The SFFaudio Podcast #240 – READALONG: Frankenstein by Mary Shelley

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #240 – Jesse, Scott, Julie Davis, and Bryan Alexander discuss Frankenstein by Mary Shelley.

Talked about on today’s show:
The 1818 edition versus the 1831 edition, the half-made up prologue, Leaves Of Grass, are there any body changes?, “the corpus”, Downpour.com’s version with Simon Templeman, Anthony Heald, Stefan Rudnicki, Frankenstein vs. the monster, creature, wretch, demon, insect, incoherent with rage, face to face, moving on, the fainting hero or heroine, swooning, Lovecraftian fainting, cosmic horror, Herbert West: Re-Animator, Young Frankenstein, Cool Air by H.P. Lovecraft, Edgar Allan Poe, M.R. James, becoming god, why are we reading a book by a teenager from almost 200 years ago, Edinborough, the broken reader, Sir Walter Scott, Ivanhoe, etymology, Paradise Lost, Gulliver’s Travels, Percy Shelley, William Shakespeare, Macbeth, Caliban, The Tempest, Science!, hey I’m killing your family and stuff, Spirits!, Russia, the Arctic, Prospero, Caliban the dogsbody, Sycorax, the pre-science world to the science world, Christopher Marlowe, “I’ll burn my books!”, the education of young Victor, religious swearing, Brian Aldiss, spark, the electrical element, Galvani and the frog’s legs, more chemical (than electrical), the Romantics, the heart of the the book, “the modern Prometheus”, nature, the North Pole, Siberia, Things As They Are; Or, The Adventures of Caleb Williams by William Godwin, berries and nuts, vegetarianism, the bringing of fire, The Wonderstick (the coming of the bow) “spooky action at a distance”, fire as technology, Eric S. Rabkin, fire -> knowledge -> enlightenment, the blasted oak, the family tree destroyed, this mortal clay, body stealing, Burke and Hare (are a lot of fun), ‘there are some things man was not meant to know’, a motherless monster, Young Frankenstein, what’s so cool about Young Frankenstein is that it solves the problems caused by previous movie adaptations, “Hey there handsome”, is the creature really hideous?, “a very Jewish movie”, “this is a boy that the world will love”, community, Victor had no Igor, Eyegor, or Fritz, well formed, euphemisms, dull yellow eye, proportionate limbs, is he veiny?, black and flowing hear, a pearly whiteness, a feminist novel, a misogynist fantasy, the framing narrative, males behaving badly, Gothic, gender coding, the curse of the Frankensteins, Frau Blücher, the Kenneth Branagh adaptation of Frankenstein, The Revolt Of Islam by Percy Bysshe Shelley, Justine (and the lack of justice she receives), Anne Rice, “I’m never going to sleep again”, the path of evil, Victor had a temper, the abnormal brain (Abbie someone), a “blank slate”, Henry Frankenstein, Young Frankenstein retcons the book and the 1931 movie (and the Hammer movies), Froderick Frankenstein, Boris Karloff, Transylvania Station, The Body Snatcher, Robert Louis Stevenson, The Black Cat (1934), Bela Lugosi, a movie from a parallel dimension, the perfect romantic character, the “noble savage” and the “blank slate”, flowery language and obfuscation, a baby story, that’s Science Fiction right there, an eight foot baby, how do we detect the world, what is light?, a blind man given sight, sphere vs. pyramid, Johann Wolfgang von Goethe, an urbane monster, the ideal syllabus, Mary Shelley is showing the heck off, Paradise Lost, The Sorrows Of Young Werther, suicide, Lives Of The Noble Greeks And Romans by Plutarch, Ruins Of Empires by Constantin-François de Volney, Frankenstein’s lab notes, Safie, the Ottoman Empire, Turkey as a proxy for European society, Olaf Stapledon, the hapless fate of the aboriginals of North America, Shelley’s hanging out with radicals, an anti-American dream, three years after the fall of Napoleon, Lord Byron, dreams, “how are we living with each other?”, Prometheus Unbound, The Last Man, Prometheus should be our hero, Harlan Ellison, Walton, Bryan’s dissertation was on Frankenstein, The Rime Of The Ancient Mariner, The Narrative Of Arthur Gordon Pym Of Nantucket, At The Mountain Of Madness, Star Trek, doppelgangers, doubles all the way down, perfectly symmetrical, The Prestige by Christopher Priest, Melmoth The Wanderer by Charles Maturin, The Saragossa Manuscript by Count Jan Potocki, the fire and ice, “in the cottage we are the monster”, lookism, when they see the monster, “as a lion rends the antelope”, Blade Runner‘s ending, all those murders, a child having a temper-tantrum, where you gonna get that wood?, standing on an ice-floe, Dante’s Inferno and the final circle of hell, Inferno by Larry Niven and Jerry Pournelle, Bryan reads Frankenstein every year, teaching Frankenstein in high-school, a perfect ending, is the monster still out there?, Edison’s 1910 film adaptation of Frankenstein (it’s 10 minutes), imagine Tesla adapting Frankenstein, a shameless self-promoter, “Victory Frankenstein fucked with Mother Nature, and She bore him a strong son”, ‘there are some things that man was not meant to know’, Walton wants to find the source of the pole’s magnetism, “it’s not just loving your family – it’s also loving your fellow being”, “if you make a mistake – own up”, Walton learns from the story, Young Frankenstein, it’s an ethics book, mad scientists, a Kennedy son, Moby Dick, C.L.R. James, a ship as a microcosm of society, “I smell readalong!”, Hitlerland: American Eyewitnesses to the Nazi Rise to Power by Andrew Nagorski, “the kids loved Uncle ‘Dolf”, “charisma leaking out all over the place”, charisma and beauty, a bear doesn’t understand charisma, real-life parallels, what is the function of Henry Clerval in the book, is he us?, a homoerotic reading, Percy and Bryon go hiking, it’s Simon Pegg and Nick Frost, World’s End, Shaun Of The Dead, Hot Fuzz, Elizabeth’s provenance and the weird relationship with her cousin/brother/owner Victor, a subterranean psychodrama, Victor’s wild dream in which Elizabeth dies and then turns into his mom, grave worms, a maternal figure and a corpse.

