The SFFaudio Podcast #355 – READALONG: The Dream-Quest Of Unknown Kadath by H.P. Lovecraft

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #355 – Jesse, Mr Jim Moon, and Paul Weimer talk about The Dream-Quest Of Unknown Kadath by H.P. Lovecraft

Talked about on today’s show:
novel or novella, would Lovecraft have published it had he lived longer?, left in a drawer, a first draft, smoothing out, an amazing talent, a fascinating fun world, The Wizard Of Oz, a tour of Lovecraft’s material, not the place to start with Lovecraft, no existential bleakness, surprisingly gentle, even Nyarlathotep is kind of nice, more adventurous, extended into nonsense, marshaling armies, Conan’s messing about is strictly small potatoes, a gregarious jolly man, a sense of fun, poems about Frank Belknap Long’s cat, more lucidity than you expect, the ghouls, the Fungi From Yuggoth cycle, three travelers who’d previously visited the dreamland, one must be the unnamed narrator of The Crawling Chaos, King Kuranes, the narrator of Hypnos, the smoking cosmic gun, The Other Gods, the priest, The Strange High House In The Mist, a night-gaunt, the mythos was largely invented by fans, the nexus point, The Statement Of Randolph Carter, is the graveyard in the Dreamlands?, other ways to get to the Dreamlands, ghoul tunnels, the ghouls are quite friendly, Warren is dead!, the enchanted wood, the Vaults Of Zin, the realm of the Gugs, The Divine Comedy, The Cats Of Ulthar, lots of cats from Ulthar, almost an anime style plot, hilarious, whimsical, swarming cats, unlocking, context, Dunsananian, Polaris, the Land Of Lomar, ahead of Robert E. Howard and Clark Ashton Smith, C.S. Lewis, J.R.R. Tolkien, Paul’s own RPG Dreamlands, slavers, fighting the Moon Men, surprisingly visual, Celephaïs and The White ship, much mining, the Moon wine, lava gatherers, chalcedony mining, Mr. Merchant, Nyarlathotep is the wizard (and the wicked witch), Sauron, Azathoth does the gnawing, Carter’s passivity, Carter’s activity, Indiana Jones in Raiders Of The Lost Ark, an explorer’s adventure, the hound is Belloq, Bryan Alexander, not a horror book, more comedy than horror, the Nigh-Gaunts sound scary but their major power is tickling, Lovecraft has a wicked dry sense of humour, playing with a caricature of himself, based on his own nightmares, squirming feelings, “there’s more of gravy than of the grave about you”, Marley’s ghost, a bit of undigested beef, A Christmas Carol by Charles Dickens, the HPLHS’ A Solstice Carol, adapting three Lovecraft stories by way of Dickens, The Festival, Pickman’s Model, The Outsider, it all connects up, Richard Upton Pickman, The Shadow Over Innsmouth, this grand tapestry, Jim’s ball of wax, The Thing On The Doorstep, a shoggoth in those pits, Night-Gaunts (the poem), not seeing the whimsical side of it, a gamer style fashion, in Deities & Demigods, that was all bullshit, Michael Moorcock’s Elric, flying on the night-winds with the ghouls, an internal Lovecraftian world, maps, the map from the Call Of Cthulhu‘s Dreamland Supplements, Sandy Petersen, Jason Thompson’s Dreamlands map, The Green Meadow, the Vaults Of Yin, the Gardens of Zin, how do they get to the Moon on this map?, straight on until morning…, dream logic supplies an endless supply of water, how much is personal and how much is external?, Carter’s Sunset City (Kadath), the gods of earth have abandoned it for Kadath, cosmic horrors, the Games of Divinity, Fungi From Yuggoth, Homecoming (Sonnet V), our experience of reading Lovecraft, Recognition, the book is the key,

IV. Recognition

The day had come again, when as a child
I saw—just once—that hollow of old oaks,
Grey with a ground-mist that enfolds and chokes
The slinking shapes which madness has defiled.
It was the same—an herbage rank and wild
Clings round an altar whose carved sign invokes
That Nameless One to whom a thousand smokes
Rose, aeons gone, from unclean towers up-piled.

I saw the body spread on that dank stone,
And knew those things which feasted were not men;
I knew this strange, grey world was not my own,
But Yuggoth, past the starry voids—and then
The body shrieked at me with a dead cry,
And all too late I knew that it was I!

