science fiction – Page 87

Review of Counter-Clock World by Philip K. Dick

Friday, July 27, 2012 Jenny

SFFaudio Review

Counter-Clock World
By Philip K. Dick, Read by Patrick Lawlor
8 hours [UNABRIDGED]
Publisher: Brilliance Audio
Published: June 2012
ISBN: 978-1-4558-1430-5
Themes: / Time travel / Science Fiction / Reanimation

Publisher summary:

In Counter-Clock World, time has begun moving backward. People greet each other with “goodbye,” blow smoke into cigarettes, and rise from the dead. When air jordan 11 cherry holiday 2022 one of those rising dead is the famous and powerful prophet Anarch Peak, a number of groups start a mad scramble to find him first — but their motives are not exactly benevolent, because Anarch Peak may just be worth more dead than alive, and these groups will do whatever they must to send him back to the grave.

What would you do if your long-dead relatives started coming back? Who would take care of them? And what if they preferred being dead? In Counter-Clock World, one of Dick’s most theological and philosophical novels, these troubling questions are addressed; though, as always, you may have to figure out the answers yourself.

Counter-Clock World is an expansion of Philip K. Dick’s short story Your Appointment Will Be Yesterday. The ideas are interesting enough to flesh out into a longer story, but that also allows the cracks to show.

In this world, because of something called the Hobart Effect, time has begun moving backward. People get younger, rise from the dead, food is disgorged, and knowledge is destroyed. Because of that, libraries hold all the power. Even the police are terrified of the librarians. The bits with the terrifying librarians were particularly funny, and this reader may have laughed hysterically in her car.

Time moves backwards… but not exactly. While everyone has to unsmoke their cigarettes and disgorge their food, there are still events going on that didn’t happen before. And when a human has unaged enough that they have to go back into the womb, any old womb will do. Some of those inconsistencies make the world not as plausible as it should have been in order to focus on the story.

The world building is more successful than the characters, which are terribly flat and uninteresting. Lotta, the wife of Sebastian Hermes, the owner of the Hermes Vitarium, is particularly vapid. Of course, she’s getting younger and dumber all the time, so maybe that is to be expected. The female characters are all conniving or sniveling, and the male characters are heroic but stupid. It got old. The main plot point is about a prophet coming back to life, but that kind of gets lost in the laser battles in the library Jordan Brand had the tough task of following up the widely successful , Air Jordan 1 Retro Low OG Black Dark Powder Blue UK 11 , Fenua-environnementShops Marketplace.

Patrick Lawlor is a great reader with excellent enunciation. By listening to it, I realized how often Philip K. Dick uses alliteration and adverbs, she says knowingly.

Posted by Jenny Colvin

The SFFaudio Podcast #170 – READALONG: The Fountains Of Paradise by Arthur C. Clarke

The SFFaudio Podcast #170 – Jesse, Tamahome, and Jenny discuss the Brilliance Audio audiobook of The Fountains Of Paradise by Arthur C. Clarke.