Theodor von Holst - Frankenstein

Frankenstein - illustration (possibly by Ernie Chan)

Frankenstein

FRANKENSTEIN - The Bride Of The Monster - illustration by Mike Ploog

FRANKENSTEIN - illustration by Dino Castrillo

These Books Make Me Feel...

LEGOized Frankenstein

The Creation Of Frankenstein's Creature - illustrated by Jesse

Posted by Jesse Willis

The Graveyard Shift with Dudley Knight

SFFaudio Online Audio

The Graveyard Shift - Readings by Dudley KnightBeginning it seems in the mid-1970s Dudley Knight, a U.C. Irvine professor of drama, voiced a series called The Graveyard Shift on KPFK, Los Angeles. The purpose was to tell stories of the macabre. His broadcasts aired weekly with shows of variable length (between half and hour and two and a half hours).

Here is a list of broadcast stories, with links to audio when available:

Jan. ??, 1974- The Room In The Tower by E.F. Benson (34 min.)

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May. ??, 1977 – Upon The Dull Earth by Philip K. Dick (55 min.)

Jun. 08, 1977 – I See A Man Sitting On A Chair And The Chair Is Biting His Leg by Harlan Ellison and Robert Sheckley (57 min.)

Jun. 22, 1977 – It by Theodore Sturgeon (57 min.)

Jun. ??, 1977 – Count Magnus by M.R. James (35 min.)

Jul. 06, 1977 – Children Of The Corn by Stephen King (71 min.)

Aug. 03, 1977 – Compulsory Games by Robert Aickman (56 min.)

Aug. 17, 1977 – The Yellow Wallpaper by Charlotte Perkins Gilman (37 min.)

Aug. 31, 1977 – Silent Snow, Secret Snow by Conrad Aiken (46 min.)

Sep. 21, 1977 – The Empty House by Algernon Blackwood (42 min.)

Oct. 19, 1977 – Armaja Das by Joe Haldeman (44 min.)

Nov. 08, 1977 – It Only Comes Out At Night by Dennis Etchison (33 min.)

Dec. 14, 1977 – Couching At The Door by D.K. Broster (59 min.)

Dec. ??, 1977 – The Aleph by Jorge Luis Borges (35 min.)

