The SFFaudio Podcast #301 – Jesse, Scott, Jenny, and Tamahome talk new releases and recent arrivals.
Talked about on today’s show:
Reading goals and the Reading Envy podcast, spy novels, The IPCRESS File by Len Deighton is a more serious version of James Bond, film version stars Michael Caine, The Bourne Identity by Robert Ludlum, Rogue Male by Geoffrey Household, SFFaudio Podcast #95 features a discussion with Eric Rabkin about SS-GB by Len Deighton, a Britain-centered, less crazy version of Man in the High Castle by Philip K. Dick, Scott on rereading Hyperion (but hasn’t read Fall of Hyperion), the Hyperion audiobook is highly recommended, Wool by Hugh Howey now a graphic novel, Jesse doesn’t like open questions that require him to read more, Kindle Worlds, Mobile Library by David Whitehouse, Bookworm villain from Batman, The Magician’s Lie by Greer Macallister reminiscent of The Prestige, A Pleasure and a Calling by Phil Hogan, some synopses are better-written than others, Patricia Highsmith, The Brenda and Effie Mysteries: The Woman in a Black Beehive by Paul Magris especially for audio, The Last Passenger by Manel Loureiro, Aurora CV-01 by Ryk Brown looks to be the perfect Scott book, this podcast features a real phaser, Hellhole by Gina Damico (not to be confused with the Kevin J. Anderson book of the same name), never underestimate evil on a sugar high, Proxima by Stephen Baxter, on how discoveries in astronomy affect science fiction, Kate Wilhelm in Orbit by Kate Wilhelm is a collection of her short stories from ca. 1966-1980 in Orbit anthologies, Scott didn’t “get” Wilhelm’s short story The Planners, SuperEgo by Frank J. Fleming, I Am Not a Serial Killer by Dan Wells, Dexter in spaaaaaaace!, A Murder of Clones by Kristine Kathryn Rusch is part of the Retrieval Artists universe, first audiobook in the series produced by Scott, the series would make a good TV show, The Android’s Dream by John Scalzi narrated by Will Wheaton, Future Crime by Ben Bova, a collection of short stories, file sharing used to happen by mail, we demand the return of cassettes (not!), #GetOffMyLawn, Pacific Edge by Kim Stanley Robinson is part of a triptych, an actual utopia, Orange County of the future, Jesse and Scott met Kim Stanley Robinson at WorldCon, no kaiju, Mort(e) by Robert Repine, Southern Reach trilogy by Jeff VanderMeer now available in one package via Audible, “there must be something wrong with it, it’s too popular!”, Make Room! Make Room! by Harry Harrison a.k.a. the book that inspired Soylent Green, Jenny lives on lentils and soybeans, The Deep by Nick Cutter, The Abyss meets The Shining, discussion of The Abyss which is recommended sans the last five minutes, Freedom Club by Saul Garnell, Trigger Warning short story collection by Neil Gaiman, on authors doing test runs or tryout stories to develop an idea, the difference between plotters and pantsers, The Globe: The Science of Discworld II by Terry Pratchett, Ian Stewart, and Jack Cohen is actually a novel, Jenny debunks the theory that all stories come from an origin, Endsinger by Jay Kristoff, Marked by Sarah Fine, Piers Anthony’s Apprentice Adept series, these books may or may not be kinky–weird kinky, Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson, David Hasselhoff does the musical, Markheim, a short story by Stevenson.
The SFFaudio Podcast #297 – Jesse, Jenny, and Tamahome talk about NEW RELEASES and RECENT ARRIVALS.
