The SFFaudio Podcast #318 – Jesse, Mr Jim Moon, Bryan Alexander, and Fred Himebaugh talk about The Thirty-Nine Steps by John Buchan
Talked about on today’s show:
1915, Blackwood’s Magazine, a propaganda novel, the propaganda ministry, pro-empire, Buchan’s later job, Hitchcock’s The 39 Steps, the Orson Welles adaptation, Mercury Theater, Welles’ propaganda pieces, Nazis invading Canada (Nazi Eyes On Canada), ultima thule, if Operation Sea Lion had worked…, Nazis in Antarctica, Kerguelen Islands, Isle de Crozet, the coolest island ever, Jules Verne, why does our hero go to Scotland?, veldcraft, Greenmantle, Richard Hannay, the comic, Brian thought it was a riot, a brisk read, elegant prose, the BBC Radio documentary on John Buchan, judging everything, “subjective”, coincidences, sooo convienient, the human civilization, The Riddle Of The Sands by Erskine Childers, another sneaky German plot, the Patrick O’Brian books, the invasion novel genre, mining British harbours, u-boats, a shocking incident, Scapa Flow, Winston Churchill, Rogue Male by Geoffrey Household is the WWII version of The Thirty-Nine Steps, Constantine Karolides, war was inevitable, popular in the trenches?, Hannay eats well on the run, cliffhangers, Adrian Praetzelis, a semi-bald archaeologist, Jesse’s dream theory, tired of London …. not enough exercise … lo and behold a murder plot… sleep and dream and wake, a Freudian sense of everything being really nearby, the climax became surreal, Do Androids Dream Of Electric Sheep?‘s fake police station, how to deal with those in between, The Prisoner Of Zenda, “honestly this is impossible”, boys own adventure, James Bond, Dracula, how do these things work in detail, I’m pretty good with disguise, a sign of good writing, villain to do lists, don’t lock the hero in a room filled with explosives, act like you belong there, the roadman scenes, the milkman was a precedent, disguise as psychology, ridiculous of imposture, the speaker at the liberal candidates meetings scene, Australia or free-trade, Asquith, Liberals, free-trade within the empire, as satisfying as a mortician, the eloquence of an emigration agent, a ripping speech Twizden, Hammond, something that always changes is the meaning of the title, the Black Stone (Schwartz Stein), when you’re Lord Tweedsmuir…, Jonathan Harker, ordinance survey maps, the corridors of power, having the power of the British Empire at your back, the reward, doubt about British command, yesterday 100 years ago, the Gallipoli campaign, unilateral disarmament, the secret pact, the French are hyper-competent, playing along, just go over the top, your reward is to go to the Western Front, Greenmantle is the direct sequel, the supremely confident at veldcraft, the Germans had found a Muslim prophet, Islam as a powder-keg, the Mesopotamian campaign, a very personal battle while armies clash, a secret history, Jonathan Strange & Mr Norrell by Susanna Clarke, The Duelists by Joseph Conrad, His Majesty’s Dragon by Naomi Novik, The Red Panda Adventures by Gregg Taylor, Scott Pilgrim Vs. The World, Captain Canuck, Declare by Tim Powers, Kim Philby, Brian’s WWI kick, the Eastern front (Turkey vs. Russia), Duel For Kilimanjaro: Africa 1914-1918, Paul von Lettow-Vorbeck, the opening antisemitism (an international banking conspiracy) is just a smokescreen, crazy conspiracy theories, you only believe the unbelievable tale, a wink to the audience, The Protocols of the Elders of Zion, The United States Of Paranoia by Jesse Walker, the “stab in the back theory”, conspiracies, the Black Hand, seeing the novel in its context, period magazines, stepping into a time machine, having perspective, don’t have secret treaties with France, a landward in Asia, The DaVinci Code, The Grove of Ashtaroth, the Canaanite goddess, Rhodesia, clearing of the land, a weird fiction version of colonialism, Buchan wrote 101 books, Witch Wood (BBC Radio drama), big in to Buchan, Huntingtower, Mr Standfast, The Wasteland by T.S. Elliot, Lovecraft’s parody “Wastepaper”, a pre-modern guy, unthinking ideas, a moral victory over the enemy, panache or élan, Memory Hold-the-Door by John Buchan, Canada’s current Governor General (David Johnston), Hillary Clinton’s autobiography, “chloroform in print”, Mark Twain, Fred’s novel is in beta (The Devil’s Dictum), wait fifty years and read the Wikipedia entry, our assessment of things, Shakespeare was too sad or too gory, why teach Julius Caesar? because it has no sex, the Hugos blew up, Ancillary Justice, changing the markets, Bowdlerizing the past, The Tempest, classic science fiction info dump, Miranda is falling asleep, Mr Jim Moon’s take on The Thirty-Nine Steps, the mystery run-around, the Jason Bourne films, stalking on-the-run travelogue format, Ian Fleming, Dennis Wheatley, a British form of pulp, adaptations, North By Northwest, the 2008 TV adaptation the u-boat in a loch, Alfred Hitchock, The Man Who Knew Too Much, The Ring, the lack of women, adding women, shoveling women into adaptations, it’s all for Fred’s mom, there’s a gun in the pram, Hannay has an afro in the 1978 adaptation, the ministry of espionage, Mr Memory, the comics adaptation, a bridge to far, The Private Life Of Sherlock Holmes, with access to itching powder…, expansive imagination, in the Twilight books the heroine is a complete cipher, WWI books, WWII books, Armed Forces Editions, the post war interest in H.P. Lovecraft, Jack Vance in the South Pacific.
