sex – Page 10 – SFFaudio

Aural Noir review of No Score by Lawrence Block

Aural Noir: Review

SFFaudio Essential No Score (book #1 in the Chip Harrison series)
By Lawrence Block; Read by Gregory Gorton
6 Cassettes – Approx. 5 Hours 30 Minutes [UNABRIDGED]
Publisher: Chivers Audio
Published: 1999
ISBN: 0792722620
Themes: / Crime / Sex / Quest / Pornography / Chicago /

It is a mystery why a street-smart young man like Chip Harrison has to resort to elaborate plans to attract a young woman like Francine. But someone turns Chip’s dream into a nightmare of danger. Chip has to act fast and furiously in a sizzling and suspenseful adventure that only Edgar Award-winning Lawrence Block could have written. Chip Harrison rightfully takes his place beside Block’s best known characters.

Seventeen year old Chip Harrison is a virgin. Francine, the narcissistic sexpot sitting on his bed, is two years older than Chip. All that stands between Chip and Francine is a tight yellow sweater and a green plaid skirt. Chip’s been preparing for this situation for a while now. He’s read all the right books, practiced all his moves on other girls, and now it’s all actually going to happen! And then, just as the deed is about to be done, a man with a gun walks in and shoots poor Chip! That’s chapter one. In chapter two Chip fills in some details about what happened before that – he’s an orphan, the son of a pair of con-parents. With no funds in the bank and not enough game on the basketball court. Poor Chip was kicked out of his prep school just a couple of months shy of graduation! Now, with little more than the clothes on his back, Chip Harrison has to meet and lay the girl of his dreams – the question is, will he get to do it? Or will he die trying?

Yep, that’s it! The whole novel is basically one kid’s quest to make it with a beautiful girl, almost any beautiful girl will do. As such, No Score probably the slimmest connection to mystery and crime of any book I’ve ever reviewed for SFFaudio. Later novels in the Chip Harrison series actually are genuine mysteries (they are all parody/homages to Rex Stout’s Nero Wolfe mysteries in fact). Though later books in the series are more properly mystery novels, like No Score they all share Chip’s enthusiasm and all the juvenile charm he brings to the telling. Lawrence Block is probably my favourite writer of first person perspective fiction. His sentences are chock full of wry humor and quick wit. When you pair his terrific writing with a capable narrator the results are explosively good. This is just such a novel and just such a pairing. While there’s not more than one or two actual jokes in No Score the laughs are all out loud and come every few minutes. I sure wish narrator Gregory Gorton was still recording audiobooks. He is a terrific performer with a wide range. In No Score he performs as Chip, a chipper and horny young man, Gregor, a fortyish immigrant from an unnamed Balkan country, and several sexy women in a terrific falsetto.

Posted by Jesse Willis

Review of Saturn’s Children by Charles Stross

SFFaudio Review

Saturn’s Children
By Charles Stross; Read by Bianca Amato
11 CDs – Approx. 13 Hours 45 Minutes [UNABRIDGED]
Publisher: Recorded Books
Published: 2009
ISBN: 9781440750113, 9781440750106
Themes: / Science Fiction / Androids / Robots / Sex / Slavery / Identity / Venus / Mars / Mercury / Eris /

The Hugo Award-winning author of numerous best-sellers, Charles Stross crafts tales that push the limits of the genre. In Saturn’s Children, Freya is an obsolete android concubine in a society where humans haven’t existed for hundreds of years. A rigid caste system keeps the Aristos, a vindictive group of humanoids, well in control of the lower, slave-chipped classes. So when Freya offends one particularly nasty Aristo, she’s forced to take a dangerous courier job off-planet.

This novel’s title comes from the myth that Saturn (the Roman god of agriculture and harvest), ate his children at birth for fear of them usurping him. Its an apt starting point for a tale about robots More interesting is that Saturn’s Children opens with a reading of Asimov’s three laws of robotics…

1. A robot may not injure a human being or, through inaction, allow a human being to come to harm.
2. A robot must obey any orders given to it by human beings, except where such orders would conflict with the First Law.
3. A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.

…and then informs us that there are no humans left alive. There is, however, a whole solar system full of robots, all willing and able to obey all three laws. So what happened to all those humans? The novel is the answer to that question.

