Talked about on today’s show:
1933, Ira Levin, Gladiator, the first superhero novel, Odd John by Olaf Stapledon, Superman, fleeing a dead world, the sequel: After Worlds Collide, the illustrations in The Passing Show (magazine) serialization, not the only ship, Bronson Beta, Blue Book, the very last page (February 1933), “these daring pilgrims”, remake a world, George Pal’s plans for a sequel, Cecil B. DeMille’s plans for a film, Pal’s would pale, the official adaptation is the least good adaptation, that crappy matte shot, Ransdall smooching his girl while flying his aircraft, Guardians Of The Galaxy, his Kryptonian origin story, spinoffs, Flash Gordon, Buck Rogers, football, a religious moment, good birth and breeding, the W.A.S.P., precursors and follow-ups, an amazing book, its hard to gage how big a book it was, the “queen of the pulps”, the premier way of getting (fiction) content to the people, the middle of The Depression, daily life-sucks, the Roosevelt administration, the work programs, making the unemployed work, is it simpler than that?, Arkham House, The Outsider And Others by H.P. Lovecraft, maybe it helps to have something worse in mind, The Star by H.G. Wells, Nemesis by Isaac Asimov, Finis by Frank Lillie Pollock, gravitational waves, earthquakes, cooking the earth (microwave style), a long tradition, The Star by Arthur C. Clarke, biblical collections, A Pail Of Air and The Wanderer by Fritz Leiber, Deluge (1933), S. Fowler Wright, the motif of the destruction of of Fantastic Universe, a thugee-romance plot, Meteor (1979), Sean Connery as an SDI scientist, Armageddon, Independence Day, Twitter, Fred, Deep Impact (1998) started life as a remake of When Worlds Collide, the crowning adaptation of is 2012 (2009), so ridiculous, it knows its stupid, the ‘neutrinos mutated’, Battlefield Earth is Ed Wood with a budget, The Room, Birdemic: Shock and Terror (2010), Lars Von Trier’ Melancholia, Kirsten Dunst and Keifer Sutherland, Forge Of God by Greg Bear, “I have bad news.”, rescued by good aliens, watching the destruction of the Earth, Lucifer’s Hammer, Footfall, fan fiction of themselves, Hammer Of God by Arthur C. Clarke, the evolution of the plot ideas, so heavy, the religious elements, her name is EVE, Joyce, handing out sandwiches, the zillionaire, a plane-load of money, an iconic scene, why 2012 works so well, the Russian billionaire and his family, how ambivalent I feel, the role of government, what made Robert A. Heinlein wrote, super-Ayn Rand-y, The Fountainhead, robust and austere, strange-y, a broken-ness, who is funding this?, everybody is working for free, how do you get truckloads and truckloads to a certain place, economics do matter, everybody is working for free, a new metal, the nice horror tour, where did the fuel come from, if Heinlein were writing it, all in secret, how Maissa saw it, tidal waves, weird side digression, The Last Car Chase (1981), Lee Majors, Steve Austin, two theories, one funny, one dark, nouveau riche, old fortunes, just arranged, shiny upstarts get their comeuppance, steel furnaces, punishing the parvenus, so not democratic, Galt’s Gulch, we know better, the magic metal, our ingenuity, weird sexual purity, part of the old money righteousness, South Africa in 1933, no more lions, rich white guys in South Africa, Chapter 8: Marching Orders For The Human Race, ugly houses, the spawn who inhabited it, pollution, 125th street in New York (Harlem), immigration bans, the Lovecraftian racial horror moment, “God himself had sickened with their selfishness”, squalid horror, the golden age of eugenics, the “Jap”, purifying the race, a giant eugenics exercise, even if a cashless economy you have to trade, Close Encounters Of The Third Kind, a conspiracy, the first episode of The X-Files, the paean to the Vanderbilt family, set in the mid-20th century, his sister went to school with my mother, the elite, should Jesse bring it up?, huh this is a novel for Hillary voters, its the east coast elites, what is everybody’s problem? why can’t they vote for the right person?, WWI, lining up the machine guns and mowing down the plebes, retreating to their spacecraft and