The SFFaudio Podcast #235 – Jesse, Jenny, Tamahome, Luke Burrage, Paul Weimer and Seth Wilson talk about NEW RELEASES and RECENT ARRIVALS.
Talked about on today’s show:
Jenny’s the only woman in the kitchen, many audiobooks by Roald Dahl, The Twits, no Leo Laporte, The Witches, Boy and Going Solo (nonfiction), “piece of cake” (aeronautical term?), maybe we need a kid reviewer, Fantastic Mr. Fox and Other Animal Stories, (Chitty Chitty Bang Bang: Roald Dahl – screenplay, Ian Fleming – novel), (it wasn’t black and white), You Only Live Twice, Jenny got her grabby hands on The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland #3) by Catherynne Valente and read by Catherynne Valente, play sample here, should authors narrate their own audiobooks? (didn’t Stefan Rudnicki want to narrate John Crowley’s Little, Big?), Jesse again mentions the mystery/science fiction novel Golden Fleece by Robert J. Sawyer, ‘Radium age sf’ books (Jesse was saying dreamscapeab.com, but I think it’s hilobrow.com?), Theodore Savage by Cicely Hamilton, “monoculture is bad”, (downpour.com is another alternative), Marvel: Spider-Man Drowned in Thunder by Christopher L. Bennett from Graphicaudio in 5.1 surround sound! (how do you sample that?), The Watchmen motion comic (link), “can’t you do 5.1 in dvd?” Luke wonders, Steelheart by Brandon Sanderson, |READ OUR/SETH’S REVIEW|, conservative women, “magic indistinguishable from science”, Luke’s cut of The Way Of Kings, the ‘Jesse’ unit, paper books, Six Pack o’ Strange Tales by Michael Faun, Caddyshack, The Goliath Stone by Larry Niven and Matthew Joseph Harrington, The One-Eyed Man by L.E. Modesitt, Jr. is science fiction, cover controversy, Paul’s Sfsignal interview with L.E. Modesitt, Jr. (has cover), The Lost Prince by Edward Lazellari, Canada is one-way, William Shakespeare’s Star Wars by Ian Doescher, “Reimagined in glorious iambic pentameter”, Star Wars Uncut video collaboration, some text from the Shakespeare Star Wars, Shakespeare is written in blank verse, duh, Joss Whedon can do the movie, Golden Age full cast audio drama (link), infecting dreams, Lumosity brain games and training, The Savage Tales of Solomon Kane by Robert E. Howard includes The Hills Of The Dead, is Solomon like Dresden?, Out Of Time’s Abyss by Edgar Rice Burroughs read by David Stifel, The War Of The Worlds: Global Dispatches edited by Kevin J. Anderson, it’s purely an English invasion, Ender’s Game Alive: The Full-Cast Audioplay by Orson Scott Card (out 10/22/2013), Stefan Rudnicki talked about it on Functional Nerds, Republic Of Thieves by Scott Lynch isn’t out yet (out 10/22/2013), talking like Bane from The Dark Knight Rises, The Circle by Dave Eggers, tech thrillers, is Gravity science fiction?,The Cold Equations by Tom Godwin, 2012, Neil deGrasse Tyson’s critical tweets about Gravity, she cried in space wrong, Kaleidoscope by Ray Bradbury, Superheroes! Capes, Cowls, and the Creation of Comic Book Culture by Laurence Maslon and Michael Kantor, Command and Control: Nuclear Weapons, the Damascus Accident, and the Illusion of Safety by Eric Schlosser, Germany says no more, The Year’s Top Short SF Novels 3 Edited by Allan Kaster from Infinivox, Bleeding Edge By Thomas Pynchon is a tech thriller maybe, Star Trek Aurora is sexualized (sounds like Joe Haldeman’s Star Trek books), don’t get mad Paramount, Luke has to eat, Paul Weimer tweets photos.
