The SFFaudio Podcast #213 – READALONG: The Cyberiad: Fables for the Cybernetic Age by Stanisław Lem

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #213 – Scott, Jesse, and Tamahome talk about the Audible.com audiobook The Cyberiad: Fables for the Cybernetic Age by Stanisław Lem

Talked about on today’s show:
reality shows, Duck Dynasty, about words, puns, rhyming, nothing, negative, was Lem a robot?, modern or timeless?, H.G. Wells, full of great ideas, fables, fairy tales, The Brothers Grimm, royalty,

“Have it compose a poem- a poem about a haircut! But lofty, tragic, timeless, full of love, treachery, retribution, quiet heroism in the face of certain doom! Six lines, cleverly rhymed, and every word beginning with the letter S!!” …

Seduced, shaggy Samson snored.
She scissored short. Sorely shorn,
Soon shackled slave, Samson sighed,
Silently scheming
Sightlessly seeking
Some savage, spectacular suicide.”

shooting an arrow at a barn, The Hitchhiker’s Guide To The Galaxy by Douglas Adams, Robert Sheckley, robots, the Google Doodle tribute to Stanisław Lem, a metaphor for our reality, the Wikipedia entry on Fables, Aesop’s Fables, Eric S. Rabkin, Scott is interested in Lem, Karol Wojtyła (aka Pope John Paul II), Poland, a small interesting country, Memoirs Found In A Bathtub, Audible’s audiobook, why did Jenny “Lem” this Lem?, Fox is not necessarily always the same fox, distant past? distant future?, “mostly harmless” palefaces, Princess Crystal, everybody’s a robot, a suitable suitor,

“Your Highness, my name is Myamlak and I crave nought else but to couple with you
in a manner that is liquid, pulpy, doughy and spongy, in accordance with the customs of
my people. I purposely permitted myself to be captured by the pirate, and requested him
to sell me to this portly trader, as I knew the latter was headed for your kingdom. And I
am exceeding grateful to his laminated person for conveying me hither, for I am as full of
love for you as a swamp is full of scum.”
The princess was amazed, for truly, he spoke in paleface fashion, and she said:
“Tell me, you who call yourself Myamlak the paleface, what do your brothers do
during the day?”
“O Princess,” said Ferrix, “in the morning they wet themselves in clear water, pouring
it upon their limbs as well as into their interiors, for this affords them pleasure.
Afterwards,
they walk to and fro in a fluid and undulating way, and they slush, and they
slurp, and when anything grieves them, they palpitate, and salty water streams from
their eyes, and when anything cheers them, they palpitate and hiccup, but their eyes
remain relatively dry. And we call the wet palpitating weeping, and the dry—laughter.”
“If it is as you say,” said the princess, “and you share your brothers’ enthusiasm for
water, I will have you thrown into my lake, that you may enjoy it to your fill, and also I
will have them weigh your legs with lead, to keep you from bobbing up …”
“Your Majesty,” replied Ferrix as the sage had taught him, “if you do this, I must
perish, for though there is water within us, it cannot be immediately outside us for longer
than a minute or two, otherwise we recite the words ‘blub, blub, blub,’ which signifies our
last farewell to life.”
“But tell me, Myamlak,” asked the princess, “how do you furnish yourself with the
energy to walk to and fro, to squish and to slurp, to shake and to sway?”
“Princess,” replied Ferrix, “there, where I dwell, are other palefaces besides the
hairless variety, palefaces that travel predominantly on all fours. These we perforate until
they expire, and we steam and bake their remains, and chop and slice, after which we
incorporate their corporeality into our own. We know three hundred and seventy-six
distinct methods
of murdering, twenty-eight thousand five hundred and ninety-seven
distinct methods of preparing the corpses, and the stuffing of those bodies into our bodies
(through an aperture, called the mouth) provides us with no end of enjoyment.
Indeed,
the art of the preparation of corpses is more esteemed among us than astronautics and is
termed gastronautics, or gastronomy—which, however, has nothing to do with
astronomy.”
“Does this then mean that you play at being cemeteries, making of yourselves the
very coffins that hold your four-legged brethren?”