cooking the earth of all the people, a fantasy of many people, it is good to escape the death of the Earth, 2012 addresses all the horror vs. Deep Impact (the government is here to save you), the heroes in space, pathos, way to much love with MSNBC, saccharine horror, cynical comedy, the Paris Hilton looking girl, even Oliver Platt (the baddie) is just trying to get shit done, even the billionaire comes off pretty well, really fun, such a page turner, it’s so good (but it doesn’t deserve it), where are all the rats?, back to World War I, the Noah thing, open the doors, the billion dollar ticket, James Cromwell’s character is a whistleblower, the truth needs to come out, secretary of finance, thinking about the economics, the word “Tony”, our hero from every Robert Heinlein story, “Tony, I’m explaining the plot, Tony.” Tony is slang for expensive, what makes it so gripping, the premise, none of the characters are worth caring about, from Deluge to Meteor, a disaster movie without screen stars, the idea is primary, a race, Edwin Balmer was editor of Red Book magazine, they know how to spin a story, Wilkie Collins: make the worry, make them wait, make them weep, Dunkirk (2017), a ticking clock, what’s in the box?, un-bribe-able, doing this story today, how academia doesn’t matter, the professors, a chief scientist at a chemical company, a private observatory, universities as research machines (since WWII), scary politics, in 1933 the USA had unions, the Battle Of Blair Mountain, the lurking socialism, Eugene Debs, labour unrest, Franklin Delano Roosevelt, we’re noble, machine gun them, then burn them, but we’re nice, the same stories are told again and again, choosing who gets to go in the Ark, Tasha Yar gives her baby to Frodo Baggins, black presidents, black Presidents, grounded in individual details, apocalypses are always about escape, an escape from communism, shade thrown on the French and the Germans, the french turn to fascism, planting the French flag for comedic effect, nationalism, labour without labour, race without race, the religious sanction, George Pal’s The War Of The Worlds, the book is big and broad and deep, 44 people and a dog, a dog in 2012 and Independence Day, for they were walking hand-in-hand, a road, the ribbon of it ran right and left, by what hands and for what feet, through Eden took their solitary, a yellow brick road, Tony the guy with no brain, they’re in Oz, the souls of those a hundred million years dead, a Nineveh a Sargon?, the fate of our world, human with bodies like our own?, The Ring, a curse, so tempting, William Blake’s The Tyger, what dread hand and what dread feet, they are the tiger, when the stars threw down their spears, what did the people on this other planet do to be knocked out of their orbit and frozen, how god has graced us with his goodness, us east coast elites, the whole universe , she has a right to my vote, Heinlein can’t be right and Rand can’t be right, it’s just too simple (but its so fun), business and military, more sex and nudeness, the love triangle, oh Tony can’t you understand I can’t make decisions for the future, the other rocket, the other half of the plane in Lost, the setup is so good, one bizarre detail, Chapter 21: Diary, the insulation (books), a first edition of Shelley, a cute idea?, the 2012 movie picks it up, John Cusack’s character, Chewitel Ejifor’s character, Yellowstone, loaded up with the signs of the elites, isn’t it funny that there’s one copy of this books and it just so happens…, in 2012 under a pile beer bottles and bourbon bottles and a copy of Moby Dick, Robert Duvall reads Moby Dick in Deep Impact, ambivalence about lots of things but everybody agrees Moby Dick is terrific, a stand in for god, providing the bees and the books, a distasteful task in the sequel, The Wonder Clock by Howard Pyle, a story about mercy, saving the kids, little moments of mercy, women doing men’s jobs, France, canaries, the radium girls, how women get the vote, when they come for our women, women as possessions, triumph of the patriarchy, the proles are coming for our women, racist and sexist, an atomic rocket in 1932, not even a