The SFFaudio Podcast #192 – READALONG: We by Yevgeny Zamyatin

Podcast

The SFFaudio PodcastThe SFFaudio Podcast #192 – Jesse, Jenny, and Professor Eric S. Rabkin discuss the Tantor Media audiobook of We by Yevgeny Zamyatin.

Talked about on today’s show:
written in 1921, is it a ‘Russian’ novel?, H.G. Wells, Synchronicity and Arthur Koestler, Industrialism, the struggle to be a good citizen, the Guardians and Plato’s Republic, the numbers in character names (ah hah!), lips and poet Pushkin, don’t eat the prolefeed, sexual hour, review of We by George Orwell, character development, the Integral ship name, more on numbers in names, biblical references?, why it pays to have Eric, THX 1138 (trailer), Zilboorg vs Ginsburg translation, mathematics, Randall and Brown translations, imaginary numbers, the green wall and glass, Logan’s Run and the outside, the number ’40’, Baudelaire’s The Flowers of Evil, is the novel hopeful at the end?, lying, Caesar and hair, The Space Merchants, how science fiction and We get respect, ranking We among air jordan 1 retro low og sp varsity red hv6157 100 dystopian fiction, Jenny is Ms. Dystopia, eutopias and outopias and autopias, Childhood’s End, this podcast is perfect, Scriabin piano music is passionate, ayre (music)

Tantor Media - We by Yevgeny Zamyatin

Posted by Tamahome

Plotting For Perfection by Tim Prasil

SFFaudio Online Audio

SFFaudio Podcast #189 featured our chat with the fantastic writer Tim Prasil – about his MARVELLOUS BOXES anthology series (as produced by Decoder Ring Theatre). Something that came up in that discussion was that one of the stories, Plotting For Perfection, was based on a short story Tim has the story online, |PDF|, and has now graciously narrated it for our listening pleasure:

Tim PrasilPlotting For Perfection
By Tim Prasil; Read by Tim Prasil
1 |MP3| – Approx. 32 Minutes [UNABRIDGED]
Provider: Tim Prasil
Provided: December 2012
A photographer on assignment meets his future love, an astrophysicist, and then is visited by photographs of their future life together.

Plotting For Perfection by Tim Prasil - illustration

[Thanks Tim!]

Posted by Jesse Willis

Review of The Diamond Age by Neal Stephenson

SFFaudio Review

The Diamond Age by Neal StephensonThe Diamond Age: Or, a Young Lady’s Illustrated Primer
By Neal Stephenson; read by Jennifer Wiltsie
16 compact discs; Approx. 19 hours [UNABRIDGED]
Publisher: Brilliance Audio
Published: 2001/2012
ISBN: 978-1-4558-8349-3
Themes: / Science Fiction / Nanotechnology / Computer Programming / Victorian Culture / Cyberpunk /

Editor’s Note: This edition is the same recording that was released in 2001, but it has been repackaged and re-released.  Back in 2003, Scott reviewed The Diamond Age after listening to it on cassette tape.

Publisher Summary: Set in twenty-first-century Shanghai, The Diamond Age is the story of what happens when a state-of-the-art interactive device falls into the hands of a street urchin named Nell. Her life — and the entire future of humanity — is about to be decoded and reprogrammed.…

Review: This was my second listen of the audio version narrated by Jennifer Wiltsie, which I enjoyed more thoroughly than the first time. Perhaps the main reason for this was that I happened to listen to Oliver Twist in between and discovered that Neal Stephenson had written a wonderful homage to Charles Dickens’ masterpiece, unbeknownst to me. That is not to say that reading Oliver Twist is a requirement for liking this book, but that it is a great way to fully appreciate the author’s style in this story, which was somewhat foreign to me at first. The Diamond Age is the sort of book that has the amusing ability to make me feel both more and less intelligent than I really am. Stephenson has a style of genre bending all his own that I like to think of as Neal-punk. At times he’ll mix it with some Dickensian dialogue that makes perfect sense to me. Other times his writing flies right over my head and convinces me that I’d need a significant amount of time and effort doing research in order to get his meaning, which is okay with me. It all lends itself to the sort of layered writing that bears up well to multiple readings, getting more and more understanding and appreciation each time. That is not so say that it requires a re-read in order to enjoy, it just helped me out quite a bit. I also happen to be an avid re-reader.