Talked about on today’s show:
Skyhooks and space elevators, Sri Lanka, “my first space elevator book”, Robert A. Heinlein, Friday, “it feels like a novel”, “the fictional accounting of a real construction project”, history, Colombo, afterwords, sources and acknowledgements, “what a rip-off”, Sigiriya’s Lion Paws Gate, King Kashyapa I, “past, present, and future”, engineering fiction vs. science fiction, Taprobane, Paradise Regained by John Milton, Jo Walton’s review of The Fountains Of Paradise, religion, “Heinlein in a dress”, an idea book, to think interesting Science Fictional thoughts, hard SF, Clarke’s Laws, space probe, a game changer, Gregg Margarite, Shri Jawaharlal Nehru, The Nine Billion Names Of God, Sigmund Freud, growing out of religion?, Thomas Aquinas, symbolic logic, Bertrand Russell, satellites and their uses, unseen benefits to giant engineering projects and science, Sydney Opera House, the Eiffel Tower, Burj Khalifa, Mission: Impossible – Ghost Protocol, “this is what we’re meant to do”, the space age, the 1970s, Jenny gets depressed, Terpkristin‘s visit to French Guiana (PICS!), will we have a Chinese moonbase by 2022?, innovation vs. exploration, Jerry O’Neil, good reasons to go to space, we ought to do things that we can do, Leviathan Wakes by James S.A. Corey, the daily life challenges of a space born population, The Island Worlds by Eric Kotani and John Maddox Roberts, the probe is a person, The Geek’s Guide To The Galaxy #64: John Scalzi, (Star Trek holds us back), “the God Particle”, “you’re going to die soon”, can we empathize with a character that isn’t a human being?, a complimentary cosmonaut, 2001: A Space Odyssey, one day in Jerusalem, the transhuman future in the end of The Fountains Of Paradise, Starglider/Starholme, a well developed solar society, the Wikipedia entry for The Fountains Of Paradise, The Last Theorem, The City And The Stars, a non-off putting post-human story, Childhood’s End by Arthur C. Clarke, Fahrenheit 451 by Ray Bradbury, Ted Chiang, Charles Stross, sequels and science, Star Trek: The Next Generation, Alastair Reynolds, Kim Stanley Robinson, in SF ideas build can on one another whereas others books are more parasitizing upon those ideas, why does it have to be a new book?, ‘these were the stepping stones to today’, a balance of both a good story and good ideas, William Gibson, Embassytown by China Miéville, The City And The City, “garbage, garbage, garbage”, 2312, Playboy’s serialization of The Fountains Of Paradise, Buckminster Fuller, why did Sir Arthur C. Clarke live in Sri Lanka?, Milton is literature, Dante’s Inferno, Lucifer’s fall from heaven, Brilliance Audio, A Fall Of Moondust by Arthur C. Clarke, BBC Radio dramatization of A Fall Of Moondust, Crisis On Conshelf Ten by Monica Hughes, “best book ever”, The Abyss, Tom Swift, Aquaman vs. The Sub-Mariner, Blue Remembered Earth by Alastair Reynolds, The Prefect, Ray Of Light by Brad Torgeson, “Alien sun mirror block deepwater living daughter Glimmer Club surface discovery.”, the Mars tangent, Phobos and Deimos, John Scalzi, “I liked that he didn’t explain it.”, “we don’t build em that way”, “I want it to be hard”, Phobos interference would be a feature not a bug, “wiggle the thread”, atmospheric density and windspeed, carbon nano-tubes vs. buckminsterfullerene, Roald Dahl, Charlie And The Great Glass Elevator, horror, The BFG, Jack McDevitt, a waking dream, in the shadow of Vesuvius, the Prime Directive, Doctor Who, Fantasy vs. Science Fiction, Inferno (Doctor Who episode), Sliders, Doorways by George R.R. Martin, Tom Baker.

Posted by Jesse Willis

Review of The Engines of God by Jack McDevitt

Thursday, July 19, 2012Thursday, July 19, 2012 Julie

SFFaudio Review

The Engines of God
By Jack McDevitt; Read by Tom Weiner
14 Hours – [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2012
Themes: / Science Fiction / Archaeology / Climate Change / Aliens / Space / Space Exploration /

Climate change has Earth on the brink of disaster. The only viable solution is terraforming other planets to ensure survival. For a small group of archaeologists, however, terraforming is the worst possible solution. The only suitable planet is also the one planet with the most promising artifacts of an unknown alien race. Known as the Monument Makers, the aliens’ buildings feature a seemingly uncrackable code on them. The team is looking for the alien equivalent of the Rosetta Stone and must race against time to finish excavations before terraforming begins.

Despite the fact that the book begins by talking about climate change, which always gives me a sinking feeling, that is just the pretext for launching readers into a mystery. The team’s quest takes them to outer space, other planets, and into extreme danger as they follow the Monument Makers’ trail to discover their whereabouts and why every alien civilization has been abandoned.

This book reads as if it were a series of four novellas strung together with the common thread of tracking the Monument Makers. Each of the completed stories gives Jack McDevitt the opportunity to take the reader a bit further into archaeological mysteries while also examining different planets, space travel, and alien beings. Transitions between “novellas” are minimal at best and character development is weak. Still McDevitt wove a mystery that kept me listening at a red-hot pace. This is surprising because the author revealed his story in a very straight forward manner with plenty of foreshadowing. In McDevitt’s case, however, the telling itself was so compelling that I was fascinated to hear what would happen next.

In short, I enjoyed this very much, although at the end the story suddenly threw off narrative and resorted to bullet points to finish things off. “In audio, it was an abrupt ending that startled me, however, that didn’t spoil it as the story itself was done. In fact, I didn’t care about the “[insert name here] went on to do this” summary and it could have been left out without hurting anything.