the poet robot,

Trurl adjusted, modulated, expostulated,
disconnected, ran checks, reconnected, reset, did everything he could think of, and the
machine presented him with a poem that made him thank heaven Klapaucius wasn’t
there to laugh—imagine, simulating the whole Universe
from scratch, not to mention
Civilization in every particular, and to end up with such dreadful doggerel! Trurl put in six
cliche filters, but they snapped like matches; he had to make them out of pure corundum
steel. This seemed to work, so he jacked the semanticity up all the way, plugged in an
alternating rhyme generator—which nearly ruined everything, since the machine
resolved to become a missionary among destitute tribes on far-flung planets. But at the
very last minute, just as he was ready to give up and take a hammer to it, Trurl was
struck by an inspiration; tossing out all the logic circuits, he replaced them with
self-regulating egocentripetal narcissistors. The machine simpered a little, whimpered a
little, laughed bitterly, complained of an awful pain on its third floor, said that in general it
was fed up, though, life was beautiful but men were such beasts and how sorry they’d all
be when it was dead and gone. Then it asked for pen and paper. Trurl sighed with relief,
switched it off and went to bed.

Men are such beasts but we’ll be sad when they’re gone, the paperbook, kudos to narrator Scott Aiello, satire of something, Mandrillion the Greatest, ruler of the Multitudians, the perfect advisor, fantasy with Science Fiction language, lawyer soup, Escape Pod, Peter Swirski, A Stanislaw Lem Reader, reviews, people who review Lem, Lem = genius, sitting in awe, “Imagine a mixture of Borges, Calvino, Saint-Exupéry, Pynchon, Douglas Adams, Samuel Beckett, L. Frank Baum, Dr. Seuss, Lewis Caroll, and perhaps a little Philip K. Dick. That’s what this is like, sort of.”, complete impatience with reading “another one of these or another one of those”, A Perfect Vacuum, a big show-off, the ideas per story quotient, Gene Wolfe, Jorge Luis Borges, meta, overwhelming wordplay, digressions aplenty, format and rules, classic Hard SF, the hyperdrive handwaviumed away, all of language is handwavium, Sodium stars with an N, we think when we’ve named something we’ve understood it, make sense out of nonsense, stardust into toilet seats:

Feeling dismay rather
than disappointment at this neglect, I immediately sat down and wrote The Scourge of
Reason
, two volumes, in which I showed that each civilization may choose one of two
roads to travel, that is, either fret itself to death, or pet itself to death. And in the course
of doing one or the other, it eats its way into the Universe, turning cinders and flinders of
stars into toilet seats, pegs, gears, cigarette holders and pillowcases, and it does this
because, unable to fathom the Universe, it seeks to change that Fathomlessness into
Something Fathomable, and will not stop until the nebulae and planets have been
processed to cradles, chamber pots and bombs, all in the name of Sublime
Order, for only a Universe with pavement, plumbing, labels and catalogues is, in its sight, acceptable
and wholly respectable.

the are no rules in The Cyberiad, owookiee’s 1 star review of The Cyberiad, a Droopy cartoon as directed by Tex Avery, The Perfect Imitation adapted, saggy biologicals, Daniel Mróz’ illustrations, Tobias Buckell’s blog post about The Fate Of Today’s Book Bloggers, the way Luke Burrage reviews books, a constructed object vs. a piece of art, conversations between writers, how books should be talked about, the SFSignal new releases posts, zombie novels, you’re reading the books wrong, you should read by author, Donald E. Westlake, Lawrence Block, Telling Lies For Fun And Profit, Philip K. Dick, George R.R. Martin, Fred Himebaugh (@Fredosphere), Twitter fight!, looking for reasons not to read books, Your Movie Sucks by Roger Ebert, if a book sucks you usually stop reading that author entirely, Neal Stephenson, positive that tell you nothing about why it’s good, wandering through the woods eating rocks and bark, moods, Star Wars fans, get meta, reviewing novels vs. short stories, in the context, negative reviews tell you a lot more about a book than positive reviews, this book has too much science, Star Trek: Deep Space Nine, Star Trek, Battlestar Galactica, panspermia and ancient astronauts, the finite and the infinite, iTunes U, characters on Battlestar Galactica are always confronted the question “what is human?”, synthesis, the enemy is the ally, the enemy is indistinguishable from one’s self, a space fable, Caprica, Sumerian Aramaic Sanskrit and Battlestar Galactica, Babylon 5, Firefly, a gift of kindness, Porco Rosso, Hayao Miyazaki, what is IT Tam?