, the next poem

V. Homecoming

The daemon said that he would take me home
To the pale, shadowy land I half recalled
As a high place of stair and terrace, walled
With marble balustrades that sky-winds comb,
While miles below a maze of dome on dome
And tower on tower beside a sea lies sprawled.
Once more, he told me, I would stand enthralled
On those old heights, and hear the far-off foam.

All this he promised, and through sunset’s gate
He swept me, past the lapping lakes of flame,
And red-gold thrones of gods without a name
Who shriek in fear at some impending fate.
Then a black gulf with sea-sounds in the night:
“Here was your home,” he mocked, “when you had sight!”

then we get The Lamp, Zaman’s Hill, The Port, The Courtyard, XX. Night-Gaunts, XXI. Nyarlathotep, XXII. Azathoth, XXV. St. Toad’s, seeking after visions, XVI. The Window, I.N.G. Culbard’s adaptation of The Dream-Quest Of Unknown Kadath, this is a poem as well, word choices for assonance and alliterative sound, very aural, a pleasure to listen to, meant to be read aloud, Carter looks a lot like Lovecraft (in I.N.G. Culbard’s adaptation, Jason Thompson’s adaptation of The Dream-Quest Of Unknown Kadath, from Dunsany and Poe, it all goes back to Poe with his Dream-land poem, Ulalume, The Narrative Of Arthur Gordon Pym Of Nantucket by Edgar Allan Poe,

Dream-Land
by Edgar Allan Poe
By a route obscure and lonely,
Haunted by ill angels only,
Where an Eidolon, named NIGHT,
On a black throne reigns upright,
I have reached these lands but newly
From an ultimate dim Thule—
From a wild weird clime that lieth, sublime,
Out of SPACE—Out of TIME.

Bottomless vales and boundless floods,
And chasms, and caves, and Titan woods,
With forms that no man can discover
For the tears that drip all over;
Mountains toppling evermore
Into seas without a shore;
Seas that restlessly aspire,
Surging, unto skies of fire;
Lakes that endlessly outspread
Their lone waters—lone and dead,—
Their still waters—still and chilly
With the snows of the lolling lily.

By the lakes that thus outspread
Their lone waters, lone and dead,—
Their sad waters, sad and chilly
With the snows of the lolling lily,—
By the mountains—near the river
Murmuring lowly, murmuring ever,—
By the grey woods,—by the swamp
Where the toad and the newt encamp,—
By the dismal tarns and pools
Where dwell the Ghouls,—
By each spot the most unholy—
In each nook most melancholy,—
There the traveller meets, aghast,
Sheeted Memories of the Past—
Shrouded forms that start and sigh
As they pass the wanderer by—
White-robed forms of friends long given,
In agony, to the Earth—and Heaven.

For the heart whose woes are legion
’T is a peaceful, soothing region—
For the spirit that walks in shadow
’T is—oh, ’t is an Eldorado!
But the traveller, travelling through it,
May not—dare not openly view it;
Never its mysteries are exposed
To the weak human eye unclosed;
So wills its King, who hath forbid
The uplifting of the fring’d lid;
And thus the sad Soul that here passes
Beholds it but through darkened glasses.

By a route obscure and lonely,
Haunted by ill angels only,
Where an Eidolon, named NIGHT,
On a black throne reigns upright,
I have wandered home but newly
From this ultimate dim Thule.

the double negative, seeing the mysteries of the dreamlands with the eyes unclosed, protean quality, an evolution of that Dream-Land, the seed that took root in Lovecraft’s mind, pools with lolling lilies, Eldorado, a prodigious dreamer, Tweeting dreams, “I’m prodigious dreamer.”, keeping a dream diary, deeper and more vivid, a dream New York City, Jesse recounts dream of swimming through the streets, a sea-monster, rafts, tables, wonderful wonderful comic books, it is very difficult to read books in dreams, #nightmare, forgetting that he is dreaming, close to waking, dreams while dreaming, Dennis Quaid, Dreamscape (1984), if we can just get the internet of dreams working, awesome and amazing, Waking Life (2001), dreams as prison, Curanes story is in the middle, Curanes has trained a bunch of locals to act English, totally Wizard Of Oz, the magic of three, The Crawling Chaos by H.P Lovecraft and Winifred Virginia Jackson, some sort of plague, opium, he’s inside his own head and walks into the Dreamlands, all cities of amber and chalcedony, deserted cities, amazing imagery, inside baseball, once you’re deep into the trenches…, The Graveyard Book by Neil Gaiman has the same kind of ghouls, the way ghouls get their names (the first person they eat), maybe Pickman got eaten by a ghoul (retcon), meeps or glibbers, planning the assault on Kadath.