[Applicants for the two giveaway copies of THE SAVAGE TALES OF SOLOMON KANE should leave a comment with a verifiable factoid about Robert E. Howard (as well as an email address) – the two most interesting factoids, as selected by Jesse, will receive their prizes by mail.]
Talked about on today’s show: Jonathan Davis, Pat Fraley, Scott Brick is the Brad Pitt of audiobooks and Simon Vance is the George Clooney of audiobooks, how Simon Vance got started, reel to reel tape recorder, Winnie The Pooh, BBC Radio 4, 1980s, Brighton, RNIB, Grover Gardner, George Guidall, The Book At Bedtime, Margaret Thatcher, California, San Francisco, Christian and devotional audiobooks, “we sound more intelligent (but we’re not)”, Stieg Larsson, Dracula by Bram Stoker, Audiofile Magazine, Earphone Awards, England, Sweden, The Girl With The Dragon Tattoo, the apprenticeship, Market Forces by Richard K. Morgan, a classic dystopia, Thirteen (aka Black Man), The Steel Remains, The Cold Commands, artfulness and in-artfulness of narration, Doctor Who, overwhelming music -> overwhelming emotion, The Lord Of The Rings, the good narrators do the unexpected, “boo”, Dune by Frank Herbert (the full-cast audiobook), Goodreads.com, Simon Prebble, V For Vendetta by Steve Moore, the comic + the movie + Simon Vance = great audiboook, Natalie Portman was awesome, Stephen Rea, most novelizations are terrible, Hugo Weaving, James Bond, Ian Fleming, AudioGo, Blackstone Audio, the Green Knowe books, Listen And Live, Kate Fleming, The Prestige by Christopher Priest, a complicated book, a second chance, The Science Fiction Book Review Podcast review of The Prestige (episode #177), the movie of The Prestige, a final trick, one of the best Science Fiction movies of the last ten years, a thinking man’s book (and movie), The Illusionist, stage magic vs. CGI magic, The Magic Circle, Left for Dead: The Untold Story Of The Tragic 1979 Fastnet Race by Nick Ward and Sinead O’Brien, survival, Antarctica, fiction vs. non-fiction, a cabinet of heads, WWII, the Patrick O’Brian books (the Aubrey–Maturin series), Master And Commander, the incomplete book 21, Robert Hardy and Tim Piggot-Smith, what SFF Simon Vance book should we check out?, The Darwin Elevator by Jason M. Hough, The Exodus Towers, The Plague Forge, zombie apocalypse, aliens, “good honest adventure”, Pan Books Of Horror, c, Rama, Rama II, The Man In The High Castle, Philip K. Dick, Mark Twain, Anthony Trollope, Charles Dickens, a PDF listing Simon Vance’s audiobooks, out of print audiobooks, Audible.com, Christopher Priest’s other audiobooks are done by other audiobook narrators, Peter Ganim, Robert J. Sawyer, The Player Of Games by Iain M. Banks, rights issues, keep your audiobooks.
Arguably: Essays
By Christopher Hitchens; Read by Simon Prebble
24 CDs – Approx. 28.5 Hours [UNABRIDGED]
Publisher: Hachette Audio
Published: September 1, 2011
ISBN: 9781611139068
Themes: / Non-fiction / History / War / Biography / Science Fiction / Fantasy / Iran / Afghanistan / Germany / North Korea / France / Dystopia / Utopia / Religion / Tunisia / Piracy / Terrorism / Feminism / Pakistan /
The first new collection of essays by Christopher Hitchens since 2004, Arguably offers an indispensable key to understanding the passionate and skeptical spirit of one of our most dazzling writers, widely admired for the clarity of his style, a result of his disciplined and candid thinking. Topics range from ruminations on why Charles Dickens was among the best of writers and the worst of men to the haunting science fiction of J.G. Ballard; from the enduring legacies of Thomas Jefferson and George Orwell to the persistent agonies of anti-Semitism and jihad. Hitchens even looks at the recent financial crisis and argues for arthe enduring relevance of Karl Marx. The audio book forms a bridge between the two parallel enterprises of culture and politics. It reveals how politics justifies itself by culture, and how the latter prompts the former. In this fashion, Arguably burnishes Christopher Hitchens’ credentials as-to quote Christopher Buckley-our “greatest living essayist in the English language.”