Audible - The Cyberiad: Fables for the Cybernetic Age by Stanislaw Lem

Posted by Jesse Willis

The Hoard Of The Gibbelins by Lord Dunsany

SFFaudio Online Audio

Lord Dunsany’s take on the sword and sorcery sub-genre is high on the Dunsany and low on the Lord (which is itself a very Dunsanian trait).

The Hoard Of The Gibbelins illustration by Sidney Sime

LibriVoxThe Hoard Of The Gibbelins
By Lord Dunsany; Read by Greg Elmensdorp
1 |MP3| – Approx. 10 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: June 24, 2007
The bold knight Alderic seeks the fabled hoard of the Gibbelins. First published in the Jan 25, 1911 issue of The Sketch.

Here’s a |PDF|.

Posted by Jesse Willis

Recent Arrivals: Speculative! Collections

SFFaudio Recent Arrivals

We recently received four collections from Speculative! via Brilliance.

Murray Leinster Collection
Includes: The Pirates of Ersatz, The Aliens, Operation Terror
By Murray Leinster; Read by Jim Roberts and Ran Alan Ricard
13 hours

In The Pirates of Ersatz, Murray Leinster presents a fast-paced, light-hearted adventure story with a touch of Monty Python and much derring-do. The hero, Bron Hodon, comes from a planet where there is only one vocation – space piracy. His dream is to become an electrical engineer so he makes his way to a planet with a “perfect society” and invents a power source that should benefit all. The perfect society does not appreciate it, accuses him of creating “death rays” and forces him to flee to Darth, a much more primitive planet. There, and in space, he undergoes a number of rollicking adventures that make him wonder if space piracy – with a twist – might not be so bad after all. This tongue-in-cheek space adventure has often been compared to The Stainless Steel Rat by Harry Harrison.

The Aliens: Among other things, Murray Leinster is credited with the invention of “parallel universe” stories and in 1956 he won the prestigious Hugo Award for Best Novelette. Leinster wrote over 1,500 short stories in his career and two of the best, “First Contact” and “The Aliens”, deal with humanity’s first encounter with an alien race. In this story, the human race is expanding through the galaxy and so are the Aliens. When two expanding empires meet, war is inevitable. Or is it?

Operation Terror: Murray Leinster’s science fiction stories typically dealt with themes of frustration with human frailty and its limitations, cynicism vs. idealistic ethics, and romance. When a mysterious alien spacecraft lands in a lake in Colorado and the invaders begin using a paralyzing ray that no one can understand or stop, it takes an ingenious man like Lockley to save the girl and solve the mystery of the aliens.

Kurt Vonnegut Jr. Collection
Includes: The Big Trip Up Yonder, 2BRO2B
By Kurt Vonnegut, Jr.; Performed by Emmett Casey and Kevin Killavey
2 hours

The Big Trip Up Yonder: Kurt Vonnegut Jr. was known for blending satire, black comedy, and science fiction, and that is exactly what he does in this story. It was written in 1954 and first appeared in Galaxy Science Fiction. In the chronology of his works, it came between Player Piano and The Sirens of Titan. The story takes place in a future in which the population has grown so huge, due to an anti-aging product, that generations are forced to live together in crowded apartments. The family in this story is ruled by a dictatorial grandfather, the owner of the apartment and oldest of the clan.