nuclear reactor has been invented yet, the Chicago Pile, ten years later, Rocketship Galileo by Robert A. Heinlein, space-Nazis, so early!, countdown clocks, a race for everything, side quests, a lot being told, the illustrations, this book feels huge, 150 pages in the serial, complementing content, Eve’s mother gets killed, how quickly the veneer of civilization gets ripped off, Augustine, A Paradise Built in Hell: The Extraordinary Communities That Arise in Disaster Book by Rebecca Solnit, Bronson: the son of a brawny man, the anticipation of total war, U.S. nationalization, Prohibition, beer makers, say nothing bad about the government law, human cogs, price fixes, holding the masses, Oliver Platt’s mom in 2012, Tony’s so angsty about his mom, he wants to kill, the mobilization doesn’t matter, the migration is for nothing, the President and his cabinet in Kansas, the plebeian thing, rules for them, dignified in their way, terrorizing the plebeians, Téa Leoni’s character’s mom and dad in Deep Impact, tons of connections, waiting for the wave to come, Roland Emmerich and Harold Klausner, The High Crusade, The Thirteenth Floor, a schlockmeister of the highest order, the cultural baggage of the legacy of films gets into you whether you’ve seen them or not, you have Casablanca lurking in your cultural DNA, nobody complains we’ve already seen this movie, the end of the world blah blah blah, this novel is at the center, Noah’s Flood, Gilgamesh, wiping out the Earth for 5,000 years.
The SFFaudio Podcast #434 – Jesse, Paul Weimer, Julie Davis and Maissa Bessada talk about The Maltese Falcon by Dashiell Hammet
Talked about on today’s show:
Peter Lorre is not in Dracula, 1929, Black Mask, Sam Spade, The Dain Curse, 1941 movie, Star Trek: The Next Generation: “The Big Goodbye”, Mr Leech, Laurence Tierney, Cyrus Redblock, Sindey Greenstreet, Gutman, Brigid O’Shaughnessy, The Black Bird (1975), Wilmer, The Twilight Zone, Effie Perine, his mom is his secretary, watching for kicks, seeing the bird in colour, Satan Met A Lady (1936), the BBC Saturday Night Theatre adaptation, John Huston, Constantinople became Istanbul, we disagreed!, too right to fool with, we agreed!, Raymond Chandler vs. Dashiell Hammet, same genre, so heavy on description, a Pinkerton man, doing the right thing (for different reasons), hard-boiled to the core, a narrow code, moral problems, big on description and framing scenes, immersed into the world by following the words, seeing the movie in the book, seeing the power, an ‘impatient grimace’ is stage direction, text devoted to description, the opposite of a Philip K. Dick novel, what film does, the scene where Bogart leaves after pretending to be angry, that shaking hand, best screenplay adaptation, unlike Philip Marlowe, who is the homophobe? the author or the character or both or neither?, a perspective, we notice like she does, don’t blame me for being a fake, is there a homophobe?, Brigid is baiting Cairo, the one you couldn’t make, when you’re slapped you’ll take it and like it, you could make a strong case, Jesse was baiting, what Spade is doing, who is the gay man in this story, Wilmer gets the slurs, Joel Cairo, smells of gardenia, fruity, a Greek passport, speculation that Gutman is gay, a gay gang or a queer gang, genial, William Dufris’ narration of the novel, thinking for oneself, a blonde Satan, the teeth thing, a trademark, Humphrey Bogart, another kind of gay man, “the boy” “Wilmer you’re like a son to me, but sons can be replaced. There’s only one Maltese Falcon”, a really strange family, where Julie goes for her gay family information, Wesley Crusher’s mom, touching Picard, a weird family meeting in Picard’s ready room, the Klingon, Data the Pinocchio character, the characters in the holodeck story, the detective friend, all after “the item”, what makes the dynamic so awesome, the highest point in the film, “I spent 17 years looking”, let’s go to Constantinople, Peter Lorre has purpose and meaning, they invite Spade to come along, the movie makers loved, it the audience loved it, and that’s how we get Casablanca, reuniting over and over, three kinds of men, the tough cynical