Here’s a question I was thinking about while listening to Arguably.
What is fiction for?
One answer, the bad one, is that it’s for entertainment. That’s certainly where many readers are willing go, and the fiction writers who write it too. Maybe that’s precisely why so much fiction is just so very shitty.
To me, if you aren’t exploring ideas in your fiction, then you really aren’t serving a greater purpose. Idea fiction, fiction with ideas rather than just action and plot, is to my mind a kind of supplement to the wisdom found in writings on history, biography and science.
Of the many lessons learned I in listening to the 107 essays in Arguably I was particularly struck by the wisdom Christopher Hitchens gleaned from his reading of fiction. Hitchens reviews many books in this collection, nearly half of the essays are book reviews. Books like 1984, Animal Farm, Flashman, The Complete Stories Of J.G. Ballard, Our Man In Havana, and even, surprisingly, Harry Potter And The Deathly Hallows all get fascinating, critical, and reverent reviews.
Yet Hitchens also takes the lessons with him into his writing about his travels. Hitchens writes about visits to such places as North Korea, Cyprus, Afghanistan, and Kurdish Iraq. When talking about his visit to Beirut we see what comes when Hitchens, a man of ideas, acts upon them. The essay, The Swastika and the Cedar sees the convictions of the commited anti-fascist Hitchens beaten and nearly kidnapped for an act of vandalism on a prominently displayed swastika. Writes Hitchens:
“Well, call me old-fashioned if you will, but I have always taken the view that swastika symbols exist for one purpose only—to be defaced.”
In a review of two books, Lolita and The Annotated Lolita, Hitchens applies the controversial subject in a real life look at the modern, and very non-fictional oppression and objectification of women. Indeed, the ideas he appreciated in fiction helped Hitchens to come to grips with the real world.
I think the worst essay in this collection is the one on the serving of wine and restaurants, Wine Drinkers Of The World, Unite. It was simply a waste of the talent, too light, too easy a target. And yet, even that essay, the worst essay in all 107 has a memorable anecdote: “Why,” asks Hitchens’ five year old son, “are they called waiters? It’s we who are doing all the waiting.”
As to the narration of the audiobook. I’m ashamed to admit that I was initially dismayed when I saw that Christopher Hitchens had not narrated this audiobook himself. I was wrong to worry. Incredibly, Simon Prebble seems to have have become Hitchens for this narration. Prebble perfectly captures the erudite words, so eloquently performs them, and with an accent so like that of Hitchens’ own so as to make me think that it was Hitchens who had actually read it.
I think the worst essay in this collection is the one on the serving of wine and restaurants, Wine Drinkers Of The World, Unite. It was simply a waste of the talent, too light, too easy a target. And yet, even that essay, the worst essay in all 107 has a memorable anecdote: “Why,” asks Hitchens’ five year old son, “are they called waiters? It’s we who are doing all the waiting.”
Here’s a list of the book’s contents, with links to the original etexts when available, along with my own notes on each:
The Private Jefferson – a review of Jefferson’s Secrets: Death And Desire At Monticello by Andrew Burstein
Jefferson Vs. The Muslim Pirates – a review of Power, Faith, And Fantasy: America In The Middle East: 1776 To The Present by Michael B. Oren
Benjamin Franklin: Free And Easy – a review of Benjamin Franklin Unmasked: On the Unity of His Moral, Religious, And Political Thought by Jerry Weinberger
John Brown: The Man Who Ended Slavery – a review of John Brown, Abolitionist: The Man Who Killed Slavery, Sparked The Civil War, And Seeded Civil Rights by David S. Reynolds
Abraham Lincoln: Misery’s Child (aka Lincoln’s Emancipation) – a review of Abraham Lincoln: A Life by Michael Burlingame
JFK: In Sickness And By Stealth – a review of An Unfinished Life: John F. Kennedy, 1917–1963 by Robert Dallek
Saul Bellow: The Great Assimilator – review of six novels by Saul Bellow (The Dangling Man, The Victim, The Adventures Of Augie March, Seize The Day, Henderson The Rain King, and Herzog)
Vladimir Nabokov: Hurricane Lolita – reviews of Lolita by Vladimir Nabokov and The Annotated Lolita edited and annotated by Alfred Appel, Jr.