2BR02B: Kurt Vonnegut Jr. was known for blending satire, black comedy, and science fiction, and that is exactly what he does in this little gem of of a story from 1962. In the chronology of his works, it came between Mother Night and Cat’s Cradle. The title is pronounced “2 B R naught 2 B” and references the famous phrase, “To be or not to be” in Shakespeare’s Hamlet. The story takes place in a future when diseases and aging have been eliminated and, as a result, the government has taken measures to insure population control

Edmond Hamilton Collection
Includes: City at World’s End; The Stars, My Brothers
By Edmond Hamilton; Performed by Jim Roberts
8 hours

City at World’s End: The midwestern town of Middletown is the “first strike” of a new super bomb. However, instead of destroying the town, the attack rips a hole in the space-time continuum, sending the town and it’s inhabitants to a distant Earth, cold and foreboding. The story of their struggle, survival, and ultimate success in rekindling the planet and dealing with the people and aliens of the future is the stuff of great science fiction. As you listen, see if you agree with the many who think this story was the origin of the Star Wars characters Chewbacca and Leia.

The Stars, My Brothers: Edmond Moore Hamilton was a popular science-fiction author during the “Golden Age” of American science fiction. “The Stars, My Brothers” is considered one of his best, and certainly most imaginative, stories. A spaceman is killed in space and frozen. He is left orbiting the space station where he was killed in the hope that a method will be found to bring him back to life. That day finally comes a hundred years later, when he awakens to a very different world and comes to realize he has become both a symbol and a pawn in a human/alien conflict.

Alan Edward Nourse Collection
Includes: The Coffin Cure, Image of the Gods
By Aland Edward Nourse; Performed by Ben Hurst
1 hour

The Coffin Cure: No one likes a cold. It has plagued mankind for generations. When Dr. Coffin and his colleagues finally devise a cure for this ailment, the discovery is met with excitement worldwide. A month later though, noses everywhere start to rebel. Can they find a cure for the cure and do it in time to save their own necks?

Image of the Gods: In this story, an earth colony discovers that their relationship with the mother planet has suddenly changed due to an overthrow of the Earth’s government. They decide not to go along with the new totalitarian regime and to declare their independence. They expect a fight for liberty and get it. However, their relationship with the natives of the planet, the “dusties”, changes the whole situation in a very dramatic way.

The Midas Plague by Frederik Pohl

SFFaudio Online Audio

“the curse of want gives way to the curse of plenty”
-Frederik Pohl, in the anthology Nightmare Age

Broadcast on BBC Radio 4, as a part of “The Shape of Things to Come” season in 1991 (a series of plays looking at the future) The Midas Plague was adapted from the acclaimed novella by Frederik Pohl.

Now, thanks to the terrific service RadioArchive.cc you can experience this positively smirk inducing satire of a consumer society flipped on it’s head.

Here’s my description of the premise:

Morey Fry lives in a post-scarcity world where cheap production has made commodities, consumer goods, and food ubiquitous. The “poor” are forced to spend their lives in a constant state of frantic consumption, continually upgrading their devices, clothes, jewelry, and appliances. But “poor” Morey can only wear-out his shirts so fast, and taking double cream in his coffee is giving a sick feeling. Meanwhile a black market in counterfeit ration book stamps flourishes, yet Morey is an honest man. When poverty stricken Morey marries a “rich” girl from the right side of the tracks they move into his well appointed mansion. There, the efficient household staff of robot butlers, valets, maids, cooks, and footmen foist endless consumer goods upon them both at a furious rate, something that upsets Morey’s new “wealthy” spouse – after all she’s is accustomed to a certain luxurious lifestyle.

