London – Page 6

The SFFaudio Podcast #169 – TALK TO: Jonathan Davis

The SFFaudio Podcast #169 – Jesse and Luke Burrage (from the Science Fiction Book Review Podcast) talk to audiobook narrator Jonathan Davis.

Talked about on today’s show:
Not the Jonathan Davis of Korn, favourite audiobook narrators, Luke’s real job (juggling), how to become an audiobook narrator (or a professional juggler), acting, theatrical acting, voice over, New York, Testament by John Grisham, Brazil, Portuguese vs. Brazilian Portuguese, Gone For Soldiers by Jeff Shaara, long form narration, Snow Crash by Neal Stephenson, urban samurais and Aleutian assassins, binaural recording, The Shadow Of The Torturer by Gene Wolfe, The Windup Girl by Paolo Bacigalupi, London, Paris, Iowa City, Thailand, genetic engineering, Japan, accessory dogs, GMO food, graphic sex scenes in mid-juggle, Glamorama by Bret Easton Ellis, Zoolander, American Psycho, a 12 page sex scene, Star Wars, Genghis Khan And The Making Of The Modern World by Jack Weatherford, straight readings vs. impersonations, Yoda, Ewan McGregor, Liam Neeson, Luke re-edits Star Wars, alien languages, Calculating God by Robert J. Sawyer, When Gravity Fails by George Alec Effinger, Ian Mcdonald, North Africa, Egypt, Arab Spring, Bedouin, narration styles, straight narration vs. theatrical performance vs. cinematic narration, Michael Caine, scalpel vs. laser, Mike Resnick’s Starship series, voice based books, Star Trek, David Copperfield, Oliver Sacks, The Watchers by Jon Steele, Kirinyaga, The Scar by Sergey Dyachenko and Marina Dyachenko, Starship: Mutiny, Elinor Huntington, existential resonance, Harry Potter, conspiracy, dystopia, Ray Bradbury, Cool Air by H.P. Lovecraft, Starship: Rebel, no research, just fun, language, audiobooks as a collaboration between an author, a narrator and a listener, Walking Dead by Greg Rucka, espionage, comics, Neil Gaiman, Catch And Release by Lawrence Block, Hex Appeal, Jim Butcher, The Dresden Files, studio time, The Book Of The New Sun, “do your homework”, “suddenly revealed to be a Texan”, an Aleutian Rastafarian, Hiro Protagonist, Minding Tomorrow, revealing voices, American Gods, George Guidall, “the perfect audiobook experience”, Woden (aka Odin aka Mr. Wednesday), The Stand by Stephen King, reading with your ears, preferred narration styles, The Hundred Thousand Kingdoms by N.K. Jemisin, racism, Dune, Zoo City by Lauren Beukes, Johannesburg, South Africa, fantasy fiction shouldn’t have an American accent, Luke’s SFBRP review of The Scar, House Of Suns by Alastair Reynolds, an Arkansas accent, inner monologue vs. dialogue, the Sling Blade voice, Casaundra Freeman, audiobook narration is difficult, learning the characters over a series, George R.R. Martin, A.J. Hartley, Act Of Will, Will Power, working with authors, Cyteen by C.J. Cherryh, Book Of The Road, male and female narration, Gabra Zackman, Jonathan is the infodumper, Full Cast Audio, a one man show vs. theatrical collaboration, Scott Brick, Feyd-Rautha, a Jamaican brogue?, The Brief Wondrous Life of Oscar Wao, do you like computer games?, Max Payne 3, Tron, “that’s my neck fat”, Vladamir Lem, Armando Becker.

Posted by Jesse Willis

New Releases: Rivers Of London by Ben Aaronovitch

Saturday, April 9, 2011 Jesse Willis

New Releases

I talked to Ben Aaronovitch about his paperbook novel, Rivers Of London, back in SFFaudio Podcast #086. The audiobook, exclusive to Audible, is now available!