Saturn’s Children is told from the point of view of Freya Nakamichi-47 a gynoid (that’s a female android). She was activated (born) long after the last human had died. Freya, despite never having met one, still longs for her lost love (any human). Indeed, even the mere thought a human being makes her sexually excited. This is because, as a self described grande horizontale, Freya’s destiny was to be a sexual companion to any human that owned her. Now, without a master, she finds work where and when she can. But after a nasty run-in with an Aristo, a wealthy robot that owns other robots (called Arbiters), Freya will take any work that gets her off planet. Soon she’s employed by Jeeves, a masculine android who is more like her in shape and purpose than most robots. Freya’s first assignment is to transport a bio-engineered package across the solar system. But the pink police (a kind of anti biological proliferation organization), and another, more shadowy, organization are determined to stop her. Along the way Freya visits Cinnabar (a city on rails) that’s perpetually in Mercury’s shadow, drawing power from the temperature difference between Mercury’s light and dark sides), has sex with a rocket ship and grows some new hair.

Freya does a whole lot more than that too. She has a lot more sex for one. But beyond the sex there is some more fully cerebral stimulation going on in Saturn’s Children. The idea of a post-human solar system is an interesting one, and Stross plays with it quite effectively. This is a theme that I think hasn’t been done often enough in SF. The closest novel, in scope, if not in tone, is perhaps Clifford D. Simak’s City (in which intelligent dogs and robots have inherited a humanless Earth). This humanless solar system is, as I mentioned, quite vividly explored, with floating cities (like Bespin’s Cloud City) on Venus, waste heated bio-labs on the frozen dwarf planet of Eris, and a truly frightening description of what’s happened to poor old Earth. Stross has quite a lot of fun playing with the world he’s created here, naming a city Heinleingrad, naming a robot butler character after P.G. Wodehouse’s famous “gentleman’s personal gentleman.” It all mostly works with Saturn’s Children seeming to take most of its inspiration though from Heinlein’s novel Friday. Both novels feature artificial female persons as secret couriers, both tell their own stories, both secrete their smuggled cargos in their abdomens. Later on in Saturn’s Children there is some playing with the ideas promulgated in Heinlein’s 1970 novel I Will Fear No Evil. And, identity, in a world where brain data, and brain states, are easily and quickly copyable, isn’t as simple as it is with us meatbags. On the whole I enjoyed Saturn’s Children and found it full of interestingness. It was as most novels are these days, too long, and in need of a critical editor. The worst sin here is that the ending is rather weak, and features an afterword that leaves open the possibility of a sequel or seven.

Narrator Bianca Amato, a South African accented “ALIEN OF EXTRAORDINARY ABILITY” (according to her resume), mispronounces a couple of the more obscure words but the general gist of her reading is highly competent. It helps a whole lot that Freya’s story is told in first person. I’m not sure what the present tense adds to the narrative other than being a little noticeable and not particularly harmful. Also, as I mentioned in a recent podcast, the Recorded Books cover art is boring, whereas the Ace Books paperbook edition is fabulous!

Check out the dust jacket from the paperbook edition:

Saturn's Children by Charles Stross - The PAPERBOOK's Dustjacket

Posted by Jesse Willis

Review of Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast by Eugie Foster

SFFaudio Review

Another entry in the 7th Anniversary Reviewathon!

“Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast”
By Eugie Foster; Read by Lawrence Santoro
57 minutes – [UNABRIDGED]
Publisher: Escape Pod (Ep. 214)
Published: Sep. 2009
Themes: / Science Fiction / Masks / Sex / Passions / Society /

Each morning is a decision. Should I put on the brown mask or the blue? Should I be a tradesman or an assassin today?

Whatever the queen demands, of course, I am. But so often she ignores me, and I am left to figure out for myself who to be.

We all wear masks every day, presenting different faces to the different groups of people we interact with. But what if those masks were literal objects? Eugie Foster presents us with such a society in this intense Nebula-nominated novelette. Each morning, citizens select a mask to wear before moving about among other people – the mask they select determines who they will be that day.

Wearing the masks arouses passions in the wearer, and each section of the story is a heightened emotional experience. The intensity of this story was spectacularly captured by Lawrence Santoro, who narrated in a dramatic manner that reminds me of Harlan Ellison. Bravo to author and narrator – a perfect match. A great story, truly worthy of a Nebula.

This story can be found over at Escape Pod – it’s |Episode 214|.
You can find more Eugie Foster audio |HERE|.