tough guy with a code, the sycophant (the leech), I need you stand with your hands behind your neck, every future episode, that pistol, that is why we love Joel Cairo, the Gutman Sidney Greenstreet is so dynamic, I love talking to a man who loves to talk, the palming of the $1,000 bill, I have to have my games, apologizing while insulting, the key to his relationship with Wilmer, Gutman loves manipulation, find me a character that isn’t manipulating, even Effie is manipulating, everybody is manipulating everybody, what the hell!?, a hetero sort of version of the gay team, Archer’s cheating, there’s a woman out here, she’s a spectacularly bad judge of character, everybody is cynically manipulating everybody else, even the cops are in on it, the Star Trek adaptation, sharing pickled pig feet, not with those caps, here to offer insight, Julie’s going to disagree halfway through, why does this novel work so well, as opposed to any of the other Dashiell Hammett novels, chasing a whatsit, almost identical plots: Ronin (1998), an international cast, San Fransisco, “I need a kiss”, everybody is manipulating each other, the great whatsit, the McGuffin, Mike Spillane a glowing suitcase, the room lights up and you’re face comes off, Pulp Fiction, why does this all resonate, in a world without God we do not have any purpose for existence, the price of the Maltese Falcon goes up and up and up, it could be worth an infinite amount of museum, something worth chasing after, maybe my life can regain a purpose, we get a sense of ‘oh yes, this is something can chase after’, why we love they don’t kill Gutman is they are allowed to go one along with their quest, that god shaped hole, high five, Scott! Scott!, the Flitcraft case in chapter 7, looking at it very obliquely, death is real, not the life he wants, he recreates the life he was living, the proper pronunciation of “Spokane”, what’s the point of the Flitcraft story, Spade telling a story, fleshing Spade out, how Spade wound up in San Fransisco, coming out of the mists, backstories, a ball of snow rolling down a hill, Cairo’s backstory, that’s why he’s a private detective, captured by pirates, lost in France for history, not Mr Wells’ history, a history of humanity, a micro-story,
He knew then that men died at haphazard like that, and lived only while blind chance spared them.
“It was not, primarily, the injustice of it that disturbed him: he accepted that after the first shock. What disturbed him was the discovery that in sensibly ordering his affairs, he had got out of step, not into step, with life. He said he knew before he had got twenty feet from the fallen beam that he would never know peace again until he had adjusted himself to this new glimpse of life. By the time he had eaten his luncheon, he had found his means of adjustment. Life could be ended for him at random by a falling beam: he would change his life at random by simply going away. He loved his family, he said, as much as he supposed was usual, but he knew he was leaving them adequately provided for, and his love for them was not of the sort that would make absence painful.
how perfectly fascinating, she’s always lying, Tacoma, you’re never going to change, she doesn’t get it, I’ve lied so long I don’t know how to do anything else, s specific note, a specific word, thank you for saying “fuck”, this book had censorship, the word “gunsel”, punk, a male prostitute or sex slave, projecting homophobia, a back and forth exchange, in the lobby of a hotel, “the fairy”, New York aren’t you, Baumes’ rush (the 1920s equivalent of the three strikes law), bums and hobos and gunsels, shove off, you can tell G I said so, he never brings his eyes up, he’s almost not there, shove off, performance art, that would go over big on 7th avenue, censorship, sailors, where sailors go to pick up…, to shake loose information, he’s employing homophobic language to provoke, Miskatonic.org Rara Avis (the rare bird), bulletin boards, amateur scholars, he can’t act, a Lux Theatre adaptation, Hollywood actors recreating movies as radio dramas, Edward G. Robinson as Sam Spade, a strange line, You’re the sister of the boy who