Random House Audio – Page 16

Review of A Wrinkle in Time by Madeleine L’Engle

SFFaudio Review

A Wrinkle in Time
By Madeleine L’Engle; Read by Madeleine L’Engle
5 CDs – Approx. 5 Hours 17 Minutes [UNABRIDGED]
Publisher: Random House/Listening Library
Published: 2005
ISBN: 0307243230< Themes: / Fantasy / Space travel / Family / YA / Psychic Abilities / Newberry / The elementary school I attended as a kid had a big poster in the library showing the covers of all the Newberry Medal award winners. I remember A Wrinkle in Time by Madeleine L’Engle jumping off of the poster; the cover featured an almost photo-realistic mother-of-pearl centaur that was pretty damn cool looking to a ten year-old. I checked the book out, read it, and loved it, but my recent listen of the new audio edition of A Wrinkle in Time (Listening Library, 2005) made me wonder how much of the book I really understood as a kid. I’ve often thought that they should just come right out and say that books win the Newberry Medal not because they are outstanding children’s books, but rather outstanding children’s books for adults. A Wrinkle in Time definitely falls within this category. The fast-moving story and sympathetic characters definitely make it appealing to kids, but, like Philip Pullman’s stuff , there are thematic elements that are very mature, and maybe even a little subversive. If the book were any less intelligently or subtly written, I wouldn’t be surprised to see it show up on banned-book lists.

L’Engle reads the book herself, and does a fine job. She obviously has an intimate understanding of the material, and her expressive voice lets her keep the story flowing without having to use different voices to distinguish the characters. L’Engle apparently suffered a cerebral stroke in 2002, the effects of which are obvious in her voice; it’s slurred a lot like Johnny Cash’s on his later albums. The only criticism I have of this production is of the decision to use an echo effect for the dialogue of Ms. Which. In the book all of this character’s dialogue appeared in italics, but the in the audio book, the effect comes off as a little cheap.

The audiobook starts off with an introduction explaining how L’Engle read the story to her children as she was writing it. Those were some lucky kids. Hop in bed with A Wrinkle in Time, some cocoa and some good headphones and you’ll probably come pretty close to recreating that experience.

posted by Cory

2006 starts with some fine titles: Anne Manx on A…

SFFAudio Header New Releases

2006 starts with some fine titles:

Anne Manx on Amazonia, audio drama from Radio Repertory Company of America, starring Claudia Christian, Pat Tallman, and Barbara Harris
This audio drama is excellent entertainment – a comic book for your ears!

Battlestar Galactica: The Miniseries by Jeffrey A. Carver, read by Jonathan Davis, Audio Renaissance, Abridged
In the tradition of Star Trek and Star Wars audiobooks, here’s the first audiobook from the best current show on television.

The Door into Summer by Robert A. Heinlein, read by Patrick Lawlor, Blackstone Audio, Unabridged
Click here to listen to a sample.
Another classic Heinlein novel from Blackstone Audio!

The Hitchhiker’s Guide to the Galaxy: Quandary Phase by Douglas Adams, performed by BBC Radio, Audio Partners
The penultimate Hitchhiker’s radio show.

H.P. Lovecraft Collection – Volume 3 by H.P. Lovecraft, Audio Realms
More Lovecraft from Audio Realms! This one contains “The Horror at Red Hook”, “The Statement of Randolph Carter”, “The Outsider”, and “Herbert West Reanimator”. The first Lovecraft collection from Audio Realms landed on our SFFaudio Essential List.

The Incredible Shrinking Man by Richard Matheson, read by Yuri Rasovsky, Blackstone Audio, Unabridged
Click here to listen to a sample.
A classic novel by Richard Matheson read by the mighty Yuri Rasovsky.

The Sailor on the Seas of Fate by Michael Moorcock, Audio Realms
The second of the original Elric saga from Audio Realms. If quality is half of the first one (Click here for the SFFaudio review of Elric of Melnibone) then this is a must-have.

