Jesse, Will Emmons, and Terence Blake, talk about Waterspider by Philip K. Dick Talked about on today’s show: Worlds Of IF, January 1964, estate, renewed, Poul Anderson, there’s a Poul Anderson serial, not related, the public domain contents, archive.org, delete… Read moreThe SFFaudio Podcast #833 – READALONG: Waterspider by Philip K. Dick
Jesse, Will Emmons, Cora Buhlert, Terence Blake, and Jonathan Weichsel talk about Return From The Stars by Stanisław Lem Talked about on today’s show: a betterized Terence, what happened to Jonathan, refusing to speak with us because communist dictators, Bibi… Read moreThe SFFaudio Podcast #798 – READALONG: Return From The Stars by Stanisław Lem
The SFFaudio Podcast #797 – The World That Couldn’t Be by Clifford D. Simak, read by Gregg Margarite AND The Worlds of If read by by Stanley G. Weinbaum – read by Mike Mike Manolakes (both recorded for LibriVox). These… Read moreThe SFFaudio Podcast #797 – AUDIOBOOK/READALONG: The World That Couldn’t Be by Clifford D. Simak AND The Worlds of If by Stanley G. Weinbaum
The SFFaudio Podcast #789 – Jesse, Paul Weimer, Terence Blake, and Jonathan Weichsel talk about Gilgamesh The King by Robert Silverberg Talked about on today’s show: serialized, 1984, simple question, science fiction or fantasy novel?, how could it be, other… Read moreThe SFFaudio Podcast #789 – READALONG: Gilgamesh The King by Robert Silverberg
Jesse, Paul Weimer, Will Emmons, Terence Blake, and Jonathan Weichsel talk about Sailing to Byzantium by Robert Silverberg Talked about on today’s show: a very accurate copy of Terence, go by Jonathan, Asimov’s, February 1985, Silverberg has a problem, his… Read moreThe SFFaudio Podcast #773 – READALONG: Sailing to Byzantium by Robert Silverberg
Jesse, Evan Lampe, and Terence Blake talk about Black House by Stephen King and Peter Straub Talked about on today’s show: blake house, a Dickens novel, 2001 novel, September 15, 625 pages, 810 pages, every cover is garbage, Gorg, the… Read moreThe SFFaudio Podcast #769 – READALONG: Black House by Stephen King and Peter Straub