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Jan. 18, 1978 – Suspicion by Dorothy L. Sayers (38 min.)

Jan. ??, 1978 – I Have No Mouth And I Must Scream by Harlan Ellison (41 min.)

Feb. 01, 1978 – The Gentleman From America by Michael Arlen (48 min.)

Feb. 08, 1978 – Bulkhead by Theodore Sturgeon (75 min.)

Feb. 22, 1978 – Gonna Roll The Bones by Fritz Leiber (60 min.)

Mar. 22, 1978 – Sometimes They Come Back by Stephen King (58 min.)

Apr. 05, 1978 – Three Miles Up by Elizabeth Jane Howard (42 min.)

Apr. 19, 1978 – Eine Kleine Nachtmusik by Fredric Brown (49 min.)

Jun. 07, 1978 – The Ash Tree by M.R. James (36 min.)

Jul. 26, 1978 – The Squaw by Bram Stoker (35 min.)

Aug. 30, 1978 – Batard by Jack London (39 min.)

Sep. 06, 1978 – The Game Of Rat And Dragon by Cordwainer Smith (37 min.)

Oct. 17, 1978 – The Body Snatcher by Robert Louis Stevenson (49 min.) |MP3|

Nov. 21, 1978 – The Other Celia by Theodore Sturgeon (48 min.)

Dec. 06, 1978 – Benlian by Oliver Onions (44 min.)

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Jan. 03, 1979 – Before Eden by Arthur C. Clarke (32 min.)

Jan. 31, 1979 – The Haunters and the haunted by Edward Bulwer Lytton (106 min.)

Feb. 23, 1979 – Space Rats Of The CCC by Harry Harrison (37 min.)

Apr. 03, 1979 – Breakfast At Twilight by Philip K. Dick (41 min.)

Apr. 17, 1979 – Thurnley Abby by Perceval Landon (43 min.)

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???. ??, 1985 – Afternoon At Schrafts by Gardner Dozis, Jack Don, and Michael Swanwick Part 1 |MP3| Part 2 |MP3|

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???. ??, ???? – The Whisperer In Darkness by H.P. Lovecraft

Posted by Jesse Willis

The SFFaudio Podcast #221 – NEW RELEASES/RECENT ARRIVALS

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #221 – Jesse and Jenny talk about audiobook NEW RELEASES and RECENT ARRIVALS.