Rivers of London
By Ben Aaronovitch; Read by Kobna Holdbrook-Smith
Audible Download – Approx. 9 Hours 58 Minutes [UNABRIDGED]
Publisher: Orion Publishing Group Limited
Published: April 8, 2011
Provider: Audible.com
Sample |MP3|
My name is Peter Grant and until January I was just probationary constable in that mighty army for justice known to all right-thinking people as the Metropolitan Police Service (as the Filth to everybody else). My only concerns in life were how to avoid a transfer to the Case Progression Unit – we do paperwork so real coppers don’t have to – and finding a way to climb into the panties of the outrageously perky WPC Leslie May. Then one night, in pursuance of a murder inquiry, I tried to take a witness statement from someone who was dead but disturbingly valuable, and that brought me to the attention of Inspector Nightingale, the last wizard in England. Now I’m a Detective Constable and a trainee wizard, the first apprentice in fifty years, and my world has become somewhat more complicated: nests of vampires in Purley, negotiating a truce between the warring god and goddess of the Thames, and digging up graves in Covent Garden… and there’s something festering at the heart of the city I love, a malicious vengeful spirit that takes ordinary Londoners and twists them into grotesque mannequins to act out its drama of violence and despair. The spirit of riot and rebellion has awakened in the city, and it’s falling to me to bring order out of chaos – or die trying.

Posted by Jesse Willis

A Bite of Stars, a Slug of Time, and Thou: The Forgotten Enemy by Arthur C. Clarke

Thursday, March 31, 2011Thursday, March 31, 2011 Jesse Willis

SFFaudio Online Audio

It isn’t often I recycle an old posts. Why would I? They’re all still there! And if there’s something new about one I’ll typically just update the original rather than repost it. But, I’m confident that there are enough people out there, reading this blog now, that never saw our original 2008 coverage of the wonderful podcast/radio series called A Bite of Stars, a Slug of Time, and Thou. Because of that, and the fact that you’d be really missing out, this post can be one of the exceptions – a reminder that there’s a tonne of great old stuff in our archives, and out there on the internet.

First broadcast in 2008 on Resonance FM 104.4 FM in London, U.K, The Forgotten Enemy is an excellent Arthur C. Clarke tale. Set in London, it tells of solitary man waiting for rescue. He can almost hear the helicopters. Yes, the helicopters. The slow, loud, helicopters coming inevitably from the north. But what of the terrible white menace that threatens his lonely existence? Can he survive?

One aspect of the tale may remind you of 28 Weeks Later, another may remind you of The Day After Tomorrow. But fear not, this story pays far greater dividends than either of those.

In the discussion that follows the story is described as a “cozy calamity” and it’s compared to Who Goes There? and A Pail Of Air. It is a wonderful podcast – all around!

A Bite of Stars, a Slug of Time, and Thou – The Forgotten Enemy
By Arthur C. Clarke; Read by Elisha Sessions
1 |MP3| – 1 Hour [UNABRIDGED]
Podcaster: A Bite Of Stars, A Slug Of Time, And Thou
Podcast: 2008
In a bleak snow and ice covered London, a lone survivor faces isolation, polar bears and loneliness. But even his one hope, the idea that a rescue team is crossing the Atlantic ice sheet isn’t enough to stave off The Forgotten Enemy. First published in December 1948, in an issue of King’s College Review, later republished in New Worlds.

Podcast feed: http://freakytrigger.co.uk/slugoftime-podcast/feed/

Here’s the accompanying art from the new worlds publication:

The Forgotten Enemy by Arthur C. Clarke

Posted by Jesse Willis

Review of Around The World In Eighty Days by Jules Verne

Friday, February 4, 2011 Jesse Willis

SFFaudio Review

Around The World In Eighty Days
By Jules Verne; Read by Jim Dale
7 CDs – Approx. 7 Hours 42 Minutes [UNABRIDGED]
Publisher: Listening Library
Published: 2005
ISBN: 0307206424
Themes: / Adventure / 19th Century / Gambling / Religion / Mormonism /

Shocking his stodgy colleagues at the exclusive Reform Club, enigmatic Englishman Phileas Fogg wagers his fortune, undertaking an extraordinary and daring enterprise to circumnavigate the globe in eighty days. With his French valet Passepartout in tow, Verne’s hero traverses the far reaches of the earth, all the while tracked by the intrepid Detective Fix, a bounty hunter certain he is on the trail of a notorious bank robber. Combining exploration, adventure, and a thrilling race against time, Around The World In Eighty Days gripped audiences upon its original publication and remains hugely popular to this day.

