Review of Princess Academy by Shannon Hale

SFFaudio Review

Princess Academy by Shannon HalePrincess Academy
By Shannon Hale; Read by a Full Cast
8 CDs – 8 hours [UNABRIDGED]
Publisher: Full Cast Audio
Published: 2007
ISBN: 1933322772
Themes: / Fantasy / Young Adult / Magic / Culture / Royalty / Boarding School / Economics /

Earlier this year (2007), the unabridged Full Cast Audio production of Shannon Hale’s The Goose Girl won an Audie Award for Achievement in Production. Now, Full Cast Audio offers another Shannon Hale novel in a production that may be even better. Princess Academy is a wonderful YA fantasy novel that is a sure bet to enthrall readers (and now listeners) of all ages.

It’s become cliché to say that this or that YA novel has wider appeal than their target audience but Shannon Hale’s, without question, fit that description. They are appropriate for young listeners (the box says “ages 10 to adult”) and at the same time are smart enough and, most importantly, true enough for older readers. This novel is entertaining, but the characters live realistic and difficult lives. Through them, Hale helps us understand that there’s nothing more important in life than love.

The main character of the novel is Miri, a fourteen year old girl who is small for her age. She lives in a mountain village, where most of the residents work in the nearby quarry. One day, a herald arrives and announces that priests have determined that the bride of the prince, who lives in a bustling city, will come from the tiny region that Miri lives in, and that all girls 14-18 years old must report to an academy so that they might be educated for the prince’s visit one year later, when he will make his choice. The girls are collected and brought to the academy, some of them willingly, and some of them not.

Miri is not happy about it, and her feelings of inadequacy due to the overprotective way her father treats her are compounded and confused by the fact that he does not put up much of a fight to keep her from going. But once she gets to the academy and learns to read, she realizes the benefit and takes full advantage of the experience, which is made all the more difficult by a very hard headmistress. Throughout the story, Miri learns of a magic called “quarryspeak”, which is a method of psychic communication that seems to work only between quarry workers while in the quarry. She finds that there’s more to it than that, and she finds out there’s a lot more to everything else, too.

The Full Cast Audio team has mastered their unique method of unabridged audiobook production. There is no other company that produces audiobooks the way they do it, and every book they come out with is technically better than the last. Actors are used for all the dialogue, and a narrator reads everything else. An 8 hour production like this would lose its appeal if any of the roles were cast with questionable talent, but that’s not a problem here. Particularly good were Jo D’Aloisio, the young girl who played Miri, Laura Credidio, the narrator, and Alice Morigi, who played Tutor Olana, the icy headmistress. The entire cast deserves kudos. Skilled acting and directing along with perfect music and editing make this production a wondrous experience. Simply excellent, all around.

Posted by Scott D. Danielson

Review of The Red Panda Adventures – Season 2

SFFaudio Audiobook Review

As a special CANADA DAY treat for everyone worldwide, Podiobooks.com has scored the entire 2nd Season of The Red Panda Adventures! The entire season is up and ready for download today! And here’s our review of it…

Podiobooks Audio Drama: The Red Panda Adventures - Season TwoThe Red Panda Adventures – Season Two
By Gregg Taylor; Performed by a FULL CAST
12 MP3 Files – Approx. 5.5 Hours [AUDIO DRAMA]
Publisher: DecoderRingTheatre.com / Podiobooks.com
Published: 2006/2007
Themes: / Fantasy / Superheroes / Supervillains / 1930s / Toronto / Secret Identities / Hypnotism / Magic / Parallel Worlds /

Mad Monkey: “Security pays, but it can’t live without fear. And all I want is my cut.” -Episode 20: Monkeyshines

Like the first season of The Red Panda Adventures, season two is an incontestably enjoyable frolic through original, but familiar, comic book territory. The Red Panda and his faithful driver, Kit Baxter (AKA Flying Squirrel), patrol Toronto rooftops by static boot, and whunk their way through superhero sized pneumatic tubes concealed about the city, fighting wrongdoers. New and old supervillains, voiced by professional audio actors, execute egregious crimes that can only be foiled by a prosperous panda with hypnotic powers and a volitant rodent with a mean right-hook.

The second season has more of what made the first season so terrific. Standouts in traditional storytelling include episode 14: The Sunday Supplement, Episode 16: The Sweet Tooth, and Episode 20: Monkeyshines. The latter introduces a terrific new antagonist called “The Mad Monkey,” an arch-scoundrel on par with DC Comics rogues like The Joker and The Penguin. Season two also has a few episodes that expand the storytelling in different directions. Episode 18, for instance, was the long requested Secret Origins episode – in which we discover the first ever meeting of Panda and Squirrel. Episode 15: When Darkness Falls tells its tale from the perspective of a young boy in a city with a vigilante superhero. And episode 24: The World Next Door posits the existence of an alternate universe in which the Red Panda is a Nazi fighter and the Flying Squirrel is a teenage boy! In naming this show an SFFaudio essential I’ve got to cite both the writing and the production. The acting here is absolutely tops. Recording the scenes in-studio, together, works. The writing is perky, puissant, perfect, and seemingly effortless. The series scribe, Gregg Taylor, is a master storyteller.