Star Wars: The Dark Nest III: The Swarm War by Troy Denning, read by Jonathan Davis, Random House Audio, Abridged
The latest in the long-running Star Wars audio series.

Tales of Terror by Edgar Allan Poe, read by various readers, Blackstone Audio, Unabridged
Click here to listen to a sample.
Contains some of Poe’s greats – “The Tell Tale Heart”, “Murders in the Rue Morgue”, “The Pit and the Pendulum”, and others.

If you are a publisher and have titles that you’d like to be included here, then contact Scott or Jesse.

Review of A Feast for Crows by George R.R. Martin

Fantasy Audiobook Review

A Feast for Crows
By George R.R. Martin; Read by John Lee
26 CDs – Approx. 31 Hours [UNABRIDGED]
Publisher: Random House Audio
Published: 2005
ISBN: 0739308742
Themes: / Fantasy / Epic Fantasy / Medieval setting / Power Struggle / Dragons /

There’s a long story behind A Feast for Crows, but I’ll make it short. George R.R. Martin, while writing the fourth installment of the superior A Song of Ice and Fire epic fantasy series, found it was getting too long. Long enough, in fact, that if he published it as-was, it would need to be broken up into two volumes. So, rather than break the book into two pieces at the middle, he split the book by character, including the complete story of select characters in one volume, leaving the rest of the characters to appear in the next volume. A Feast for Crows, then, is the fourth book, and a new fifth book (A Dance with Dragons) will be published relatively soon. This novel is a bit shorter than the previous volumes, but still clocks in at 31 hours on unabridged audio.

Roy Dotrice read the first three volumes in the series, but this time British actor John Lee narrated. I’m not sure why the change was made; the narrators were very different. While Dotrice has a rough, earthy delivery, Lee’s style is smooth and skilled. Both narrators succeed with Martin’s story, because with such a large number of characters, ranging from royalty to peasants, each found places to shine.

The myriad of characters brings me to my next point. This is the first of these large novels that I’ve heard before I read. Some listeners have complained that the novels are difficult to follow on audio because there are so many entrances, but I didn’t feel that way until now. With this novel, I found that the portions of the book that involved characters I didn’t know from previous books were indeed difficult to follow. When a character I knew arrived on the scene, I was fully engaged with the story.

There is a very simple remedy to this. There are acres of real estate on the packaging for large audiobooks. Why not include a Cast of Characters (Dramatis Personae)? Why not include the maps from the print version? Both of these items would have been welcome.

I thoroughly enjoyed this book. I am a huge fan of Martin’s, and especially this series. I felt that this one started a bit slowly, but ended with a bang. I reveled in being in Westeros again. Many of the characters I like were not included in this novel, which both disappointed me and heightened my anticipation for the next volume. A Feast for Crows delivers much – I was riveted to the last third of this audiobook – but I can’t help to feel that it is incomplete, because of the missing characters and because it is the middle of a long wonderful saga that I am patiently waiting to see through.

Posted by Scott D. Danielson

New Releases: A Century of Science Fiction, an unabridged narrat…

New Releases

A Century of Science Fiction, an unabridged narrated history of science fiction film and television, Request Audiobooks
This looks interesting… from the description: “Here are the details of some of the most well known science fiction films and television series ever created: A Trip To The Moon, The Day The Earth Stood Still, The War of The Worlds, 2001: A Space Odyssey, Planet of the Apes, Aliens, Star Wars, Star Trek, and many more. Listen to the recapitulations of sci-fi voyages from the men and women who realized these fantasies. With interviews and sound bites from their films, William Shatner, Samuel L. Jackson, Stephen Spielberg, and Kevin Costner, along with Liam Neeson, Denzel Washington, Raquel Welch, Orson Welles, just to name a few, speak of their excursions into strange, new worlds…”

Eye for Eye by Orson Scott Card, read by Stefan Rudnicki, Unabridged, Request Audiobooks
Here’s an audio version of Orson Scott Card’s Hugo Award-winning novella Eye for Eye.