Talked about on today’s podcast:
“Spaaaaaaaaace and Military Sci-Fi and Aliens”, Humans by Matt Haig, Mark Meadows, Simon & Schuster Audio, Publisher’s Weekly, Jenny is a librarian, Douglas Adams, The Radleys, Boo Radley’s family?, The Simpsons Futurama Crossover Crisis, Marvel Comics, DC Comics, Red Dwarf, Atticus Finch, To Kill A Mockingbird, a whole pile of stereotypes, Space Magic by David D. Levine, Tk’tk’tk, Escape Pod, aliens, Ancient China, Rewind, The Tale Of The Golden Eagle, are author collections more rare these days?, Charley The Purple Giraffe Was Acting Strangely, Twitter authority, Jenny’s stereotypical powers, “Classic/Epic/Traditional Fantasy (swords! magic! etc!)”, unclothed unicorns, A Discourse In Steel by Paul S. Kemp, Nick Podehl, Angry Robot, Brilliance Audio, Bryce L., Jenny’s fault!, Elisha Barber by E.C. Ambrose, James Clamp, terpkristin, historical epic fantasy, a biblical name, the Fellowship of the Royal College of Surgeons = Doctor -> to Mr., Ms., or Mrs., The Coming Of The Ice by G. Peyton Wertenbaker, urban fantasy, Cast In Shadow by Michelle Sagara, Khristine Hvam, “something is stirring again”, “vaunted”, Gameboard Of The Gods by Richelle Mead, Emily Shaffer, Penguin Audio, Dawn V., Infinite Jest by David Foster Wallace, ONAN, The United States of North America, H20 (TV miniseries), a crime novel set in the future, steampunk, Romulus Buckle & the City of the Founders by Richard Ellis Preston, Jr., Luke Daniels, Springheeld Jack, fun names, do we have aliens in steampunk?, high-octane steampunk?, Rose Davis, cyberpunk, post-humans, robots, iD (Machine Dynasty #2) by Madeline Ashby, Luke Daniels, self-replicating human robots must have rights too!, The Year’s Top Ten Tales of Science Fiction 5 edited by Allan Kaster, Tom Dheere, Nancy Linari, Dara Rosenberg, Infinivox, Invisible Men by Christopher Barzak, Close Encounters by Andy Duncan, Bricks, Sticks, Straw by Gwyneth Jones, Arbeitskraft by Nick Mamatas, The Man by Paul McAuley, Nahiku West by Linda Nagata, Tyche And The Ants by Hannu Rajaniemi, Katabasis by Robert Reed, The Contrary Gardener by Christopher Rowe, Scout by Bud Sparhawk, katabasis as a trip to the underworld, Carniepunk by Rachel Caine, Rob Thurman, Kevin Hearne, Seanan McGuire, Jennifer Estep, Allison Pang, Kelly Gay, Delilah S. Dawson, Kelly Meding, Candace Thaxton, Kirby Heyborne, Simon & Schuster, Sweeney Todd, carnival themed, Joyland by Stephen King, Like Water For Elephants, The Night Circus, The Boys In The Boat: Nine Americans And Their Epic Quest For Gold At The 1936 Berlin Olympics by Daniel James Brown, Edward Herrman (the grandpa on Gilmore Girls), At The Mountains Of Madness by H.P. Lovecraft, Charlie Chan At The Olympics, Mary Lou Retton, Doctor Jekyll And Mr. Hyde by Robert Louis Stevenson, Wayne June, Algernon Blackwood, William Hope Hodgson, Jesse thinks Wayne June is awesome, not scary but chilling, Neonomicon by Alan Moore and Jacen Burrows, Jenny hates censorship!, a horrifying book, Mike Bennett’s narration of The Shadow Over Innsmouth, this horrible wonderful book, necessary but not shown, From Hell, Johnny Depp, Jack The Ripper, Watchmen, what would that do to our world?, The Fall (TV miniseries), Gillian Anderson, Dexter, Breaking the Fourth Panel: Neonomicon and the Comic Book Frame, don’t look under the bed, angry reviews, Alan Moore is working on a new comic book series set in Providence and with H.P. Lovecraft as the main character, The Call of Cthulhu and Other Weird Stories by H.P. Lovecraft (edited by S.T. Joshi), A Good Story Is Hard To Find, The Dunwich Horror, ragged end paper?, Classic Tales Of Vampires And Shapeshifters, Mileskelly.net, The Horla by Guy de Maupassant, The Weird: A Compendium of Strange and Dark Stories edited by Ann and Jeff VanderMeer, Ghosted, Image Comics, WWW: Watch by Robert J. Sawyer, Luke Burrage’s Science Fiction Book Review Podcast, inaudible audioboks from Audible!, podcasts have had this problem, the cost of not proof listening an audiobook or podcast is multiplied by its number of listeners, how many new audiobooks have been published through Audible Frontiers, unnecessary info-dumping, The Ocean At The End Of The Lane by Neil Gaiman, self-identity, Among Others by Jo Walton, statue wedding, performing as a living statue, Viking Boy, Mike Vendetti, new short audiobooks, Science Fiction: A Very Short Introduction by David Seed, Brian Holsopple, “Lit Crit Punk”, how we got Rabkin, The Great Courses are now on Audible.com, TheGreatCourses.com, the popularity of MOOCs, Eric loves fairy tales, no homework!, Heartburn by Nora Ephron, Meryl Streep, thanks Eric!

Ghosted

Posted by Jesse Willis

Review of Sailing Alone Around The World by Joshua Slocum

SFFaudio Review

Sailing Alone Around The World by Joshua SlocumSailing Alone Around The World
By Joshua Slocum; Read by Alan Chant
1 |M4B|, 22 Zipped MP3 Files, or Podcast – Approx. 7 Hours 52 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: May 9, 2007
|ETEXT|
Joshua Slocum was the first man to sail around the world alone in a small boat. He personally rebuilt an 11.2 metre sloop-rigged fishing boat that he named the Spray. On April 24, 1895, he set sail from Boston, Massachusetts. More than three years later, he returned to Newport, Rhode Island, on June 27, 1898 having circumnavigated the world, a distance of 46,000 miles (74,000 km). In 1899 he described the voyage in Sailing Alone Around the World now considered a classic of travel literature. It is a wonderful adventure story from the Age of Sail and a book of which Arthur Ransome declared, “boys who do not like this book ought to be drowned at once.”

