Simon and Schuster Audio – Page 4

Review of The Lost World by Sir Arthur Conan Doyle

Science Fiction Audiobook Review

The Lost World
By Sir Arthur Conan Doyle, performed by a full cast
2 Cassettes, 2 CDs, Approx. 2 hours – [AUDIO DRAMA]
Publisher: Simon and Schuster
Published: 1997
ISBN: 7671401800 (cassettes), 9780671577209 (CDs)
Themes: / Science fiction / Adventure / Exploration / Dinosaurs / Lost Civilizations / Archeology /

Sir Arthur Conan Doyle is known as the creator and writer of that most famous sleuth, Sherlock Homes. Doyle was somewhat resentful of that character’s phenomenal success as it overshadowed all his other writings. His most popular and enduring work that did not feature Sherlock Homes is The Lost World, the story of Professor Challenger and his team of explorers that go to the Amazon jungle and find a primeval plateau inhabited by dinosaurs and ape-men.

Alien Voices was formed in 1996 by Star Trek alumni Leonard Nimoy and John de Lancie with writer-producer Nat Segaloff. These are full cast adaptations with sound effects and music. The Lost World was released as the third Alien Voices title after The Time Machine and Journey to the Center of the Earth. They recorded this release in front of a live audience during the Grand Slam’s Star Trek convention in 1997. The production values are great with terrific sound and a talented cast.

I’ve never read the original work by Doyle, so I won’t speak on the adaptation’s faithfulness. I did look over the text enough to know that the character of Professor Summerlee was switched from male to female for this adaptation. This was a wise move that added a dimension that was not in the original work. Professor Summerlee is played by Roxann Dawson and is strong-willed and independent. Which is as it should be, and Prof. Summerlee stands out as the most interesting character in the cast. Unfortunately, this is one of the few elements that seem fresh and interesting.

My main contention with this adaptation is that it moves too slowly in the beginning. Nearly the first third of the story takes place in London as Professor Challenger gathers his crew for the expedition. This story is an old one. Although as I mentioned I haven’t read the book, I am familiar with the story. We know there are dinosaurs coming, and yet we have to wade through the lengthy backstory. The narrative follows a straight chronological order. A better approach, while still being a faithful adaptation, would be starting the story in the Lost World with some heavy action. The backstory could then be filled with flashbacks in more episodic doses. One of the characters, Malone, is a newspaper reporter that goes on the expedition as a correspondent. The reporter sends dispatches to the newspaper. This narrative device could have been easily utilized to encompass these expositorial flashbacks. So despite a great performance by cast and crew, this versions pacing and lack of surprises makes it a tiring listen.

posted by The Time Traveler

Review of Star Trek TNG: Q-Squared by Peter David

SFFaudio Review

Star Trek: The Next Generation: Q-Squared
By Peter David; Read by John de Lancie
2 Cassettes – 3 hours [ABRIDGED]
Publisher: Simon and Schuster Audio
Published: 1994
ISBN: 0671891804
Themes: / Science Fiction / Star Trek / Q / Gods / Time / Multiple Universes /

You have no idea how screwed up this is.
— Q to Picard, Q-Squared

All the Star Trek talk floating around the internet has stirred my interest, so I dug out one of the first (and best) Star Trek audiobooks from my permanent stash. I sit here with hopes that the Paramount powers-that-be stop considering prequels. Does anyone want to see someone other than Nimoy play Mr. Spock? The future is wide open – pick a place out there and tell some great stories.

Before a cane stretches out from stage left to drag me off, I’ll get back to the review at hand. Q-Squared has everything I love in a Star Trek audiobook. First, it’s a big story. One that would be difficult to film for various reasons. Second, there are lots of pieces of Star Trek mythos throughout. You know, the kind of thing that makes a Trekker think “I remember that!” and sends him/her to watch the episode it occurred in. Third, the sound effects create the Star Trek feel without being overpowering. This is a luxury that these audiobooks have – the sound of a turbolift door, a few beeps, and the listener is on the bridge of the Enterprise without a sentence of prose. And fourth, an excellent reader. John de Lancie not only voices Q, the character he played on the screen, but he also skillfully portrays all the other characters.