The Dream Quest Of Unknown Kadath by H.P. Lovecraft - illustration by Jason Thompson

ad for H.P. Lovecraft's The Dream-Quest Of Unknown Kadath by Jason Thompson - from The Unspeakable Oath issue 16/17

Posted by Jesse Willis

The SFFaudio Podcast #312 – AUDIOBOOK/READALONG: Soft by F. Paul Wilson

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #312 – Soft by F. Paul Wilson; read by Fred Heimbaugh. This is an unabridged reading of the story (34 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Tamahome, and Fred.

Talked about on today’s show:
Humphrey Bogart, reading at school, Jesse’s job, Korean academy (Hagwon), enrichment, H.P. Lovecraft, writing poems about ghosts, Tiger moms, Korean Hogwarts, a period piece, the 5″ black&white TV screen, an emergency television?, a Casio LCD Walkman sized TV, body horror, tentacles, the rats are people?, a TV adaptation?, The Weird: A Compendium of Strange and Dark Stories edited by Ann and Jeff VanderMeer, the ending, what’s happened to George, clinging to their immunity, two weighted drapes, repopulating the Earth, 1950s actors, Protecting Project Pulp, Sex Slaves Of The Dragon Tong, Edgar Rice Burroughs, pulp era racism, Edgar Allan Poe, black people are conspicuously absent from most of Edgar Allan Poe’s writings, Poe’s only interested in the deaths of beautiful women, is F. Paul Wilson libertarian?, what happens after the story’s end?, not many are left alive, The Walking Dead, the empty city, i09’s apocalyptic, zombie stories, World War Z, a partial zombie story, the introduction from Between Time and Terror edited by Robert Weinberg, Stefan Dziemianowicz, and Martin H. Greenberg, the allegorical treatment of the AIDS epidemic, New York City, Cary Grant, what is Brad Pitt’s catchphrase, Arnold Schwarzenegger, the hidden McBain movie in The Simpsons, watching movies on TV, a rumpus room?, the dying living room, reviving the living room?, you’re all alone together, Merlin, so ’80s, the Star Wars movies, what happened?, ’70s movies are now incomprehensible, we need training to appreciate old movies, the difference between the Watchmen movie and the Watchmen comic, new RoboCop vs. old RoboCop, V For Vendetta, Hugo Weaving’s performance as V, Fred’s kids, they can never a Jedi be, Yoda is wrong about everything, Dr. Smith from Lost In Space, David Brin, the nostalgia of old movies as a way of escaping the horrible pain of reality, an uncomfortable feeling of liking apocalyptic stories, weirdly self-flattering, zmobies are the force of nature we refuse to acknowledge, Robert J. Sawyer, the medical cure for death is coming, denying death vs. embracing death, Night Of The Living Dead, a memento mori, this story is about Viagra, an episode of Senifeld, …what was left of my legs, a great first line, a newscaster still out there, they’re all Jell-O in their apartment buildings, the Libertarian streak, does he have the cure, Ray Kurzweil, the basic premise of all life so far discovered in the universe, no matter how many pills he takes, fish oil revolutionized Fred’s life, a more wide ranging curiosity, fishy burps, its a pill of course its good for me!

Still Life With A Skull

Posted by Jesse Willis

The SFFaudio Podcast #255 – AUDIOBOOK/READALONG: The Repairer Of Reputations by Robert W. Chambers

Podcast

TheSFFaudioPodcast600The SFFaudio Podcast #255 – The Repairer Of Reputations by Robert W. Chambers; read by Mark Turetsky. This is a complete and unabridged reading of the short story (1 hour 25 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Mr Jim Moon, and Mark Turetsky!