Podcast feed: http://librivox.org/bookfeeds/sailing-alone-around-the-world-by-joshua-slocum.xml

iTunes 1-Click |SUBSCRIBE|

I was listening to an episode of the CBC Radio One Ideas podcast, entitled Sailing Alone Around The World |MP3|, and was struck by the story of the first man to do that very thing. The program uses excerpts from Slocum’s book of the same name, and interviews those modern solitary sailors who’ve followed in Slocum’s wake. The fact that, in some sections of the sea, the next nearest human being to a lone sailor might be someone on the International Space Station, was an astounding revelation to me. The fact that there have been fewer solitary circumnavigators than there have been people in space, also astounding. So, not even half-way through the show I set my sights on LibriVox, where I searched for, found, and downloaded an M4B of the audiobook.

Slocum was an Canadian by birth and a naturalized American. In the late 19th century, upon finding himself out of work (the age of coal powered ships had begun in earnest), Slocum found there was no more call for a tall ship captain. One day Slocum finds himself having been gifted with an aged sloop. And so he sets about refitting it, hires himself out to himself plans to write a book (serialized in the Century magazine), loads up his cabin with food, supplies and lots of books, and sets sail on a solitary circumnavigation of the planet earth.

What he finds in the adventure is, simply put, real adventure! Slocum is alone for the entire trip except for The Spray itself, Slocum’s sloop, which is full of emotions (it feels happy when the sailing is good, and becomes anxious when in port too long). Similarwise he has a few passengers, there’s a hungry goat, a sneaky bilge rat, and a long suffering spider (it meets another just like it half a planet away from where it was born).

In his more than three years at sea Slocum meets with ship thieves, admirals, colonial governors, the widow (and adopted son) of Robert Louis Stevenson, friendly natives, hostile natives, officious bureaucrats, friendly bureaucrats, storms, reefs, sickness, and even a ghost!

Along the way he salute’s the sea god Neptune, ports at many memorable anchorages, including the island of the real life inspiration for Daniel Defoe’s Robinson Crusoe (Alexander Selkirk), and becomes an international celebrity.

Slocum’s narrative is helped by his enjoyable sense of humor and hindered by his prejudices. And while the various characters that he meets in the book may sometimes benefit from Slocum’s breezy writing style I got no real sense of the other side of the story. Incidents with thieves, one man steals his pistol, and one South American boy tries to steal his ship, come across as far less frightening than they might really have been. Indeed, there’s something of a deliberate storyteller to this travel narrative, something which reminds me of Sławomir Rawicz’s extraordinary adventure memoir The Long Walk (it may have been entirely made up). That said, the documentation seems far more present, and the journey here does seem to have actually occurred.

Narrator Alan Chant has an English accent and a relaxed reading style. There’s a bit of background noise in the recording, but the audio is very serviceable. Each chapter begins and ends with a bit of seabird song. Recommended.

A Brush With Fuegians

The Voyage Of The Spray

Posted by Jesse Willis

BBC R4 + RA.cc: Markheim by Robert Louis Stevenson [RADIO DRAMA]

SFFaudio Online Audio

Gruselkabinett - Markheim by Robert Louis Stevenson

I’ve posted about Robert Louis Stevenson’s murderous classic, Markheim, before (the audiobook and another radio drama). But, I’ve just discovered a very good new adaptation (from 2006) available at RadioArchive.cc. The sound design is excellent, and its lengthy enough to bring out most of the nuance in the text.

BBC Radio 4RadioArchives.ccMarkheim
Adapted from the story by Robert Louis Stevenson; Adapted by John Taylor; Performed by a full cast
MP3 via TORRENT – Approx. 45 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4
Broadcast: February 1, 2006
On Christmas Day 1886 with London shrouded in fog, a man shadows a girl across Blackfriars Bridge towards the back streets of Holborn. His name is Markheim and his intentions are unremittingly dark.