Fahrenheit 451 by Ray Bradbury, read by Christopher Hurt, Unabridged, Blackstone Audio
Ray Bradbury’s classic novel about a fireman whose job it is to burn books. Click here for an audio sample.

A Feast for Crows by George R.R. Martin, read by John Lee, Unabridged, Random House Audio
Book 4 in the A Song of Ice and Fire fantasy series by George R.R. Martin. Been waiting for this one… It’s also available at Books on Tape in library binding. Yay! Listen to excerpt one — Listen to excerpt two.

The Island of Doctor Moreau by H.G. Wells, read by Jonathan Kent, Unabridged, Tantor Media
A classic H.G. Wells novel from Tantor Media, the fine folks who brought us Edgar Rice Burroughs on audio.

King Kong by Edgar Wallace and Merian C. Cooper, read by Stefan Rudnicki, Unabridged, Blackstone Audio
This is a novelization of the original King Kong script, and includes commentary by Ray Bradbury, Ray Harryhausen, Orson Scott Card, Harlan Ellison, Larry Niven, Catherine Asaro, Jack Williamson, and Marc Zicree. Click here for an audio sample.

March Upcountry by David Weber and John Ringo, read by Stefan Rudnicki, Unabridged, Blackstone Audio
A novel by two masters of military SF – click here for an audio sample.

Master of Dragons by Margaret Weis, read by Suzanne Toren, Unabridged, Audio Renaissance
This is the third novel in a trilogy written by Margaret Weis, who is half of the Weis-Hickman team that wrote many popular epic fantasy novels in the Dragonlance series. Click here for an audio sample.

Run for the Stars by Harlan Ellison, read by the Author, Unabridged, Request Audiobooks
A new (to audio) story by Harlan Ellison. That alone makes it a must-have!

Star Wars: Dark Lord: The Rise of Darth Vader by James Luceno, read by Jonathan Davis, Abridged, Random House Audio
Star Wars! I continue to be impressed with the richness of the Star Wars line of audio novels. Jonathan Davis is the perfect reader, and the production quality is first rate.

The Unnameable: Four Tales by H.P. Lovecraft by H.P. Lovecraft, Read by David Cade, with music by Paolo Barzini, Unabridged, Tales of Orpheus
Contains: “The Book”, “The Music of Erich Zann”, “The Cats of Ulthar”, and “The Unnameable”

The War of the Worlds by H.G. Wells, read by Maxwell Caulfield, Unabridged, Request Audiobooks
The original War of the Worlds novel.

And from Escape Pod in the past month:
“The Death Trap of Dr. Nefario” by Benjamin Rosenbaum, read by Chris Miller with Stephen Eley
“The Great Old Pumpkin” by John Aegard, read by Stephen Eley
“Iron Bars and the Glass Jaw” by Jeffrey R. DeRego, read by Jonathan Sullivan
“The Ludes” by Lisa M. Bradley, read by Stephen Eley
“Mount Dragon” by Vera Nazarian, read by Stephen Eley

If you’d like to be included in our monthly New Releases post, please contact us! We’d be happy to include your products, as long as they are science fiction or fantasy related.

Posted by Scott D. Danielson

Review of The Fifth Sorceress by Robert Newcomb

Review

The Fifth Sorceress
By Robert Newcomb; Read by Simon Jones
5 CDs – 6 Hours [ABRIDGED]
Publisher: Random House Audio
Published: 2002
ISBN: 0553713922
Themes: / Fantasy / Magic /

“It is more than three centuries since the ravages of a devastating war nearly tore apart the kingdom of Eutracia. In its wake, those who masterminded the bloodshed-a quartet of powerful, conquest-hungry Sorceresses-were sentenced to exile, with return all but impossible and death all but inevitable. Now a land of peace and plenty, protected and guided by a council of immortal wizards, Eutracia is about to crown a new king. And as the coronation approaches, the spirit of celebration fills every heart. Except one.”