Posted by Scott D. Danielson

Review of The Year Of The Flood by Margaret Atwood

SFFaudio Review

The Year Of The Flood
By Margaret Atwood; Read by Bernadette Dunne, Katie MacNichol and Mark Bramhall
11 CDs – Approx. 14 Hours [UNABRIDGED]
Publisher: Random House Audio
Published: September 22, 2009
ISBN: 9780739383971
Themes: / Science Fiction / Dystopia / Disaster / Environmentalism / Environmental Disaster / Ecology / Planetary Ecology / Religion / Genetic Engineering / Sex / Activism / Genetics /

The long-awaited new novel from Margaret Atwood. The Year of the Flood is a dystopic masterpiece and a testament to her visionary power. The times and species have been changing at a rapid rate, and the social compact is wearing as thin as environmental stability. Adam One, the kindly leader of the God’s Gardeners—a religion devoted to the melding of science and religion, as well as the preservation of all plant and animal life—has long predicted a natural disaster that will alter Earth as we know it. Now it has occurred, obliterating most human life. Two women have survived: Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, a God’s Gardener barricaded inside a luxurious spa where many of the treatments are edible. Have others survived? Ren’s bioartist friend Amanda? Zeb, her eco-fighter stepfather? Her onetime lover, Jimmy? Or the murderous Painballers, survivors of the mutual-elimination Painball prison? Not to mention the shadowy, corrupt policing force of the ruling powers . . .Meanwhile, gene-spliced life forms are proliferating: the lion/lamb blends, the Mo’hair sheep with human hair, the pigs with human brain tissue. As Adam One and his intrepid hemp-clad band make their way through this strange new world, Ren and Toby will have to decide on their next move. They can’t stay locked away . . .By turns dark, tender, violent, thoughtful, and uneasily hilarious, The Year Of The Flood is Atwood at her most brilliant and inventive.

Margaret Atwood’s book The Year Of The Flood spans several years, before, after and during the waterless flood which is a plague that affects only humans. There are three readers, Bernadette Dunne, Katie MacNichol and Mark Bramhall. Throughout the eleven discs (14 hours), I enjoyed listening to the women, and began to dread the onset of the male reader. He was certainly professional. Was it his character, Adam One, a religious cult leader of God’s Gardeners? Was it the inevitable sermon he would read in a church-appropriate voice? Or was it the hymns, written by Atwood and set to “original” music that would have me engaging in positive procrastination in order to avoid finishing this audiobook.

The loveliest parts of the book take place from the point of view of Ren, a child in God’s Garden. The religion is a logical outcome for a near future on Earth following environmental disasters not too difficult to imagine. Technologies we toy with today lead to some A Clockwork Orange style vocabulary. Words such as “garboil” (a kind of petroleum made from trash) lend a frighteningly vital immersion into this eco-nightmare. Other wonderful vocabulary delights come through the genetic alterations of food and creature such as soydines and bugs with little smiley faces engineered thereon so thoughts of squishing them would be repugnant. The Gardeners have a host of saints to celebrate, showing Atwood’s ability to relate some important environmentalists and peaceniks to her tale including Saint Rachel Carson, Saint David Suzuki and Saint Mahatma Gandhi.

The main female characters, Ren and Toby, both fully developed, are compelling. Throughout the story, one is interested in them as human beings, in their suffering, in their losses, in their desires. Despite the time shifts, the readers manage to keep the characters believable; one is lost in the story (as one should be!) until the final disc. Maybe Atwood can’t write optimistic endings. With all the violence, sadistic sex and death in the world of the Gardeners who are staunch vegetarians who don’t even kill the insects that invade their gardens; with spray guns, layabout body parts and a world of human-pig hybrids conducting funerals, the last disc felt wrong. Ren’s character becomes childish. Toby becomes a murderous cold-blooded killer and then suddenly has another personality shift. The only character to remain true is the one-dimensional ADAM ONE. I was strung along on the brilliant imagination, left flat on story line, and confused in the end by the characters I thought I liked.

Am I waiting for that third expected book in a TRILOGY featuring some of these characters? My interest in Atwood’s “exfernal” world is now lukewarm.

Posted by Elaine Willis

GeekBlips: TV that inspires

SFFaudio News

Robyn Lass, the editor of GeekBlips.com asked me to contribute to a “blogger opinion” article, kind of a mind meld like post (of the kind SFSignal.com regularly does). Here’s the question she asked:

“If you could have the ability/gadgetry of your favorite science fiction TV or Movie character and join them – in their world – on one of their adventures, who would it be and why?”

Yeah. So, I wasn’t sure I could answer the question. Join their adventures? That’s not me exactly. But, there was something there. I thought about it for a few hours. Then, I finally wrote this:

A few years ago there was a pirate broadcast called Prisoners Of Gravity that would regularly interrupt a lame TV Ontario nature show called Second Nature. Lasting just under a half hour, it was hosted by a crazy Canadian who had strapped a rocket to the roof of his Camaro, launched himself into space and then crashed into an orbiting satellite. From there, in his high castle, Commander Rick (aka Rick Green) lived, surrounded by the things he’d brought with him: computers, comics and lots of paperback books.

