Shane Morris’ Set The Penfield Mood Organ For Aware (a Philip K. Dick inspired concept album)

SFFaudio Online Audio

As a person singularly unqualified to answer, I submit this email to a more general audience for consideration. Shane Morris writes:

Greetings Jesse,

I have just released a Creative Commons licensed work dedicated to PKD for his 83rd birthday. The album is entitled “Set the Penfield Mood Organ for Aware” .

It is a meditative ambient album in attempt to bring the sounds of this device written about in “Do Androids Dream of Electric Sheep” to life. FREE to download or listen. CC 3.0 Unported License

http://buddhistonfire.com/2011/12/14-shane-morris—set-the-penfield-mood-organ-for-aware/

If you like ambient music, I think you might enjoy this release. I would be most grateful for any mention in your blog if you feel the quality of the work is worthy.
Sincerely,
Shane Morris

Shane Morris' Set The Penfield Mood Organ For Aware

|ZIPPED MP3 FILES|

From the bedroom Iran’s voice came. “I can’t stand TV before breakfast.”

“Dial 888,” Rick said as the set warmed. “The desire to watch TV, no matter what’s on it.”

– Philip K. Dick, Do Androids Dream Of Electric Sheep?

Posted by Jesse Willis

The Redneckula Saga (a redneck vampire drama)

SFFaudio Online Audio

RedneckulaI don’t think I know any rednecks and I suspect they may be completely mythical creatures, like fairies or elves. But maybe they’re real. This audio drama, The Redneckula Saga, doesn’t help me answer that question. It may be a bit of anthropological weirdness or it may be a factual history, either way it that makes me smile widely. It’s kind of rural fantasy comedy musical with beer (I think).

And the voice acting accent sounds like Hank Hill from King Of The Hill.

[Thanks to Rob Gunter for gettin er dun!]

Posted by Jesse Willis

The Music Of Erich Zann by H.P. Lovecraft

SFFaudio Online Audio

The Music Of Erich Zann is one of H.P. Lovecraft’s most popular short stories (it runs just 3,450 words).

The Music Of Erich Zann - illustration by Andrew Brosnatch

Here are the opening lines:

“I have examined maps of the city with the greatest care, yet have never again found the Rue d’Auseil. These maps have not been modern maps alone, for I know that names change. I have, on the contrary, delved deeply into all the antiquities of the place, and have personally explored every region, of whatever name, which could possibly answer to the street I knew as the Rue d’Auseil. But despite all I have done, it remains an humiliating fact that I cannot find the house, the street, or even the locality, where, during the last months of my impoverished life as a student of metaphysics at the university, I heard the music of Erich Zann.

That my memory is broken, I do not wonder; for my health, physical and mental, was gravely disturbed throughout the period of my residence in the Rue d’Auseil, and I recall that I took none of my few acquaintances there. But that I cannot find the place again is both singular and perplexing; for it was within a half-hour’s walk of the university and was distinguished by peculiarities which could hardly be forgotten by any one who had been there. I have never met a person who has seen the Rue d’Auseil.

The Rue d’Auseil lay across a dark river bordered by precipitous brick blear-windowed warehouses and spanned by a ponderous bridge of dark stone. It was always shadowy along that river, as if the smoke of neighboring factories shut out the sun perpetually. The river was also odorous with evil stenches which I have never smelled elsewhere, and which may some day help me to find it, since I should recognize them at once. Beyond the bridge were narrow cobbled streets with rails; and then came the ascent, at first gradual, but incredibly steep as the Rue d’Auseil was reached.”

And the Rue d’Auseil, by the way, translates to “street of the threshold” – most appropriate.

Public domain:

LibriVoxThe Music Of Erich Zann
By H.P. Lovecraft; Read by Cameron Halket
1 |MP3| – Approx. 19 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: October 19, 2008
|ETEXT|
A student of philosophy is forced, by lack of funds, to to take lodgings in a run down rooming house in a strange part of Paris. First published in National Amateur (March 1922), then later in the May 1925 issue of Weird Tales.

