Macrieve (Immortals After Dark #13)
By Kresley Cole; Narrated by Robert Petkoff
Publisher: Simon & Schuster Audio
Publication Date: July 2013
[UNABRIDGED] – 13 hours, 51 minutes
Themes: / fantasy / werewolves / romance /
Uilleam MacRieve, a centuries-old Lykae warrior, was captured, caged, and experimented on by a shadowy human order, along with other immortals. During a prison break that devolved into one of the bloodiest massacres in recent history, he escapes. But the aftermath of his unspeakable torture preys on his damaged mind, while the wolf inside him roars for vengeance and carnage. In the days leading up to the full moon, can MacRieve rein in his beast, even when he encounters his mate – a vexingly impossible female unlike anything he’d ever dreamed for himself?
MacRieve is quite a bit different than the other Immortals After Dark series. Uilleam MacRieve is a Lykae, a werewolf with a twin brother, Munroe. He finds his eternal Mate in the form of Chloe Todd, daughter of Preston Webb. Webb is the Commander of the Order, a group of humans striving to contain and study those creatures know as the Lore. It doesn’t feel as essential to the overarching story as the other books, but if you enjoy the series, it was an OK entry, although Chloe is pretty great.
What makes this different from the other books in the series is a focus on sexual violence and abuse. Uilleam was raped repeatedly by a Succubus for years, and the book actually starts during one of these later sexual encounters. The Succubus had claimed to be his Mate, and started molesting him when he was nine, grooming the child so that he didn’t recognize it as abuse. His mother found out and went to confront her, only to be slain by one of the Succubus’ other lover, a Vampire. His father soon followed, leaving Uilleam and Munroe alone.
Chloe is an Olympic-level soccer player, focused on her career path. Her father is busy as a military consultant but supportive until she begins to notice some changes in her body, like super-hearing and sensitivity to touch. He abandons her with only a book on the Lore as a clue to the changes she’s experiencing. Chloe is captured by a group of Witches and auctioned off to the highest bidder. Most of the Lore shows up, eager to use and abuse her as a lure for her father, whom she discovers is not the retired consultant she thought, but the mastermind behind the Order.
Rape is brought up repeatedly to Chloe, as everyone points out that the Pravus army would gang-rape her as revenge for her father’s crusade against the Lore. She discovers she’s half-Succubus after a sexual encounter with Uilleam, and he repeatedly verbally abuses her about her sexual hunger. Uilleam struggles with the scars of his childhood abuse, but the Beast inside him loves Chloe. He even vomits after the first time they have sex, as it dredges up memories of the Succubus who raped him. Overall, this book tackles child abuse, rape, and emotional abuse more than the other books, but it can be pretty uncomfortable to have those episodes interspersed with some rather complicated sexual scenes. Cole does address childhood sexual abuse with an understanding hand, however, so if you can handle it, the book can be rewarding. Chloe is one of her best female characters, strong and brave with amazing attitude. She might be worth wading through the unsavory parts, even if there is a heavy dose of “I’m not like those dumb girly-girls” in both her thoughts and how she’s described.
The narrator does an amazing job, slipping between a neutral and Scottish accents for the werewolves. His voice goes up slightly for Chloe, but otherwise he has a warm, enthusiastic tone throughout.
The Kingmakers (Vampire Empire #3)
By Clay Griffith and Susan Griffith; Narrated by James Marsters
Publisher: Brilliance Audio
Publication Date: 29 January 2014
[UNABRIDGED] – 14 hours, 49 minutes
Themes: / vampires / steampunk / fantasy / post-apocalpyse /
The Kingmakers is the long-awaited climactic end to the Vampire Empire trilogy.Bogged down by winter warfare in Europe, humans are suffering crushing losses to the surprisingly well-organized vampire clans of the north. The courage and commitment of the Equatorian troops and their allies cannot hold out against the overwhelming onslaught of the enemy.Treachery from within deals the Equatorian forces greater damage than any delivered by the vampire hordes. The only weapon left capable of smashing through enemy lines and annihilating the packs is the Empress Adele herself. Her geomantic talent and skills are formidable, but she is just one person, and the very forces she can bring to bear are also slowly draining her of her life-force.Prince Gareth, the vampire lord of Scotland, known as The Greyfriar to the humans, both slave and free, is at a loss. His brother, Cesare, has outmaneuvered him at every turn. Brilliant, ruthless and without honor, Cesare is confident in his ability to control destiny. His goal is to become king of kings and ruler of the world. Unless the rightful heir, Gareth, can prevent him from assuming their father’s throne, Cesare’s unified vampire clans will destroy Equatoria’s forces and set humanity, if it survives, back a hundred years.