stood on the burning deck, Casabianca, we don’t know how Casablanca came to be, a great classic out of a filler, a wonderful confluence of events, strange international relations, Vichy France, the Nazis, that great speech, a romantic positive speech, come around to me in 20 years, do you think either one of them loved each other?, his philandering, they’re all angels, what does love leave to them, he’s the hetero version of Cairo, sent to sleep with the Russian, a fun speech (pure bullshit), the ending of Casablanca, this could be the beginning of a beautiful…, Jesse’s independent research, the letter of transit is the Maltese Falcon, they ripped this off!, a solid but unspectacular hit, a work of genius, standing the test of time, you’re principles, she’s worth and so is the boyfriend, cipher, what does that amount to?, not a hill of beans (in this crazy world), here’s my code, I’m not playing the sap for you, low spirits, by late 1941, the cynicism, a comedy by accident, comedy, you’ll forgive me but it’s not good for me to be alone with you, poor Joel Cairo, we can give up you, it’s really striking when they replicate that relationship, Spade made a cigarette, Lauren Bacall, a kind of remake of Casablanca, To Have And Have Not, Bold Venture, Slate Shannon and Sailor Duvall and King Moses, set in Havana, playing to type, ideas vs. character, a story full of ideas – but demonstrated, Hammett leaves you to put it together, what was going on his head?, Red Harvest, even leaner, his style is amazing, he’s super-smart, he doesn’t put genius into the characters, people make movies about his life, fought in both WWI and WWII, evil mercenaries operating for giant evil corporations, Lillian Hellman, HUAC, throw a veteran of two world wars thrown in prison as “unamerican”, The Thin Man, The Adventures Of Sam Spade, talking everybody’s space away, the original Rat Pack, Errol Flynn, Eva Gardner, quite a pack, the den mother, a good to do list for anybody, she’s wise beyond her years, self-possessed, a match for any man, You Must Remember This podcast: Bogie Before Bacall, Bacall After Bogie, so 1945, asking Peter Lorre for dating advice, another really wise guy, better five good years than nothing, go for it you idiot!
The SFFaudio Podcast #428 – Jesse and Maissa Bessada talk about Burglars Can’t Be Choosers by Lawrence Block.
Talked about on today’s show:
1977, a Matt Scudder book: A Walk Among Among The Tombstones, cut-up women, he most brutal book Maissa’s ever read, sex, comedy and mystery, a treasure hunt, little gems, is that ever cool!, the 2 cassette audiobook (heavily abridged), just under six hours, it percolated along, coffee drinking, word humour and word play, why I love to read Lawrence Block books, 11 books in the series, 4 short stories, percolating dialogue, an Agatha Christie style mystery, Lawrence Block is an excellent narrator, you’re intellectually engaged, turning the horror of crime into a cozy murder mystery, a magician, sleight of hand, false directions, The Purloined Letter, the Blackstone Audio afterword, maybe I’ll try crime, everything you see on the page is Block’s brain, sparkling personality, Bernie doesn’t age, his burglar charms, Ruth Hightower, you can call me Roger, subsequent books, a front for a burglary business, Block’s dialogue and writing, the whole back end, seeing things we’re not allowed to see, what is happening?, the psychology of the character is a mystery to himself, Carolyn the lesbian poodle groomer, Carolyn is the Watson to Bernie’s Sherlock, it always was a parody, that love of books, contemplating a life of crime, Robin Hood, what kind of dog?, maybe a stuffed dog, no shedding, it’s obvious who the murderer is, carefully set like a jewel, a lot is unconscious, Ruth’s the murderer, suspects, some lurker in the shadows, how small New York is, it fits to Agatha Christie neat, that’s the genre, he’s playing totally by the Hal Clement rules, Mission Of Gravity, Two If By Sea, putting all the evidence before us, a particular hobby horse, The Burglar Who Liked To Quote Kipling, Kipling, The Burglar Who Painted Like Mondrian, Piet Mondrian, baseball, The Burglar