Though Robert E. Howard had originally titled this Conan adventure “Iron Shadows In The Moon” it was actually first published under the title Shadows In The Moonlight. Current publications, and adaptations, tend to favour Howard’s original title. But either way the novelette, featuring a shipload of pirates, a shapely maiden, and a giant ape, makes for some very good reading.
Shadows In The Moonlight
By Robert E. Howard; Read by Phil Chenevert 4 Zipped MP3 Files or Podcast – Approx. 1 Hour 31 Minutes [UNABRIDGED]
Published: April 17, 2013
First published in Weird Tales, April 1934.
The SFFaudio Podcast #200 – Jesse, Mirko, and Gary Lovisi discuss the Science Fiction novel Mars Needs Books! by Gary Lovisi.
Talked about on today’s show:
the great description, Audible.com, it’s a prison novel, it’s a dystopian science fiction novel, it’s a book collector’s novel, Philip K. Dick, a reality dysfunction, The Man In The High Castle, 1984 by George Orwell, “retconning“, Stalin, airbrushing history, a new Science Fiction idea!, Amazon’s Kindle, Mark Twain, “The Department Of Control”, J. Edgar Hoover, Simon is the most evil character ever, oddball individualists, a straw man gulag, one way of keeping the population in control is to send troublemakers away, another is to give them someone to hate, The Moon Is A Harsh Mistress by Robert A. Heinlein, the Attica Prison riot (1971), Arabella Rashid, entertainment media, when you can’t tell what the truth is anymore it’s very easy to control people, maybe it’s an allegory for our times, Paperback Parade, SF writers were wrong about what our times are like, Mars, crime novels, Science Fiction as a metaphor, people are scared of reading, “I like good writing”, Richard Stark’s Parker novels, getting the word out about Mars Needs Books!, Gargoyle Nights, H.P. Lovecraft, Clark Ashton Smith, Jack Vance, horror, fantasy, nice and short, short books pack a punch (and don’t waste your time), Stephen King, Patrick O’Brian, ideas, paperback novels from the 1950s, 1960s, and 1970s, customers want thick books, Winter In Maine by Gerard Donovan, were looking at a different readership today, James M. Cain’s The Postman Always Rings Twice, there’s nothing that doesn’t add to the story, “Lawrence Block is scary good”, Donald E. Westlake, Robert Bloch, Eight Million Ways To Die, A Pair Of Recycled Jeans by Lawrence Block, Evan Hunter (Ed McBain), Charles Ardai (was on SFFaudio Podcast #090), book-collectors, Murder Of A Bookman by Gary Lovisi (is also on Audible.com), collectable glassware, Sherlock Holmes Mystery Magazine, cool dialogue, Driving Hell’s Highway by Gary Lovisi (also on Audible.com), That Hell-bound Train by Robert Bloch, noir, Violence Is The Only Solution by Gary Lovisi (paperback), hard-boiled, revenge, betrayal, personality disorder, Sherlock Holmes, westerns, “if there’s one truth in the universe that I know it’s that Germans love westerns”, which frontier are you talking about?, The Wild Bunch, a western with tommyguns, Akira Kurosawa, Outland (is High Noon in space), Altered Carbon by Richard K. Morgan, hard-boiled, violence, the Martian national anthem, Prometheus Award, libertarian motifs, world-building, GryphonBooks.com, Hurricane Sandy, Wildside Press, POD Books, eBooks, fire and water, that paperback is still in readable condition in 150 years?, fanzines, Jack Vance, The Dying Earth, Robert Silverberg, Dell Mapbacks, paperbacks were disposable, used bookstores, sex books.
I have a sudden desire to eat Uncle Ben’s rice and buy a 1976 Buick. Yes folks I’ve been listening to more CBS Radio Mystery Theater.
The episode this time was called The Rise And Fall Of The Fourth Reich and was written by Henry Slesar.
Slesar was an interesting writer. He wrote in nearly every capacity that a writer can. Being a copywriter (he apparently coined the phrase “coffee break”). But he wrote plenty of fiction too. He was the head writer on an intriguing sounding daytime soap opera (a thriller series modeled after Perry Mason books), he wrote movie screenplays, TV movie scripts, mystery novels, and dozens of radio dramas. But he also wrote a lot of SF short stories – and that’s where things get a bit murky because I’m actually not sure if this story was an adaptation of the text, or if the text was an adaptation of the play. The play of The Rise And Fall Of The Fourth Reich aired first, being broadcast in the spring of 1975. But the short story of the same name came out shortly thereafter in F&SF.
