The SFFaudio Podcast #136 – Jesse, Tamahome, Eric S. Rabkin, and Jenny talk about Neuromancer by William Gibson.
Talked about on today’s show:
What was really going on in 1984, the introduction to the audiobook, 3 MB of RAM, Commodore 64, Apple IIe, TI-99/4A, the 10 Year Anniversary Edition of Neuromancer, video arcade vs. arcade, Tank War Europa, Spy Hunter, Sinistar, BBC audio drama adaptation of Neuromancer, cyberpunk, Jenny couldn’t connect with Case the first time, Alfred Bester, the revolutionary effect of Neuromancer, “a very special book”, Mexico City, “an important novel”, Yevgeny Zamyatin’s We, The New Yorker’s parody of Neuromancer, the New Wave, “one great new idea per book”, Samuel “Chip” Delany, The Einstein Intersection, The Lovesong Of J. Alfred Prufrock by T.S. Eliot, “The sky above the port…”, Blade Runner, “time to murder and create”, Hesiod, “And he never saw Molly again.”, an untethered morality, the Rastafarian religion, WWI, virtual worlds, Second Life, Gibson’s intentions, Gravity’s Rainbow by Thomas Pynchon, conspiracy, The Crying Of Lot 49, William S. Burroughs, Naked Lunch, “the silent frequency of junk”, The Wonderful Wizard Of Oz, Dorothy’s shoes, L. Frank Baum, “the face of evil is the face of total need”, The Electric Kool-Aid Acid Test by Tom Wolfe, “slouching through the streets of Paris”, Case is a “man of decided inaction”, God was Adam’s employer, Dixie Flatline wants to die, Free Will, Eric felt for Case, 1980s, Watergate, a totemic fascination with color and material, branding, Pattern Recognition, the Sanyo spacesuit, Hosaka is a computer?, a dead channel would be blue (today), Ian Fleming, James Bond, Walther PPK, “elegance and cosmopolitanism”, John Brunner’s Stand On Zanzibar, Escape From New York, Johnny Mnemonic, the fear of what technology is going to bring, Case’s youth, detritus vs. kipple, Philip K. Dick, Martian Time-Slip, Galactic Pot-Healer, “you can’t prove that the United States exists” in Neuromancer, Case was a street-kid, Gibson has built something that has mythic power, the lame Braun robot, Molly -> Mother -> Mary, SSN vs. SIN, a Case study (pun), he has been assigned a SIN, Oedipus, they function as if they were physical, Case: “You know you repeat yourself man.” Dixie: “Yeah, it’s my nature.”, the Sprawl trilogy and “when it changed”, when is Neuromancer set?, “a rich kid’s hideout”, real kipple vs. fake kipple, “built by carpenters to look rustic”, 18th century fake ruins, Versailles (and the Hameau de la reine), the Tessier-Ashpool are fucked up, Mona Lisa Overdrive, cloning, Count Zero, “they dumped themselves into this matrix”, communication technologies begin with porn, A Chorus Line, SimStim gets short shrift in Neuromancer, Strange Days, Molly’s meat-puppet memories, 1-900 numbers, the lotus eaters, Circe, the Sirens song, The Lion of Comarre by Arthur C. Clarke, the heisters are motivated or moved by their A.I. puppet-master, Case’s motivation, Molly’s motivation, Corto/Armitage’s motivation, like Rabbit in Vernor Vinge’s Rainbow’s End, these characters want to believe in their own free will, Neuromancer‘s motivation, “who’s the bad guy in this book?”, “who isn’t?”, the shuriken is the only moral totem in the book, dystopia vs. dystopic, “the wavelength of amphetamine”, spit instead of cry, Jenny is kind of cheating (because she’s read the sequels), is Molly wrong for Case?, Eric questions the new pancreas, it’s Noir (because everyone smokes), Jo Walton’s review of Neuromancer (see the top and comment 59.), Jesse appreciates the world (and the great motivation of the plot), Eric likes Case (in part) because he’s the only one who doesn’t want to physically hurt anyone else, O’Neil colony, the fake French youths, Case is not Neo, The Matrix is a fairy tale with a prophecy whereas Neuromancer is Science Fiction, the Sprawl Trilogy vs. The Matrix Trilogy, Star Wars, “stuck in bullet time”, V: For Vendetta is a fantastic movie, Jenny thinks we should listen to the soundtrack to The Matrix, “the machine and the moment”, Tama thought the second half of Neuromancer dragged, Mary Shelley’s Frankenstein is also Necromancer‘s antecedent ,”what do we owe to what we create?”
Posted by Jesse Willis
The Great Lives programme, now in it’s 26th series, is a half hour biography show that explores the lives of “the greatest people who ever lived.” Host Matthew Parris interviews an eminent guest who argues for the magnetism of his or her historical hero.