When I get into a subject, I really get into it. I think I’m becoming something of an Around The World In Eighty Days expert. I’ve tracked down the episode of Have Gun Will Travel that includes a visit from Phileas Fogg. I’ve gotten my mitts on several audiobook versions, and a BBC radio dramatization too. I’ve watched the Michael Palin series that took inspiration from the novel. I poured over the Classics Illustrated comics version.

Phileas Fogg, who seems to epitomize a certain kind of stereotypical Englishman, is described as emotionless. He makes his calculations, and like the watch he carries, ticks away without a wasted movement. At one point a certain travelling companion makes a remark something like “this is the only time I’ve seen you become emotional” this when confronted by the prospect of sitting idly by while a woman is burned alive. Fogg’s reponse: “I am emotional, when I have the time.” That burning, by the way, takes the form of a Hindu “suttee.” Later on in Utah, Passepartout, Fogg’s manservant, takes in a sermon in the form of a lecture on the history of Mormonism. It’s a hilarious scene, and as such this book is one of the few classics that I will probably re-read. Around The World In Eighty Days overflows such gems. It’s biggest failing is that a good deal of the suspense Verne injects comes from out of nowhere, clunks around the pages, making waste, only to sputter out into utter forgetability at the end.

Narrator Jim Dale, best known for his work on the Listening Library Harry Potter audiobooks, brings a full range of accents and voices to this audiobook. Dale does a really terrific Passepartout! The production includes some seemingly randomly insterted music and sound effects that nearly drown out Dale’s performance. That’s bad. Additional mistakes include an image of a hot air balloon on the cover. There is absolutely no balloon in this novel, though one appears in a couple of video adaptations.

Posted by Jesse Willis

Markheim by Robert Louis Stevenson

Sunday, October 10, 2010Friday, September 9, 2011 Jesse Willis

SFFaudio Online Audio

William Coon, who appeared on SFFaudio Podcast #063, has a terrific sounding UNABRIDGED recording of Markheim by Robert Louis Stevenson over on LibriVox. Here’s what one of the proofers said about Bill’s narration:

“[Markheim] is GREAT! You’ve got just the right balance of shrewdness and madness and you really bring it off well. I listened to it over and over, catching new things every time. Thanks for several wonderful days of listening!”

Myself I’ve also been enjoying this narration as well as an abridged reading I found over on RadioArchive.cc (Markheim was also recorded for the first episode of a four part BBC Radio 7 Drama series entitled Short History of Gothic).

In a strange way Markheim is a kind of hardboiled/noir version of Charles Dickens’ A Christmas Carol. Like Scrooge, Markheim is a sinner who at Christmas, finds himself confronted by the consequences of his sin. But whereas 19th century miserliness is Scrooge’s big problem, Markheim’s issue is of a more alarming type. His petty crimes have slowly accelerated from his youth, until now, when he finds himself, in this tale, a bloody-handed murderer. But like A Christmas Carol, both characters (Scrooge and Markheim) find their hinge points only when confronted by a visit from the supernatural.

Markheim as illustrated by Michael Lark

Illustration by Michael Lark, found in The Essential Dr. Jekyll And Mr. Hyde – The Definitive Annotated Edition.

Markheim
By Robert Louis Stevenson; Read by William Coon
1 |MP3| – Approx. 44 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: 2006
|ETEXT|

A Short History Of Gothic – Markheim
By Robert Louis Stevenson; Read by Hugh Bonneville
1 Broadcast – Approx. 30 Minutes [ABRIDGED]
Broadcaster: BBC Radio 7
Broadcast: December 12, 2009
Provider: RadioArchive.cc
“Hugh Bonneville reads Robert Louis Stevenson’s macabre tale charting one man’s rapid fall from grace.”

The Weird Circle Weird Circle – Markheim
Based on the short story by Robert Louis Stevenson; Performed by a full cast
1 |MP3| – Approx. 25 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: May 20, 1945
Provider: Archive.org
This is a radical adaptation, set in a contemporary (to 1945) setting, and providing much of the presumed back-story (stuff that isn’t actually in the text of Stevenson’s original tale).