For our purposes I guess it doesn’t really matter too much either way because the only version of the story available in the audio format is the CBS Radio Mystery Theater play.
Set in Mexico, in the 1970s, the storyline isn’t radically dissimilar from the 1976 Ira Levin novel The Boys From Brazil (later to be made into a film of the same name). I enjoyed the plotting, which features both the quest for immortality, the fruit of horrific Nazi experiments, and most of all the desire for revenge.
Here it is, as it aired exactly 37 years ago today…
CBSRMT #0275 – The Rise And Fall Of The Fourth Reich
By Henry Slesar; Performed by a full cast
1 |MP3| – Approx. 46 Minutes [RADIO DRAMA]
Broadcaster: CBS Radio
Broadcast: May 16, 1975 A Nazi fantasy? In this weird tale, two scientists discover an aged and sickly Adolf Hitler in 1970’s Mexico City. They begin to try and restore his health and youth through their experiments. First published in The Magazine of Fantasy and Science Fiction, August 1975.
There are few authors worthy of re-writing Edgar Allan Poe – few would dare – and of those few fewer still would succeed in the attempt. Jack London is one such and his short story, Moon Face, is one such success. Sometimes subtitled “A Story Of Mortal Antipathy” this story runs nearly the same length as the Poe story that I think inspired it. I’ve read one essay that argues it was inspired by The Tell Tale Heart, but I think it is another. Sure, the unnamed protagonist may be insane, but I think there’s still something to his lunacy – we can go for decades without encountering our own personal Claverhouse – then one day he will appear – and his mere presence is enough to set one’s teeth on edge.
By Jack London; Read by Gregg Margarite
1 |MP3| – Approx. 13 Minutes [UNABRIDGED]
Published: October 01, 2009
First published in The Argonaut, July 21, 1902.
Talked about on today’s show:
Richard Stark, the meaning of the title “361“, Roget’s Thesaurus entry #361, “killer’s don’t run around with a thesaurus”, Hard Case Crime, The Hunter, George Washington Bridge, New York, Those Sexy Vintage Sleaze Books blog‘s review of 361, Westlake and the USAF, Backflash, Westlake loves theatre people, actors, Hollywood, “dangerous and scary”, Stark had fans in prison, Parker vs. Dortmunder, The Man With The Getaway Face, revenge, stoic vs. existential, our podcast on Memory by Donald E. Westlake, Gregg Margarite, finding purpose in the purposeless world,
“Yeah. All right, this is what I’ve been thinking. To begin with, every man has to have either a home or a purpose. Do you see that? Either a place to be or something to do. Without one or the other, a man goes nuts. Or he loses his manhood, like a hobo. Or he drinks or kills himself or something else. It doesn’t matter, It’s just that everybody has to have one or the other.”
drinking, “there’s no one more pissed off than this guy”, “the drifter mentality”, how Westlake handles supporting characters, the lawyer’s secretary, the cowardly private detective, honesty vs. duplicity, hardboiled vs. noir, House Of Lords (whiskey), get a job at Walmart vs. take over the mob, Florida, Bill’s suicide, going on a drunk, identity, solider vs. airman, he’s not his father’s son, he’s not his brother’s brother, Charles Ardai, the absence of women, the Hard Case Crime cover (by Richard B. Farrell), Lawrence Block, “A Sound Of Distant Drums” is a long running literary joke, Westlake characters generally read paperbacks, Paul Kavanagh novels, Not Comin’ Home To You, Such Men Are Dangerous, a purposeless ex-military guy living on a deserted island in the Florida Keys, The Green Eagle Score, The Black Ice Score, The Blackbird, Grofield, University Of Chicago Press editions with introductions by Lawrence Block, Block’s Bernie Rhodenbarr’s “Burglar” books, murder mystery vs. identity mystery, Burglars Can’t Be Choosers, The Burglar Who Traded Ted Williams, The Burglar Who Painted Like Mondrian, did Westlake mature out of Parker?, Flashfire, Jason Statham as Parker, Payback, The Hunter, The Man With The Getaway Face, The Mourner, The Score, Two Much, Cops And Robbers by Donald Westlake, the way Westlake paints characters, The Hot Rock, humorous writing, the competent Parker vs. the hapless (bad luck) Dortmunder, Robert Redford, What’s The Worst That Could Happen, The Comedy Is Finished, Donald E. Westlake: an annotated bibliography by David Bratman, coffee, Idi Amin, sadly there is no biography of Donald E. Westlake, Matthew Scudder’s drinking problem, Eight Million Ways To Die, Telling Lies For Fun And Profit: A Manual For Fiction Writers, Lawrence Block should write a Parker book, race-walking, LawrenceBlock.com, Dan Simmons, Garry Disher, Hard Case, “361 is as hard-boiled as fiction comes”, Jim Thompson, The Jugger, Stephen King’s Misery is a spiritual successor to The Jugger, the pragmatism of celebrity/writer privacy, wheelbarrows full of books, too much of a good thing: “too many fans can interfere with your operation”, receiving unsolicited books, advanced reading copies, “it really clarifies your understanding of what your purpose is if you are confronted by a barrage of things that aren’t your purpose”, book tours do two things: sell books and reward the readers, Sheldon Lord, Lawrence Block’s sleaze books are coming to ebook, Random House, Lynn Monroe, Hellcats And Honey Girls, Subterranean Press, Robert Silverberg, Marion Zimmer Bradley, The Triumph Of Evil, Double Indemnity, The Postman Always Rings Twice, Bravo Two Zero by Andy McNab, A Drop Of The Hard Stuff, Getting Off by Lawrence Block (Jill Emerson).