Posted by Jesse Willis

Second Season of Second Shift

SFFaudio Online Audio

Second Shift PodcastSecond Shift, that highly original podcast audio drama we told you about last year starts-up again tonight for its second season with an online release party! Brad sez:

“We’re going to kick off the season by holding a live chat where fans can talk with cast and crew while listening to the season premiere. Ever watched a TV show while talking on IM with a friend about it? This is just like that. We will release the episode during the chat, so everyone can download, listen and type “OMG!” together!

The chat will start between 9:00-9:15 p.m. EST, so show up then to make sure everyone’s in. At 9:30, we’ll release the episode on our site, and listen together.

To join the chat:
1) Go to http://chat.efnet.org
2) Enter whatever you want as a user name
3) Select “Other” on the menu
4) Type in “#secondshiftreleaseparty” in the dropdown

Or, if you’re familiar with IRC, just join “#secondshiftreleaseparty” on efnet.”

Catch up, or join in by plugging this feed into your podcatcher:

http://www.secondshiftpodcast.com/xml/2shift.xml

Review of The Prestige by Christopher Priest

SFFaudio Audiobook Review

Fantasy Audiobook - The Prestige by Christopher PriestThe Prestige
By Christopher Priest; Read by Simon Vance
10 CDs – 12 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2006
ISBN: 0786168412
Themes: / Science Fiction / Magic / Magicians / 19th Century / Electricity / World Fantasy Award /

It’s difficult to say how long it’s been since I’ve been so enthralled with an audiobook as I was with this unabridged version of the World Fantasy Award-winning The Prestige. In very few words, the production was excellent. Simon Vance narrated, and since the story is primarily told through journal entries of the two main characters, he was basically called upon to portray these two dark, intricate magicians. He unreservedly succeeded – his performance was stellar. Because of his subtle care, the surprises of the novel were enhanced by his reading. And there are many surprises.

The main characters are late 19th century stage magicians (or “prestidigitators”, as they call themselves) named Alfred Borden and Rupert Angier. They perform in London, but at the height of each magician’s popularity, they tour America and Europe. But not together. No, these two guys are mortal enemies, out to better the other by whatever means necessary. Each one in turn performs a trick on stage that seems impossible to the other, and their personal quests are rooted in finding out how the other does it, and then to perform it better.

The novel is filled with fascinating detail about these magicians and their tricks. But even more interesting are the journals themselves. It becomes quickly apparent that the journal writers are not reliable. Christopher Priest was masterful in the way he made sure that the journal writers were speaking squarely from their own point of view, which was not always technically true; rather, like journal writers everywhere, they would write something about their own motives that justified events to themselves. The result is an intricate web that is slowly unraveled throughout the book. It’s an audiobook that merits a second listen; knowing what I know now, having finished, a second listen would reveal the breadcrumbs I missed along the way. I suspect I left several on the trail.

Also prominent is Priest’s portrayal of life in the 19th century. The values, the language, and the daily life of the characters all feel accurate, though I am no 19th century historian. The world’s reaction to the advent of electricity is a fascinating example. I couldn’t help but to think of modern parallels with the advent of the internet.

At first glance, this novel is fantasy. It even won the World Fantasy Award in 1996. But is this a fantasy novel? It really isn’t. Yes, there are magicians here, but they are stage magicians. As such, their tricks have perfectly reasonable explanations. Each of the main characters do specific remarkable things, but the reasons given for the way these things work are not magical, but scientific. More, I will not say, because this is a novel to be discovered for yourself, not to be read about. After I finished the book, I watched the recent film version. Be assured that there are enough major differences that a listen to this book will be a different (though similar) and very worthwhile experience – worthwhile enough to be the latest addition to SFFaudio’s Essential List.

Audio Sample: LINK

Posted by Scott D. Danielson

Review of Storm Front by Jim Butcher

SFFaudio Audiobook Review

Editor’s Note: Let’s give a big hand to our newest reviewer, Michael Bekemeyer. When Michael isn’t writing screenplays and shooting pictures, he writes and reads his own stories on his podcast, Scatterpod.

Science Fiction Audiobook - Storm Front by Jim ButcherStorm Front: Book 1 of the Dresden Files
By Jim Butcher; Read by James Marsters
1 MP3 Disc or 8 CDs – Approx. 10.5 hrs [UNABRIDGED]
Publisher: Buzzy Multimedia
Published: 2004
ISBN: 0965725561(MP3 disc); 0965725502(CDs)
Themes: / Fantasy / Mystery / Magic / Private Detective / Wizard / Noir /

Fans of the Dresden series of books will probably recognize this title as the first in the widely successful series authored by Jim Butcher. Those of you who have been living under a rock somewhere, like I have, might only have known this as a TV series on the Sci-Fi Channel. Either way, once introduced to the world of Harry Blackstone Copperfield Dresden, you are most likely to find yourself under his spell and wanting more.