This is the third book of what we could call a steampunk vampire trilogy. I still like the first book the best but this one competes with the second as far as things go. The story once again carries a strong sense of Beauty and the Beast mixed with Romeo and Juliet with a strong steampunk flair. If you liked the first two books, you’ll like this book since everything wraps up rather nicely in the end. One ding I had was that I still didn’t think there was a satisfactory explanation of why Gareth is different from the other vampires. More on that…
This book is very similar to the previous two books to the point that they kind of blur together in my mind when I think back on it. The steampunk aspect is kicked up a notch with some mech suit / tanks in this one but you’ll mainly see lots of swordplay, gunfire, goggles, and airships again. These are some of the things that kind of run together on me mainly because many of the same characters are involved in similar scenes but the overall plot obviously moves forward to a satisfactory conclusion.
Don’t get me wrong – there are many good things that have carried over from the previous two books. The language and prose used in the previous books still give the feel of characters stuck in the past caused by the vampire attack. The action is crazy and fun with lots of epic battles ranging across Europe. The characters are likable for the most part, although Gareth can be a bit one-dimensional sometimes (His primary motivation seems to be his love for Adele to the discount of everything else).
Speaking of Gareth, I still don’t understand why he is different from all other vampires (I guess you could say his manservant shares his values but he also seems kind of like he’s reluctantly dealing with a neurotic master). There was this whole explanation about how Gareth’s father didn’t like wasting things but that doesn’t seem to explain how he could go from seeing people as food to loving a human to the level he does. Even his friend in Paris held similar values but not to the extremes Gareth does. I’d hoped for something like what happened with Angel on Buffy but it was kind of left out there.
As for the audio side of things, I still enjoyed James Marsters’ performance this third time around. He speaks well, uses recognizable voices, and is a pleasure to listen to. I would say that I’d go out looking for books narrated by him, but that’s why I listened to this trilogy in the first place ;-).
The Earth has been invaded by the Illyri, a beautiful, civilized, yet ruthless alien race. Humanity has been conquered, but still it fights the invaders. The Resistance grows stronger, for it is the young people of Earth who battle the Illyri.
Syl Hellais, conceived among the stars, is the oldest alien child on Earth, the first to reach 16 years of age. Her father is one of the rulers of the planet. Her future is assured. And Syl has hidden gifts, powers that even she does yet fully understand.
But all is not as it seems. Secret experiments are being conducted on humans, the Illyri are at war among themselves, and the sinister Nairene Sisterhood has arrived on Earth, hungry for new blood. When Syl helps a pair of young Resistance fighters to escape execution, she finds herself sentenced to death, pursued by her own kind, and risks breaking the greatest taboo of her race by falling in love with a human.
Now the hunter has become the hunted, and the predators become prey. And as Syl Hellais is about to learn, the real invasion has not yet even begun.
Apparently aliens are the new vampires and I guess I’m a sucker for aliens because this is the second YA book about aliens I’ve read in a year’s time.
In this one, out of nowhere, a wormhole appears at the end of the solar system. This spells the doom of mankind because an alien race has come to dethrone mankind, thus, Conquest.
Except, while these aliens take over the governments of Earth, they have also brought technology which can not only cure diseases such as cancer, but expand the human lifespan. I’ve hit on this topic recently, but here it comes again, are the trade-offs worth it?
What makes this one different?
This one takes a different spin than I was prepared for. Usually, and especially with a name like “Conquest,” it’s a story of survival, of a rogue squad who’s fighting back. While there is a bit of that, this story mostly follows the aliens themselves, in fact, one of them who is the first born alien on earth.
So instead of a fight for the world, you really get a bigger glimpse of the nature of the aliens, the culture, and the political machinations and infighting of the political parties.
This is good and bad.
Why it doesn’t quite work
Well, first, why did it work. I thought this was a great take on the alien story … at first. It’s almost like reading a fantasy book because you’re reading more about the society of this alien species and getting to know them and on the side you get some of the story of the rebel humans fighting against them.
What doesn’t work is that some of the tension is gone or really never intended to be there. I know it’s not really fair, but I expected more of a fight, which is there, but it’s in a very small degree. The culture is interesting but I can’t say I cared all that much about it, but that’s probably for a different reason.