Creative Commons:

PseudopodEpisode #100 – The Music Of Erich Zann
By H.P. Lovecraft; Read by B.J. Harrison
1 |MP3| – Approx. 30 Minutes [UNABRIDGED]
Podcaster: Pseudopod
Podcast: July 25th, 2008

Commercial audiobook:

Horror Audiobooks - The Dark Worlds Of H.P. Lovecraft Volume 4 - The Rats In The Walls, The Shunned House, The Music Of Eric ZahnThe Dark Worlds Of H.P. Lovecraft, Volume 4: The Rats In The Walls, The Shunned House, The Music Of Eric Zann
By H.P. Lovecraft; Read by Wayne June
3 CDs – 2 Hours 41 Minutes [UNABRIDGED]
Publisher: Audio Realms
Published: 2006
ISBN: 1897304242
|READ OUR REVIEW|

Discussion:

H.P. Lovecraft Literary PodcastEpisode #23 – The Music Of Erich Zann
Participants Chris Lackey, Chad Fifer and Andrew Leman
1 |MP3| – Approx. 29 Minutes [DISCUSSION]
Podcaster: H.P. Lovecraft Literary Podcast
Podcast: September 12, 2010

Other:

The Music Of Erich Zann

There is a very good comics adaptation, by writer Roy Thomas and artist Johnny Craig, done for issue #5 (June 1970) of Marvel Comics’ Chamber Of Darkness (the title was changed to The Music From Beyond).

Here’s a disturbingly wordless stop motion animation adaptation:

Posted by Jesse Willis

Review of Song Bird from RRCA

SFFaudio Review

Science Fiction Audio Drama - Song BirdSong Bird
Starring Kelli O’Hara, Shirley Jones, and Ed Asner
2 CDs – 2 Hours – [AUDIO DRAMA]
Publisher: Radio Repertory Company of America
Published: 2011
Themes: / Audio Drama / Science Fiction / Music / Precognition / Private Investigator /

I know the Radio Repertory Company of America best for the Anne Manx series. I’m a fan of those entertaining comic book dramas (|SFFaudio Review|) so I’m always thrilled when they send me something.

Before they get back to Manx, Angelo Panetta and crew offer Song Bird, a standalone science fiction audio drama. The story opens with a singer named Maureen Barnett (Kelli O’Hara) singing in an out of the way lounge. This is odd because she’s famous and should be singing in front of huge crowds. Amelia Storm (Shirley Jones) is also a singer and she’s got something to give Maureen – the ability to see the future. The gift immediately becomes a burden as Maureen sees disturbing things about her teenage daughter. The story then shifts into a higher gear when the things that worry Maureen actually take place and she’s forced to hire a private investigator to help her find her daughter.

After listening to this production, and so many other audio dramas over the years, I continue to be impressed by RRCA. The quality of the actors is one of the things that set RRCA’s productions apart. The actors here are excellent. Ed Asner plays a retired police officer turned private investigator, and is hilarious. Asner and Shirley Jones together are a delight and I wanted to hear more of them when it was over. First rate performances all around.

The second mark of an RRCA production is the quality of the sound. Music plays a large role here, and Kelli O’Hara and Shirley Jones sound great. Great care is taken with sound effects and background music. I urge you to grab a nice pair of headphones and give this production your full attention! It’s well worth your time. Enjoy!

Posted by Scott D. Danielson

The SFFaudio Podcast #076 – READALONG: Mindswap by Robert Sheckley

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #076 – Jesse talks with Gregg Margarite, Julie Davis and Luke Burrage about Robert Sheckley’s 1966 novel Mindswap.