If first impressions count the most, you might not think much of Harry Dresden. He is the classic underdog; a private investigator complete with a sagaciously dry sense of humor, a cat called Mr., a car that breaks down more than it runs and oh, yes, magical powers. That’s right, he’s a wizard and a P.I. and therein lies the charm of this series.

The story starts like a lot of detective stories. The unlikely hero is hired by a seemingly normal client, who is trying to find her missing husband and the mystery that is woven is tight and spellbinding, as well as thoughtful and told in first person. So we, the reader (or listener) find things out as Dresden does and are never allowed the luxury of knowing what’s going on before he does.

Sounds pretty cut and dry, I know, but as the mystery unfolds we are introduced to a holistically inventive cast of characters that includes vampires, demons, giant scorpions, a dark wizard, prostitutes, fairies, drug dealers, gangsters, a nymphomaniac and even a peeping-pizza-delivery-guy-Tom. Each of these characters adds to the story and texture of the Dresden universe with richly orchestrated layers of darkness, humor and a never-ending sense of impending doom. And, since being underestimated is part of Dresden’s charm, we find that he has more than just a few card tricks up his sleeve.

The story is narrated by James Marsters, who you will most certainly know as Spike from Buffy the Vampire Slayer television series. His dry reading of the text does an excellent job of expressing the internal monologue of Harry Dresden. Since the story in first person, from the perspective of the main character, Marsters does not do a lot of voices, or interpretation of the characters. I think, as an actor, he may have been more inclined to capture the dramatic truth of the moment as opposed to using animated voices to tell the tale. So, it feels like we are gathered around a campfire while Dresden is personally recounting the details of the story for us.

The production value of this audio book is high, with rich sound that is full and easy to listen to. However, there were a few minor things that stood out to me. At times the reading sounded rushed. For instance, there are several times when the narrator almost flubs a line and doesn’t stop to correct himself. Also, there were several times when the background noise and page turns really jumped out at me. I know it may sound a bit picky to mention such things, but the beauty of listening to a story in audio form, is that the listener can enter the audible world of the story. Even the slightest glitch can instantly kill the mood.

All in all, I highly recommend this audiobook. I am happy to say that the hiccups in the production do not deteriorate the stellar performance and storytelling that you will find in Storm Front, Dresden Book 1. So, if you haven’t already found yourself under Dresden’s spell, this audio presentation by Buzzy Multimedia is a fine place to start.

Review of Guardians Of The West by David Eddings

SFFaudio Audiobook Review

Science Fiction Audiobook - Guardians of the West by David EddingsGuardians Of The West (Book #1 of the Malloreon)
By David Eddings; Read by Cameron Beierle
14 CDs , 1 MP3 CD or Cassettes- Aprox. 15 hours [UNABRIDGED]
Publisher: Books in Motion
Published: 2006
ISBN: 1596072377 (MP3-CD), 1596072369 (CDs), 1596072350 (Cassettes)
Themes: / Fantasy / Magic / War / Magical Creatures / Wizards / Gods /

Guardians Of The West is the first book in a five book series called the The Malloreon. There’s a previous five volume series, The Belgariad, that takes place in this same fantasy setting. In fact, Guardians Of The West picks up shortly after The Belgariad’s ending. I had never read The Belgariad series, so I had to play catch-up listening to this title.

After a prologue that was obviously written as a refresher to those who had read the previous series, the story gets underway. The tale unfolds slowly enough. The large cast of characters are easy to get to know and are varied and interesting in themselves. There is Errand, a naive child with special gifts. Polgara, who is a motherly near-immortal. And her father, Belgrath, a boozing, womanizer, a real Falstaffian character until things get serious.

The novel’s central characters switches to the young king, Garion, who we find to be having trouble with his new spirited queen, Ce’Nedra. The plot really begins to move when there are hints of a new dark power known only as Zandramas. The pacing remains leisure through the first half of the novel. After the climatic ending to the first series, I suppose Eddings needed to maneuver and reintroduce the cast to his readers and create a new major conflict. This could have been frustrating if wasn’t for Eddings’ gift for dialog and characterization.

This book needed a talented voice actor to carry off the large and varied cast. Sprawling fantasy novels may be the most challenging genre for an actor to convey. Cameron Beierle does it all with unequivocal panache. His very intonations carry enough characterization that Eddings’ descriptions of characters become redundant. He uses many accents that seem entirely appropriate to the characters. Like Harry Potter’s narrator, Jim Dale, he has a seemingly endless repertoire of voices. I’d go so far as to call Cameron Beierle the American Jim Dale.

If you haven’t read or listened to Eddings’ Belgariad series, I’m sure that’s the place to start. The first book in the series is called Pawn of Prophecy and it along with all the books in the two series are available from Books In Motion. And all narrated by Cameron Beierle!