suicide – Page 11

The SFFaudio Podcast #144 – READALONG: Immortality, Inc. by Robert Sheckley

Podcast

The SFFaudio Podcast #144 – Jesse, Tamahome and Gregg Margarite talk about the audiobook of Robert Sheckley’s 1959 novel Immortality, Inc..

Talked about on today’s show:
Time Killer was nominated for a Hugo, the Blackstone Audio audiobook, Sheckley’s family of themes, a collage of images, Immortality, Inc. is a comedy, Bronson Pinchot’s narration, Peter Lorre, Midnight Cowboy, “those are real tears”, a cartoon, Buddhism, reincarnation, the yoga machine, “manipulation catches up to theory”, surviving beyond death, Futurama, suicide booths, New New York, Douglas Adams, Matt Groening, zombies, are we chicking or egging, Mindswap by Robert Sheckley (SFFaudio Podcast #076), Richard K. Morgan’s Altered Carbon, “you are not…”, are you your memories?, hundreds of trillions of assumptions, “why did communism fail?”, Tam knits, sweet sweet coffee, Harrison Bergeron, we need the CPU as well as the memory, Gregg would still be Gregg in another body, a body as an automobile for genes, aren’t skills a part of your mind, your memories?, bayoneting skills, Gregg wants longer pinkies, dynamic finger growth is optimal, episodic, the hunt, have the lawyer leave the room, “what if there is nothing more?”, this is a book about death, ghosts, walking through all the explanation for what happens after they die, tomb like an Egyptian, sane ghosts vs. nutjob ghosts, “the competition never ends”, “different dimension, same shit”, “transplant”, a black-market copy of a sensory recording of our hero’s story, interest in the twentieth century is waning, 1950s New York, Jesse has never been to New York, security theater, Gregg promises to take Jesse to New York, a private Winnebago?, the suspension of habeas corpus, Canada is a country that doesn’t work in theory (but works in practice), the United States as a utopian experiment, Australia has mandatory voting, Mayberry, “the right to die”, death is exactly like before you were born, you can only look forward to death, Mark Twain, death is just one damn thing after another, What Dreams May Come by Richard Matheson, Dante’s Inferno, does love conquer all?, Cinderella, happily ever after, arguments that get all of us killed, Pakistan vs. India, tribalism, Ghandi vs. Jinnah, “the enemies of progress”, China, Buddhism, Confucianism, Shinto, ancestor worship, Khmer mythology, Hanuman the monkey king, “reality is only inside you”, are most people half-believers?, Sheckley doesn’t pick one way, did the serialization inform the storytelling, The Status Civilization, Sheckley looks at the world and laughs, there’s no thesis Sheckley is trying to explicate, Sheckley is “a sane Phil Dick”, horror vs. humor, Freejack is a loose adaptation of Immortality, Inc., Emilio Estevez and Mick Jagger, the role of the reader, the magic of radio (drama), The World According To Garp (film vs. novel), converting the nonconvertible, a romantic relationship, Aristotle’s Poetics, plot should follow necessarily (or at least probably) from that which came before, Accessory Before The Fact by Algernon Blackwood, “it all happens at the same time”, flat characters vs. round characters, do we live in a serial world?, if Hamlet was a television series, Gilgamesh still works, Star Trek, Gene Roddenberry vs. J.J. Abrams, an anthologic approach, Babylon 5 as the counter-example, Neil Gaiman, J. Michael Straczynski, Doctor Who, the vehicle of the series, will the dancing toilet paper company care?, Gregg: “I’m no longer god”
The Time Killer by Robert Sheckley - Illustration by Wood

Freejack credits - "Based upon the novel "Immortality, Inc." by Robert Sheckley
Suicide Booth

Posted by Jesse Willis

Power Records Plaza: Man-Thing – Night Of The Laughing Dead

SFFaudio Online Audio

I first posted about Power Records Plaza back in 2007. It looks like’s in mothballs now, perhaps it has completely fulfilled its mission? The site is dedicated to an obscure 1970s and 1980s record company named Power Records.