Talked about on today’s show:
Blackstone Audiobooks audiobook edition of Mindswap by Robert Sheckley, The Status Civilization by Robert Sheckley, Rick Jackson’s Wonder Audio version of The Status Civilization, Marvin, existentialism, Jean-Paul Sartre, Søren Kierkegaard and Martin Heidegger, Mars, swapping minds vs. swapping bodies, xenophiles, “metaphoric deformation”, one of the greatest scenes of comedy ever in a novel, mind vs. body, mind vs. brain, consciousnesses and memories, Mindswap is “a subversive ontological satire,” Gulliver’s Travels by Jonathan Swift, extracting sunlight from a cucumber, “theory of searches”, existentialism for a Science Fiction audience, Voltaire’s Candide, Douglas Adams, The Hitch-Hiker’s Guide To The Galaxy, balance is superfluous, “contemplation is the most direct form of involvement (and so it is avoided by everyone)”, Bertrand Russell, New York, solipsism, cognitive dissonance, Mark Twain, A Connecticut Yankee In King Arthur’s Court, Future Shock by Alvin Toffler, Chekhov’s gun, comedic soliloquies, speaking with a lisp, the twisted world, the interventionist fallacy, the authorial sting, “the ripe greenness of her ovipositors”, Luke defends the honour of the name Kathy, Marvin The Paranoid Android vs. Marvin The Martian, Roland Barthes, absurdity is funny, a pseudo-Gulliver’s Travels, the mechanics of the humor, Gregg’s top five written objects, Laputa, “the pinnacle of satire”, A Modest Proposal, “everything is bullshit”, Dr. Jeykll And Mr. Hyde by Robert Louis Stevenson (our next readalong), Dracula, Lair Of The White Worm, Ken Russell, Gothic, On The Buses, Africa, “Africa? Where do you mean in Africa?”, Namibia vs. South Africa, Kilimanjaro vs. Everest, a set can’t be a member of itself, “it’s all a big giant steaming pile of absurdity” vs. “the glory and excitement of being alive”, monsignors vs. bishops, “you’re just not in our target market”, “I don’t believe what someone believes has to be true or not”, spiritual experiences vs. explanations of them, there’s a helmet for that (spiritual experiences), the charismatic formula, true vs. honest, Luke’s blog post on spiritual experiences and atheism, Thomas Aquinas, “truth is relative”, Gregg has big sets!, Julie is completely talk-able, Margaret Atwood history denier, the Apollo missions, making stupid easier, The Daily Show with Jon Stewart is a great aggregator , Glenn Beck’s snakedance, smart people are making the universe complex, “the enemy of nuance” vs. “the enemy of history”, rejecting reality, why they argued with Jefferson, their totally alienable, “this is why I watch 30 Rock“, Kids In The Hall, you have the potential of niche markets, ‘the United States is the greatest country in the world (with the greatest failures and great achievements)’, nobody cares about Africa (or South America), not knowing the Prime Minister of Canada vs. not knowing the Governor of Guam, Peter F. Hamilton’s latest book, a bunch of fun loving existentialists, Sheckley’s short stories, City by Clifford D. Simak (it has conflict), Sheckley at his best is Voltaire and soda (or Voltaire and tonic), Flannery O’Connor, the keyword game, Earth Abides by George R. Stewart, art and craft are the same thing, craftsmen aren’t artists, I Hate Music, “I’m NOT tone deaf!”, Charlie Parker, iTunes=music, mp3=music, “it’s like I’m gay and I’m the only one”, This Is Your Brain On Music, Gregg is too emphatic (?), “I – do not – sound – like – William Shatner.”, Weird Al Yankovic, “my guitar is the best girlfriend I ever had.”

Galaxy June 1965 - MINDSWAP by Robert Sheckley - Cover

Galaxy June 1965 - MINDSWAP by Robert Sheckley - Page 7

Galaxy June 1965 - MINDSWAP - Page 9

Galaxy June 1965 - MINDSWAP by Robert Sheckley - Page 27

Galaxy June 1965 - MINDSWAP by Robert Sheckley - Page 53

Galaxy June 1965 - MINDSWAP by Robert Sheckley - Pages 67 and 85

DELL - Mindswap by Robert Sheckley

Posted by Jesse WillisBecome a Patron!

Commentary: I Hate Music

SFFaudio Commentary

This post is off topic to our general subject. It was originally written in 2008, but was never posted because it was so off-topic. Sadly, it keeps having to be re-written as private emails. I have decided to save myself writing it over and over again.