The characters are for the most part, quite bland. I did listen to this on audiobook, so that could account for some of this, but by the end of the book I was still having to remember and figure out who some of the main people were. You get to know the main character, Syl, who’s as interesting as a prepubescent teen can be to a non-creepy male of 30 (spoiler, there’s not much we have in common).
But, by the end of the book, I really should have been able to keep track of the insurgent boys who help Syl out in the beginning and play a big part in the story, or Syl’s best friend who also played a consistent part in the story.
Again, it’s not all the novel’s fault, I take some of the blame, but I don’t think it’s all mine.
I enjoyed many parts of this book, but for the most part, it didn’t work for me. The alien societies were interesting, but a tad boring. The characters were mostly flat. I wanted to read this because I have some friends who are huge into John Connolly, but I’ll have to check out some of his other works for an actual understanding.
The SFFaudio Podcast #275 – Jesse and Mr Jim Moon discuss Ivanhoe: A Romance by Sir Walter Scott
Talked about on today’s show:
1820, the Tantor Media audiobook as read by Simon Prebble, 3 comic book adaptations!, the July 2014 BBC Radio 4 adaptation (1hr), General Mills Radio Adventure Theater, immensely important, Wamba and Gurth, looking at adaptations, refinement, Robin Hood (1973), the splitting of the arrow, a willow wand, daring-do fiction, archery, folktale, Will Scarlet splits the arrow in the Queen Katherine Ballad, the historical inaccuracies, Rob Roy, a plump text, King Richard and Friar Tuck, The Merchant Of Venice by William Shakespeare, a very Shakespearean novel, pithy and punchy, dialogue and banter, The Lord Of The Rings by J.R.R. Tolkien, fully motivated characters, Athelstane, colour cloaks, where does Isaac stat at Ashby?, Chapter 2 Gurth is “this second Eumaeus”, Ivanhoe is a retelling of Odysseus’ return to Ithaca, the usurpation, the governance of Scotland, the Saxons as the Scots under the English yoke, Loxley, Prince John, King John, Magna Carta, robber barons, Brian de Bois-Guilbert (wants Rebecca), Reginald Front-de-Boeuf, “Front of Beef” (wants Isaac’s money), Maurice de Bracy (wants Rowena), war and God, the 1997 BBC TV adaptation of Ivanhoe, an Arthurian style obsession, the reconciliation, Athelstane is almost a Hobbit, Athelstane death is a comedic version of a Guy de Maupassant or Edgar Allan Poe premature burial story, The Fall Of The House Of Usher done as farce, Monty Python And the Holy Grail, surprisingly few deaths, “boys own adventure”, The A-Team, Ulrica’s death, the the Waverley Novels, almost a Fantasy, magic, The Prisoner Of Zenda, venison, the Douglas Fairbanks Robin Hood, the Black Knight – who could it be?, how easy would the disguises be seen through in 1820, bigger than Stephen King or J.K. Rowling, stage adaptations, Waverley places around the world, Abbotsford, British Columbia is named (in part) after Sir Walter Scott’s home, Ivanhoe’s popularity in the southern United States, invasion, slavery and chivalry, underselling the power of fiction (as compared with non-fiction), On The Origin Of Species by Charles Darwin, The Communist Manifesto, Tolkien, understanding fiction, the revelation of truth through fiction, novels were once quite novel, the need for novels, models of action, 1984 changes, helps and improves you, “what is honorable action?”, the power of oaths, rapacious acquisition vs. honorable service, the destruction of the Templars, banishment was a harsh punishment, an obsession with love, Rebecca is the female Ivanhoe, the role of the Jews in the book vs. the adaptations, banking, this is not an anti-Semitic book (shockingly), the coin counting scene, the roasting scene, Friar Tuck is super-anti-Semitic, Churchill’s background, why is it that English were not as anti-Semitic as most of Europe?, a zeitgeisty historical novel, looking at the present through a historical lens, puffy, the level of intellect is very high – the etymology of pig, Lincoln Green, the final battle, a powerfully intellectual book for a piece of fiction, mid-19th century fiction isn’t as punchy, wit and intelligence in peasant characters, J.K. Rowling must have read Ivanhoe, Sir Walter Scott’s was “the Wizard Of The North”, Cedric <-the name comes from this book, "freelance" <-lances for hire, Robin Hood: Prince Of Thieves, Robin Hood (Ridley Scott), Robin Hood’s nom de guerre, ITV’s Robin Of Sherwood <- both Robin Hood mythologies are in it!, the "Dread Pirate Roberts", a good knight but a bad king, pagan gods, Herne the Hunter, Ivanhoe popularized the Middle Ages, Arthurian scholarship, folk customs, the ancient Egypt craze, A Connecticut Yankee In King Arthur’s Court by Mark Twain, a big powerful book, A Song Of Ice And Fire is kind of the anti-Ivanhoe, the Dunk And Egg stories, surprisingly modern, the symmetry of Ivanhoe, a tonic for gallstones, HBO should commission Ivanhoe, the 1952 version, the 1982 version, Ciarán Hinds, Mark Hamill, Kevin Costner vs. Alan Rickman, a noir ending averted.