Meanwhile, back on Earth, a shadowy crew of SF fans would rove the bookstores and Science Fiction conventions recording interviews with the creators of SF and Fantasy. They’d take the interviews with writers like Robert J. Sawyer, Alan Moore, Ray Bradbury, Neil Gaiman and Garth Ennis, and upload them all to Commander Rick in the satellite. From there Rick would record these interviews onto audio cassettes and keep them for use in his live broadcasts. He would also make use of the telephone and satellite video feeds that he had access to in order to record live interviews with his guests during the show. The programs were compiled and broadcast with the help of a mute, but highly intelligent, computer named NanCy. Topics discussed were different every episode,with individual shows on censorship, superheroes, humor, religion, fairy tales, Mars, cyberpunk, war, overpopulation, sex and much, much more.

The series aired 139 episodes over a five years mission – it is rumored that Commander Rick died (having perhaps run out of food) – but it is also rumored that he returned to earth – since then NanCY has managed just a very few transmissions in the form of reruns. There was no better news magazine program that explored SF, Fantasy, Horror and comics and their various themes and ideas.

I’ve been thinking it would be really great to strap a few solid rocket boosters to the roof of my own car and do my own show. In the meantime I’ve been bidding on ebay for used spacesuits. One day I may win one.

You can see the original article |HERE|. You’ll find a few other peoples’ answers too.

Posted by Jesse Willis

Review of Bloodfever by Karen Marie Moning

SFFaudio Review

Bloodfever
By Karen Marie Moning; Read by Joyce Bean
8 CDs – 9 hours – [UNABRIDGED]
Publisher: Brilliance Audio
Published: 2008
ISBN: 9781423341932
Themes: / Fantasy / Supernatural romance / Fairies / Fae / Sex /

I first encountered Moning’s Fever series when the first book, Darkfever, was made available on Podiobooks.com. Tales about the realms of fairies, from Midsummer Nights Dream to Butcher’s Summer Knight, always fascinate me. Particularly their darker, inhuman nature. These are not Elves, nor are they little diaphanous dragonflies at the bottom of the garden. They are something entirely much less human.

The series is told from the point of view of MacKayla Lane. Mac. The younger of two sisters that have grown up in the south. She describes herself as a modern southern belle. Her life is uncomplicated until her sister is murdered while studying on Dublin, Ireland. Mac had found a strange message on her cell phone from her sister, and travels to Dublin herself to put pressure on the police to solve the case.

Once there she finds that this isn’t something that the police are going to be able to deal with. In a pub she encounters a Fae which seduces a young woman, feeding upon her youth and vitality. Many of the Fae weave very attractive illusions around themselves to hide their true nature. Mac learns that she is a sidhe seer, one of the few who can see the Fae as they really are. With the help of Jericho Barrens, a mysterious figure who has his own agenda, she is searching for the ancient book Sinsar Dubh, that contains the most foul black magic. Capable of granting power over both our world and that of the Fae. Mac and Barrens really don’t get on, but are forced to rely upon each other, with Barrens saving Mac’s life several times. Mac has also drawn the attention of a death-by-sex Fae, Vlane-an. Ancient and inhuman, his interest and motives aren’t clear. Even to Mac’s sidhe seer sight, Vlane-an is hard to resist, and she has already found herself stripping naked in public under the influence of his powers.

Mac has managed to identified her sister’s killer, The Lord Master, and has partially thwarted some of his plans. But now, the Fae are coming through into our world in greater and greater numbers. Murders and disappearances are on the increase as a consequence. The other sidhe seers don’t know if they can trust Mac, and nor does she know if she can trust them. Yet they could answer many of the questions she has about who she is, and where her powers came from. Now Mac and Barrens must find the Sinsar Dubh, before the Lord Master.

Bloodfever is the second book in the series and starts with a good, in-character, recap of events from Mac herself. Her need for revenge against her sister’s killer is growing as she learns more. Mac’s focus on her situation is more intense as she becomes more self-aware of her own failings and how she must change to survive in the world with the Fae. Mac’s narration of often humorous and irreverent, but always in keeping with her character.

The same narrator carries on from book one, Audie Award winner Joyce Bean. Joyce captures Mac’s personality with it’s lingering threads of naivety and growing ruthlessness. An excellent performance. The sexy southern accent doesn’t hurt either.

Moning has matured Mac a little more throughout this book, as she is forced to change by her experiences. She is still petulant, indignant, naive, and stubborn at times, but she is also introspective and sees that she has changed, and must continue to do so to survive. Mac still hasn’t achieved her independence yet, but she is becoming stronger. From the perspective of a strong female character, Mac isn’t quite there yet. She had power and can and will use it, but she is growing into one. The journey towards becoming the Hero is more interesting than simply being one. Mac is faced with temptations and other hard decisions that make that journey harder.

Have a listen to the first book for free over at Podiobooks.com, and then dive into this one.

Posted by Paul [W] Campbell