Review of Double Star by Robert A. Heinlein

SFFaudio Review

Double Star by Robert A. Heinlein; Read by Lloyd James
5 Cassettes – 7.5 hours [UNABRIDGED]
Blackstone Audiobooks
Date Published: 1999
List Price: USD $39.95 – IN PRINT
ISBN: 0786117451
Themes: Science Fiction / Sci-Fi / Fantasy / Mystery / Pulp / Politics / Mars / Spaceships / Acting / Theatre / Shakespeare

One minute, down and out actor Lorenzo Smythe was – as usual – in a bar, drinking away his troubles as he watched his career go down the tubes. Then a space pilot bought him a drink, and the next thing Smythe knew, he was shanghaied to Mars. Suddenly he found himself agreeing to the most difficult role of his career: impersonating an important politician who had been kidnapped. Peace with the Martians was at stake – failure to pull off the act could result in interplanetary war. And Smythe’s own life was on the line – for if he wasn’t assassinated, there was always the possibility that he might be trapped in his new role forever!

Some Heinlein readers believe that the philosophy in Starship Troopers was Heinlein’s personal philosophy. They’re wrong. Heinlein’s primary philosophy was to provoke thought by explicating political consequences of certain philosophies… and to be entertaining doing it. Double Star proves this emphatically, presenting a completely different political system than Starship Troopers. The plot is a well known one. As old as the fairy tale The Prince and The Pauper, The Prisoner of Zenda or The Man In The Iron Mask; As new as the Hollywood movie Dave (1994) starring Kevin Kline.

This unabridged audiobook has so much more: Interplanetary space travel, alien contact and political upheaval. But it also has a fully realized political system, political campaigns, theory of government, theory of acting, kidnapping, murder, dirty tricks and its a mystery! There really is no better science fiction writer than Robert A. Heinlein. There are other great books by other great writers but none is as great as the dean of science fiction RAH. The reason? Simply put, he tells damn fine stories and does so constantly. This novel is a great example of just that. With a wild premise and a somewhat divergent plot (from Heinlein’s various themes) it tells an implausible story plausibly with emotional impact. This book won a Hugo award for 1956 (Heinlein’s first) and deserved it. It’s a fun ride and highly enjoyable. Pop it in your cassette deck and enter a different world.

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Review of War of the Worlds, Mercury Theater of the Air

SFFaudio Review

War of the Worlds, Mercury Theater of the Air, 1938

Orson Welles’ radio adaptation of the H.G. Wells classic War of the Worlds is itself a classic. The program is legendary for the panic it caused in some audience members when it originally aired on October 30, 1938. Welles played the first half of the story as realistic newscasts – “regular programming” is interrupted with convincing news of invading aliens. The drama then switches point of view to Welles’ main character, who wanders about the rubble-strewn streets looking for answers.

The story of the controversy caused by the broadcast is as interesting as the broadcast itself. A national debate ensued about whether or not to regulate radio drama in all sorts of different ways. It’s main effect was to illustrate that people can’t believe everything they hear, not unlike today’s graphics technology has proved that we can’t believe everything we see.

The quality of the script and the convincing performances of Orson Welles and the actor who, as a newscaster, described the emergence of the Martians from a crater left when they landed in Grover’s Mill, New Jersey, make this one of my all-time favorite audio dramas.

This recording is available from many different sources – my copy was published by Radio Spirits.