Talked about on today’s show:
The King Of Yellow, 1895, novelette, the connections between the stories, Cynthia, the coda, The Mask, Paris, the lethal chamber (a suicide booth), the Fates, revision of judgement, questioning the reader’s sanity, The Yellow Sign, Hildred Castaigne, the future setting (or lack thereof), the statue of Garibaldi (at Washington Square Park), the Carcosa Mythos, weird tales, weird romances, New York City, Mr. Wilde, Hawberk, Dr. Archer, the geography of Washington Square, the elevated train, a subway entrance (as a death chamber), the Wikipedia entry, Futurama (and New New York), a bohemian place, NYU, why is everything militarized?, what’s with the jingle of metal?, the expansion of the American Empire, “citation needed”, dragoons, hussars, lancers, the Prussian style, New Jersey, the texture of the fantasy future, a courtly atmosphere, colouring psychosis, a Napoleonic fascist sate, the meta-fictional nature of The King In Yellow, the Cthulhu Mythos vs. the Yellow Mythos, a surrealist existential nightmare, a fall from a horse, “he’s in the biscuit box”, it’s not horror, weird fiction, Ambrose Bierce, Science Fiction, science, the pinnacle of technology is a dreadnaught, The Structure Of Scientific Revolutions by Thomas Kuhn, Copernicus, Ptolemy, Galileo, the Moons of Jupiter, we’re living in a paradigm, a time of scientific flux, modern atomic theory (and The Mask), H.P. Lovecraft’s cosmicism, Steve Job and the “reality distortion field“, a social reality, Mr. Wilde’s career is the ability to distort social reality, “Napoleon, Napoleon, Napoleon”, Charlemagne, George Bernard Shaw: “The reasonable man adapts himself to the world; the unreasonable one persists in trying to adapt the world to himself. Therefore, all progress depends on the unreasonable man.“, Emperor Norton, California, Ambrose Bierce, “A sure sign of a genius is that all of the dunces are in a confederacy against him.”, the Hawberk (aka the Duke of Avonshire), the Metropolitan Museum, why does Louis visit Hildred?, the lethal chamber is central to the action, under the thrall of the Yellow Sign, Who Knows? by Guy de Maupassant, insanity and isolation, how is Hildred employed?, how Schizophrenia works, going along with the delusion, what is the significance of the cat?, the crisis comes when the cousin has to move, the crush on Constance, the anti-story nature of the work, the unreliable narrator (not Mark!), “suspension of disbelief”, Samuel Taylor Coleridge (and the old romantic poets), a reaction against science, are the ships real?, aren’t the ships and cavalry set up as a Chekov’s Gun that will go off?, internal inconsistencies, how old are the characters?, Hildred vs. Louis, the statue of General Sheridan, Académie Julian, artists and prostitutes and models, The Mask by Robert W. Chambers, what photography did to painting, impressionism, disruptive ideas, the homunculus, the missing fingers, the damaged ears, Mr. Wilde’s manuscript is the story we’re reading!, is the Chamber is a reference to Chambers himself?, The Street Of The First Shell by Robert W. Chambers, the siege of Paris (during the Franco-Prussian War), Two Fishers by Guy de Maupassant, the Benedict (80 Washington Square East), HBO’s True Detective and the connections to The King In Yellow by Robert W. Chambers, detecting reality (and identity), the purple ears vs. pink ears, how does repairing reputations work?, Hildred’s reputation, a Strangers On A Train-esque clearing house for murder, Scandal (we haven’t seen it), Osgood Oswald Vance, crouching, who killed Mr. Wilde?, the cat did it!, the cat must be symbolic, Oscar Wilde and The Yellow Book, a web of fantasies, “folie à deux”, ‘don’t make fun of crazy people because their folly lasts longer than our own’, we don’t have perfect access to reality, WWI, a social reality vs. a harsh physical reality of artillery, madman vs. a fool, craziness vs. folly, Omar Khayyám, Act 1, Act 2 will make you insane, densely packed with world and incidence, revolutionary science, speculation, no Shyamalan twists please, Cohle and Hart, precedents for a twelve year gap, Battlestar Galactica, Vikings, Rome, Lost, it won’t be a happy ending, suicide is hugely important in both stories, ‘death is not the end’, back to the cat, The Street Of The Four Winds by Robert W. Chambers, cats, dark magic, evil omens, The Black Cat by Edgar Allan Poe, No mask?, Stefan Rudnicki talking about The King In Yellow, the “pallid mask”, is it a skull?, Boris, the face in the fates, the bird on the statue, a jigsaw puzzle, “the long arm of The King In Yellow reaches forward and backward in time and space”, David Lynch’s Lost Highway, is Mr. Wilde real at all?, a very readable book, stylistically it’s surprising modern, the artisty milieu, a freshness, “beware of The King In Yellow“.