Talked about on today’s show:
Lowball : A Wild Cards Novel edited by George R. R. Martin and Melinda Snodgrass, The New Annotated H. P. Lovecraft edited by Leslie S. Klinger, a reference book readalong?, Marked: Servants Of Fate, Book 1 by Sarah Fine, conflict of interest, Until The End Of The World by Sarah Lyons Fleming, Until The End Of The World (movie), The Dark Thorn by Shawn Speakman,the Seattle underground, Entangled: The Eater of Souls by Graham Hancock, lots of research, Half-Off Ragnarok (InCrytpID Book #3) by Seanan McGuire, V Wars: Blood and Fire: New Stories of the Vampire Wars edited by Jonathan Maberry, a dime a dozen, Wildalone by Krassi Zourkova, At the Mountains of Madness by H.P. Lovecraft, didn’t Southpark adapt this?, annotations, pdf of original story with illustrations hosted by Sffaudio, Kaiju Rising: Age of Monsters (editor?), not inspired by Pacific Edge by Kim Stanley Robinson, similar short story overdose, The Playground and Something Wicked This Way Comes by Ray Bradbury, Richard Matheson, killer baby, Tam remembers the Good Story Episode (#21) on Something Wicked, Ray Bradbury storytelling festival, Something Wicked vs The Night Circus, or maybe Good Omens (which is a BBC radio audiodrama now), “@DirkMaggs: #GoodOmens we are thrilled that the series has been so enjoyed. The CD/Download version released in January runs nearly 50mins longer in all” (RT’d by @SDDanielson), British tests, Hypnobobs podcast on Christmas Annuals, The Strange Library by Haruki Murakami, The Maker Of Moons by Robert W. Chambers, The True Detective tv series, The Last American Vampire by Seth Grahame-Smith, the picture of the navy guy kissing the woman, ATLAS by Peter Berkrot, Mech Warrior game, The Three-Body Problem by Cixin Liu and translated by Ken Liu, the three-body problem explained, (Ken Liu is a lawyer and programmer, Jenny), David Brin gave it 5 stars on Goodreads, The Jesus Incident by Frank Herbert and Bill Ransom, Carbide Tipped Pens: Seventeen Tales Of Hard Science Fiction edited by Ben Bova and Eric Choi, that’s hard!, The Year’s Top Ten Tales Of Science Fiction 6 edited by Allan Kaster, The Cosmic Puppets by Philip K. Dick, Lock In by John Scalzi, why two audio versions??, The Martian Chronicles by Ray Bradbury, |Listen to our readalong|, Proxima by Stephen Baxter, but Jenny wants to know the plot, Fahrenheit 451 (narrated by Tim Robbins), Plague Year by Jeff Carlson, The Long Dark game, two more quickly, WHITE PLAGUE: A Joe Rush Novel by James Abel, and Near Enemy: A Spademan Novel by Adam Sternbergh
Talked about on today’s show:
Hardcover, paperback, audiobook, who to blame?, it’s Jo Walton’s doing we chose this book (at the bottom), still a lot of juice in the genre, the ultimate cause, drawing in vs. pushing in, Corner Gas, a new wine bracket, the Radium Age of Science Fiction, Scott’s Goodreads review, Tam’s Goodreads review, 24, the characters, less torture, its more fun if you count the tropes, every trope is in there, including immortality, mimetic fiction (literary realism), Henry James, mimetic fiction in a science fiction universe, tiny infodumps, not one brand new idea, waveface virtual reality, Tonal_Z AI language (Chris Crawford’s Solvesol-interface concept?), in dialogue, Cory Doctorow (Whuffies), Bruce Sterling, Chris Crawford, Bruce Sterling’s Veridians (wow, it’s a whole big thing, design philosophy? manifesto), asteroid miner stories, Heinlein and later, The Island Worlds by John Maddox Roberts and Eric Kotani, The Moon Is A Harsh Mistress, there’s no newcomer, a generally agreed upon direction our future will be, John Scalzi’s brainpal, more than one kind of SF, rocket ships, the Charles Stross direction, Iain M. Banks, Souvenir by Philip K. Dick, Amish tech, their tech is subservient to their culture, it seems inevitable in our world, the received future, Earth in Up Against It in bad shape, Vancouver shantytowns, Edmonton, this isn’t a utopian book, dystopia, dystopic Earth, why are they in the Asteroid Belt, good world-building, good but not new, nothing new but the idea, incredibly self-aware people is weird (and cool), gene tampering, Oblivion is a good introduction to SF tropes (for people born in the year 2000), the level of SF tropes in movies is very low compared to those in SF books, Darwin Elevator, bad physics vs. excellent physics, sugar rocks, there’s no intro character (other than the A.I. pov), Little Brother by Cory Doctorow, collaborative teens, a visual adaptation, Ender’s Game, Planetes, Gravity, Babylon 5 had nothing new, I don’t go to TV SF for new ideas, books are where great ideas, what great ideas haven’t been explored, the news coming out of Eve Online, Steen Hansen, political machinations, gold farming, a simulated universe, a libertarian alliance was trojaned or something, happening to real people, World Of Warcraft, our real future is in leisure, Tam liked it more, nose-piercings, tattooing, the gender neutral pronouns, why would you want a purple nose?, Jesse doesn’t understand trans-humanism, normal readalongs, why didn’t I like this more, Tam liked it fine, hands for feet, chromes and mutes, Falling Free by Lois McMaster Bujold, not too bright in the brain area, The Integral Trees by Larry Niven, a planetless solar system, a mashup of Doctorow and Heinlein, smile -> erection, Chekhov’s Gun, Heinleinian sex vs. Doctorowian sex, there’s too much going on, an immature writer, Elmore Leonard, “she pillowed her cheek”, nobody pillows their cheeks in Jack London stories, Jane as an older Ripley, an artificial spiritual awakening, too many compromises too much bullshit, an authentically political book according to Staffer’s Book Review, double dealings, the thriller plot, exploring space, what does Scott prefer?, does Scott have a right to review Up Against It?, is it maturity?, 2312, Tobias Buckell’s blog essay about mature reviewers, caveats, “and get off my lawn”, idea fiction, competent but unstimulating, why is The Lord Of The Rings more interesting than Up Against It?, the themes, the next episode of A Good Story Is Hard To Find, Luke Burrage re-reviews A Canticle For Liebowitz, what we do when we do READALONGS (we unpack books), The Odyssey, Community, currently airing TV series have podcasts?, books with allegories, Scott wants it to mean something to him, The Zimmerman Telegram by Barbara Tuchman, WWI, the German ambassador in Mexico, Woodrow Wilson, Tom Clancy, mimetic fiction from the future, a history from the future, history, in some ways Eve Online is much more real than any fiction book, Scott finds value in general fiction, Mario Puzo, Tom Wolfe, Ernest Hemingway, John Steinbeck, meaning vs. ideas, horror, Snowblind by Christopher Golden for some alternative horror, The House Of The Seven Gables by Nathaniel Hawthorne, The Turn Of The Screw by Henry James, gothic fiction, witchcraft, Supernatural Horror In Literature by H.P. Lovecraft, there’s still potential for Science Fiction, a sequel?, an unneeded sequel, every subsequent milk of a book undercuts it, Dune has been worsened by every Dune that’s come since, Dune Messiah (Scott liked it), the fall of a charismatic leader, a backward casting shadow, Brian Herbert has done what his father wanted by ruining Dune?, why was Up Against It so long?, YA/adult book, George R.R. Martin doesn’t think Scott’s a fan of Hard SF, The Martian by Andy Weir, Phoecea, why are they mining?, there’s no economic reason to do so, was there an economic reason to go to the moon, we need to build a space fleet, no martian resources are unavailable on Earth, the Moon has Helium-3, Tam read Frank Schatzing’s Limit and his eyes are tired, what the frack, (was it ‘Simon pure science fiction like A Darkling Sea‘? we didn’t talk about it but I thought I’d note it)
Ensign Andrew Dahl has just been assigned to the Universal Union Capital Ship Intrepid, flagship of the Universal Union since the year 2456. It’s a prestige posting, and Andrew is even more thrilled to be assigned to the ship’s xenobiology laboratory, with the chance to serve on “Away Missions” alongside the starship’s famous senior officers. Life couldn’t be better . . . until Andrew begins to realize that (1) every Away Mission involves some kind of lethal confrontation with alien forces, (2) the ship’s captain, its chief science officer, and the handsome Lieutenant Kerensky always survive these confrontations, and (3) sadly, at least one low-ranked crew member is invariably killed. Unsurprisingly, the savvier members belowdecks avoid Away Missions at all costs. Then Andrew stumbles on information that completely transforms his and his colleagues’ understanding of what the starship Intrepid really is . . . and offers them a crazy, high-risk chance to save their own lives.
