Review of Pattern Recognition by William Gibson

Science Fiction Audiobook Review

Science Fiction Audiobook – Pattern Recognition by William GibsonPattern Recognition
By William Gibson; Read by Shelley Frasier
9 CDs – 10.5 hours – [UNABRIDGED]
Publisher: Tantor Media
Published: 2004
ISBN: 140010095X
Themes: / Science Fiction / Internet / 9-11 / Crime /

“Cool Hunter.” How about that for a dream job? Companies pay you (and ply you with the latest technological goodies) to identify trends and fashions that spring up at street level so that they can commodify them and turn a buck. As far as I know, William Gibson (the man responsible for the term “cyberspace”) didn’t coin “cool hunting,” but he makes good use of the idea in “Pattern Recognition.” Cayce Pollard is Gibson’s heroine and the consummate cool hunter. Cayce can spend an afternoon walking through the teenagers clogging the streets of London when school lets out and identify at least three of tomorrow’s money-making fashion trends. She can look at two potential logos for a company and immediately know which of them will connect better with the targeted demographic. Like any other talent, though, being able to tell what works and what doesn’t has its downside. Cayce has an almost allergic reaction to most brand names; she’s got to have the labels removed from and the words filed off of the rivets on her black 501’s, her Casio G-Shock has got to be logo-free, and don’t even think about coming near her with a picture of the Michelin Man. Cayce is also deeply obsessed with a captivating film that has been mysteriously released, bit-by-bit, over the Internet, an obsession that opens the door for Gibson’s intricate plot.

Pattern Recognition was written soon after 9-11 (the events of which it references regularly), and is set in a very realistic 2002. The book probably doesn’t even technically qualify as science fiction, but Gibson keeps his ear so close to the tech-development ground that the story gives the impression of being futuristic. In fact, the book can be used as a sort of barometer to gauge your level of tech-geekiness. Are image-based search engines and vintage calculator fetishes old-hat to you? Congratulations, you’re ready to tackle Doctorow and Stross. Is the idea of a “render farm” unknown to you, and do you still double-take when you hear “google” used as a verb? Better stick to Card and Haldeman.

Having said that, this is probably the most accessible of all of Gibson’s books. His embrace of a post-cash economy era heroine and his tangential explorations of Internet forum social hierarchies and information-age Russian Mafia thugs will satisfy sci-fi vets (and provides solid evidence of Gibson’s place as a powerful influence on the new wave of cyber-post-punk writers), but the realness of Cayce’s femininity, the lack of one-dimensional characters, and, particularly, the overall attractive melancholy mood of the book make it one that you can safely recommend to your sci-fi avoidant spouse and friends.

I read the text version of Pattern Recognition soon after it came out, and was pleasantly surprised at how much enjoyment the audio book added to my experience. Shelley Frasier’s pleasantly dry narration, able handling of accents, and especially the sexy innocence she gives Cayce’s voice had me popping discs in one after another. I have a very pleasant memory of taking a break from a late-night Fawlty Towers marathon to get some Burger King, and staying in my garage five extra minutes just to finish listening to Shelley describe a British noodle bar called “Charlie Don’t Surf”.

The text version of the book includes a drawing of an object that is vital to the plot, and I was worried that the audio book might get awkward at that point, but truth be told, I didn’t even notice the absence of the drawing.

So, hats off to Gibson, Frasier, and the folks at Tantor Media for putting together an excellent reading of a great science fiction novel (that isn’t even really science fiction). As wonderful as Gibson’s more speculative work is, if Pattern Recognition is what it looks like when both of his feet touch ground, then I wouldn’t mind if he came down to earth more often.

Review of Strawberry Automatic by T. Ray Gordon

Science Fiction Audiobook Review

Science Fiction Audiobook - Strawberry Automatic by T. Ray GordonStrawberry Automatic
By T. Ray Gordon, Full Cast Production by Richard Sellers
1 CD – 78 Minutes [UNABRIDGED]
Publisher: Apex Audio Theatre
Published: 2005
Themes: / Science Fiction / Androids / Terraforming Mars /

The Automatics are androids, and trained fighting machines. When they fought for their own rights, they were, of course, declared non-personal non grata and the ones that could left Earth for other parts of the Solar System colonies. Strawberry Automatic is tall with flaming red hair, beautiful and deadly as they come. On Mars there is a company running the terraforming operation. Naturally someone wants to speed up the process using illegal nukes, and someone else wants to stop them.

I say “of course” and “naturally” because as I listened to this CD I had no trouble keeping slightly ahead of the story line. I kept thinking “This is a 1950s sci-fi story.” On his CD sales website, producer and narrator Richard Sellers says that T. Ray Gordon wrote 72 original manuscripts during the 1950s, which have never been published until now. So I was right. And as seems to be the cliché with pulp and radio writers, he was alcoholic and killed himself in 1961.