Ya, mine! That’s mostly a joke, mostly. Overall this novel wasn’t terrible. I didn’t have my mind wander off too often, and whenever it did Newcomb would throw a shocking scene at it to bring me back. But I have a number of problems with The Fifth Sorceress:

1. It is yet another in the irrepressibly publishable world-saving magic fest novels. You know the kind where some editor says, “Wait I know, let’s tell another Tolkien story, but not do it as well.” Ya that kind.

2. The pseudo-mystic blood based magic system at the story’s core. This magic system has provenance which could have come straight from bullshit artist Madame Blavatsky. Untrue is not a possible criticism of fiction so I’ll just say “distasteful”. It might be possible or even interesting to tell a story like this straight faced, but it’d have to be with a damn impressive point to it. This didn’t.

3. Magic use. Generic and temporary bodily weakness seems to be the only consequence of the use of magic. Depressing in its unoriginality.

4. Women “of the blood” are always evil and men “of the blood” always good. So much for subtlety and complexity in gender relations. Newcomb could have done a lot more with his bifurcated magic system than making it bad girls vs. good guys.

5. The cookie-cutter world itself. Planets full of improbably named bodies of water and calcified quasi-medieval governments don’t do much for me – not after the 40 or 50th iteration of them anyway. Be more creative please.

Despite these problems there are some genuinely original and shocking scenes peppered throughout the novel and Newcomb handles these all well. Another point in its favor is that Newcomb doesn’t leave the reader hanging at the end, even though this is the first book in a series. Leaving us hanging is something he could have done in an attempt to get us to read the next installment in “The Chronicles of Blood And Stone” series. He leaves open the possibility for you to read on but doesn’t punish you by withholding an ending.

On the audio end, this is a fully digital recording so The Fifth Sorceress sounds phenomenal. But the real kudos goes to narrator Simon Jones (of The Hitchhiker’s Guide To The Galaxy fame) who does a fine job keeping the aural end up. When he voices the hapless Prince Tristan he invokes his old Arthur Dent persona. The centuries old wizard named Wigg sounds like a more put-upon Gandalf and most of the females voiced by Jones sound either wicked or seducing or both at the same time – a neat trick. If you’re in the mood for a light listen The Fifth Sorceress may suit you. Overall I really can’t say I hated it. I credit this mostly to the abridger. The abridgement may, in fact, have made an hefty and mostly indigestible novel far more palatable. After all that can you believe I’m going to attempt the sequel?

Posted by Jesse Willis

New Releases

Knife of Dreams by Robert Jordan, read by Kate Reading and Michael Kramer, Unabridged, Audio Renaissance
Volume 11 in the Wheel of Time fantasy series.

The Lion, the Witch, and the Wardrobe by C.S. Lewis, read by Michael York, Unabridged, Harper Audio
This one’s a movie tie-in – Narnia comes out in December.

Mazer in Prison by Orson Scott Card, read by Stefan Rudnicki, Unabridged, Orson Scott Card’s Intergalactic Medicine Show
A new Enderverse story! See the SFFAudio Review here.

Narnian: The Life and Imagination of C.S. Lewis by Alan Jacobs, Unabridged, Harper Audio
Also released by Harper Audio, a biography of the author of the Narnia books.

Redwall by Brian Jacques, read by a Full Cast, Unabridged, Random House Audio
A re-issue of a very highly regarded YA audio production. A few of the productions in the Redwall series have won Audies for one thing or another.

Something Wicked This Way Comes by Ray Bradbury, read by Stefan Rudnicki, Unabridged, Blackstone Audio
Also includes Bradbury’s dinosaur/time-travel short story “A Sound Of Thunder“, which was made into a film that will be released later this year, I believe.

To be included in our monthly New Releases post, contact Scott or Jesse and we’d be happy to include your audio, as long as it is genre-related.

Posted by Scott D. Danielson