Who Thought He Was Bogart, The Burglar In The Library, locked room murder mystery, The Burglar In The Rye, The Burglar Who Counted Spoons, told in first person, Like A Thief In The Night, A Bad Night For Burglars, from this character’s point of view, fitting in to one area of art or collecting, this is the theater one, everybody’s an actor, everybody in the book has another name or a hidden identity, Lauren, the 85 bucks, a burglar code of ethics, “I never believed in overlooking cash”, choices, the cop costume, which one is the real burglar?, they totally switch, Wesley Brill, playing “the heavy”, he’s lost his skill, this is the book where he gets his skill back, writing fiction is a kind of magic, losing the magic, Lawrence Block is always retiring from writing, staying in hotels, breaking into his own hotel room, writers who write for a living, Bernie’s lifestyle is Block’s lifestyle, going through a divorce, moving to California, an amazing soup of goodness, he’s a soup fiend, he’s also the “Man In The Middle”, Russian dolls, why isn’t this book much better known, Burglar (1987), gender swapped, Bobcat Goldthwait, too much in the words, it would make a great comic, imagery, exposition is not great for comics, a Hercule Poirot ending, Penguin Audio audiobooks, Richard Ferrone’s narration, Recorded Books, masks, Roger Armitage, they’re lying to each other, call me “Wes”, John Wesley, oh there you are!, fake names, really recognizable, how you know someone, Sydney Greenstreet, Peter Lorre, The Maltese Falcon (1941), two guys looking for the bird, the rara avis, the pear shaped man, a pre-telling, Ms. Brill by Katherine Mansfield, an ESL teacher in France, creating an internal life, an active imagination, moth powder, his yacht, a fried whiting, a flounder, a fox stole, honey cake, Maissa misread it, Reading, Short And Deep, Julie Hoverson’s narration of Ms. Brill, a little box room, Lawrence Block were you inspired by Katherine Mansfield’s story…?: No., a brill is a fish, the ermine toque = fur hat, knocked on the nose, everything is reflecting everything else, without even having read it, echoes of brill, Goldilocks, archetypes, Bernie assumes Ruth has a husband, Ellie, cheating, the ultimate woman, Darla Sandoval, he hasn’t cheated…yet, his cop costume, you don’t even need those burglar’s tools, a break in as a sexual thing, the ability to open locks, modelling a life on Bernie Rhodenbarr, locks and keys, how many passwords, one password, power and speed, a ream of keys, access, keys are responsibilities that weigh you down, physically and metaphorically, memorization, having lockpicks, lockpicking, water my plants, his burglary life, Mrs. Hesh, power is attractive, like sexual triumph, tumblers finishing, he doesn’t want it to be too clear, on the tip of understanding, “I suppose you’re wondering why I’ve gathered you all here”, Rex Stout, Raymond Chandler, a true consulting detective, Archie Goodwin, Nero Wolfe is a cogitating machine, perfect recall, fine living, food, a reveal, parceled out, we get all of the story, The Hound Of The Baskervilles by Sir Arthur Conan Doyle getting bored of the form, we are Bernie’s Watson, The Silver Blaze, he totally cheated us, cheating, honest cheating cops, the person behind everything, the second gun, triggering, a real play?, second cabbie, James Garner, “Sound Of Distant Drums”, phrases, things that suggest, suggesting rather than saying, a certain feeling, Block is a master manipulator, you flinched, he charmed me out a lot of money, playing a role from the very beginning, he’s an actor, really great, incredibly enjoyable, examining the furniture, shaking out the books, so much in there, intellectual exercise, whodunit?, if you want to know about Watergate now’s the time to read about it, wait twenty years, a good mystery novel gives you all the facts, I feel like Ray Kirschmann, we were totally cheated, a bed is a bed is a bed, no bed of roses, set apart from our world, everybody smokes, no internet, cellphones, computers, answering services, the world has been transformed, visiting a simpler time, sexism of the period is quaint, slightly askew.