As a story Strawberry Automatic is a fairly good sci-fi adventure. As a script it relies too much on narration, some of which could have been written into dialogue or eliminated to keep the story moving faster. This might have made the script longer, though, and it appears they had decided to keep it to one CD. The production values are high, as the producer works as a voiceover artist and knows his trade. He also narrates the story. The acting is quite good, and it shows that Sellers knows his community of good performers. They just need someone to help them develop the script a bit before moving on.

The production values and the fact that it was not a story that had ever been produced before garnered it an Honorable Mention for the 10th Annual Mark Time Awards for Science Fiction Audio this year. Click here for more info.

The first of Gordon’s stories made for audio by Apex Audio Theatre, Inhumanity Quest, was also produced by Richard Sellers, and it shares many of the qualities mentioned here regarding the story, the production quality, and the performances.

I liked the production a little better the second time I heard it, as I could listen a bit more critically. It is well done. But I don’t know if I could listen to 72 of this kind of tale.

This week’s Escape Pod has Mike Resnick content!

SFFaudio Online Audio

Escape PodThe story this week over on Escape Pod, the preeminent podcast SF magazine, is Barnaby In Exile by Mike Resnick. Bring a hanky to this one. The story is reminiscent, and from my POV clearly in dialogue with, Pat Murphy‘s classic Rachel In Love. Both are powerful anthropomorphic visions of apes in tough emotional spots. If you like Barnaby In Exile Robert J. Saywer reccommends also reading Robert Silverberg‘s Pope Of The Chimps.

EP073: Barnaby in Exile
By Mike Resnick; Read by Paul Fischer
1 MP3 File – [UNABRIDGED]
Podcaster: Escape Pod
Podcast: September 28th 2006

BBC Radio 7’s The 7th Dimension does Understand by Ted Chiang

Online Audio

BBC 7's The 7th DimensionBBC7’s the 7th Dimension will be re-airing a truly AWESOME unabridged reading of Ted Chiang‘s novelette Understand.

This story has been broadcast on BBC Radio 7 previously and it blew my mind when I first heard it! This sort of unabridged reading is what makes me so attuned to what The 7th Dimension is up to. If you listen to no other BBC Radio production this year listen to this one!

Here’s a teaser: Leon is a former coma victim, who has gone experimental medical treatment to repair the massive trauma his brain recieved after he was trapped under ice for more than an hour. He’s regained consciousness, found he has all of his faculties back and a whole lot more. In the tradition of Daniel Keyes’ Flowers For Algernon. It was originally published in “Isaac Asimov’s Science Fiction Magazine” in 1991.

Understand
By Ted Chiang; Read by Rashan Stone
4 half-hour segments – Approx. 2 Hours [UNABRIDGED]
BROADCASTER: BBC Radio 7
AIRING: Saturdays for four weeks @ 6pm (repeats 12am) UK Time

This will be available via the Listen Again service shortly after it airs.

Jesse Willis

Review of Parable of the Sower by Octavia E. Butler

Science Fiction Audiobook Review

Science Fiction Audiobook – Parable of the Sower by Octavia E. ButlerParable of the Sower
By Octavia E. Butler; Read by Lynne Thigpen
10 CDs – 12 hours – [UNABRIDGED]
Publisher: Recorded Books
Published: 2000
ISBN: 0788747606
Themes: / Science Fiction / Dystopia / Survival / Religion /

Occasionally in science fiction there comes a novel that should be considered important not only inside the genre, but in all of literature. Like 1984 by George Orwell. Or Fahrenheit 451 by Ray Bradbury. Or like nearly everything Octavia Butler ever wrote, including this novel.

Parable of the Sower is a novel consisting of the diary entries of the main character, a teen named Lauren. She lives and writes in 2020’s United States of America, in the Los Angeles area. Butler imagines a lawless future America where everyone is on their own. Lauren lives in a cul-de-sac with a wall around it – her family and several others haved pooled together. Murders are commonplace, as is theft, and people struggle to survive while the world moves on. Lauren comments on the death of an astronaut on Mars, the election of a new president, as well as her ever-changing day-to-day life.

Complicating things is the fact that Lauren is a hyper-empath. If she sees someone get hurt, she feels that pain as if it was happening to her. An extremely uncomfortable thing to be, when pain exists all around her.

Out of all of this, she creates a new religion, called Earthseed, which springs forth from the beliefs formed by her life’s circumstances. She isn’t inventing it, as she says more than once – no, she’s discovering it. In a world in which the only surety is change, she discovers God. And God, she figures, is change itself.