Here’s the cover of Power Records #16 – Man-Thing – Night Of The Laughing Dead (a story which abridges and adapts a story begun in Man-Thing #5, May 1974, written by Steve Gerber and with art by Mike Ploog and Frank Chiaramonte):

Power Records #16 - Man-Thing - Night Of The Laughing Dead

Night Of The Laughing Dead is a bizarre mix of existentialism and the supernatural. There’s a suicidal clown, the world’s strongest man, and another man that no longer reasons – one who functions only on emotion. That man is YOU …. for you are the Man-Thing!

I told you it was weird.

MP3 file of the audio DOWNLOAD FROM MEDIAFIRE

The audio is also available via WFMU |MP3|

PDF of the comic DOWNLOAD FROM MEDIAFIRE

YouTube combination of the comic and the audio – Part 1 of 2:

YouTube combination of the comic and the audio – Part 2 of 2:

[Thanks Bill!]

Posted by Jesse Willis

The Weird Circle

SFFaudio Online Audio

I’ve been sitting on this post for a while. The problem was that even though I’ve spent a considerable amount of time working on it, it has been slow going. I figured it will be years more before I finished it at that rate. If you’ve got some ideas about the authors I haven’t been able to discover please drop a comment. In the meantime here’s what I’ve got:

The Weird Circle was a 1940s half hour radio drama series that ran 78 episodes in syndication from 1943 to 1945 in the USA.

One story I suggest fans of SF check out is What Was It? by Fitz-James O’Brien, this 1859 story, starts off with all the proto-typical mumbo jumbo about seances and haunted houses and then takes a more Science Fictiony turn. It’s also, according to Wikipedia, one of the earliest modern stories about invisibility. The show’s producers primarily drew upon early and mid-19th century gothic fiction stories for their adaptations.

The final story in this series, The Black Parchment, seems something like a French version of The Monkey’s Paw.

Episodes:

The Fall Of The House Of Usher
Based on the story by Edgar Allan Poe; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: August 29, 1943
Provider: Archive.org

The House And The Brain
Based on the story by Edward Bulwer-Lytton; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: September 5, 1943
Provider: Archive.org

The Vendetta
Based on the novel by Honoré de Balzac; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: September 12, 1943
Provider: Archive.org

The Narrative of Arthur Gordon Pym
Based on a novel by Edgar Allan Poe; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: September 19, 1943
Provider: Archive.org

Declared Insane
Based on a story by Honoré de Balzac; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: September 26, 1943
Provider: Archive.org
Based on the story Interdiction by Honoré de Balzac

A Terribly Strange Bed
Based on the story by Wilkie Collins; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 3, 1943
Provider: Archive.org

What Was It?
Based on a story by Fitz-James O’Brien; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 10, 1943
Provider: Archive.org

The Knightsbridge Mystery
Based on the story by Charles Reade; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 17, 1943
Provider: Archive.org
First published in Life in 1882, later republished in Argosy (UK) Jul 1931.

The Horla
Based on the story by Guy de Maupassant; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 24, 1943
Provider: Archive.org

William Wilson
Based on the story by Edgar Allan Poe; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 31, 1943
Provider: Archive.org
First published in October 1839.

Passion In The Desert
Based on the story by Honoré de Balzac; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: November 7, 1943
Provider: Archive.org
Turned into a film.

Mateo Falcone
Based on a story by Prosper Mérimée; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: November 14, 1943
Provider: Archive.org
First published in 1829.
Turned into an opera.

The Man Without A Country
Based on Edward Everett Hale; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: November 21, 1943
Provider: Archive.org
First published in Atlantic Monthly December 1863.

Dr. Manette’s Manuscript
Based on a story by Charles Dickens; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: November 28, 1943
Provider: Archive.org
Adapted from the novel A Tale of Two Cities by Charles Dickens.

The Great Plague
By Thomas Hood (?); Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 5, 1943
Provider: Archive.org
Adapted from the short story A Tale Of The Great Plague by Thomas Hood.

Expectations Of An Heir
Based on a story by Samuel Johnson; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 12, 1943
Provider: Archive.org
Adapted from The Lingering Expectation Of An Heir

The Hand
Based on a story by Guy de Maupassant (?); Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 19, 1943
Provider: Archive.org

Jane Eyre
Based on the novel by Charlotte Brontë; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 26, 1943
Provider: Archive.org

The Murders In The Rue Morgue
Based on the story by Edgar Allan Poe; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 2, 1944
Provider: Archive.org

The Lifted Veil
Based on a novella by George Eliot; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 9, 1944
Provider: Archive.org
The Lifted Veil was first published in 1859.