In the book, Q has been given the difficult task of keeping an eye on Trelane who is a character from the Original Series episode entitled “The Squire of Gothos”. Peter David makes quick work of connecting Trelane to the Q Continuum. Unfortunately for Picard and crew, Trelane is even farther off plumb than he was in Kirk’s heyday – a fact demonstrated by the fact that he considers ripping apart the universe to be a valuable use of his spare time. To the Star Trek: The Next Generation characters, this results in the intersection of at least three well-conceived alternate universes. As the story moves forward, the universes flip like cards being shuffled in a deck.

Luckily, the audiobook is brilliantly abridged and edited. Though the universes shifted quickly, I had no problem keeping one Picard from another. This audiobook, if it was a Star Trek episode, would consistently be considered one of the finest the show had to offer. There are lots of copies of this one around – I urge you to find one.

Posted by Scott D. Danielson

Review of Journey to the Center of the Earth by Jules Verne

SFFaudio Review

Journey to the Center of the Earth
By Jules Verne, performed by a full cast
2 Tapes, Approx. 2 hours – [AUDIO DRAMA]
Publisher: Simon and Schuster Audio
Published: 1998
ISBN: 0671872281
Themes: / Science fiction / Adventure / Exploration / Geology /

One should not drink from the same well of audio books in rapid succession. I recently listened to Alien Voices’ The First Men in the Moon, and found this one just a little too similar for my liking. The main characters in both consist of a crusty professor and a younger, more energetic helper; in both cases the professor is voiced by Leonard Nimoy and the younger man by John DeLancie; and in both cases the two men go off to explore some unknown world and discover amazing adventures.

This book suffers in the comparison not just because it came second, but because it isn’t quite as good. The plot involves a wild trip, but one that brings the characters into contact with only monsters and forces of nature, not other intelligences; whereas The First Men in the Moon brings us into an alien society that has chilling implications for our own. The soundscapes of this book are neither as rich nor as immediately immersive as the first, and the characters are not played that distinctly different. Leonard Nimoy is good, but he’s just so darned good-natured that his character only seems foul tempered by others’ report. His heart isn’t really in it, and Herr Doktor Liedenbrock comes off no less pleasant than the buzzing Professor Caver. And John DeLancie’s true talent comes in portraying morally suspect characters. Here, his sweet Axel, the Doctor’s nephew, never quite rings true.

Not to say either man does a bad job, or that the sound isn’t excellent, or even that the adaptation doesn’t rip right along and offer plenty of adventure, quaint as the concepts are. But it just doesn’t grab you in the gut, it doesn’t feel inevitable, and it doesn’t offer any fresh insight into the human condition. In short, it doesn’t bring a classic story from the dawn of science fiction into our living presence, and as such, it really isn’t worth the time. Based on my previous exposure, I think it would be a mistake to write off other Alien Voices titles, but I wouldn’t break any bones rushing out to get hold of this one.

Posted by Kurt Dietz

Review of Cell by Stephen King

SFFaudio Audiobook Review

Editor’s note: Our newest reviewer, a mysterious gent from the future known only as The Time Traveler, debuts on SFFaudio with this review of Stephen King’s latest. Be sure to sit down and read it before you pick up your cell phone.

Cell
By Stephen King; Read by Campbell Scott
8 Cassettes or 12 CDs – 12.5 Hours [UNABRIDGED]
Publisher: Simon & Schuster Audio / Recorded Books
Published: 2006
ISBN: 0743554329 (Cassette), 0743554337 (CD)
Themes: / Horror / Science Fiction / Apocalypse / Zombies/ Journey /
Survivors / Terrorism

There’s a reason why cell rhymes with hell.