The SFFaudio Podcast #426 -Jesse and Juliane Kunzendorf talk about A Fine And Private Place by Peter S. Beagle
Talked about on today’s show:
1960, is it true that Peter S. Beagle wrote A Fine And Private Place when he was 19?, Mary Shelley, Mr Rebek has been in the graveyard for 19 years, self-aware, unforeseen circumstances, November 2016, lightweight material, subtext, it’s not deep, on the nose, a bit long?, novel length for a novella idea, a raven here, a lady doing her shopping, a time capsule, 1960-ish, darn interesting, how New York was, a social study, science fiction and werewolves, a light touch fantasy, pretty effective, 272 pages, six to eight hours, narrated by Peter S. Beagle himself, a calm voice, a pleasant listen, more better work, a special and distinct voice, kind of amazing, it feels super-old, wise, philosophical about death and how to live, how do you get to this?, The Raven by Edgar Allan Poe, one of Jesse’s favourites, nobody cared, Jesse’s theory as to what is going on in The Raven and how it relates to this story, Andrew Marvell’s To His Coy Mistress, a metaphysical poem, start to kissing, rhyming with the comeuppance, but none do there embrace, reading poems aloud, forced rhymes,
Had we but world enough and time,
This coyness, lady, were no crime.
We would sit down, and think which way
To walk, and pass our long love’s day.
Thou by the Indian Ganges’ side
Shouldst rubies find; I by the tide
Of Humber would complain. I would
Love you ten years before the flood,
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires and more slow;
An hundred years should go to praise
Thine eyes, and on thy forehead gaze;
Two hundred to adore each breast,
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart.
For, lady, you deserve this state,
Nor would I love at lower rate.
But at my back I always hear
Time’s wingèd chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found;
Nor, in thy marble vault, shall sound
My echoing song; then worms shall try
That long-preserved virginity,
And your quaint honour turn to dust,
And into ashes all my lust;
The grave’s a fine and private place,
But none, I think, do there embrace.
Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may,
And now, like amorous birds of prey,
Rather at once our time devour
Than languish in his slow-chapped power.
Let us roll all our strength and all
Our sweetness up into one ball,
And tear our pleasures with rough strife
Through the iron gates of life:
Thus, though we cannot make our sun
Stand still, yet we will make him run.
sweet!, come on baby!, 1681, a tutor to a rich man’s daughter, post-mortem publication, The Twilight Zone, World Enough And Time, inspired, amorous birds of prey, iron gates of life, chaste love, Jonathan and Mrs. Clapper, finding another person to be with, all during WWII, an interesting backstory, reading books, washing his clothes in the bathroom sink at night, is it all in his head?, is he just a crazy homeless man?, fitting the facts, dirty and smelly, well groomed, disheveled, shaving, grooming, what are we to make of Mrs. Clapper falling in love with not the greatest catch ever?, her (dead) husband, tickles a sense of adventure, I’m not your husband, the rain-jacket, museum visitor than stay-at-home, the store scene, the Stillman family, when are you getting married?, she’s trapped in her role, her place in society, her apartment, the social environment of the 1960s, widowhood, when are you going to Florida?, other options, how she’s going to be buried, Mr. Rebek’s prison, an incomplete explanation, acting as a witch-doctor, love-potions, the scarred up boxer, making a love-potion, it’ll just make her receptive, when the love-potion works…, a weak character, he plays along, whiter teeth, his girlfriend died and he can’t get over her, he’s fleeing from the world and responsibility, in a time loop, frozen in time, just being, going on vacation is not a life, more of the same, his icy tomb, other stories like this, Beatrice in Dante’s Paradise, Orpheus and Eurydice, Odysseus, is Mr. Rebek going to move in with Mrs. Clapper?, living together, wearing her husband’s old clothes?, his room, they have to find a new apartment, from the Goodwill (but actually from her), she’s trying to replace her dead husband, marriage, domains, the boss, the nameless raven, Elijah, a squirrel with a wife, more raven, a couple of rules, how ghosts act and animals can talk, the ghosts, subversion, that’s what ravens do, the nightwatchman, alcohol, Spanish singing, sung as it should have been sung, another reflection of the