I’ve been kind of on a Scalzi kick lately. I guess I’ve needed some light sci-fi without too much brain interaction. And I don’t say that as a bad thing. I know so many times “light” and “fun” come off in the pejorative, but I rarely mean it that way. Honestly, I think that’s the high watermark of fiction. I’m not trying to learn anything, although I always do. I’m not trying to to do anything but enjoy my free time.
I value other aspects of a novel plenty. I love a complex plot, great characters, beautiful prose. But the most important thing to me is fun. Entertainment. How wrapped up I am in a book is the most important aspect. Obviously many things contribute to that including plot, characters, prose, etc. However, a lack of any of these is also possible.
Redshirts is just that. It’s fun. It’s a story that keeps you turning pages, or in the case of this audiobook, that keeps you in your car longer than necessary. It’s far from perfect, in fact I had plenty of problems with the narrative and they mainly fall in the codas, but I’ll get to it.
The way Redshirts is laid out, it is a main story followed by three codas at the end called First Person, Second Person, and Third Person. The main story is an exciting mystery where the characters realize someone dies off each time there’s a mission. It’s funny at times, a bit overdone at other times**, but mostly a fun ride with an intriguing mystery I wanted to see solved. It had me until the end when I just couldn’t suspend disbelief anymore.
**I think reading the jokes that were overdone may have been funnier. Sometimes a joke that is funny on paper just isn’t quite so funny spoken aloud. Tis a fact of life I continually relearn. :)
Then come the codas. First Person was okay. It was an odd continuation of the story that kind of makes sense. Second Person is just an annoying way to read anything. Please no one write second person ever again. Ever. Who is “you” when it’s both the narrative and the protagonist using it? Third Person was also unnecessary. I couldn’t shake the feeling that Scalzi got to the end of the main story, realized it was the dreaded novella length (unsellable) instead of a full novel and started to explore some side issues and threw them onto the end.
I’m not making any friends with this, but I had a hard time with Wheaton’s narrating in this one. He’s obviously perfect for the job, he’s a Star Trek star and his personality on The Big Bang Theory, Twitter, you name it, is as snarky as it gets. Perfect for a book about the redshirts that die off every episode. The only problem is he doesn’t really do voices. He changes his voice when people are slurring words or yelling, but not by character. I’ve grown a bit spoiled by this probably, but I really need that now to tell characters apart. I rely on it and when it’s not there, it’s tough.
Luckily, here there are not too many characters, but I continued to confuse people throughout the entire book and that doesn’t happen normally. Otherwise, sans dialogue, Wheaton’s incredible.
The Hugo Award
To be honest, I was pretty disappointed with the choice of Redshirts for the Hugo Award this year even before I’d read it. Halfway through reading this, my mind hadn’t changed. After reading the codas nothing’s changing. However, the thing I’m actually quite happy about with Redshirts winning a Hugo is for the same idea I started this review explaining.
I’m glad Redshirts won because I think entertainment is a great reason to win an award. I know the voting process for the Hugos has its own problems and it comes down much of the time to the author having a loyal following, but I’m still glad a book like this can win an award at all. I hope more do.