Lynne Thigpen is flawless in her narration of this book. She did a wonderful job speaking as if the world in which Lauren moved was normal. Her emphasis and emotion perfectly fit the character. The result was an audiobook that I’m better off for having heard.

Posted by Scott D. Danielson

Review of The Plot to Save Socrates by Paul Levinson

Science Fiction Audiobook Review

The Plot to Save Socrates by Paul LevinsonThe Plot To Save Socrates
By Paul Levinson; Read by Mark Shanahan
7 CDs – 10 Hours [UNABRIDGED]
Publisher: Listen & Live Audio
Published: 2006
ISBN: 1593160747
Themes: / Science Fiction / Time Travel / Cloning / Philosophy / Ancient Greece / Ancient Rome / Ancient Egypt / 19th Century New York /

“Think not those faithful who praise all thy words and actions;
but those who kindly reprove thy faults.”
Socrates (c.470 BC – 399 BC) Greek philosopher

2042 AD. Sierra, a young classics scholar has discovered a lost Platonic scroll. Its contents will lead her to attempt to trounce the awful punishment that was imposed upon Socrates, the pre-eminent philosopher of the golden age of Greece. Joining her is her fiance Max, her thesis advisor Tom, Alcibides (a famous Greek orator and friend to Socrates), 19th century New York publisher W.H. Appleton, as well as the famously talented inventor, Heron of Alexandria.

Levinson opens the novel well with grad student Sierra Waters discovering a lost Socratic dialogue. It is a terrific opening, and I think this is what got my hopes so high. This isn’t a terrible novel, it just doesn’t grab me like I wanted it to. It is, rather, a workman-like time travel adventure. I was hoping it would be something deeper. In terms of pace, there is at least one too many characters. And none of them, including Socrates, engaged me as they should have. This is doubly troubling considering that the ideas weren’t sufficent for the novel length. Both the time travel itself and the mechanism of the time travel (a set of chairs created by a mysterious time traveler from the future) are sidelined and remain virtually unexplained. There are some interesting reveals sprinkled here and there and Levinson gives a decent twist-ending but it is only satisfying on one level and doesn’t and fufil the promise I thought it had. I never became enraptured by the story. There are unfilled gaps in the narrative. It feels as if the novel were abridged, though the packaging copy assures me that it wasn’t. The biggest single disapointment for me was the lack of more than a surficial philosophical content. Socrates reasons for allowing himself to be executed by an Athenian jury are only lightly touched upon. Levinson has an interest in philosophy, but Socrates and the Socratic method deserve a stupendous Science Fiction showcase and not this – a light adventure yarn. Had the spartan but solid contents of the plot been rendered to novellete or novella length the story would probably have worked far better. To his credit Levinson includes Socrates’ distrust of the written word. The written word is fixed, something that can’t be quibbled about as easily as can the thoughtful power of spoken word. Had Socrates known about audiobooks I think he’d have questioned the recorded word too.

Narrating duites on this one are by Mark Shanahan. Shannahan has a decent range, offering some distinction between the many characters. His job however was made more difficult than it should have been; Levinson’s characters aren’t fully dimensional. The narration is accompanied by sound effects and a situational background noise. I was disapointed with the inclusion of sound effects. If the text says “the doorbell rang.” you don’t need the sound effect of a doorbell ringing. If the narrator then reads the line “the doorbell rang.” not only don’t you need the sound of a doorbell ringing it interupts the flow of the story to include it. Less intrusive, but certainly no less unnecessary is the occasional inclusion of background noise designed to be appropriate to where a scene takes place. A pub, with a humm of clinking of glasses and the buzz of distant conversations, a seaside with the cry of seagulls and the slosh of waves. I get it, we’re in a pub or on a beach. But the absence from the rest of the narrative makes these scenes stand out in a way they shouldn’t and thus paradoxically distances the listener rather than drawing him or her in. The music is actually pretty good and definitely works better than the rest of the production details. The music fades in and out, bookending scenes. There are also one or two sentences that were missed in the final pass. Shannahan will read a line, and then read it again.

Upon reading other reviews scattered around the net I see that more people seem to have become caught up in the novel than I did. I envy them. I wanted to like this novel a lot more than I did. One reviewer pointed out that Levinson’s characterization and was like that of Isaac Asimov’s. I don’t disagree, I just think that was one of Asimov’s few weakness. Another reviewer pointed out how well constructed the chronology of the time travel was. Again, I don’t disagree, it was well woven. Maybe my problem is that most of my favorite time travel stories are of a much shorter length. If that is your problem too, bear that in mind joining in on The Plot To Save Socrates

Posted by Jesse Willis