Stephen King’s latest book is a return to form for this master of horror. In it, everyone with a cell phone goes stark raving mad after they receive some kind of pulse through their cell. The pulse, likely sent by terrorists, wipes the victims’ minds clean. This story takes no time to get started. Within the first few minutes, you are drawn into this nightmare scenario, steeped in gore and horror.

The main character, Clayton Riddell, finds himself in Boston when the pulse drives the majority of people biting, scratching, and murderously mad. He is joined by a band of likable characters as they set off to get out of Boston. Meanwhile the victims of the pulse start behaving more like Zombies and start flocking together and evolving with even more unexpected behavior.

Much of this material is familiar ground for King. But the narrative drive is strong, and it doesn’t drag with shear verbosity as King’s writing sometimes does. Campbell Scott reads the audiobook. Scott is a very competent narrator who’s also a film actor and has appeared in movies like The Exorcism of Emily Rose. His narration is restrained and subdued which works well with the apocalyptic horror being described. His Boston accents are excellent without being overdone. He’s also the son of the late George C. Scott.

I’ve got two qualms with the audiobook. If it’s unabridged, shouldn’t it contain the dedication? I picked up the hardcover edition at the store and found it was dedicated to George Romero and Richard Matheson. George Romero was the director and writer of the Night of the Living Dead and it’s sequels. Richard Matheson wrote the seminal post-apocalyptic vampire novel, I am Legend, in 1954. There is no dedication on the audiobook. Doesn’t unabridged mean word for word? The dedication definitely foreshadows what kind of novel Cell is to be.

Also there are places in the second half of the book where the narrative voice totally changes. It sounds as if they needed some pick-ups done, to fix small mistakes, and Mr. Scott was not available so they plugged someone else in. Overall these are small distractions, and the audiobook is a hard to turn-off listen.

posted by The Time Traveler

Review of The Gripping Hand by Larry Niven and Jerry Pournelle

SFFaudio Radio Drama Review

The Gripping Hand
By Larry Niven and Jerry Pournelle; Read by Jay O. Sanders
2 Cassettes – Approx. 3 Hours [ABRIDGED]
Publisher: Simon & Schuster Audio
Published: 1993
ISBN: 0671791109
Themes: / Science Fiction / Hard SF / Biology / Politics / Economics /Galactic Civilization / Galactic Empire / Mormonism /

Twenty-five years have passed since the second Empire of man quarantined the mysterious aliens known only as Moties within the confines of their own solar system – afraid of the threat these aliens may pose to man kind. But the wall seperating man from the Moties is beginning to crumble…

The Gripping Hand is set in a the “CoDominium” universe originated by Jerry Pournelle. This is the sequel to their first novel together, The Mote In God’s Eye (not available on audio). The setting is that of a future interstellar empire in which humanity has only one major rival for complete dominance. The so-called “Moties” are an intelligent species that is so war-like, so very dangerous, that an enitre human naval task force sits blockading the Motie system’s only exit. The Moties are a species divided into distinct biological forms, each serving a different function. Master. Mediator. Engineer. Warrior. Each type is supremely adapted to its task, and only constant civil war has kept their population in check. Combined with the specialization is a terrible burden; if Moties don’t breed they die agonzing deaths.

For those who haven’t already read The Mote In God’s Eye, you may want to stop reading now as spoilers must follow. At the end of The Mote In God’s Eye, Sir Kevin Renner and His Excellency Horace Bury were secretly enlisted into Imperial Naval Intelligence. For the twenty-five years since then, they’ve acted as unpaid spies, keeping a watchful eye for “outies” (human raiders) in order that the empire might focus its meager resources on the overwhelming Motie threat. Bury is a merchant prince whose dealings allow him access to the underworld of many border worlds. Renner, a former naval officer, now acts as a field agent in the employ of Bury. When a botched Mormon kidnapping plot appears to involve a Motie phrase “the gripping hand”, Bury demands to inspect the fleet blockading the Motie system. His journey leads him to several surprises.