Here are a couple more Markheim illustrations [this time by Lynd Ward – found in The Haunted Omnibus (1937)]

Robert Louis Stevenson's Markheim as illustrated by Lynd Ward - from The Haunted Omnibus (1937)

[also via Golden Age Comic Book Stories]

Posted by Jesse Willis

Review of Darkside by Tom Becker

Friday, September 17, 2010Friday, September 17, 2010 Jesse Willis

SFFaudio Review

Darkside
By Tom Becker; Read by Colin Moody
6 CDs – Approx. 6 Hours 12 Minutes [UNABRIDGED]
Publisher: Bolinda Audio
Published: 2008
ISBN: 9781921415340
Themes: / Fantasy / Urban Fantasy / Crime / London / Werewolves / Vampires / Magic / Kidnapping / Evil / Jack The Ripper /
Your home’s been attacked. Your dad’s in an asylum. You’re running for your life. And there’s nowhere to hide.

You’ve stumbled on the city’s greatest secret: Darkside. Incredibly dangerous and unimaginably exciting. Darkside is ruled by Jack the Ripper’s children – a place where nightmares walk the streets. You think you’re in trouble now, but your problems have just begun…

I usually do a fair mount of research about the books I plan to read. Before I pick one up I’ve usually either heard an author interview, read a review, discussed it with people who’ve already read it, or at least got a recommendation from an author whose work I already respect. But I also know these techniques aren’t a very good way to branch out beyond what’s already familiar to me, and so, every so often I just pick up a book, almost at random, and start reading. That’s what I did with Darkside by Tom Becker.

Maybe one of the initial appeals of Darkside, other than the terrific cover, was that it was from a publisher whose audiobooks I’d never heard before. Bolinda Audio is from Australia. And because of that it’s doing things a little differently. First off, it’s narrators are Australian. And second, they’ve got a lot of authors in their catalogue that I’ve never heard of. That’s cool!

Darkside is an interesting tale in itself. In terms of plot, it kind of falls halfway between two Neil Gaiman novels: Neverwhere and The Graveyard Book. It features Jonathan Starling, an unremarkable misfit fourteen-year-old with an ailing father and a deceased mother. He lives in London and is mostly taken care of by a kindly neighbor woman. Other than her, he’s nearly friendless and spends most days skipping-out of school and hanging out at one of the city’s many libraries. His father, an avid book collector himself, suffers some sort of recurring full body paralysis and perhaps it’s related to some of the books he collects. One day, right out in the open on a London street Jonathan is nearly kidnapped by a seemingly invisible giant and a woman with fluorescent hair. He quickly learns that London isn’t going to be safe for him anymore and so his father sends him away. He is to flee, for his own safety, into the arms of a protector. Jonathan takes with him a knife and a bullet. The knife is for protection from the kidnappers, and the bullet is for protection against his would-be protector, a mysterious old friend of his father’s, a man named Carnegie. Plot ensues.

Where the novel falls short is in comparison to the two Neil Gaiman novels I mentioned earlier. A hidden city within London isn’t really new. And neither is a young kid being protected by a paranormal monster-man. More importantly, Becker doesn’t have anywhere near the mastery of English fiction that Gaiman has. But that’s really not a fair comparison. For my money very few living English authors can compare favorably with Neil Gaiman. Apparently Darkside was written when Becker was just 25! When Gaiman was 25 he hadn’t written a single novel, comic, nor even Don’t Panic, his wonderful biography of Douglas Adams. As a result I think Darkside can stand pretty proudly on its own. It’s quickly paced, pretty fun and most of all it’s got a story that keeps your attention all the way through. Good job new guy.

Narrator Colin Moody, a talent stage trained actor, has an Australian accent, except when performing the dialogue of the characters. When in character Moody cowls him reading with various Londoner regionalisms. There are many sinister sounding villains in this novel and he voices all of them extremely well. If you’re a voracious reader looking for swiftly plotted urban fantasy novel (for the juvenile set), and you’ve already read both Neverwhere |READ OUR REVIEW| and The Graveyard Book |READ OUR REVIEW| do check out Darkside. Series fans will also be pleased to hear that four more Darkside novels follow this one, and that Bolinda has the “audio sequel forthcoming.”

Posted by Jesse Willis