Tom Weiner did a fine job of narrating the book. His reading was not something that stood out for any reason but which carried the story along very well. It left me with the memory of story rather than reader, which is surely what good narration should accomplish.

McDevitt tells a very good mystery that gives answers to some questions and leaves others to the readers’ speculation. Engines of God is ultimately a satisfying adventure which introduces us to a universe that he went on to write other novels about and which I will be seeking out.

Posted by Julie D.

CBC: The Vanishing Point: J.G. Ballard’s The Dead Astronaut

Monday, July 16, 2012 Jesse Willis

SFFaudio Online Audio

The Dead Astronaut by J.G. Ballard

The Dead Astronaut is a part of a larger subset of J.B. Ballard stories adapted for the long running CBC radio series The Vanishing Point. This tale of a haunted Cape Kennedy is typically Ballardian, surreal, full of abandoned buildings, abandoned people, and abandoned dreams.

CBC - The Vanishing Point The Vanishing Point – The Dead Astronaut
Adapted from the story by J.G. Ballard; Dramatized by Lawrence Russell; Performed by a full cast
1 |MP3| – Approx. 28 Minutes [RADIO DRAMA]
Broadcaster: CBC Radio
Broadcast: 1988
First published in Playboy, May 1968.

Cast:
Gordon Clapp … Philip
Donna Goodhand … Judith
Peter McNeil … Quentin
Tom Duckworth … the voice

Here’s the original art that accompanied the story’s publication in Playboy:

Playboy, May 1968 - illustration by Charles Schorre

[via JGBallard.ca]

Posted by Jesse Willis

The SFFaudio Podcast #169 – TALK TO: Jonathan Davis

The SFFaudio Podcast #169 – Jesse and Luke Burrage (from the Science Fiction Book Review Podcast) talk to audiobook narrator Jonathan Davis.

Talked about on today’s show:
Not the Jonathan Davis of Korn, favourite audiobook narrators, Luke’s real job (juggling), how to become an audiobook narrator (or a professional juggler), acting, theatrical acting, voice over, New York, Testament by John Grisham, Brazil, Portuguese vs. Brazilian Portuguese, Gone For Soldiers by Jeff Shaara, long form narration, Snow Crash by Neal Stephenson, urban samurais and Aleutian assassins, binaural recording, The Shadow Of The Torturer by Gene Wolfe, The Windup Girl by Paolo Bacigalupi, London, Paris, Iowa City, Thailand, genetic engineering, Japan, accessory dogs, GMO food, graphic sex scenes in mid-juggle, Glamorama by Bret Easton Ellis, Zoolander, American Psycho, a 12 page sex scene, Star Wars, Genghis Khan And The Making Of The Modern World by Jack Weatherford, straight readings vs. impersonations, Yoda, Ewan McGregor, Liam Neeson, Luke re-edits Star Wars, alien languages, Calculating God by Robert J. Sawyer, When Gravity Fails by George Alec Effinger, Ian Mcdonald, North Africa, Egypt, Arab Spring, Bedouin, narration styles, straight narration vs. theatrical performance vs. cinematic narration, Michael Caine, scalpel vs. laser, Mike Resnick’s Starship series, voice based books, Star Trek, David Copperfield, Oliver Sacks, The Watchers by Jon Steele, Kirinyaga, The Scar by Sergey Dyachenko and Marina Dyachenko, Starship: Mutiny, Elinor Huntington, existential resonance, Harry Potter, conspiracy, dystopia, Ray Bradbury, Cool Air by H.P. Lovecraft, Starship: Rebel, no research, just fun, language, audiobooks as a collaboration between an author, a narrator and a listener, Walking Dead by Greg Rucka, espionage, comics, Neil Gaiman, Catch And Release by Lawrence Block, Hex Appeal, Jim Butcher, The Dresden Files, studio time, The Book Of The New Sun, “do your homework”, “suddenly revealed to be a Texan”, an Aleutian Rastafarian, Hiro Protagonist, Minding Tomorrow, revealing voices, American Gods, George Guidall, “the perfect audiobook experience”, Woden (aka Odin aka Mr. Wednesday), The Stand by Stephen King, reading with your ears, preferred narration styles, The Hundred Thousand Kingdoms by N.K. Jemisin, racism, Dune, Zoo City by Lauren Beukes, Johannesburg, South Africa, fantasy fiction shouldn’t have an American accent, Luke’s SFBRP review of The Scar, House Of Suns by Alastair Reynolds, an Arkansas accent, inner monologue vs. dialogue, the Sling Blade voice, Casaundra Freeman, audiobook narration is difficult, learning the characters over a series, George R.R. Martin, A.J. Hartley, Act Of Will, Will Power, working with authors, Cyteen by C.J. Cherryh, Book Of The Road, male and female narration, Gabra Zackman, Jonathan is the infodumper, Full Cast Audio, a one man show vs. theatrical collaboration, Scott Brick, Feyd-Rautha, a Jamaican brogue?, The Brief Wondrous Life of Oscar Wao, do you like computer games?, Max Payne 3, Tron, “that’s my neck fat”, Vladamir Lem, Armando Becker.