The Repairer Of Reputations by Robert W. Chambers - illustration by Tucker Sherry

In The Académie Julien In Paris by Marie Bashkirtseff

The Repairer Of Reputations by Robert W. Chambers - WORD CLOUD

Washington Square, New York - The King In Yellow

A review of The King In Yellow from Godey's Magazine, June 1895

The Lethal Chamber from PROVIDENCE by Alan Moore and Jacen Burrows

ACE - The King In Yellow by Robert W. Chambers

The King In Yellow by Robert W. Chambers - Signed by Kurtz

Posted by Jesse Willis

Review of The Golem and the Jinni by Helene Wecker

SFFaudio Review

Book Cover for The Golem and the JinniThe Golem and the Jinni
By Helene Wecker; Read by George Guidall
Audible Download – 19 Hours 43 Minutes [UNABRIDGED]
Publisher: Harper Audio
Published: 2013
Themes: / Magical Realism / Contemporary Fantasy / Judaism / Immigration / Reincarnation

Every year brings new books. Some are sequels, new entries in beloved series, like favorite vacation spots we return to again and again. Others are new works by a proven author, a trusted tour guide taking us to someplace new. Still others are entirely new works by unknown authors who have received praise from the critics or the publisher’s marketing juggernaut, like learning that Costa Rica is the new cool place to visit. But every now and then, I stumble upon a new novel completely by chance, as if turning down the wrong alley in a crowded city and finding a new gem. Last year that novel was Mr. Penumbra’s 24-hour Bookshop. This year, it’s Helene Wecker’s The Golem and the Jinni.

Let’s start with the official blurb:

Helene Wecker’s dazzling debut novel tells the story of two supernatural creatures who appear mysteriously in 1899 New York. Chava is a golem, a creature made of clay, brought to life by a strange man who dabbles in dark Kabbalistic magic. When her master dies at sea on the voyage from Poland, she is unmoored and adrift as the ship arrives in New York Harbor. Ahmad is a jinni, a being of fire, born in the ancient Syrian Desert. Trapped in an old copper flask by a Bedouin wizard centuries ago, he is released accidentally by a tinsmith in a Lower Manhattan shop.

But a bit of cover copy can’t begin to capture the wonder of Wecker’s world. In theme and tone the novel sits squarely between contemporary fantasy in the vein of American Gods on the one hand and the subtle magical realism of books like Gabriel Garcia Márquez’s One Hundred Years of Solitude on the other. The scope is too intimate and the characters’ aims too prosaic for the novel to fall in line with contemporary or urban fantasy. Yet it’s also too relentlessly magical to keep company with literary fiction only spiced sparingly with magic. I say it sits between these two genres, but in another way it encompasses both at once. It’s both an incredibly human story and an entirely alien one. Yet the human and the mythical coexist comfortably on the streets of 19th-century New York City: they flirt, they fight, they even fall in love.

When I read the synopsis and the novel’s first few chapters, I was afraid The Golem and the Jinni would devolve into a thinly veiled commentary on the plight of New World immigrants or, worse, an anachronistic attack on Middle East cultures clashing in the United States. Fortunately, Wecker indulges in the former only sparingly and the latter not at all. Like most good literature, the book describes rather than proscribes. The poverty of the Jewish Quarter and Little Syria alike, where the respective mythical creatures take up residence, speaks for itself. Historical context and modern analogues are there to find if you dig for them, but ultimately Wecker is telling a story, a story of two beings entirely different in nature, one of Earth and one of Fire, who meet in the unlikeliest of places.

And yes, they do meet, but not until many hours into the audiobook. The novel takes a leisurely pace, but that doesn’t make it any less irresistably compeling. The narrative strikes that perfect balance between plot and characterization, both feeding off of and into one another. With a novel of this length there are the inevitable brief dry spells, but in those rare cases the strength of Wecker’s prose and the beauty of the world she has conjured carry the listener through. The book’s final chapters also felt a bit hurried, as endings often tend to be, but a lovely epilogue allows the listener to linger in the world a little longer and say goodbye to its charming cast of characters, human and otherwise.

I mentioned American Gods earlier, and it’s difficult not to think of Neil Gaiman’s masterwork when reading The Golem and the Jinni, since both novels tell the story of what happens when profoundly magical beings come to this profoundly un-magical land of America. As an audiobook listener, the similarities were all the more difficult to ignore because George Guidall lends his considerable voice talent to both works. His unhurried, understated narration fits the novel’s tone perfectly, and his voice moves mercurially from the demure speech of Chava the Golem to the taut clip of Ahmad the Jinni. It’s hard to imagine a better narrator for bringing this story to life.