The characters in this book are diverse, interesting, often funny, and easy to sympathize with, especially Nell. I would mostly recommend this to people who enjoy an esoteric story that gives you a lot of food for thought. Neal Stephenson has a bit of a reputation for writing not-so-great endings. I don’t think The Diamond Age has a cut and dried conclusion, leaving room for the listener’s own imagination to wonder about and fill in some details. I can see how this may be dissatisfying to some, but I rather like a story that leaves me thinking about it afterwards. Jennifer Wiltsie did an excellent job with the narration, smoothly going from one character’s voice to another and delivering some lovely Victorian dialogue flawlessly to my American ears. All in all, I found it to be unique, imaginative, and quite fun.

Posted by Philip

Escape Pod: Craphound by Cory Doctorow

SFFaudio Online Audio

Craphound, wasn’t Cory Doctorow’s first short story, but it was the first one I’d ever read of his. Published in Science Fiction Age, a slick full sized magazine in which Doctorow had a regular column, it featured many of the elements you’ll find in his other stories and novels. A kind of curious combination of warm and fuzzy nostalgia with a clear eyed thinking. Craphound is also what Doctorow named both his website and podcast.

Podcast - Escape PodCraphound
By Cory Doctorow; Read by Jesse Thorn
1 |MP3| – Approx. 45 Minutes [UNABRIDGED]
Podcaster: Escape Pod
Podcast: January 2006
“Aliens have once again decided to visit Earth in this lighthearted romp. Rather than having conquest on their minds, they merely wish to visit, and explore. Jerry is a junk dealer, a collector, a pack rat of crap and antiques and memorabilia, depending on your point of view.” First published in Science Fiction Age, March 1998.

Craphound by Cory Doctorow

Craphound by Cory Doctorow - interior illustration by Chuck Demorat from Science Fiction Age

Posted by Jesse Willis

Highway To Mars: Odile Thomas and Jim Moon discuss Children Of The Stones

SFFaudio Online Audio

Highway To MarsA recent Highway To Mars podcast features Odile Thomas (of the Sending A Wave podcast) and Mr Jim Moon (of the Hypnobobs podcast) discussing the 1976 TV serial Children Of The Stones.

The brief official description asks this question:

Is it an updated version of The Prisoner or an early version of Lost or in a class of it’s own?

You could also describe Children Of The Stones as kid’s version of The Wicker Man (except with the whole village doing goofballs) or as a very good episode of Jon Pertwee era Doctor Who (except starring Rog Blake) – but really, however you describe it, Children Of The Stones is a great combination of intelligent storytelling and intelligent characters in a very cool mysterious plot involving all the sort of stuff smart people are into. And thus its a great show for smart kids and smart adults alike.

|MP3|

Children Of The Stones

Posted by Jesse Willis

Recent Arrivals: Tantor Media: We by Yevgeny Zamyatin

SFFaudio Recent Arrivals

Here’s another classic SF novel we’ll be discussing on an upcoming podcast. Read by the irreplaceable Grover Gardner!

Tantor Media - We by Yevgeny ZamyatinWe
By Yevgeny Zamyatin; Translated by Clarence Brown; Read by Grover Gardner
MP3 Download – Approx. 7 Hours [UNABRIDGED]
Publisher: Tantor Media
Published: March 2011
Set in the twenty-sixth century A.D., Yevgeny Zamyatin’s masterpiece describes life under the regimented totalitarian society of OneState, ruled over by the all-powerful “Benefactor.” Recognized as the inspiration for George Orwell’s 1984, We is the archetype of the modern dystopia, or anti-Utopia: a great prose poem detailing the fate that might befall us all if we surrender our individual selves to some collective dream of technology and fail in the vigilance that is the price of freedom. Clarence Brown’s brilliant translation is based on the corrected text of the novel, first published in Russia in 1988 after more than sixty years’ suppression.

Sample |MP3|

Posted by Jesse Willis