Talked about on today’s show:
Simon Vance, Blackstone Audio, The Prestige (2006), explicit, cursing vs. casting spells, I’m going to trick you, a nice complement to the book, Jonathan Nolan and Christopher Nolan, Momento, The Princess Bride, epistolary, Dracula, Pike’s Peak, Colorado Springs, under the influence of the man on top of the mountain, David Bowie, Nikola Tesla, Any sufficiently advanced technology…, what is the genre?, Gothic fiction, old fashioned horror, Science Fiction, Scott’s review, Fantasy, a nice twist of Lovecraft, the deaths, “the other detective” (Jenny’s Freudian slip), a mystery, Sherlock Holmes, the prestige materials, Borden vs. Angier, Penn & Teller, seance (fake) vs. prestidigitation (the pact), the pledge -> the turn -> the prestige, you ruined our act, “when Simon Vance says…”, “some days you love me, some days you don’t”, did she know?, the honest liar, Christian Bale, does it matter who sired a child matter if you’re identical twin may have inseminated your wife?, which twin is it (the father or the uncle), Fallon, doubling, everything is doubled, a double agent, Olivia or Julia?, Andrew Wesley Borden -> Nicolas Julius Borden, Lord Caldlow, a book with two authors, revenge via tribute, A,B,C,D,E,F, what happened when the great-grandson of Borden was three years old?, a repeated pattern, a red herring, invited to Dracula’s castle, Franklin was imprisoned in California but his cult has a duplicator in the basement in England, another Angier wraith or the same one?, why Lovecraftian?, wiggling bodies, The Outsider by H.P. Lovecraft, a return to a Gothic home, an explanation for the premise of The Outsider, did the wraith of Angier fail?, 100 times, noir, can the Tesla machine duplicate the soul?, AMAZING!, a side trip, Infinite Jest by David Foster Wallace, wraiths, “waiting to wake up”, telepathy, addicted to transportation, pain and depression, is it a teleportation machine? a photocopier?, Star Trek‘s transporter, Think Like A Dinosaur by James Patrick Kelly, the metal rod, “that’s the thing about science”, “more like a real Tesla”, Tesla spoke English with an accent, Angier is American in the movie, Hugh Jackman, California, Jesus came out of the tomb, the cult denies the appearance of Franklin, a bi-locating religious fanatic, Angier’s first magic practice was at a pub called “The Land And Child”, The Church Of Christ Jesus, the history of the house, during WWII it was RAF Transport Command, Christopher Priest is really really smart, Angier -> Anger?, how the French get Angier and Angier and Angier!, his brother, because that’s what he’s looking for that’s what he sees, The Fly (1986), “explicit material”, The New Transported Man (PUN!) vs. In A Flash, a doubling and a denialing of the doubling, “he’s really stuck on the doubling”, The Lamb is The child, pointless and flat women, The Night Circus by Erin Morgenstern, wooden women, Katherine, Borden’s wife’s journals, it’s a guy show really, everybody gets the short shrift except for these two and a half guys, where in literature are women magicians, Now You See Me, stage performance magicians, why doesn’t Luke Burrage go into magic?, Luke is the evil twin, would she wear the tophat?, Zatana (DC Comics), a female magician who acts as the assistant, a missed opportunity, Lady Katherine is very enigmatic and is playing some sort of game, a wink from The Invisible Man (by H.G. Wells), playing cards hidden under pint glasses, the James Patrick Kelly problem, killing yourself is ok if you have a copy?, Identity Theft by Robert J. Sawyer, John Scalzi’s Old Man’s War handwaves the problem away, they don’t rot?, was the soul transported too?, What’s with the echo?, Angier’s cancer goes into remission when the ghostly Angier gets closer, Good Kirk vs. Rapey Kirk, wimpy Kirk need the rapey Kirk, recombination, complete transfers work well for the transported Angiers, Borden’s injury, Angier’s injury, the Borden seaside history is all lies, the Bordens were cartwrights and coopers, IT’S ALL LIES, stop with the woodworking (the JESUS motif again), one of the mes, when did they start living as one man, you’re supposed to apply the lesson of the Chinese magician to the entire story, one of the few things unchanged between the book and the movie, a fake that’s also true (doubling again), the timeline is somewhat mysterious, one of the Borden’s is more of a writer and the other is more of an editor, “I’m staying with my girlfriend”, fantastic narrative, a relatively modern book that will become and remain a classic, it’s porous and open and hard, book vs. movie, Tam fell asleep and became confused, beautiful moments, Tesla is almost like a magician, he is like a wizard, brilliant genius weirdo, the nemesis, Thomas Alva Edison vs. Tesla (doubling), AC vs. DC, Edison’s DC vs. Tesla’s AC, and ultimately a synthesis, electrifying an elephant, “it’s like they were two magicians competing”, Nyarlathotep by H.P. Lovecraft is about a Tesla-like character doing essentially a Tesla-show, possibly an elder god, Dracula Edison Gothic Horror Science Fiction Horror Detective Noir Fantasy, The Inverted World, The Islanders, twins, fraternal twins vs. identical twins, the Christopher Priest Wikipedia entry, denouement, a tie-in edition of the paperbook, the movie’s editing, The Magic by Christopher Priest, David Langford’s review:
“It seems entirely logical that Christopher Priest’s latest novel should centre on stage magic and magicians. The particular brand of misdirection that lies at the heart of theatrical conjuring is also a favourite Priest literary ploy – the art of not so much fooling the audience as encouraging them to fool themselves… The final section is strange indeed, more Gothic than sf in flavour, heavy with metaphorical power. There are revelations, and more is implied about the peculiar nature of the Angier/Tesla effect’s payoff or “prestige” – a term used in this sense by both magicians. The trick is done; before and after, Priest has rolled up both sleeves; his hands are empty and he fixes you with an honest look. And yet … you realise that it is necessary to read The Prestige again. It’s an extraordinary performance, his best book in years, perhaps his best ever. Highly recommended.”