raven, a psychopomp, Charon, the ferryman, Anubis, Pluto, deep in every religion, a man alive in the place of the dead, you’re a terrible guard, a passenger stuck on the barge to the underworld, not dead, not alive, seeing the dead, Mrs. Clapper can’t see the dead, an idea working below the surface, a lazy slow river journey, a slowboat to hades, Michael, I don’t want your nepenthe, Laura, more friends than anything else, a seagull lost in Iowa, seeing a bird, what is the metaphor there?, heavy with metaphors, things underlying, Juliane has time, listening to the sound of Edgar Allan Poe’s The Raven, certain sad uncertain rustling, a story of madness, Jesse’s theory but first the poem itself, Beagle must have been familiar with The Raven, books: “many a quaint and curious volume”, not nameless, wrought as a homophone for rot, a ghost of flame, morrow and marrow, surcease of sorrow, ending sorrow by reading, distraction, “to still the beating of [his] heart,” December, at night, midnight, “once”, Charles Dickens, big on ghosts, Into That Darkness Peering a collection of Poe narrated by Wayne June, what is he dreaming about?, suicide, what’s behind suicide, teasing, the passive voice, Guy de Maupassant, premature burial, Japanese or Korean ghosts, a real creepy ghost story, back from the dead, “chamber” not house, a lattice, panes and shutters, curtains, a shade, purple as the royal colour, layers, why is his soul burning?, slight variations, eyelids as shutters, “perched upon a bust of Pallas”, Athena, why Pallas?, palace, there were two goddesses, Pallas was eaten by Athena, distance away from Athena, perched above wisdom, “though thy crest be shorn and shaven”, Sampson, you can’t shave a raven, you can pluck a raven, crest, no fur nor hair nor feather’s on it’s head, that’s a different bird, it’s a condor aka a buzzard aka a carrion eater aka a vulture, why vultures head’s are are shaven, mistaking the bird, his perception of it as a raven is odd, why doesn’t anybody comment on this?, Athena’s helmet has a Raven on it, when you make a drawing you have to choose, in a poem we can have it both ways, a comparison to a vulture, craven as lustful, vultures don’t look young, he’s having it both ways, a much scarier story, a fire theme, ungainly = ungraceful, a talking raven, nesting ravens, does the Raven always tell the truth?, “fiery eyes” burning, Gustave Doré, a ray of light, fire and light, censer, seraphim, nepenthe again, always subverting, William Shakespeare’s The Tempest, desert land, balm in Gilead, skin soothing stuff, radiant, “still is sitting, still is sitting”, how can the shadow throw from the lamp stream over?, “my soul from out that shadow”, he burned his house down and he’s a ghost, the perfume of smoke, a room (not a house), Mr. Rebek’s house is a tomb, a man without a Lenore, eh, what are you going to do?, ravens in Greek mythology, Apollo, why all ravens are black today, creator god, the Ravens in the Tower of London, Mabel and Grip, trickster god, ravens stealing food, experiments with crow communication, sharing information, Jesse’s crow friend, zebras, lions making a plan, he cried like a baby, a reading raven, a gentle fantasy, the social structure, Michael and Laura, suicide or murder?, a prison of his own making, the prison of her own head, a golden cage, a satisfactory book, Mr. Rebek is 53, Mrs. Clapper is a little older (maybe), children are really absent, what’s real and what’s just in his head?, the nightwatchman is the sanest of all of them, so little evidence for insanity, very little below the surface, The Last Unicorn film adaptation, thematic connections, the death theme, The Innkeeper’s Song, five novels, We Never Talk About My Brother, funerals, death of child, hanging out in graveyards, pillars that didn’t support anything, the symbology of graveyards, a broken column indicates a life cut short, burial vs. cremation, a line between life and death, formalized words, affective, more philosophical, working as a mortician, Six Feet Under, a good book and pretty impressive, The Graveyard Book by Neil Gaiman (and the comic book adaptation), similarities, Rudyard Kipling’s The Jungle Book, a boy raised by ghosts, Tarzan, raised by animals, Tantor the elephant, Nobody Owens aka Bod, subtle illustrations, the babysitter characters, reading with students, tweeting Neil Gaiman, a signed poster, monster characters, Coraline, Tim Burton, thanatophilic, a weird relationship with death, if you’re dead you’re just gone, exactly like before you were born, we’re all just living in our heads.