I deeply hope this is but the first of many wondrous works to issue forth from the pen, or keyboard, of Helene Wecker. Rarely does a book’s world or characters captivate me so completely. If you’re looking for the next great work of contemporary fantasy, magical realism, or just plain old fiction, look no further.

Posted by Seth Wilson

The Mark Time and Ogle Award winners for 2013

SFFaudio News

The Mark Time AwardJerry Stearns, the coordinator for the The Mark Time Awards and Ogle Awards, writes in with this list of the winners for 2013 (the presentations will take place on July 4, 213 at CONvergence in Bloomington, MN):

Mark Time Award:

GOLD:
The Truth: The Modern Prometheus
The Truth
Written by Greg Kotis
Producer, Jonathan Mitchell
New York, NY
thetruthapm.com

SILVER:
Titanium Rain, Episode One
Audiocomics
Written by Josh Finney
Pacific Grove, CA
Audiocomicscompany.com

&

Our Fair City, Season 3
HartLife NFP
Clayton Faits, Head Writer
Jeffrey Gardner, Executive Producer
Chicago IL
OurFairCity.com

Ogle Award:

GOLD:
The Will of the Woods
Audio Epics
Written & Produced by Domien De Groot
Deurne, Belgium
audio-epics.com

SILVER:
The Truth: In Good Hands
Written by Louis Kornfeld & Jonathan Mitchell
Producer, Jonathan Mitchell
New York, NY
thetruthapm.com

&

The Truth: That’s Democracy
Written by Louis Kornfeld & The Truth
Producer, Jonathan Mitchell
New York, NY
thetruthapm.com

And, 15 year retrospective of the Mark Time and Ogle Awards at NATF’s HEAR Now Festival in Kansas City on June 21-23, 213.

About the HEAR Now Festival:

HEAR Now: The Audio Fiction and Arts Festival is the audio equivalent of a film festival for contemporary audio storytelling in all its forms: live and scripted solo performances, multi-voiced, classic radio drama, experimental narrative, and much more. This four-day Festival, running June 20th – 23rd, 2013, in Kansas City, MO, will offer programs, showcasing the many forms of audio fiction and sound art storytelling, in theaters and other “listening” venues.

The 2013 HEAR Now Festival will be a gathering place where the work of master storytellers is celebrated and shared, presenting programs that exemplify traditions of craftsmanship, as well as aesthetic and technological innovation.

Audio drama, audiobooks, recorded, and live performances will be heard in local theaters and other venues all conveniently located in the “Country Club Plaza District” of Kansas City. HEAR Now will offer moderated discussions and panels along with a performance workshop culminating in a live showcase performance event.

For more information about CONvergence: www.convergence-con.org
For more about the Mark Time Awards: greatnorthernaudio.com/MarkTime/MarkTime.html

[via Jerry Stearns]

Posted by Jesse Willis

BBC Audiobooks America: Fashionably Undead by Meg Cabot and the Twitterverse

SFFaudio Online Audio

Here’s another collaboratively constructed audiobook, following on the heels of Hearts, Keys, and Puppetry. It’s short, free, and full of zombies.

BBC AUDIOBOOKS AMERICA - Fashionably Undead by Meg Cabot and the TwitterverseFashionably Undead
By Meg Cabot and the Twitterverse; Read by Sarah Drew
9 MP3 Files – Approx. 1 Hour 22 Minutes [UNABRIDGED]
Publisher: BBC Audiobooks America
Published: May 2010
New York Times bestselling author Meg Cabot and more than 50 fiction lovers joined forces on Twitter.com to spin a hilarious tale of haute couture and horror. Carly, an unassuming receptionist at Guru Fashion Agency, is shocked when sexy new guy Jake texts her to say he needs her help—fighting off zombie models! Soon she discovers New York is under siege and she’s the chosen one who can save them all. With the help of her sassy, donut-loving deskmate Joyce and the intriguing Jake, Carly embarks on a death-defying adventure that leads to a Fashion Week showdown with the Queen of the Zombies, one of the industry’s biggest icons. It just might be the strangest first date she’s ever had.

Chapter 1 |MP3| Chapter 2 |MP3| Chapter 3 |MP3| Chapter 4 |MP3| Chapter 5 |MP3| Chapter 6 |MP3|
Chapter 7 |MP3| Chapter 8 |MP3| Chapter 9 |MP3|

[via AudiobookDJ]

Posted by Jesse Willis