The 4:15 Express
Based on the story by Amelia B. Edwards; Performed by a full cast
1 |MP3| -Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 16, 1944
Provider: Archive.org

A Terrible Night
Based on a story by Fitz James O’Brien; Performed by a full cast
1 |MP3| -Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 23, 1944
Provider: Archive.org

The Tell Tale Heart
Based on the story by Edgar Allan Poe; Performed by a full cast
1 |MP3| -Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 30, 1944
Provider: Archive.org

Niche Of Doom
Based on a story by Honoré de Balzac; Performed by a full cast
1 |MP3| -Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: February 6, 1944
Provider: Archive.org
Based on the story La Grande Breteche by Honoré de Balzac.

The Heart Of Ethan Brand
Based on a story by Nathaniel Hawthorne; Performed by a full cast
1 |MP3| -Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: February 13, 1944
Provider: Archive.org
Based on the story Ethan Brand by Nathaniel Hawthorne. First published in .

Frankenstein
Based on the novel by Mary Shelley; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: February 20, 1944
Provider: Archive.org

Feast Of The Red Gauntlet
Based on a novel by Sir Walter Scott; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: February 27, 1944
Provider: Archive.org
Based on the novel Redgauntlet.

Murder Of The Little Pig
Based on a story by Émile Gaboriau; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: March 5, 1944
Provider: Archive.org

Specter Of Tappington
Based on the story by Richard Harris Barham; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: March 12, 1944
Provider: Archive.org
First published in 1837. Lieutenant Charles Seaforth is back from India, and will stay in “the oak room” a notoriously haunted room in Tappington manor. But when a skeletal specter steals Seaforth’s pants in the night he’s forced to wear his tropical shorts to breakfast!

Strange Judgement
; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: March 19, 1944
Provider: Archive.org

Wuthering Heights
Based on the novel by Emily Brontë; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: March 26, 1944
Provider: Archive.org
First published in 1847.

Curse Of The Mantle
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 2, 1944
Provider: Archive.org

The Cask Of Amontillado
Based on the story by Edgar Allan Poe; Performed by a full cast
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 9, 1944
Provider: Archive.org

A Rope Of Hair
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 16, 1944
Provider: Archive.org

Falkland
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 23, 1944
Provider: Archive.org

The Trial For Murder
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 30, 1944
Provider: Archive.org

The Werewolf
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: May 7, 1944
Provider: Archive.org

The Old Nurse’s Story
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: May 14th, 1944
Provider: Archive.org

The Middle Toe Of The Right Foot
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: May 28, 1944
Provider: Archive.org

The Dream Woman
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: September 3, 1944
Provider: Archive.org

The Phantom Picture
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: September 10, 1944
Provider: Archive.org

The Ghost’s Touch
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: September 17, 1944
Provider: Archive.org

The Bell Tower
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: September 24, 1944
Provider: Archive.org

Evil Eye
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 1, 1944
Provider: Archive.org

The Mark Of The Plague
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 8, 1944
Provider: Archive.org

The Queer Client
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 15, 1944
Provider: Archive.org

The Burial Of Roger Melvin
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 22, 1944
Provider: Archive.org

The Fatal Love Potion
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: October 29, 1944
Provider: Archive.org

Mad Monkton
Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: November 5, 1944
Provider: Archive.org

The Returned
Based on a story by Neville Brand (?); Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: November 12, 1944
Provider: Archive.org

The Executioner
Based on the story by Honoré de Balzac; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: November 19, 1944
Provider: Archive.org
First published in 1830.

Rappaccini’s Daughter
Based on the story by Nathaniel Hawthorne; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: November 26, 1944
Provider: Archive.org
First published in 1844.

The Wooden Ghost
Based on a story by Sheridan Le Fanu; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 3, 1944
Provider: Archive.org
Adapted from Schalken The Painter by Sheridan Le Fanu. First published in 1839.