John Updike: No Way – a review of The Terrorist by John Updike (with reference to The Coup too) John Updike: Mr. Geniality – a critical review of the affable Due Considerations: Essays And Considerations by John Updike
Vidal Loco – Gore Vidal went crazier, more elitist and perhaps more racist as he got older (with attention and quips for Quentin Crisp and Oscar Wilde and Joyce Carol Oates)
America The Banana Republic – Hitchens on the “socialistic” bank bailout of 2008 (“socialism for the rich and free enterprise for the rest”)
An Anglosphere Future – a review of The History Of The English Speaking Peoples by Andrew Roberts (with reference to both Sherlock Holmes and The White Company by Sir Arthur Conan Doyle as well as to Cecil Rhodes and Rudyard Kipling)
Political Animals – a review of Dominion: The Power Of Man, The Suffering Of Animals, And The Call To Mercy by Matthew Scully
Old Enough To Die – on capital punishment as applied to children In Defense Of Foxhole Atheists – a visit to the United States Air Force Academy and the tax funded proselytizing
ECLECTIC AFFINITIES Isaac Newton: Flaws Of Gravity – a stroll through the medieval streets of Cambridge with the scientists, mathematicians, and philosophers who worked there
Gustave Flaubert: I’m With Stupide – a review of Bouvard et Pécuchet by Gustave Flaubert translated by Mark Polizzotti The Dark Side Of Dickens – a review of Charles Dickens by Michael Slater a biography (Hitchens was a not uncritical admirer of the subject)
Marx’s Journalism: The Grub Street Years – a glowing review of Dispatches for the New York Tribune: Selected Journalism Of Karl Marx edited by James Ledbetter, foreword by Francis Wheen (Marx admired the United States, and other fascinating facts about the father of communism)
Rebecca West: Things Worth Fighting For – an introduction to Black Lamb and Grey Falcon: A Journey Through Yugoslavia by Rebecca West
Ezra Pound: A Revolutionary Simpleton – a review of Ezra Pound, Poet: A Portrait Of The Man And His Work: Volume I: The Young Genius, 1885-1920 by A. David Moody (a biography of the fascist poet)
John Buchan: Spy Thriller’s Father – a review of John Buchan The Presbyterian Cavalier by David R. Godine (with discussion of The 39 Steps and a fantasy novelette The Grove Of Ashtaroth)
Fraser’s Flashman: Scoundrel Time – a look at the George MacDonald Fraser series of Flashman books and the connection with The Adventure Of The Empty House
AMUSEMENTS, ANNOYANCES, AND DISAPPOINTMENTS Why Women Aren’t Funny – a controversial essay on why more comedians are male and why women laugh at them the way they do
As American As Apple Pie – a literary and chronological history of the blowjob, with reference to Valdamir Nobokov’s Lolita
So Many Men’s Rooms, So Little Time – a fascinatingly insightful argument on what’s was going on with the Larry Craig bathroom airport scandal and related phenomena
A War Worth Fighting – a persuasively systematic review of Churchill, Hitler And The Unnecessary War: How Britain Lost Its Empire And The West Lost The World by Pat Buchanan
Just Give Peace A Chance? – a critical review of Human Smoke by Nicholson Baker
Don’t Mince Words – the disenfranchisement of south Asians in Britain isn’t the cause of bombings, hatred of women is.
History And Mystery – al-Qaeda in Iraq, jihadists, or “insurgents”? Do words matter? Of course they bloody well do.
Words Matter – political slogans make of “every adult in the country” an “illiterate jerk who would rather feel than think”
This Was Not Looting – how can a government “loot” it’s own weapons manufacturing facility? The government of Iraq managed it according to The New York Times.