The SFFaudio Podcast #271 – The Prisoner Of Zenda by Anthony Hope; read by Andy Minter. This is a complete and unabridged reading of the novel (5 hours 30 minutes) followed by a discussion of it. Participants in the discussion include Jesse, Tam, Seth, and Paul Weimer.
Talked about on today’s show:
1894, the movies, Moon Over Parador, ripoff vs. homage, Dave, the Ruritanian influence, Robert Louis Stevenson, Sherwood Smith, a feminist Ruritanian romance, book trends, Seth kind of enjoyed it, put British taboos in a make believe country, accent on the romance, an eastern German state, the bathroom key in Spanish, to avoid research, a fake name for a real place, Bavaria, A Scandal In Bohemia by Sir Arthur Conan Doyle, the sister-in-law, Rudolph Rassandale as a pseudonym for Anthony Hope, autobiographical wish fulfillment, an author avatar, not exactly modern storytelling, a male romance, “getting close to something happening”, a chaste-ness, innuendos, what’s lacking in the non-comic book adaptations, red-headedness, the black and the red, Rose, the Red rose of Ruritania, “if it’s red it’s right”, Black Michael, the real king is a prat, the better man, Eric S. Rabkin is all about “food and sex”, Jesse is all about “it’s all a dream”, mirroring and inverting, The Prestige, Madame Maubin, the dream, Total Recall, doubling echoing, the attack plan, Rupert! Rupert!, a happy version of the drunk king, the drugged wine, half the kingdom, that’s really good writing, The Princess Bride, a Fantasy edgecase, is it Fantasy?, “wading in the waters outside the island of Fantasy”, adopted into Fantasy, Coronets And Steel by Sherwood Smith, Doctor Who, The Androids Of Tara, electro-swords in a feudal future, Double Star by Robert A. Heinlein, a professional actor, Mars as Ruritania, A Princess Of Mars by Edgar Rice Burroughs, Latveria (in the Marvel universe), Doctor Doom, just a time passer, a finite number of monarchs, Utopia by Sir Thomas More, the noble house of Elphberg (elf berg), Austria, the beautiful streets of Streslau, the tell-tale hair colour, the problem of cheating, the sequel Rupert Of Hentzau, Queen Victoria, The Red And The Black by Stendhal, George R.R. Martin, the ostensible antagonist is Black Michael but actually the baddie is Rupert, “he leaves bloody but laughing”, Rupert as a twisted version of Rudolph, Antoinette du Maubin, a female version of Rudolph, the two Rudolphs, about six months, a romantic trope, no consummation, everybody is cousins here, morganatic marriage, Randy not Randolph, Crusader Kings, Lord Burlsdon, this second son thing is what EMPIRE is all about, smoked in their smoking rooms, India, Afghanistan, North America, South Africa, who this book is for, the problems of aristocratic families, The Man Who Would Be King, the Wikipedia entry, Winston Churchill wrote a Ruritanian Romance, the restoration of a parliamentary system instead of a monarchy, so Churchill, Churchill turned down a Lordship, the suspension of disbelief issue, Colonel Sapt and Fritz, the country is run by like seven people, a kidnapper and a kingslayer, somebody is going to have to swim that moat, the missing cellphone, the moving mole, Robin Hood: Men In Tights, “is this gonna be a thing?”, Saddam Hussein’s doubles, Star Wars, Princess Amidala and whoever…, first person narration, the eggspoon, a new use for a tea table, An Improvement On Jacob’s Ladder, he likes that ladder a bit too much, Jacob (in The Bible) dreams the ladder, GOOD!