The Last Days Of A Condemned Man
Based on the novel by Victor Hugo; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 10, 1944
Provider: Archive.org
First published in 1829.

The Warning
????; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 17, 1944
Provider: Archive.org

The Doll
????; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 24, 1944
Provider: Archive.org

The Diamond Lens
Based on the story by Fitz-James O’Brien; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: December 31, 1944
Provider: Archive.org
First published in 1858 in The Atlantic Monthly.

The History Of Dr. John Faust
Based on a story by anonymous; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 7, 1945
Provider: Archive.org
Based on a chapbook story Historia von D. Johann Fausten first published in 1587.

Duel Without Honor
????; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 14, 1945
Provider: Archive.org

The Spectre Bride
Based on a story by William Harrison Ainsworth; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 21, 1945
Provider: Archive.org
First published in 1822.

The Tapestry Horse
????; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: January 28, 1945
Provider: Archive.org

The River Man
????; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: February 4 1945
Provider: Archive.org

Ancient Mariner
Based on a poem by Samuel Taylor Coleridge; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: February 11 1945
Provider: Archive.org
Based on The Rime Of The Ancient Mariner by Samuel Taylor Coleridge. First published in 1798.

The Oblong Box
Based on the story by Edgar Allan Poe; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: February 18 1945
Provider: Archive.org

The Mysterious Bride
Based on a story by James Hogg; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: February 25, 1945
Provider: Archive.org
First published in 1830.

The Thing In The Tunnel
Based on a story by Charles Dickens; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: March 4, 1945
Provider: Archive.org
Based on The Signal-Man by Charles Dickens. Later adapted as an audio drama for Hall of Fantasy (1950), Suspense (1956), Nightfall (1982) and Seeing Ear Theatre (1998?). A spectral figure in a dark railway tunnel has a message

The Moonstone
Based on the novel by Wilkie Collins; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: March 11, 1945
Provider: Archive.org
Based on the novel The Moonstone by Wilkie Collins. First published in 1868.

The Pistol Shot
Based on a story by Alexander Pushkin (?); Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: March 18, 1945
Provider: Archive.org
Based on the short story The Shot by Alexander Pushkin. First published in 1830.

The Possessive Dead
????; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: March 25, 1945
Provider: Archive.org

The Goblet
Based on the story by Ludwig Tieck; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 1, 1945
Provider: Archive.org
Translated from German into English in 1827. Donaldo is the governor of an Italian island. He chooses a woman of low birth as his bride to be and gives her a series of engagment gifts, a silver ring, a silver pendant, and a silver goblet. The problem is, Francesca, his intened, has falllen in love with the silversmith!

The Case Of Monsieur Valdemar
Based on a story by Edgar Allan Poe; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 8, 1945
Provider: Archive.org
Based on The Facts in the Case of M. Valdemar by Edgar Allan Poe. First published in 1845.

The Shadow
Based on a story by Hans Christian Andersen; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 15, 1945
Provider: Archive.org
Based on The Shadow. First published in 1847. Classified as a “fairy tale.” A man’s shadow becomes another person and tries to control his life.

Bride Of Death
By ????; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 22, 1945
Provider: Archive.org
A beautiful woman is fated to marry a dead man.

Dr. Jekyll And Mr. Hyde
Based on the novel by Robert Louis Stevenson; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: April 29, 1945
Provider: Archive.org

The Red Hand
By ????; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: May 6, 1945
Provider: Archive.org
A money hungry husband bent on murder chases his wife across France.

The Haunted Hotel
Based on a story by Wilkie Collins; Performed by a full cast
1 |MP3| – Approx. 30 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: May 13, 1945
Provider: Archive.org
First published in 1878. Set in Venice.

Markheim
Based on the story by Robert Louis Stevenson; Performed by a full cast
1 |MP3| – Approx. 25 Minutes [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: May 20, 1945
Provider: Archive.org
This is a radical adaptation, set in a contemporary (to 1945) setting, and providing much of the presumed back-story (stuff that isn’t actually in the text of Stevenson’s original tale). First published in 1885 |ETEXT|.