The “Other” L-Word – a lighthearted piece on the prominence of the word “like” and it’s use
The You Decade – what’s wrong with you (marketing to the selfish)
Suck It Up – the Virginia Tech shootings prompted the wrong response from the world (namely that it prompted one)
A Very, Very Dirty Word – the English empire, in centuries to come, may only be remembered for soccer and the phrase “fuck off”
From Russia With Love is the third James Bond RADIO DRAMA made for BBC Radio 4 by the wife and husband team of Rosalind Ayres and Martin Jarvis. And it’s absolutely wonderful!
Compared to the movie adaptation, which complicates the plot and adds in more action sequences, this radio drama versio of the novel is much more of a straight-up espionage thriller. In fact it’s so straight-up it feels kind of like an episode of The Sandbaggers. Smart, realistic, gritty. But as with any Bond tale it’s also loaded with sexiness. I’m really in awe at the skill and scale of these adaptations.
Toby Stephens is absolutely terrific as Bond. And Olga Fedori, the spy who loves him, is the best “Bond girl” I’ve ever heard. Fedori plays Corporal Tatiana Romanova, the a Soviet state assigned seductress of 007. She’s a pawn in a game being played by SMERSH, the counter-intelligence agency of the Red Army.
Within the luxurious ninety minutes of the play you get a real sense of a story being told.
When I watch the James Bond movies it rarely occurs to me that there’s much of a plot in between the action sequences. In fact, I don’t well recall any of the Bond movie plots very distinctly. The movies, even though I mostly love them, are more apt to treat the plot’s premise as an excuse to get to the next exotic location or to the next fantastic stunt sequence. They’re more cartoon than novel. Not so with this adaption. Colonel Rosa Klebb, one of the big baddies of both, is creepy like she is in the movie, but with this radio adaptation you’ll almost feel bad for her in her later scenes. The one liners are there, but they’re not laughing jokes as much as they are punctuation marks for the gallows humour of Bond.
The radio drama adaptation offers a two kinds of Russian love, the sentimental and the soft, and the hard and the ruthless.
Indeed, the intimacy of audio version is amazing. Bundled up snugly on the Orient Express with the two sexy cold war era spies is a wondrous treat you can’t afford to let yourself miss.
From Russia With Love
Based on the novel by Ian Fleming; Performed by a full cast
1 MP3 via TORRENT – Approx. 87 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4 – The Saturday Play
Broadcast: July 21, 2012
Provider: RadioArchive.cc It’s 1955 and the Russians plan an act of terrorism. Choice of target? James Bond. To be ‘killed with ignominy’: a major sex scandal will leave his reputation, and that of MI6, in tatters. Colonel Rosa Klebb of the KGB devises a plan to lure Bond into their trap, using beautiful Corporal Tatiana Romanova as bait – plus a Spektor, the latest Russian decoding device. MI6 learns that Tatiana wants to defect and ‘M’ orders Bond to Istanbul. When Tatiana makes contact she seems to be in love with him – but is she? Either way, he soon falls for her and they leave Istanbul together, accompanied by larger-than-life Darko Kerim, Head of British Intelligence in Turkey. The climax of the drama includes a surprising confrontation between Bond and the murderous Rosa Klebb. In writer Archie Scottney’s brilliantly evocative ‘radio screenplay’, we see another side to 007. Unsure of his judgement, can he bring the lovely Tatiana safely to England, along with the precious Spektor? Will the Russians succeed in having Bond killed? If so, who is the would-be murderer?
Cast:
General/Rene ….. John Sessions
Kronsteen ….. Mark Gatiss
Major/KGB director/Barman ….. Jon Glover
Rosa Klebb ….. Eileen Atkins
James Bond ….. Toby Stephens
May ….. Aileen Mowat
‘M’ …… John Standing
Moneypenny ….. Janie Dee
‘Q’ ….. Julian Sands
Kerim ….. Tim Pigott-Smith
Manager/Conductor ….. Matthew Wolf
Tatiana ….. Olga Fedori
Announcer ….. Micky Stratford
Nash ….. Nathaniel Parker
Ian Fleming ….. Martin Jarvis
Specially composed music by Mark Holden and Michael Lopez
Director: Martin Jarvis
Producer: Rosalind Ayres
A Jarvis & Ayres production for BBC Radio 4.
The SFFaudio Podcast #136 – Jesse, Tamahome, Eric S. Rabkin, and Jenny talk about Neuromancer by William Gibson.
