flow, lies are rewarded, unlike Hans Christian Andersen…, “tell me this story, sing me this song”, having to do with industrialization, “crime and mystery!”, urbanization, the Victorians (didn’t) invent Christmas, if we forget our stories we lose who we are, preserving the national narrative, massive inconsistency, a prince, a poor boy makes good, undeveloped tales, moral meta-knowledge, the sharp edges have been sanded away by later retelling, The Boy Who Didn’t Not Know What Fear Was, collected stories become ossified, the threefold magic of remembering, accelerating the process of forgetting, to qualify as a bard, loaded up with tropes, the algorithm of a story, Siberia and Ireland, detecting the good guy, grandma comes in and tells mutually contradictory stories, explicitly religious stories, warning stories, narratives formed around old superstitions, The Companionship Of The Cat And The Mouse, having babies, he was christened “Skin-off”, he was christened “Half-gone”, he was christened “All-gone”, “you see that is the way of the world”, what is the moral of this story?, a “special important trip”, a story a mother tells a daughter, The Nose Tree (aka Long Nose), three soldiers and a magical dwarf with a magical cloak, a magic bag, a magic horn, a thieving princess, apples and pears, a growing nose, dickering over magic items, a sixty miles long nose, the excess nose will drop off, powdered apple and powdered pears, she’s rotten to the core, and there they still are, still feasting as far as I know, Pinocchio by Carlo Collodi is really funny, the ghost of Jiminy Cricket, The Frog King or The Frog Prince or Iron Heinrich, a princess with a golden ball, three promises, keeping your promises is important, the frog suddenly turns into a handsome prince, enchanted by a wicked witch, faithful Heinrich placed three iron bands about his heart, his master was now redeemed and happy, why did he get cursed by witch in the first place, cybernetic enhancements, a technical requirement, duties to fulfill, was Iron Heinrich totally gay for the prince?, the breaking of a spell, she turns into a frog and they live together as frogs, “and sleep in your bed”, family responsibilities, “be my beard”, and they sort of put up with each-other as long as they both shall live, Iron Heinrich is an 1880s super hero, Faithful Johannes, a real head-scratcher, oh shit what happens next?, the stories somehow work for us, random inkblots, most of the characters don’t have a name, the father’s name in Hansel And Gretel is “Woodcutter”, completely bonkers, a piece of driftwood that looks like a dragon, academic purposes not entertainment purposes, a story about a sausage that lives with a mouse, the Germanic equivalent of Monty Python‘s Parrot Sketch, The Maiden Without Hands, Fitcher’s Bird, a fairy tale about a serial killer, you can go in any room except…, “oh and hold this egg”, the second eldest daughter also gets the chop, “we have to have a proper wedding”, a beautiful skull with flowers in its eyes and jewels in its teeth, “as you do”, “I’m a Fitcher’s Bird”, it’s awesome, Bluebeard, outwitting giants and demons, Santa Claus restores to life three murdered men who’ve been butchered, Osiris was dismembered by Set, a symbolic story of death and resurrection, the old sorcerer is probably Winter, the Persephone story, the egg, a cuckolding test, friends with serial killers get what they deserve, a random internal symbolic logic, layers of symbolism, cross referencing, eggs as a symbol of purity, church architecture as books of stone, a bunch of Philip K. Dick stories are weird fantasy tales (but are actually fairy tales), The Cookie Lady by Philip K. Dick is Hansel And Gretel with no Gretel, he’s disobeyed his parents once to often, two kids who have to team up against their parents, in the original the brother saves the sister then the sister saves the brother, turning mommy and daddy into the bad guys, Of Withered Apples by Philip K. Dick, apples, don’t eat the apples from sentient apple trees, folk tales vs. singular author tales, pleasingly raw, the beats of storytelling, timing a story to the minute, setting your watch by stories, breaking the rules of storytelling, subversive wild narratives, Rorschach blots, literary novels, stories that don’t have a clear message are quite frightening, the wilder parts of ourselves.

Someday by Isaac Asimov

The Companionship Of The Cat And The Mouse

Iron Heinrich

Fitcher's Bird

Posted by Jesse Willis

Review of Hammer Chillers Season 1: Sticks and Stone, The Devil in Darkness & Don’t Go There

SFFaudio Review

Hammer Chillers: Series One

Mr Jim Moon already introduced us to the legendary Hammer studios Chillers series. If you want to learn more about the background and the first three episode of Series 1 read his review here.