The Black Parchment
By ????; Performed by a full cast
1 |MP3| – Approx. [RADIO DRAMA]
Broadcaster: MBS, NBC, ABC
Broadcast: May 27, 1945
Provider: Archive.org
Raphael Roland, a degenerate Parisian gambler intent on suicide, saves a drowning man in the Seine. In response he’s given a certain black parchment, written is Sanskrit, that grants wishes to the bearer. But, as an owner’s wishes are granted the parchment gets smaller and smaller and its owner gets older and older.

Posted by Jesse Willis

Commentary: The Raven by Edgar Allan Poe

The Raven

The Raven by Edgar Allan Poe – |MP3| (read by Anne Cheng)

ONCE upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“ ’Tis some visitor,” I muttered, “tapping at my chamber door—
Only this and nothing more.”

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
“ ’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;
This it is and nothing more.”

Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, “Lenore!”
This I whispered, and an echo murmured back the word, “Lenore!”—
Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping something louder than before.
“Surely,” said I, “surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment, and this mystery explore;—
’Tis the wind and nothing more.”

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he,
But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
Quoth the Raven, “Nevermore.”

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
With such name as “Nevermore.”

But the Raven, sitting lonely on that placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered; not a feather then he fluttered—
Till I scarcely more than muttered: “Other friends have flown before—
On the morrow he will leave me, as my Hopes have flown before.”
Then the bird said, “Nevermore.”

Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
Of ‘Never—nevermore.’ ”

But the Raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
Meant in croaking “Nevermore.”

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
This and more I sat divining, with my head at ease reclining
On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet violet lining with the lamp-light gloating o’er
She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
“Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
Respite—respite and nepenthe from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
Quoth the Raven, “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate, yet all undaunted, on this desert land enchanted—
On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
Quoth the Raven, “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
Quoth the Raven, “Nevermore.”

“Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
Quoth the Raven, “Nevermore.”

And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon’s that is dreaming,
And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted—nevermore

Upon The Bust Of Pallas - Edouard Manet

Edmund C. Steadman, in the introduction to Gustave Doré’s 1884 illustrated edition of The Raven, argues that while The Raven may not be Edgar Allan Poe’s best work that it is certainty “his representative poem” in part because it deals with his major theme: “the irretrievable loss of an idolized and beautiful woman.” And to my ears it certainly is a “treasure of mankind.” But, because of its length and accessibility, I think it is capable of being appreciated by even the roughest of barbarian hearts.

And why is that?

I’d suggest that the supernatural element, or the ambiguity of such, helps a lot. Ghosts, gods and demons are easy entry points.

Think of it as a more palatable forerunner to paranormal romance. Perhaps this kind of literature is best called “Dark Romanticism.”

From Wikipedia:

Dark Romanticism (often conflated with Gothicism or called American Romanticism) is a literary subgenre. It has been suggested that Dark Romantics present individuals as prone to sin and self-destruction, not as inherently possessing divinity and wisdom. G.R. Thompson describes this disagreement, stating “the Dark Romantics adapted images of anthropomorphized evil in the form of Satan, devils, ghosts, werewolves, vampires, and ghouls.” For these Dark Romantics, the natural world is dark, decaying, and mysterious; when it does reveal truth to man, its revelations are evil and hellish.

Now dark romanticism may just sound like a more literary description of paranormal romance, minus the mention of a myriad of tattoos, but its authors tackled tough subjects like the pointlessness of a loveless existence in a world without an afterlife. In a way that’s an inversion of paranormal romance.

So on that happy note, and bearing in mind the generally accepted saw that “Life is stranger than fiction”, my question for your barbarian heart is slightly different:

Is real life more horrific than fiction?

Poe’s answer in The Raven, I think, is that it is and by a wide margin.

I’m fairly confident that a wholly naturalistic interpretation of why The Raven quoth “nevermore” can be found in the lines (62-65):

“Doubtless,” said I, “what it utters is its only stock and store,
Caught from some unhappy master, whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope the melancholy burden bore

And if it is true that the titular raven is not supernaturally prophetic, and its speech no more than mere mimicry, is the message it brings to the unnamed narrator at all lessened by a naturalistic interpretation?

I thought not.