There’s a bit of bad news about this audiobook. If the abridgement had been longer there would still be some question as to whether or not we’d know what is going on in this book. I’ve listened about three times now and I’m pretty impressed at how much sense I’ve managed to make of it in spite of what little of the novel is there. It almost works. It has the barest framework of the plot left, lots of interesting characters, some very good dialogue, and a few simply brilliant SF ideas – but the final feeling I was left with at the end is great disappointment. We would really could have had a special audiobook here, if Simon & Schuster hadn’t knocked out so much in their drive to release 2-cassette abridgments as they did back in the early 1990s. This all is especially upseting because narrator Jay O. Sanders does a fantastic job with the accents and character voices. I think it is safe to say that the fad of abridging the snot out of every novel that comes down the pipe is over. That’s a good thing. It came to late for this audiobook. Some publisher out there should get a hold of The Mote In God’s Eye and record it, complete and unabridged, and while they’re at it they should get Jay O. Sanders to do the reading. We know he’ll do a good job.

Posted by Jesse Willis

Review of The First Men in the Moon by H.G. Wells

The First Men in the Moon
By H.G. Wells, performed by a full cast
2 Tapes, Approx. 2 hours – [AUDIO DRAMA]
Publisher: Alien Voices
Published: 1998
ISBN: 0671872281
Themes: / Science fiction / Aliens / Sociology / Space Travel /

Oars slap against water and thud against wood, waves lap against a small boat bobbing in the ocean, and shore birds scree along the not-too-distant shore. You close your eyes and are transported to another time and place, a sonic virtual reality in which two fisherman sit to either side of you, discussing the catch and the mysterious steel sphere that falls from the sky. Such richly detailed soundscapes draw you into this adaptation of H.G. Wells’ The First Men in the Moon, and whisk you along from the familiar sounds of earth to the speculative sounds of deep space and the moon.

The acting is uniformly excellent, as well, with Leonard Nimoy and John de Lancie leading a talented cast with their spot-on characterizations of Professor Caver and Mr. Bedford. These two form a buzzing, absent-minded scientist and cool, craven capitalist odd-couple who develop a spaceship built around gravity-blocking shutters and then fly it to the moon. The civilization they discover beneath the moon’s surface is, well, substantially alien. This tale isn’t quite Wells’, but it is told with such ebullience and impressive audio depth that you can’t help liking it. In fact, the genial enthusiasm that suffuses the entire production proves both the greatest strength and the greatest weakness of the work: It makes for fun listening, but it winds up blunting some of Wells’ sharper observations about humanity and reason.

On the plus side, this adaptation does an admirable job of streamlining Wells’ sprawling narrative to lead us effectively from the thrill of invention to the uncertainty of exploration, from budding friendship to estrangement, and from difficult first contact to horrifying understanding. But there are several missteps along the way. For one thing, the voyage to the moon has been clumsily appended with a comet rendezvous that cheerily ignores even Newtonian physics and leads to an incomprehensible predicament with the Caverite shutters. What’s more, a staged “revolution” on the moon is utterly unconvincing, and even more disappointing, the Grand Lunar is transformed from a rational genius to a power-mad egomaniac.

But the most important transformation is thematic. Wells’ original compares human terrestrial civilization with the formic lunar one to contrast life as we know it with his vision of a completely rational society. Both have distinct horrors: We have war and poverty, the Lunarites have de-evolved sub-races and casual deactivation of inconvenient units. In this production, the comparison seems more like one between Capitalism and Communism, and it reverses the threat at the end to be something like a Red Scare, which makes no sense when you consider which society has the more demonstrably violent past.

On the whole, this is a fun production and a treat to listen to. Enjoy it for what it is, but do not attempt to substitute it for a reading of the original.

Posted by Kurt Dietz