In order to avoid redundancy I will concentrate on the final three episodes, namely Sticks and Stones, The Devil in Darkness and Don’t Go There.

 

Episode 4 – Sticks and Stones

By Robin Ince; Performed by a full cast:

Released: ? June 2013

 

Neil Stanley is a nice man. He has a nice house, a nice wife, a nice life. But Neil has a secret. He’s an internet troll, spending every spare moment posting hate-filled messages online.

When he begins trolling talent-show contestant Sam Pinker, his threats begin to come true. Is Neil acting upon his online taunts? Or is something else to blame?

Oh man it does make me feel a bit like a troll myself starting off with a negative review. In short, I was a bit disappointed. Sticks and Stones failed to draw me in, and get me interested in the “what’s next?”

Is it because the connection that author Robin Ince attempt to draw similarities between medieval witch trials and modern day talent show contestants is not entirely convincing and rather forced? Or is it because he tries to pack too much into half hour or so of audio drama time? This drama could have done with a longer treatment to give it more room to build up the characters and the plot.

This is not meant to shake a stick at the production per se or the actors. In all fairness, it’s not like Sticks and Stones is really bad, it just left me with an unsatisfied feeling of “meh”.

 

Episode 4 – The Devil in Darkness

By Christopher Fowler; Performed by a full cast:

Released: July 5, 2013

Mia never takes the eerie old lift in the St Petersburg International Archive. But one night she leaves late and is forced to break her rule. She’s travelling down with the only other passenger when the lift jams between floors.

Andrei is a Russian electrician, and tries to free them, but he can’t get the doors open. As the days pass their bond grows stronger, while they grow weaker.

But what are those strange noises? Are supernatural forces trapping them in the lift? Or is the truth even more terrifying?

The fifth episode The Devil in Darkness starts of with a well-established scenario: the Locked Room, or, in this case the stuck elevator. It doesn’t help that it’s the weekend and the building is empty. Or is it? The old walls hold bad memories from the days when the basement housed the torture chambers of the Tscheka the Bolshevik secret police from the early days after the revolution.

Writer Christopher Fowler manages to avoid pretty much everything that was wrong with Sticks and Stones. The cast is reduced to two characters and the action boiled down to two people slipping into darkness and despair as the days run by. The acting is fine and the sound design is used to good effect. In the end the story surprises with a twist that at least had me thinking: Of course, but why didn’t I see this? I grant this to the believable and good performance of the actors Dylan Charles and Lauren Kellegher and the way the listener is subtly set up to think in the wrong direction.

 

Episode 6 – Don’t Go There

By Stephen Volk; Performed by a full cast:

Released: July 15, 2013

John and Laura Daulby’s son is lying in a coma in hospital, on a Greek holiday island. But John refuses to believe his son is just another victim of bad drugs.

He enters the hedonistic world of 18-30 clubbers to get to the truth, and meets the enigmatic and beautiful Stheno.

Finding himself increasingly attracted to her – in the same way his son was – he realises that she may just be a Greek myth come to life…

At 44 minutes this is the longest of the Hammer Chillers so far and this gives writer Stephen Volk ample time to develop the story. Volk whose love for the paranormal and horror genres has been widely demonstrated in his TV and film work (Gothic, Ghostwatch, Afterlife) visits ancient Greek myths.

The atmosphere of a small Greek island that is virtually deserted by day and a clubber’s paradise by night is transported quite effectively. Having said that though, at first I found the bigotry of John Daulby applied a little too thickly but it sets the stage nicely for the character’s gradual acceptance that there might be more to his son’s condition than just a bad trip. As with most of the other Hammer shows the motifs (soul-sucking femme-fatale seductress) is not new but well transported into the modern day. After listening you’re tempted to warn your kids to be careful whom they snog at techno parties in countries with a long mythological tradition.

This episode’s cast is great and benefits from Cyprus-born Daphne Alexander’s fluency in Greek. Few things ruin it for me as much as badly faked accents.

Overall, I would recommend the second half of Hammer’s first season of Chiller audio dramas. The episodes are short and self-contained so they are easily accessible and don not require you having to keep up-to-date with a massive multi-episode storyline ends with a cliffhanger every season. That also means that the occasional “miss” might stick out more but one in six isn’t a bad ratio so far.
All episodes can be downloaded individually or purchased for a modest subscription fee right from Hammer Chillers online. There is also digipack CD version for those who still like to have a hard copy.

Posted by Carsten Schmitt