Directed by John Taylor

Cast:
Tommy – Mark Straker
Markheim – Jack Klaff
Girl – Abigail Hollick
Visitor – Anton Rodgers
Crispin – Anthony Jackson

And for German listeners there’s THIS sexy sounding version produced as a part of a cool series called Gruselkabinett (which translates to “Chamber of Horrors”).

As a bonus I offer this newly created |PDF| and a vintage anlaysisby C. Alphonso Smith from Short Stories Old And New (1916):

Setting:
There is no finer model for the study of setting than this story affords. It is three o’clock in the afternoon of a foggy Christmas Day in London. If Markheim’s manner and the dimly lighted interior of the antique shop suggest murder, the garrulous clocks, the nodding shadows, and the reflecting mirrors seem almost to compel confession and surrender. “And still as he continued to fill his pockets, his mind accused him, with a sickening iteration, of the thousand faults of his design. He should have chosen a more quiet hour.” So he should for the murder; but for the self-confession; which is Stevenson’s ultimate design, no time or place could have been better.

Plot:
There is little action in the plot. A man commits a dastardly murder and then, being alone and undetected, begins to think, think, think. It is the turning point in his life and he knows it. Instead of seizing the treasure and escaping, he submits his past career to a rigid scrutiny and review. This brooding over his past life and present outlook becomes so absorbing that what bade fair to be a soliloquy becomes a dialogue, a dialogue between the old self that committed the murder and the new self that begins to revolt at it. The old self bids him follow the line of least resistance and go on as he has begun; the newly awakened self bids him stop at once, check the momentum of other days, take this last chance, and be a man. His better nature wins. Markheim finds that though his deeds have been uniformly evil, he can still “conceive great deeds, renunciations, martyrdoms.” Though the active love of good seems too weak to be reckoned as an asset, he still has a “hatred of evil”; and on this twin foundation, ability to think great thoughts and to hate evil deeds, he builds at last his culminating resolve.

The story is powerfully and yet subtly told. It sweeps the whole gamut of the moral law. Many stories develop the same theme but none just like this. Stevenson himself is drawn again to the same problem a little later in “Dr. Jekyll and Mr. Hyde.” Hawthorne tried it in “Howe’s Masquerade,” in which the cloaked figure is the phantom or reduplication of Howe himself. In Poe’s “William Wilson,” to which Stevenson is plainly indebted, the evil nature triumphs over the good. But “Markheim,” by touching more chords and by sounding lower depths, makes the triumph at the end seem like a permanent victory for universal human nature.

Characters
If the story is the study of a given situation, Markheim, who is another type of the developing character, is the central factor in the situation. We see and interpret the situation only through the personality of Markheim himself. Another murderer might have acted differently, even with those clamorous clocks and accusing mirrors around him, but not this murderer. There is nothing abnormal about him, however, as a criminal. He is thirty-six years old and through sheer weakness has gone steadily downward, but he has never before done a deed approaching this in horror or in the power of sudden self revelation. He sees himself now as he never saw himself before and begins to take stock of his moral assets. They are pitifully meager, though his opportunities for character building have been good. He has even had emotional revivals, which did not, however, issue in good deeds. But with it all, Markheim illustrates the nobility of human nature rather than its essential depravity. I do not doubt his complete and permanent conversion. When the terrible last question is put to him – or when he puts it to himself – whether he is better now in anyone particular than he was, and when he is forced to say, “No, in none! I have gone down in all,” the moral resources of human nature itself seem to be exhausted. But they are not. “I see clearly what remains for me,” said Markheim, “by way of duty.” This word, not used before, sounds a new challenge and marks the crisis of the story. Duty can fight without calling in reserves from the past and without the vision of victory in the future. I don’t wonder that the features of the visitant “softened with a tender triumph.” The visitant was neither “the devil” as Markheim first thought him nor “the Saviour of men” as a recent editor pronounces him. He is only Markheim’s old self, the self that entered the antique shop, that with fear and trembling committed the deed, and that now, half-conscious all the time of inherent falseness, urges the old arguments and tries to energize the old purposes. It is this visitant that every man meets and overthrows when he comes to himself, when he breaks sharply with the old life and enters resolutely upon the new.

Posted by Jesse Willis