The Midas Plague, illustrated by Emsh - from Galaxy, April 1954

BBC Radio 4RadioArchives.ccThe Midas Plague
Adapted by Mark Power from the story by Frederik Pohl; Performed by a full cast
1 MP3 (via TORRENT) – Approx. 44 Minutes [RADIO DRAMA]
Broadcaster: BBC Radio 4
Broadcast: September 4, 1991

Directed by Alec Reid

Cast:
Morrey Fry – Michael Drew
Cheri Fry – Diane White
Howland – Alan Covenay
Judge Elon – Eric Allen
Grace Elon – Caroline Hunt
Semmelweiss – Nick Chivers
Newman – Nick Chivers
Fairless – Clarence Smith
Sam – Clarence Smith
Wally – Richard Pearce
Blaine – Richard Pearce
Tanaquil – Catherine Neal
Wainwright – Fraser Kerr
Henry, the Robot – Geoffrey Collins
Profirio – Geoffrey Collins

More illustrations from the publication in Galaxy, April 1954:
The Midas Plague, illustrated by Emsh - from Galaxy, April 1954
The Midas Plague, illustrated by Emsh - from Galaxy, April 1954

The Midas Plague can also be found in…
Ballantine Books - Nightmare Age edited by Frederik Pohl

and…
The Science Fiction Hall Of Fame, Volume II, B

Posted by Jesse Willis

LibriVox: My Favorite Murder by Ambrose Bierce

Aural Noir: Online Audio

My Favorite Murder by Ambrose Bierce

There are two readings of My Favorite Murder, by Ambrose Bierce, on LibriVox. Bill Mosley’s reading has a more appropriate accent, but Peter Yearsley’s is funnier, perhaps because of his English accent. The high minded language of the protagonist, combined with the frightening descriptions, makes Yearsley’s version more essentially hilarious.

If you’re familiar with Jack London’s Moon-Face, and liked that story, I think you’ll like this one too.

LibriVoxMy Favorite Murder
By Ambrose Bierce; Read by Bill Mosley
1 |MP3| – Approx. 25 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: June 3, 2010
First published in the San Francisco Examiner, September 16, 1888.

LibriVoxThe Parenticide Club – My Favorite Murder
By Ambrose Bierce; Read by Peter Yearsley
1 |MP3| – Approx. 49 Minutes [UNABRIDGED]
Publisher: LibriVox.org
Published: December 29, 2005

And here’s a printable |PDF|.

Posted by Jesse Willis

Never Bet The Devil Your Head by Edgar Allan Poe

SFFaudio Online Audio

Never Bet The Devil Your Head was written by Edgar Allan Poe to mock his critics. It’s wit is as sharp as Voltaire’s Candide and it’s smirk is as wide as Mark Twain’s A Connecticut Yankee In King Arthur’s Court, but it’s just the size of Jonathan Swift’s A Modest Proposal.

Never Bet The Devil Your Head is the tale of Toby Dammit, a man of vice, who comes to a bad end.

Here’s a choice snippet:

“At five months of age he used to get into such passions that he was unable to articulate. At six months, I caught him gnawing a pack of cards. At seven months he was in the constant habit of catching and kissing the female babies. At eight months he peremptorily refused to put his signature to the Temperance pledge. Thus he went on increasing in iniquity, month after month, until, at the close of the first year, he not only insisted upon wearing mustaches, but had contracted a propensity for cursing and swearing, and for backing his assertions by bets.”

I highly recommended it.

Here’s an unabridged reading:

Voices In The DarkNever Bet The Devil Your Head
By Edgar Allan Poe; Read by Dawn Keenan
1 |MP3| – Approx. 22 Minutes [UNABRIDGED]
Publisher: Voices In The Dark
Published: 2005
First published in Graham’s Magazine, September 1841.

And here’s a pointed, yet spritely, audio dramatization adaptation with the legendary Daws Butler playing Dammit:

CBS Radio WorkshopCBS Radio Workshop – Never Bet The Devil Your Head
Adapted from the short story by Edgar Allan Poe; Performed by a full cast
1 |MP3| – Approx. 1 Hour [RADIO DRAMA]
Broadcaster: CBS
Broadcast: July 28, 1957
Provider: archive.org

Cast:
John Dehner … Mr. Poe
Daws Butler … Toby Dammit
Howard McNear … the Devil

And finally here’s a |PDF|.

Posted by Jesse Willis