Meta SFFaudioHow shall I put this? I might as well say I hate puppies and rainbows as say it. But it is the truth so I’ll just come right out and say it.

I hate music.

Can we still be friends? I’m being honest here.

For as long as I can remember I’ve hated music. I certainly didn’t always classify my feelings as hate. I had a mixture of emotions: Indifference, perplexity, boredom. Now I classify that entire block of feelings all as hate. Now hate is a pretty strong word. But I think it’s justifiable. See, it’s hate because music is a block in my path towards whatever isn’t music.

It isn’t that there isn’t any music I appreciate. There is, but I feel like I’m the world’s only homosexual living in a 100% heterosexual world. If it isn’t funny, isn’t literary, if it isn’t connected to some emotional or visual memory already in me, I just refuse to music. Music without those things honestly bores the shit out of me and always has. And I feel utterly alone in this. Apparently there is a psychological condition called, melophobia. It’s sufferers reportedly have symptoms of:

“breathlessness, excessive sweating, nausea, dry mouth, feeling sick, shaking, heart palpitations, inability to speak or think clearly, a fear of dying, becoming mad or losing control, a sensation of detachment from reality or a full blown anxiety attack.”

But I have none of those symptoms. I simply become annoyed and seek to turn off the offending noise. There isn’t a Wikipedia entry on melophobia, so it can’t be very common. Apparently Sigmund Freud had the same reaction to music. That’s one thing we have in common.

Everyone else seems to love or at least like music to some degree or other, and I really just don’t. It isn’t that I haven’t tried to like music. I have, I’ve tried over and over and over again. I even attempted to learn to play an instrument (a dismal failure). I tried listening to music – like all my friends did – but I never really connected with it the way almost everyone else seems to have. As a kid, when my peers were ooh-ing and aww-ing about the latest Michael Jackson song or carving “Def Leppard” into their desks, I’d be rebelling by reading books. I also discovered a few audio dramas as a kid.

I did listen to music. But it was never something I did with any zest. I’d listen to Weird Al Yankovic, Cream or The Beatles. I enjoyed the humor in Yankovic’s songs, his making fun of regular music, I loved the literary references in Cream songs and I loved everything about The Beatles. I connected with a few bands here and there, a few songs here or there, but my general disdain for music never felt at all normal. A couple friends of mine grew up to be professional musicians. One of them didn’t write lyrics (or when he did it wasn’t with enthusiasm). I hate his music. My other friend did write lyrics, and I can connect with his song lyrics. They have his sense of humor and his personality. Listening to his music is like spending time with him. It’s the personal connection in the lyrics – the shared experiences. But everyone I know, even people who don’t listen to music often – still claim to love music – as a kind of general thing. I never did.

In my youthful attempts to become “normal” I went to concerts.

Barenaked Ladies (middling funny music – but why watch them play it?)

Lenny Kravitz (utterly sucked – I’ll pay not to go again!)

Concerts all seemed more like a punishment than pleasure to me.

I have friends who are musicians, I have musicians in my family. I just don’t get the appeal of music.

One strange thing though, I’ve found I can connect with music that appears on screen. No problem there. I like Clannad from watching Robin Of Sherwood, and Vangelis from Blade Runner, and even the lyric-less Tangerine Dream from some of Michael Mann’s movies. Even classical music can work for me, Wagner from Apocalypse Now. But sitting down and listening to music? Guh.

I think the way I can best explain my relationship to music is by analogy. I see music as color in comic books. Its nice, it can enhance an image, but without the bold inks, without the story, and the word balloons it is an utter nothing. To get what I’m saying, think of yourself sitting around with your friends staring at colour chips – everyone else loves the colours, thinks they’re worth starting at for hours on end. Does that sound fun to you? That’s how it feels to me when I try to just listen to music – it’s an intellectual desert.

This is probably one of the reasons I’m so passionate about audiobooks.

Posted by Jesse Willis