Plutonian Shore - GUSTAVE DORÉ

A Stately Raven Of The Saintly Days Of Yore - GUSTAVE DORÉ

Upon The Bust Of Pallas - GUSTAVE DORÉ

Shall Be Lifted Nevermore - GUSTAVE DORÉ

Classics Illustrated biography of Edgar Allan Poe

[via LibriVox and Gutenberg.org]

Posted by Jesse Willis

The SFFaudio Podcast #108

Podcast

The SFFaudio Podcast #108 – Jesse talks with Trent Reynolds (of The Violent World Of Parker blog) about Donald E. Westlake’s Hard Case Crime novel 361 (available as an audiobook from BBC Audiobooks America).

Talked about on today’s show:
Richard Stark, the meaning of the title “361“, Roget’s Thesaurus entry #361, “killer’s don’t run around with a thesaurus”, Hard Case Crime, The Hunter, George Washington Bridge, New York, Those Sexy Vintage Sleaze Books blog‘s review of 361, Westlake and the USAF, Backflash, Westlake loves theatre people, actors, Hollywood, “dangerous and scary”, Stark had fans in prison, Parker vs. Dortmunder, The Man With The Getaway Face, revenge, stoic vs. existential, our podcast on Memory by Donald E. Westlake, Gregg Margarite, finding purpose in the purposeless world,

“Yeah. All right, this is what I’ve been thinking. To begin with, every man has to have either a home or a purpose. Do you see that? Either a place to be or something to do. Without one or the other, a man goes nuts. Or he loses his manhood, like a hobo. Or he drinks or kills himself or something else. It doesn’t matter, It’s just that everybody has to have one or the other.”

drinking, “there’s no one more pissed off than this guy”, “the drifter mentality”, how Westlake handles supporting characters, the lawyer’s secretary, the cowardly private detective, honesty vs. duplicity, hardboiled vs. noir, House Of Lords (whiskey), get a job at Walmart vs. take over the mob, Florida, Bill’s suicide, going on a drunk, identity, solider vs. airman, he’s not his father’s son, he’s not his brother’s brother, Charles Ardai, the absence of women, the Hard Case Crime cover (by Richard B. Farrell), Lawrence Block, “A Sound Of Distant Drums” is a long running literary joke, Westlake characters generally read paperbacks, Paul Kavanagh novels, Not Comin’ Home To You, Such Men Are Dangerous, a purposeless ex-military guy living on a deserted island in the Florida Keys, The Green Eagle Score, The Black Ice Score, The Blackbird, Grofield, University Of Chicago Press editions with introductions by Lawrence Block, Block’s Bernie Rhodenbarr’s “Burglar” books, murder mystery vs. identity mystery, Burglars Can’t Be Choosers, The Burglar Who Traded Ted Williams, The Burglar Who Painted Like Mondrian, did Westlake mature out of Parker?, Flashfire, Jason Statham as Parker, Payback, The Hunter, The Man With The Getaway Face, The Mourner, The Score, Two Much, Cops And Robbers by Donald Westlake, the way Westlake paints characters, The Hot Rock, humorous writing, the competent Parker vs. the hapless (bad luck) Dortmunder, Robert Redford, What’s The Worst That Could Happen, The Comedy Is Finished, Donald E. Westlake: an annotated bibliography by David Bratman, coffee, Idi Amin, sadly there is no biography of Donald E. Westlake, Matthew Scudder’s drinking problem, Eight Million Ways To Die, Telling Lies For Fun And Profit: A Manual For Fiction Writers, Lawrence Block should write a Parker book, race-walking, LawrenceBlock.com, Dan Simmons, Garry Disher, Hard Case, “361 is as hard-boiled as fiction comes”, Jim Thompson, The Jugger, Stephen King’s Misery is a spiritual successor to The Jugger, the pragmatism of celebrity/writer privacy, wheelbarrows full of books, too much of a good thing: “too many fans can interfere with your operation”, receiving unsolicited books, advanced reading copies, “it really clarifies your understanding of what your purpose is if you are confronted by a barrage of things that aren’t your purpose”, book tours do two things: sell books and reward the readers, Sheldon Lord, Lawrence Block’s sleaze books are coming to ebook, Random House, Lynn Monroe, Hellcats And Honey Girls, Subterranean Press, Robert Silverberg, Marion Zimmer Bradley, The Triumph Of Evil, Double Indemnity, The Postman Always Rings Twice, Bravo Two Zero by Andy McNab, A Drop Of The Hard Stuff, Getting Off by Lawrence Block (Jill Emerson).