a prestigious career in newspapers, he wants to be a dead body (or many), the great reveal was surprising, Frankenstein, very much in the Gothic tradition.
Themes: / military science fiction / space opera / short stories /
EARTH IS BETRAYED. It’s a violent, competitive universe. And our home planet would have been an easy conquest, if not for the efforts of the Colonial Union — the human spacefaring military organization that has defended our world for generations. But the Colonial Union kept many secrets from humanity, until John Perry revealed them to Earth’s billions. The CU has fought an endless series of secret wars on (it claims) Earth’s behalf, while manipulating humankind into providing an unlimited supply of recruits who never return from space. And, it turns out, there are alien races that seem inclined toward peace and trade instead of battle. Indeed, Earth has now been invited to join a new alliance of multiple worlds — an alliance against the Colonial Union. For the shaken and uncertain people of Earth, the path ahead is far from clear. With that choice hanging in the balance, managing the CU’s survival won’t be easy, either. It will take diplomatic finesse, political cunning . . . and a brilliant “B-Team,” centered on the resourceful Lieutenant Harry Wilson — a team ready to deal with the unexpected things the universe throws at you when you’re struggling to preserve the unity of the human race.
The Human Division is the most recent installment in John Scalzi’s series that started with Old Man’s War. The book was released in an episodic/season format and this book is the collection of those stories. The book takes place immediately following the events of The Last Colony and Zoe’s Tale but does not follow the same characters from the first four books. The collection comes off like something by Isaac Asimov where all the stories work together to a conclusion while each presenting their own puzzles/challenges to the protagonists. Overall this was a great book and I’m really looking forward to the next one!
Warning: If you haven’t read the novels leading up to this one, some of the things said after this point could be considered minor spoilers. You have been warned.
I really like the world Scalzi created with Old Man’s War and we get to see more of it explored in these stories as the Conclave and Colonial Union try to court Earth to their side. We also get to see how Earth reacts to the revelations and new technology they have been deprived of for so long, often to humorous effect. John Scalzi does a great job of mixing intrigue with comedic timing and flowing dialogue that makes this book a great read. There are some slower, more character driven segments in the book, but even those come across as interesting as the author adds more dimensions to already interesting characters.
Generally speaking, the stories follow a political vessel carrying a lower level politician and some Colonial Union staff that are sent around to fight Colonial Union fires as needed. This team is the “B Team” as indicated by the name of the first short story. My favorite character is Lt. Harry Wilson who is an out of practice CU soldier constantly thrown into crazy circumstances. He does some awesome things, has an entertaining attitude, and gets the job done.
William Dufris did a great job with the narration of this book. The characters often find themselves in odd circumstances and Mr. Dufris does a great job of making them sound incredulous or indignant. He pulls of the humorous dialogue quite well and definitely had me laughing at some parts. The episodes are clearly labeled and it’s easy to settle into each subsequent story. I had some trouble following all the character names at times but it wasn’t hard to keep track of the main characters because I recognized the voices Dufris used with them.