Talked about on today’s show:
What was really going on in 1984, the introduction to the audiobook, 3 MB of RAM, Commodore 64, Apple IIe, TI-99/4A, the 10 Year Anniversary Edition of Neuromancer, video arcade vs. arcade, Tank War Europa, Spy Hunter, Sinistar, BBC audio drama adaptation of Neuromancer, cyberpunk, Jenny couldn’t connect with Case the first time, Alfred Bester, the revolutionary effect of Neuromancer, “a very special book”, Mexico City, “an important novel”, Yevgeny Zamyatin’s We, The New Yorker’s parody of Neuromancer, the New Wave, “one great new idea per book”, Samuel “Chip” Delany, The Einstein Intersection, The Lovesong Of J. Alfred Prufrock by T.S. Eliot, “The sky above the port…”, Blade Runner, “time to murder and create”, Hesiod, “And he never saw Molly again.”, an untethered morality, the Rastafarian religion, WWI, virtual worlds, Second Life, Gibson’s intentions, Gravity’s Rainbow by Thomas Pynchon, conspiracy, The Crying Of Lot 49, William S. Burroughs, Naked Lunch, “the silent frequency of junk”, The Wonderful Wizard Of Oz, Dorothy’s shoes, L. Frank Baum, “the face of evil is the face of total need”, The Electric Kool-Aid Acid Test by Tom Wolfe, “slouching through the streets of Paris”, Case is a “man of decided inaction”, God was Adam’s employer, Dixie Flatline wants to die, Free Will, Eric felt for Case, 1980s, Watergate, a totemic fascination with color and material, branding, Pattern Recognition, the Sanyo spacesuit, Hosaka is a computer?, a dead channel would be blue (today), Ian Fleming, James Bond, Walther PPK, “elegance and cosmopolitanism”, John Brunner’s Stand On Zanzibar, Escape From New York, Johnny Mnemonic, the fear of what technology is going to bring, Case’s youth, detritus vs. kipple, Philip K. Dick, Martian Time-Slip, Galactic Pot-Healer, “you can’t prove that the United States exists” in Neuromancer, Case was a street-kid, Gibson has built something that has mythic power, the lame Braun robot, Molly -> Mother -> Mary, SSN vs. SIN, a Case study (pun), he has been assigned a SIN, Oedipus, they function as if they were physical, Case: “You know you repeat yourself man.” Dixie: “Yeah, it’s my nature.”, the Sprawl trilogy and “when it changed”, when is Neuromancer set?, “a rich kid’s hideout”, real kipple vs. fake kipple, “built by carpenters to look rustic”, 18th century fake ruins, Versailles (and the Hameau de la reine), the Tessier-Ashpool are fucked up, Mona Lisa Overdrive, cloning, Count Zero, “they dumped themselves into this matrix”, communication technologies begin with porn, A Chorus Line, SimStim gets short shrift in Neuromancer, Strange Days, Molly’s meat-puppet memories, 1-900 numbers, the lotus eaters, Circe, the Sirens song, The Lion of Comarre by Arthur C. Clarke, the heisters are motivated or moved by their A.I. puppet-master, Case’s motivation, Molly’s motivation, Corto/Armitage’s motivation, like Rabbit in Vernor Vinge’s Rainbow’s End, these characters want to believe in their own free will, Neuromancer‘s motivation, “who’s the bad guy in this book?”, “who isn’t?”, the shuriken is the only moral totem in the book, dystopia vs. dystopic, “the wavelength of amphetamine”, spit instead of cry, Jenny is kind of cheating (because she’s read the sequels), is Molly wrong for Case?, Eric questions the new pancreas, it’s Noir (because everyone smokes), Jo Walton’s review of Neuromancer (see the top and comment 59.), Jesse appreciates the world (and the great motivation of the plot), Eric likes Case (in part) because he’s the only one who doesn’t want to physically hurt anyone else, O’Neil colony, the fake French youths, Case is not Neo, The Matrix is a fairy tale with a prophecy whereas Neuromancer is Science Fiction, the Sprawl Trilogy vs. The Matrix Trilogy, Star Wars, “stuck in bullet time”, V: For Vendetta is a fantastic movie, Jenny thinks we should listen to the soundtrack to The Matrix, “the machine and the moment”, Tama thought the second half of Neuromancer dragged, Mary Shelley’s Frankenstein is also Necromancer‘s antecedent ,”what do we owe to what we create?”
The SFFaudio Podcast #318 – Jesse, Mr Jim Moon, Bryan Alexander, and Fred Himebaugh talk about The Thirty-Nine Steps by John Buchan
Arguably: Essays