By Alex Bledsoe; Read by Stefan Rudnicki
7 CDs – Approx. 8.5 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Themes: / Fantasy / Urban Fantasy / Vampires / Revenge / Love / 1970s / 1910s / Memphis / Wales /
When centuries-old vampire Baron Rudolfo Zginski was staked in Wales in 1915, the last thing he expected was to reawaken in Memphis, Tennessee, sixty years later. Reborn into a new world of simmering racial tensions, he must adapt quickly if he is to survive. Hoping to learn how his kind copes with this bizarre new era, Zginski tracks down a nest of teenage vampires, who have little knowledge of their true nature, having learned most of what they know from movies like Blacula. Forming an uneasy alliance with the young vampires, Zginski begins to teach them the truth about their powers. They must learn quickly for there’s a new drug on the street created to specifically target and destroy vampires. As Zginski and his allies track the drug to its source, they may unwittingly be stepping into a trap that can destroy them all.
The vampire is the Mr. Potato Head of Fantasy fiction. It’s an old and worn out monster, fully mythologized with more than 100 interchangeable preternatural powers and weaknesses from which to assemble a fully customized vampire. For what might be a complete list of them check out the terrific website TVTropes.org. It cites a wonderfully cynical list of vampire tropes under the title: “Our Vampires Are Different.” So then the question is: If there is nothing really new under the sunless skies of vampire fiction why do we pick up them up? It’s a good question and one worth pondering. I picked up Blood Groove in large part because of the title. I liked the pun, figuring it referred to a blood groove (or fuller) on a sword and/or the idea of groovy 1970s vampires and/or the dado in a forensic pathologist’s slab. And before I picked up Blood Groove I noticed other Bledsoe books (probably a pun to be made there too) had cute titles like: The Sword-Edged Blonde and Burn Me Deadly.
Alex Bledsoe doesn’t give any new power to the vampire that he hasn’t had before, but he does add a new figurative kryptonite (like sunlight and garlic and crosses) to the mix. In fact, it’s creation and dissemination is central to the plot of Blood Groove. Along the way we also get an historical setting (1975), a virtual tour of parts of Memphis, Tennessee, some trivia about Elvis Presley and a relatively unpredictable story.
One of the elements that surprised me was not knowing who the protagonist of Blood Groove was. The vampires seemed the focus, and yet there was almost nothing that could make them sympathetic in a heroic or anti-heroic way. We’d meet one, he’d be killed, and then I thought “Okay…and?” but the story wouldn’t explain – which was a nice move actually. So for a good chunk of the novel the characters, all well fleshed out, appeared in scenes, died or were killed, only to be replaced by new characters with new agendas and new back-stories. The period shifted too. First we are in 1975 Memphis, then 1915 Wales. Eventually it settles down and we’re given fresh references, almost devotionals actually, to two early 1970s movies Blacula and Vanishing Point. As with many an urban fantasy novel these days there’s a mixing up of sex and love. Blood Groove doesn’t feel particularly paranormal romancy – but it’s probably not too far from the edges of curve.
Narrator Stefan Rudnicki gives voice to about a dozen characters of mixed gender, ethnicity and accent. Most obviously the East European vampire Baron Rudolfo Zginski has a suitably Bela Lugosi type accent. As with every Rudnicki read audiobook I’ve heard his rich voiced narration in Blood Groove is always in service to the text. One reviewer on Amazon.com put it well: “[Reading Blood Groove] was like eating a brownie with nuts when you don’t like the nuts.”