Posted by Jesse Willis

JAMES BOND: You Only Live Twice by Ian Fleming

Aural Noir: Online Audio

“You only live twice:
Once when you’re born
And once when you look death in the face.”
-James Bond

You Only Live Twice (1964 Playboy Magazine)

If you’ve only seen the movie version of You Only Live Twice you’re in for a very pleasant surprise. Ian Fleming’s original novel is strikingly different from the movie of the same name. The movie, written at least in part by Roald Dahl, uses very little of the book – just a few of the characters and a couple of the settings. And while the movie’s story structure is very familiar, (having been later recycled in The Spy Who Loved Me, Moonraker and Tomorrow Never Dies) this stands in sharp contrast to the seemingly one-off nature of the novel (and the radio drama).

You Only Live Twice (1964 Playboy)

At the novel’s start Bond is despondent and listless over the death of his wife (recently murdered by Ernst Stavro Blofeld). Seeing Bond unable to do his job, M promotes him and gives him a “last-chance opportunity to shape up.” Bond is re-numbered as 7777, and assigned an “impossible mission”: to convince the head of Japan’s secret intelligence service, Tiger Tanaka, to betray the CIA and provide access to their top secret Soviet communique decryption machine. Much of the middle of the novel then takes the form of a kind of homosocial courtship between Bond and Tanaka. Eventually, Tanaka agrees to give up the data, but only in exchange for Bond’s agreeing to assassinate an eccentric resident alien named Dr. Guntram Shatterhand. Shatterhand, it seems, is operating a politically embarrassing “Garden of Death” where too many Japanese are going to commit suicide. Aided by former Japanese movie star Kissy Suzuki, Bond accepts the assignment on his personal authority, and with help in the form of make-up and training, attempts to penetrate Shatterhand’s coastal castle. Throw in a marriage, a pregnancy, lots of ninjas and a temporary case of amnesia and you’ve got one loaded story!!

You can get a great sense of of the novel from the exceedingly faithful radio dramatization available over on RadioArchive.cc!

Michael Jayston makes a fine Bond and Clive Merrison’s performance as Tanaka is solid, if not authentically Japanese.

You Only Live Twice
Based on the novel by Ian Fleming; Adapted by Michael Bakewell; Performed by a full cast
1 MP3 – Approx. 90 Minutes [RADIO DRAMA]
Broacaster: BBC Radio 4
Broadcast: 1990
Provider: RadioArchive.cc
Cast:
James Bond…..Michael Jayston
‘M’…..David King
Henderson…..Jame Laurenson
Tanaka…..Clive Merrison
Kissy…..Sayo Inaba
Trembling leaf…..Danielle Allen
Ando…..Bert Kwouk
Priest…..Danid Bannerman
Blofeld…..Ronald Herdman
Irma…..Maxine Audley
Molony…..Michale Turner
Kono…..Mark Straker
Tracey…..Emma Gregory
Mariko…..Tara Dominick

And, the unabridged audiobook (as narrated by Simon Vance) is available over at Blackstone Audio.

You Only Live Twice
By Ian Fleming; Read by Simon Vance
6 CDs or 1 MP3-CD – Approx. 6.8 Hours [UNABRIDGED]
Publisher: Blackstone Audio
Published: 2001
ISBN: 9781433261350 (cd), 9781433290398 (mp3-cd)
Bond, a shattered man after the death of his wife at the hands of Ernst Stavro Blofeld, has gone to pieces as an agent, endangering himself and his fellow operatives. M, unwilling to accept the loss of one of his best men, sends 007 to Japan for one last, near-impossible mission. But Japan proves to be Bond’s downfall, leading him to a mysterious residence known as the “Castle of Death,” where he encounters an old enemy revitalized. All the omens suggest that this is the end for the British agent and, for once, Bond himself seems unable to disagree…

Posted by Jesse Willis