Posted by Jesse Willis

Review of Steel by Richard Matheson (from Steel And Other Stories)

Thursday, July 12, 2012 Jesse Willis

SFFaudio Review

Steel And Other Stories – Steel
By Richard Matheson; Read by Scott Brick
Approx. 59 Minutes [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2011
ISBN: 1455112127
Themes: / Science Fiction / Boxing / Robots /

Steel, a novelette, was first published in the May 1956 issue of The Magazine of Fantasy & Science Fiction.
The editorial introduction preceding it described Steel as a “tale of strength and endurance” and as “a science fiction sports story so realistic, simple and powerful that it should prove moving even to sports-loathing readers who have never let a boxing bout darken their television screens.” The story would just a few years later, in a 1963 adaptation as an episode of the Twilight Zone brighten the living rooms of many. And, in 2011 it would inspire the big budget movie Real Steel. So, how does the original novellete, stand up to repeated blows of history?

Pretty well. If you like Matheson’s writing Steel is definitely worth hearing. This story captures in a relatively short space the oddity, the kind of quirk that Matheson seems forever working on. It’s something I’ve noticed in practically every story by Matheson that I’ve read. His main characters always seem to want to make a human connection with strangers, and in their efforts to do so always fail – and always for the same reason. In their desire to be heard, and be understood, they always disregard the needs and desires of those strangers. I’ve never seen a writer tackle anthing like this, over and over, like Matheson always seems to. Let’s tale Steel as our example. One of the two main characters, Paul, goes to great lengths to get engage an uninterested stranger in a conversation about the exploits of his dilapidated robot boxer. That the stranger, who doesn’t know anything about boxing, doesn’t care about boxing, and has never even heard of Paul’s robot, is obviously completely uninterested in what Paul is saying. This doesn’t seem to occur to Paul. It’s as if Paul’s own need to reach out and be heard – to be something – is greater than the interests of the stranger – whatevber those interests might be. It’s not so much a Science Fiction issue as it is an existential one. It’s almost as if Matheson is using his fiction to try to find a way to navigate around a massive blind spot in human relations. Like in his novel The Incredible Shrinking Man Matheson has the plot of Steel be a manifestation of a character’s internal difficulties.

Scott Brick narrates this bare bones dialogue driven story. I’m often ambivalent about Brick’s narrations. Sometimes he works for me, sometimes he doesn’t – and I think I’ve finally realized why. Brick is excellent at delivering emotion. But if the emotion is from a third person perspective it comes across as too operatic. But, if the story is told in first person perspective then it work well. In Steel there are basically only two voices – Paul’s and Kelly’s. And when Brick voices either one I can’t readily enough distinguish difference between them. Yet when a story is told in first person Brick’s narration really works. Take this sample |MP3| from Nelson DeMille’s The Lion’s Game (which is first person perspective). And now compare it with this |MP3| from Steel.

I came away feeling somewhat unsatisfied with Steel. It’s not that the story is uninteresting, or unoriginal, Steel is both original and interesting. Kelly and Paul are a pair of boxing enthusiasts – and I’m more of an enthusiast of ideas. There’s just not enough intellectual heft to their journey. I think The Twilight Zone adaptation, penned by Matheson himself and starring Lee Marvin, does the story better mostly because it’s a lot quicker too it. The movie version is hardly an adaptation, being much more of a family father and son traditional conservative values tale than an existential exploration. None of versions of the story did what I wanted them to do, namely get into the robot’s POV. The fact that none of the adaptations treat the robot as anything other than an external manifestation of their root interests is kind of depressing. But then again, I don’t go to Matheson for uplifting, I like his depressing ideas.

Posted by Jesse Willis