The SFFaudio Podcast #066 – Scott talks to Harlan Ellison, in the vintage 2006 interview, about audiobooks and audio drama.
Talked about on today’s show: SFWA, Harlan Ellison’s Grand Master of Science Fiction award, Ray Bradbury, Isaac Asimov, Alfred Bester, Repent Harlequin Said The Tick-Tock Man, A Boy And His Dog, Shatterday, Alternate World Recordings, Shelly Levinson, Roy Torgeson, The Prowler In The City A The Edge of the World, Yours Truly Jack The Ripper by Robert Bloch, Dangerous Visions, The Bloody Times Of Jack The Ripper, radio drama, Orson Welles, reading your own work aloud, Joseph Patrich, in the tradition of Geoffrey Chaucer, Ovid, Plato, auctorial performance, teaching English at universities, autodidact-ism, the Harlan Ellison Recording Collection, Caedmon, Harper Audio, The Ellison Audio Archipelago, Stefan Rudnicki, Dove Audio, A Sinner In The Hands Of An Angry God by Jonathan Edwards, Guglielmo Marconi, Voices From The Edge: I Have No Mouth But I Must Scream by Harlan Ellison |READ OUR REVIEW|, Audio Literature, Blackstone Audio, Deep Shag Recordings, On The Road With Harlan Ellison series, Jack Williamson, Robert A. Heinlein, performing an audiobook, reading for the blind, Scott Brick, the wonderful voice of Stefan Rudnicki, City Of Darkness by Ben Bova, A Wizard Of Earthsea by Ursula K. Le Guin |READ OUR REVIEW|, Ben Bova’s writing style, Mars by Ben Bova (read by Harlan Ellison), cryonics vs. cryogenics, fixing mistakes in other people’s books, the popularity of Science Fiction in radio’s heyday, Mysterious Traveler, Suspense, Lights Out, X-Minus One, Dimension X, I Love A Mystery, War Of The Worlds, 1950s “giant ant movies”, Galaxy Magazine, Radio Yesterday, Sea Legs by Frank Quattrocchi, the radio serials: Space Cadet, Superman, Flash Gordon, Buck Rogers, 2000X, the man Harlan Ellison won’t mention the name of (Yuri Rasovsky), Robin Williams, By His Bootstraps by Robert A. Heinlein, Richard Dreyfuss, NPR, the sense of belonging, The Green Hornet, The Hitchhiker’s Guide To The Galaxy (Tertiary Phase), Douglas Adams.
After three recent podcasts (two for SFBRP, one for the SFFaudio Podcast) I’ve prepared a listening list of the topic of INVISIBILITY. Invisibility is, I argue, ultimately not a scientific phenomenon but rather a literary one. When we use the word “visible” we are referring to something that is either seen or see-able. I can say something is more (or less) visible than something else and be correct. This concept of gradations of visibility is quite legitimate, and doesn’t often lead to any conceptual difficulty. But, we also have a tradition of negating concepts that we think we understand well – and then expecting that negation to exist too.
For instance. First consider the concept of pressure. Then consider these two sentences:
“This bottle is pressurized.” <-(Looks ok)
"That bottle is unpressurized.” <-(Looks ok)
Now consider the concept of visibility. And consider two more sentences:
"This feather is visible." <-(Looks ok)
"That feather is invisible.” <-(Looks... no wait! It's not ok.)
So what's the difference between these two concepts and their respective negations?
First, there is the problem of a conceptual equivocation in the concepts. The adjectives "pressurized" and "unpressurized" actually refer to the contents (or lack thereof) in the bottle, and not the bottle itself. Whereas in the second pair the adjectives “visible” and “invisible” refer only to the feather.
No matter, as you might be thinking, is 100% transparent. This is not completely obvious. Air seems invisible to us, but in reality even air isn’t actually 100% transparent. One strange, if incomplete, definition of MATTER might be “that which cannot be invisible.” Invisibility, therefore, can be only properly attributed to the absence of something. A perfect vacuum would be perfectly transparent, but as you are probably now realizing a vacuum is not actually a thing. It is the absence of anything.
To be sure there can be, and certainly are: unseen feathers (a black feather in an unoccupied cave), feathers that are hidden (behind something else), or even a feather that is camouflaged to look like something else. And that is the extent of feathers and their non-visibleness. The only further kind of feather we could imagine that is actually invisible must therefore be a wholly fictional feather.
So when we say things like “a glass cup is invisible in water” we can only be speaking metaphorically.
What we really mean is that the glass cup is hidden from us, it is camouflaged. This kind of invisibility is no more persuasive than saying a large city is invisible to a blind man. The city is of course visible, it is just not visible to him. And likewise the cup is visible, just not to our eyes in that medium. So the question then becomes, is it ever conceivably possible to make a man non-visible in the medium of air?
And that’s when we come to my answer.
Only in fiction.
The best expression of this is probably in the movie Mystery Men (1999). Wherein the Invisible Boy is “able to turn invisible, but only when no one is looking at him.”
So here finally, in chronological order of imagination, are just a few of the many uses of the fictional concept of invisibility:
The Ring Of Gyges (extracted from Book II Part I of The Republic)
By Plato; Read by Sibella Denton
1 |MP3| – Approx. 31 Minutes [PHILOSOPHY]
Published: February 22, 2009 Gyges, a shepherd in the service of the king of Lydia, discovers a gold ring that can make him invisible. It, along with his covetous nature are the means by which he murdered the King and won the affection of the Queen.
Written 360 B.C..
What Was It?
Based on a story by Fitz-James O’Brien; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: Syndicated to radio stations including
Broadcast: October 10, 1943
The story upon which this radio play was based was first published in 1859. The Weird Circle was a 1940s half hour radio drama series that ran 78 episodes in syndication from 1943 to 1945 in the USA.
The Invisible Man
By H.G. Wells; Read by Alex Foster 13 Zipped MP3 Files or Podcast – Approx. 4 Hours 54 Minutes [UNABRIDGED]
Published: 2006 The Invisible Man (1897) is one of the most famous science fiction novels of all time. Written by H.G. Wells (1866-1946), it tells the story of a scientist who discovers the secret of invisibility and uses it on himself. The story begins as the Invisible Man, with a bandaged face and a heavy coat and gloves, takes a train to lodge in a country inn whilst he tries to discover the antidote and make himself visible again. The book inspired several films and is notable for its vivid descriptions of the invisible man–no mean feat, given that you can’t see him!
Miss Pim’s Camouflage
By Lady Stanley; Read by Grant Hurlock 31 Zipped MP3 Files or Podcast – Approx. 7 Hours 49 Minutes [UNABRIDGED]
Published: September 28, 2009 Mid-WWI, staid Englishwoman Miss Perdita Pim suffers a sunstroke gardening and gains the power of invisibility. She becomes a super-secret agent, going behind German lines, sometimes visible, sometimes not, witnessing atrocities & gleaning valuable war information
Luke Burrage, in the first of two shows with me as a guest on Science Fiction Book Review Podcast, is reviewing and talking about The Invisible Man by H.G. Wells. Its a fun exercise, we run down the whole book and talk about other invisibility stories too. Have a listen…
SFBRP #078 – H.G. Wells – The Invisible Man
1 |MP3| – Approx. 58 Minutes [UNABRIDGED]
Podcast: Monday, January 18, 2010